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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3496E it is the complementary color #5CB691. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3496E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3496E shade: #A84969, #B95B7C, #CA6D8F, #DB7FA2 and #EC91B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3496E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3496E shade: #A3496E, #92375B, #812548, #701335 and #5F0122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3496E shade: #A2496D, #A24955 and #A24949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3496E shade: #A2496D, #A24985, #A2499D, #8E49A2 and #7649A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3496E shade matches the following richer shades: #A2496D, #B5366A, #C82367 and #DB1063

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3496E shade: #A2496D, #8F5C71, #7C6F74, #698277 and #56957B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3496E shade: #A2499D, #A24986, #A2496E, #A24956 and #A25349

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3496E shade: #692F47, #853C5A, #A2496D, #B65D82 and #C37A98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3496E shade: #A3496E, #A28F49 and #4992A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3496E shade: #A3496E, #6EA249 and #496EA2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3496E shade: #A3496E, #A28F49, #49A27D and #495CA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3496E shade: #A3496E, #9AA249, #49A27D and #5049A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 33 / 36

HEX #A3496E

RGB 163 73 110

HSL 335.33, 0.38%, 0.46%

LAB 43.77, 41.27, -3.2

 

Complementary color

CMYK 49 / 0 / 20 / 29

HEX #5CB691

RGB 92 182 145

HSL 155.33, 0.38%, 0.54%

LAB 67.85, -35.82, 10.65

 

CMYK 0 / 57 / 38 / 34

HEX #A84969

RGB 168 73 105

HSL 339.79, 0.39%, 0.47%

LAB 44.39, 42.36, 0.88

 

CMYK 0 / 51 / 33 / 27

HEX #B95B7C

RGB 185 91 124

HSL 338.94, 0.4%, 0.54%

LAB 50.98, 41.54, -0.69

 

CMYK 0 / 46 / 29 / 21

HEX #CA6D8F

RGB 202 109 143

HSL 338.06, 0.47%, 0.61%

LAB 57.54, 40.67, -2

 

CMYK 0 / 42 / 26 / 14

HEX #DB7FA2

RGB 219 127 162

HSL 337.17, 0.56%, 0.68%

LAB 64.04, 39.81, -3.11

 

CMYK 0 / 39 / 23 / 7

HEX #EC91B5

RGB 236 145 181

HSL 336.26, 0.71%, 0.75%

LAB 70.47, 38.98, -4.09

 

CMYK 0 / 55 / 33 / 36

HEX #A3496E

RGB 163 73 110

HSL 335.33, 0.38%, 0.46%

LAB 43.77, 41.27, -3.2

 

CMYK 0 / 62 / 38 / 43

HEX #92375B

RGB 146 55 91

HSL 336.26, 0.45%, 0.39%

LAB 37.11, 41.92, -1.44

 

CMYK 0 / 71 / 44 / 49

HEX #812548

RGB 129 37 72

HSL 337.17, 0.55%, 0.33%

LAB 30.54, 42.2, 0.88

 

CMYK 0 / 83 / 53 / 56

HEX #701335

RGB 112 19 53

HSL 338.06, 0.71%, 0.26%

LAB 24.22, 41.65, 4.13

 

CMYK 0 / 99 / 64 / 63

HEX #5F0122

RGB 95 1 34

HSL 338.94, 0.98%, 0.19%

LAB 18.23, 40.03, 8.6

 

CMYK 0 / 55 / 33 / 36

HEX #A2496D

RGB 162 73 109

HSL 335.73, 0.38%, 0.46%

LAB 43.58, 40.79, -2.87

 

CMYK 0 / 55 / 48 / 36

HEX #A24955

RGB 162 73 85

HSL 351.91, 0.38%, 0.46%

LAB 42.92, 38, 10.97

 

CMYK 0 / 55 / 55 / 36

HEX #A24949

RGB 162 73 73

HSL 0, 0.38%, 0.46%

LAB 42.65, 36.87, 17.98

 

CMYK 0 / 55 / 33 / 36

HEX #A2496D

RGB 162 73 109

HSL 335.73, 0.38%, 0.46%

LAB 43.58, 40.79, -2.87

 

CMYK 0 / 55 / 18 / 36

HEX #A24985

RGB 162 73 133

HSL 319.55, 0.38%, 0.46%

LAB 44.43, 44.24, -16.26

 

CMYK 0 / 55 / 3 / 36

HEX #A2499D

RGB 162 73 157

HSL 303.37, 0.38%, 0.46%

LAB 45.47, 48.27, -29.09

 

CMYK 12 / 55 / 0 / 36

HEX #8E49A2

RGB 142 73 162

HSL 286.52, 0.38%, 0.46%

LAB 42.95, 43.59, -36.22

 

CMYK 27 / 55 / 0 / 36

HEX #7649A2

RGB 118 73 162

HSL 270.34, 0.38%, 0.46%

LAB 39.96, 37.02, -41.16

 

CMYK 0 / 55 / 33 / 36

HEX #A2496D

RGB 162 73 109

HSL 335.73, 0.38%, 0.46%

LAB 43.58, 40.79, -2.87

 

CMYK 0 / 70 / 41 / 29

HEX #B5366A

RGB 181 54 106

HSL 335.43, 0.54%, 0.46%

LAB 43.51, 54.96, -0.76

 

CMYK 0 / 83 / 49 / 22

HEX #C82367

RGB 200 35 103

HSL 335.27, 0.7%, 0.46%

LAB 44.89, 65.71, 3.54

 

CMYK 0 / 93 / 55 / 14

HEX #DB1063

RGB 219 16 99

HSL 335.47, 0.86%, 0.46%

LAB 47.41, 73.26, 10.12

 

