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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A34245 it is the complementary color #5CBDBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A34245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A34245 shade: #A84240, #B95453, #CA6666, #DB7879 and #EC8A8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A34245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A34245 shade: #A34245, #923032, #811E1F, #700C0C and #5F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A34245 shade: #A34346 and #A34343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A34245 shade: #A34346, #A34360, #A3437A, #A34394 and #9843A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A34245 shade matches the following richer shades: #A34346, #B63034, #C81D23 and #DB0B11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A34245 shade: #A34346, #905557, #7E6868, #6B7A7A and #598D8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A34245 shade: #A34379, #A3435F, #A34346, #A35943 and #A37343

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A34245 shade: #682B2D, #863739, #A34346, #BA5558 and #C67275

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A34245 shade: #A34245, #93A343 and #436CA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A34245 shade: #A34245, #46A343 and #4346A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A34245 shade: #A34245, #93A343, #43A3A0 and #5343A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A34245 shade: #A34245, #76A343, #43A3A0 and #7043A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 58 / 36

HEX #A34245

RGB 163 66 69

HSL 358.14, 0.42%, 0.45%

LAB 41.39, 40.41, 18.79

 

Complementary color

CMYK 51 / 0 / 2 / 26

HEX #5CBDBA

RGB 92 189 186

HSL 178.14, 0.42%, 0.55%

LAB 71.02, -29.16, -7.24

 

CMYK 0 / 61 / 62 / 34

HEX #A84240

RGB 168 66 64

HSL 1.15, 0.45%, 0.45%

LAB 42.14, 41.86, 22.98

 

CMYK 0 / 55 / 55 / 27

HEX #B95453

RGB 185 84 83

HSL 0.59, 0.42%, 0.53%

LAB 48.61, 40.75, 20.52

 

CMYK 0 / 50 / 50 / 21

HEX #CA6666

RGB 202 102 102

HSL 0, 0.49%, 0.6%

LAB 55.09, 39.61, 18.47

 

CMYK 0 / 45 / 45 / 14

HEX #DB7879

RGB 219 120 121

HSL 359.39, 0.58%, 0.66%

LAB 61.54, 38.51, 16.73

 

CMYK 0 / 42 / 41 / 7

HEX #EC8A8C

RGB 236 138 140

HSL 358.78, 0.72%, 0.73%

LAB 67.95, 37.46, 15.22

 

CMYK 0 / 60 / 58 / 36

HEX #A34245

RGB 163 66 69

HSL 358.14, 0.42%, 0.45%

LAB 41.39, 40.41, 18.79

 

CMYK 0 / 67 / 66 / 43

HEX #923032

RGB 146 48 50

HSL 358.78, 0.51%, 0.38%

LAB 34.91, 41.34, 21.64

 

CMYK 0 / 77 / 76 / 49

HEX #811E1F

RGB 129 30 31

HSL 359.39, 0.62%, 0.31%

LAB 28.63, 41.81, 25.25

 

CMYK 0 / 89 / 89 / 56

HEX #700C0C

RGB 112 12 12

HSL 0, 0.81%, 0.24%

LAB 22.77, 41.25, 29.17

 

CMYK 0 / 100 / 100 / 63

HEX #5F0000

RGB 95 0 0

HSL 0, 1%, 0.19%

LAB 17.61, 38.89, 27.21

 

CMYK 0 / 59 / 57 / 36

HEX #A34346

RGB 163 67 70

HSL 358.13, 0.42%, 0.45%

LAB 41.6, 40.01, 18.44

 

CMYK 0 / 59 / 59 / 36

HEX #A34343

RGB 163 67 67

HSL 0, 0.42%, 0.45%

LAB 41.54, 39.77, 20.21

 

CMYK 0 / 59 / 57 / 36

HEX #A34346

RGB 163 67 70

HSL 358.13, 0.42%, 0.45%

LAB 41.6, 40.01, 18.44

 

CMYK 0 / 59 / 41 / 36

HEX #A34360

RGB 163 67 96

HSL 341.88, 0.42%, 0.45%

LAB 42.22, 42.53, 3.2

 

CMYK 0 / 59 / 25 / 36

HEX #A3437A

RGB 163 67 122

HSL 325.63, 0.42%, 0.45%

LAB 43.07, 45.84, -11.6

 

CMYK 0 / 59 / 9 / 36

HEX #A34394

RGB 163 67 148

HSL 309.38, 0.42%, 0.45%

LAB 44.15, 49.86, -25.75

 

CMYK 7 / 59 / 0 / 36

HEX #9843A3

RGB 152 67 163

HSL 293.13, 0.42%, 0.45%

LAB 43.26, 49.53, -36.23

 

