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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A345D6 it is the complementary color #5CBA29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A345D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A345D6 shade: #A845D1, #B957E4, #CA69F7, #DB7BFF and #EC8DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A345D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A345D6 shade: #A345D6, #9233C3, #8121B0, #700F9D and #5F008A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A345D6 shade: #A243D6, #CA43D6, #D643BA, #D64393 and #D6436B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A345D6 shade: #A243D6, #7A43D6, #5343D6 and #4343D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A345D6 shade matches the following richer shades: #A243D6, #A830E8 and #AD1EFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A345D6 shade: #A243D6, #9D55C3, #9768B1, #927B9E and #8C8D8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A345D6 shade: #5143D6, #7943D6, #A043D6, #C743D6 and #D643BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A345D6 shade: #7624A2, #8E2BC4, #A243D6, #B365DD and #C386E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A345D6 shade: #A345D6, #D6435B and #43D665

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A345D6 shade: #A345D6, #D6A043 and #43D6A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A345D6 shade: #A345D6, #D6435B, #79D643 and #43D6BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A345D6 shade: #A345D6, #D65643, #79D643 and #43C2D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 68 / 0 / 16

HEX #A345D6

RGB 163 69 214

HSL 278.9, 0.64%, 0.55%

LAB 48.13, 61.61, -58.12

 

Complementary color

CMYK 51 / 0 / 78 / 27

HEX #5CBA29

RGB 92 186 41

HSL 98.9, 0.64%, 0.45%

LAB 67.69, -52.01, 59.95

 

CMYK 20 / 67 / 0 / 18

HEX #A845D1

RGB 168 69 209

HSL 282.43, 0.6%, 0.55%

LAB 48.49, 61.64, -54.64

 

CMYK 19 / 62 / 0 / 11

HEX #B957E4

RGB 185 87 228

HSL 281.7, 0.72%, 0.62%

LAB 54.8, 61.3, -55.21

 

CMYK 18 / 57 / 0 / 3

HEX #CA69F7

RGB 202 105 247

HSL 280.99, 0.9%, 0.69%

LAB 61.11, 60.75, -55.6

 

CMYK 14 / 52 / 0 / 0

HEX #DB7BFF

RGB 219 123 255

HSL 283.64, 1%, 0.74%

LAB 66.86, 57.85, -50.75

 

CMYK 7 / 45 / 0 / 0

HEX #EC8DFF

RGB 236 141 255

HSL 290, 1%, 0.78%

LAB 72.3, 53.43, -42.07

 

CMYK 24 / 68 / 0 / 16

HEX #A345D6

RGB 163 69 214

HSL 278.9, 0.64%, 0.55%

LAB 48.13, 61.61, -58.12

 

CMYK 25 / 74 / 0 / 24

HEX #9233C3

RGB 146 51 195

HSL 279.58, 0.59%, 0.48%

LAB 41.87, 61.61, -57.37

 

CMYK 27 / 81 / 0 / 31

HEX #8121B0

RGB 129 33 176

HSL 280.28, 0.68%, 0.41%

LAB 35.77, 60.94, -56.18

 

CMYK 29 / 90 / 0 / 38

HEX #700F9D

RGB 112 15 157

HSL 280.99, 0.83%, 0.34%

LAB 29.96, 59.1, -54.3

 

CMYK 31 / 100 / 0 / 46

HEX #5F008A

RGB 95 0 138

HSL 281.3, 1%, 0.27%

LAB 24.54, 55.72, -51.55

 

CMYK 24 / 69 / 0 / 16

HEX #A243D6

RGB 162 67 214

HSL 278.78, 0.64%, 0.55%

LAB 47.69, 62.26, -58.84

 

CMYK 6 / 69 / 0 / 16

HEX #CA43D6

RGB 202 67 214

HSL 295.1, 0.64%, 0.55%

LAB 53.41, 70.77, -49.35

 