CMYK 0 / 55 / 33 / 36

HEX #A2496D

RGB 162 73 109

HSL 335.73, 0.38%, 0.46%

LAB 43.58, 40.79, -2.87

 

CMYK 0 / 36 / 21 / 44

HEX #8F5C71

RGB 143 92 113

HSL 335.29, 0.22%, 0.46%

LAB 45.2, 24.05, -3.22

 

CMYK 0 / 10 / 6 / 51

HEX #7C6F74

RGB 124 111 116

HSL 336.92, 0.06%, 0.46%

LAB 48.15, 6.01, -0.93

 

CMYK 19 / 0 / 8 / 49

HEX #698277

RGB 105 130 119

HSL 153.6, 0.11%, 0.46%

LAB 52.18, -11.38, 2.97

 

CMYK 42 / 0 / 17 / 42

HEX #56957B

RGB 86 149 123

HSL 155.24, 0.27%, 0.46%

LAB 56.98, -26.59, 7.43

 

CMYK 0 / 55 / 3 / 36

HEX #A2499D

RGB 162 73 157

HSL 303.37, 0.38%, 0.46%

LAB 45.47, 48.27, -29.09

 

CMYK 0 / 55 / 17 / 36

HEX #A24986

RGB 162 73 134

HSL 318.88, 0.38%, 0.46%

LAB 44.47, 44.4, -16.8

 

CMYK 0 / 55 / 32 / 36

HEX #A2496E

RGB 162 73 110

HSL 335.06, 0.38%, 0.46%

LAB 43.61, 40.92, -3.44

 

CMYK 0 / 55 / 47 / 36

HEX #A24956

RGB 162 73 86

HSL 351.24, 0.38%, 0.46%

LAB 42.94, 38.11, 10.39

 

CMYK 0 / 49 / 55 / 36

HEX #A25349

RGB 162 83 73

HSL 6.74, 0.38%, 0.46%

LAB 44.73, 31.59, 20.73

 

CMYK 0 / 55 / 32 / 59

HEX #692F47

RGB 105 47 71

HSL 335.17, 0.38%, 0.3%

LAB 28.09, 28.89, -2.55

 

CMYK 0 / 55 / 32 / 48

HEX #853C5A

RGB 133 60 90

HSL 335.34, 0.38%, 0.38%

LAB 35.9, 34.79, -2.84

 

CMYK 0 / 55 / 33 / 36

HEX #A2496D

RGB 162 73 109

HSL 335.73, 0.38%, 0.46%

LAB 43.58, 40.79, -2.87

 

CMYK 0 / 49 / 29 / 29

HEX #B65D82

RGB 182 93 130

HSL 335.06, 0.38%, 0.54%

LAB 51.14, 40.26, -4.09

 

CMYK 0 / 37 / 22 / 24

HEX #C37A98

RGB 195 122 152

HSL 335.34, 0.38%, 0.62%

LAB 59.7, 32.56, -4.13

 

CMYK 0 / 55 / 33 / 36

HEX #A3496E

RGB 163 73 110

HSL 335.33, 0.38%, 0.46%

LAB 43.77, 41.27, -3.2

 

CMYK 0 / 12 / 55 / 36

HEX #A28F49

RGB 162 143 73

HSL 47.19, 0.38%, 0.46%

LAB 59.71, -2.09, 39.4

 

CMYK 55 / 10 / 0 / 36

HEX #4992A2

RGB 73 146 162

HSL 190.79, 0.38%, 0.46%

LAB 56.67, -18.08, -15.4

 

CMYK 0 / 55 / 33 / 36

HEX #A3496E

RGB 163 73 110

HSL 335.33, 0.38%, 0.46%

LAB 43.77, 41.27, -3.2

 

CMYK 32 / 0 / 55 / 36

HEX #6EA249

RGB 110 162 73

HSL 95.06, 0.38%, 0.46%

LAB 61.34, -33.25, 40.36

 

CMYK 55 / 32 / 0 / 36

HEX #496EA2

RGB 73 110 162

HSL 215.06, 0.38%, 0.46%

LAB 45.88, 2.56, -32.03

 

CMYK 0 / 55 / 33 / 36

HEX #A3496E

RGB 163 73 110

HSL 335.33, 0.38%, 0.46%

LAB 43.77, 41.27, -3.2

 

CMYK 0 / 12 / 55 / 36

HEX #A28F49

RGB 162 143 73

HSL 47.19, 0.38%, 0.46%

LAB 59.71, -2.09, 39.4

 

CMYK 55 / 0 / 23 / 36

HEX #49A27D

RGB 73 162 125

HSL 155.06, 0.38%, 0.46%

LAB 60.55, -35.72, 11.29

 

CMYK 55 / 43 / 0 / 36

HEX #495CA2

RGB 73 92 162

HSL 227.19, 0.38%, 0.46%

LAB 40.7, 13.85, -40.21

 

CMYK 0 / 55 / 33 / 36

HEX #A3496E

RGB 163 73 110

HSL 335.33, 0.38%, 0.46%

LAB 43.77, 41.27, -3.2

 

CMYK 5 / 0 / 55 / 36

HEX #9AA249

RGB 154 162 73

HSL 65.39, 0.38%, 0.46%

LAB 64.32, -15.69, 44.59

 

CMYK 55 / 0 / 23 / 36

HEX #49A27D

RGB 73 162 125

HSL 155.06, 0.38%, 0.46%

LAB 60.55, -35.72, 11.29

 

CMYK 51 / 55 / 0 / 36

HEX #5049A2

RGB 80 73 162

HSL 244.72, 0.38%, 0.46%

LAB 36.14, 27.58, -47.49

 

Description

Color code: HEX #A3496E | qconv.com Color code: HEX #A3496E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 73 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 73 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 33 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 33% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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