CMYK 0 / 69 / 13 / 16

HEX #D643BA

RGB 214 67 186

HSL 311.43, 0.64%, 0.55%

LAB 53.87, 69.1, -32.42

 

CMYK 0 / 69 / 31 / 16

HEX #D64393

RGB 214 67 147

HSL 327.35, 0.64%, 0.55%

LAB 52.31, 63.98, -11.94

 

CMYK 0 / 69 / 50 / 16

HEX #D6436B

RGB 214 67 107

HSL 343.67, 0.64%, 0.55%

LAB 51.12, 59.94, 10.31

 

CMYK 24 / 69 / 0 / 16

HEX #A243D6

RGB 162 67 214

HSL 278.78, 0.64%, 0.55%

LAB 47.69, 62.26, -58.84

 

CMYK 43 / 69 / 0 / 16

HEX #7A43D6

RGB 122 67 214

HSL 262.45, 0.64%, 0.55%

LAB 42.77, 54.45, -67.03

 

CMYK 61 / 69 / 0 / 16

HEX #5343D6

RGB 83 67 214

HSL 246.53, 0.64%, 0.55%

LAB 39.08, 48.16, -73.21

 

CMYK 69 / 69 / 0 / 16

HEX #4343D6

RGB 67 67 214

HSL 240, 0.64%, 0.55%

LAB 37.95, 46.13, -75.11

 

CMYK 24 / 69 / 0 / 16

HEX #A243D6

RGB 162 67 214

HSL 278.78, 0.64%, 0.55%

LAB 47.69, 62.26, -58.84

 

CMYK 28 / 79 / 0 / 9

HEX #A830E8

RGB 168 48 232

HSL 279.13, 0.8%, 0.55%

LAB 47.32, 74.07, -69.64

 

CMYK 31 / 88 / 0 / 2

HEX #AD1EFB

RGB 173 30 251

HSL 278.82, 0.97%, 0.55%

LAB 47.98, 82.99, -79.22

 

CMYK 24 / 69 / 0 / 16

HEX #A243D6

RGB 162 67 214

HSL 278.78, 0.64%, 0.55%

LAB 47.69, 62.26, -58.84

 

CMYK 19 / 56 / 0 / 24

HEX #9D55C3

RGB 157 85 195

HSL 279.27, 0.48%, 0.55%

LAB 49.01, 48.47, -45.83

 

CMYK 15 / 41 / 0 / 31

HEX #9768B1

RGB 151 104 177

HSL 278.63, 0.32%, 0.55%

LAB 51.44, 32.4, -31.62

 

CMYK 8 / 22 / 0 / 38

HEX #927B9E

RGB 146 123 158

HSL 279.43, 0.15%, 0.55%

LAB 54.81, 15.61, -15.46

 

CMYK 1 / 0 / 1 / 45

HEX #8C8D8B

RGB 140 141 139

HSL 90, 0.01%, 0.55%

LAB 58.5, -0.75, 0.93

 

CMYK 62 / 69 / 0 / 16

HEX #5143D6

RGB 81 67 214

HSL 245.71, 0.64%, 0.55%

LAB 38.93, 47.88, -73.47

 

CMYK 43 / 69 / 0 / 16

HEX #7943D6

RGB 121 67 214

HSL 262.04, 0.64%, 0.55%

LAB 42.66, 54.27, -67.22

 

CMYK 25 / 69 / 0 / 16

HEX #A043D6

RGB 160 67 214

HSL 277.96, 0.64%, 0.55%

LAB 47.42, 61.85, -59.28

 

CMYK 7 / 69 / 0 / 16

HEX #C743D6

RGB 199 67 214

HSL 293.88, 0.64%, 0.55%

LAB 52.96, 70.11, -50.09

 

CMYK 0 / 69 / 12 / 16

HEX #D643BD

RGB 214 67 189

HSL 310.2, 0.64%, 0.55%

LAB 54.01, 69.53, -33.94

 

CMYK 27 / 78 / 0 / 36

HEX #7624A2

RGB 118 36 162

HSL 279.05, 0.64%, 0.39%

LAB 33.4, 55, -51.71

 

CMYK 28 / 78 / 0 / 23

HEX #8E2BC4

RGB 142 43 196

HSL 278.82, 0.64%, 0.47%

LAB 40.35, 64.02, -60.44

 

CMYK 24 / 69 / 0 / 16

HEX #A243D6

RGB 162 67 214

HSL 278.78, 0.64%, 0.55%

LAB 47.69, 62.26, -58.84

 

CMYK 19 / 54 / 0 / 13

HEX #B365DD

RGB 179 101 221

HSL 279, 0.64%, 0.63%

LAB 56.2, 51.55, -49.07

 

CMYK 15 / 41 / 0 / 10

HEX #C386E5

RGB 195 134 229

HSL 278.53, 0.65%, 0.71%

LAB 65.21, 40.17, -39.22

 

CMYK 24 / 68 / 0 / 16

HEX #A345D6

RGB 163 69 214

HSL 278.9, 0.64%, 0.55%

LAB 48.13, 61.61, -58.12

 

CMYK 0 / 69 / 57 / 16

HEX #D6435B

RGB 214 67 91

HSL 350.2, 0.64%, 0.55%

LAB 50.76, 58.7, 19.46

 

CMYK 69 / 0 / 53 / 16

HEX #43D665

RGB 67 214 101

HSL 133.88, 0.64%, 0.55%

LAB 76.21, -61.97, 44.36

 

CMYK 24 / 68 / 0 / 16

HEX #A345D6

RGB 163 69 214

HSL 278.9, 0.64%, 0.55%

LAB 48.13, 61.61, -58.12

 

CMYK 0 / 25 / 69 / 16

HEX #D6A043

RGB 214 160 67

HSL 37.96, 0.64%, 0.55%

LAB 69.36, 10.84, 54.52

 

CMYK 69 / 0 / 25 / 16

HEX #43D6A0

RGB 67 214 160

HSL 157.96, 0.64%, 0.55%

LAB 77.18, -51.24, 15.6

 

CMYK 24 / 68 / 0 / 16

HEX #A345D6

RGB 163 69 214

HSL 278.9, 0.64%, 0.55%

LAB 48.13, 61.61, -58.12

 

CMYK 0 / 69 / 57 / 16

HEX #D6435B

RGB 214 67 91

HSL 350.2, 0.64%, 0.55%

LAB 50.76, 58.7, 19.46

 

CMYK 43 / 0 / 69 / 16

HEX #79D643

RGB 121 214 67

HSL 97.96, 0.64%, 0.55%

LAB 77.62, -52.29, 61.14

 

CMYK 69 / 0 / 12 / 16

HEX #43D6BD

RGB 67 214 189

HSL 169.8, 0.64%, 0.55%

LAB 77.85, -44.29, 1.1

 

CMYK 24 / 68 / 0 / 16

HEX #A345D6

RGB 163 69 214

HSL 278.9, 0.64%, 0.55%

LAB 48.13, 61.61, -58.12

 

CMYK 0 / 60 / 69 / 16

HEX #D65643

RGB 214 86 67

HSL 7.76, 0.64%, 0.55%

LAB 53.34, 49.23, 36.69

 

CMYK 43 / 0 / 69 / 16

HEX #79D643

RGB 121 214 67

HSL 97.96, 0.64%, 0.55%

LAB 77.62, -52.29, 61.14

 

CMYK 69 / 9 / 0 / 16

HEX #43C2D6

RGB 67 194 214

HSL 188.16, 0.64%, 0.55%

LAB 72.65, -28.06, -20.14

 

Description

Color code: HEX #A345D6 | qconv.com Color code: HEX #A345D6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 69 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 69 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 68 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 68% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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