CMYK 0 / 59 / 57 / 36

HEX #A34346

RGB 163 67 70

HSL 358.13, 0.42%, 0.45%

LAB 41.6, 40.01, 18.44

 

CMYK 0 / 74 / 71 / 29

HEX #B63034

RGB 182 48 52

HSL 358.21, 0.58%, 0.45%

LAB 41.7, 53.41, 30.24

 

CMYK 0 / 86 / 83 / 22

HEX #C81D23

RGB 200 29 35

HSL 357.89, 0.75%, 0.45%

LAB 43.18, 63.39, 42.59

 

CMYK 0 / 95 / 92 / 14

HEX #DB0B11

RGB 219 11 17

HSL 358.27, 0.9%, 0.45%

LAB 46.1, 70.62, 54.83

 

CMYK 0 / 59 / 57 / 36

HEX #A34346

RGB 163 67 70

HSL 358.13, 0.42%, 0.45%

LAB 41.6, 40.01, 18.44

 

CMYK 0 / 41 / 40 / 44

HEX #905557

RGB 144 85 87

HSL 357.97, 0.26%, 0.45%

LAB 42.94, 24.73, 9.38

 

CMYK 0 / 17 / 17 / 51

HEX #7E6868

RGB 126 104 104

HSL 0, 0.1%, 0.45%

LAB 46.09, 8.75, 3.28

 

CMYK 12 / 0 / 0 / 52

HEX #6B7A7A

RGB 107 122 122

HSL 180, 0.07%, 0.45%

LAB 50.04, -5.52, -1.88

 

CMYK 37 / 0 / 1 / 45

HEX #598D8B

RGB 89 141 139

HSL 177.69, 0.23%, 0.45%

LAB 55.11, -17.77, -4.44

 

CMYK 0 / 59 / 26 / 36

HEX #A34379

RGB 163 67 121

HSL 326.25, 0.42%, 0.45%

LAB 43.04, 45.7, -11.04

 

CMYK 0 / 59 / 42 / 36

HEX #A3435F

RGB 163 67 95

HSL 342.5, 0.42%, 0.45%

LAB 42.2, 42.41, 3.78

 

CMYK 0 / 59 / 57 / 36

HEX #A34346

RGB 163 67 70

HSL 358.13, 0.42%, 0.45%

LAB 41.6, 40.01, 18.44

 

CMYK 0 / 45 / 59 / 36

HEX #A35943

RGB 163 89 67

HSL 13.75, 0.42%, 0.45%

LAB 46.09, 28.21, 26.06

 

CMYK 0 / 29 / 59 / 36

HEX #A37343

RGB 163 115 67

HSL 30, 0.42%, 0.45%

LAB 52.35, 13.55, 33.77

 

CMYK 0 / 59 / 57 / 59

HEX #682B2D

RGB 104 43 45

HSL 358.03, 0.41%, 0.29%

LAB 26.33, 27.58, 12.25

 

CMYK 0 / 59 / 57 / 47

HEX #863739

RGB 134 55 57

HSL 358.48, 0.42%, 0.37%

LAB 34.18, 34.08, 15.85

 

CMYK 0 / 59 / 57 / 36

HEX #A34346

RGB 163 67 70

HSL 358.13, 0.42%, 0.45%

LAB 41.6, 40.01, 18.44

 

CMYK 0 / 54 / 53 / 27

HEX #BA5558

RGB 186 85 88

HSL 358.22, 0.42%, 0.53%

LAB 49.06, 41.04, 18.16

 

CMYK 0 / 42 / 41 / 22

HEX #C67275

RGB 198 114 117

HSL 357.86, 0.42%, 0.61%

LAB 57.39, 33.36, 12.84

 

CMYK 0 / 60 / 58 / 36

HEX #A34245

RGB 163 66 69

HSL 358.14, 0.42%, 0.45%

LAB 41.39, 40.41, 18.79

 

CMYK 10 / 0 / 59 / 36

HEX #93A343

RGB 147 163 67

HSL 70, 0.42%, 0.45%

LAB 64, -19.66, 46.91

 

CMYK 59 / 34 / 0 / 36

HEX #436CA3

RGB 67 108 163

HSL 214.38, 0.42%, 0.45%

LAB 45.03, 2.8, -33.97

 

CMYK 0 / 60 / 58 / 36

HEX #A34245

RGB 163 66 69

HSL 358.14, 0.42%, 0.45%

LAB 41.39, 40.41, 18.79

 

CMYK 57 / 0 / 59 / 36

HEX #46A343

RGB 70 163 67

HSL 118.13, 0.42%, 0.45%

LAB 59.8, -47.04, 41

 

CMYK 59 / 57 / 0 / 36

HEX #4346A3

RGB 67 70 163

HSL 238.13, 0.42%, 0.45%

LAB 34.43, 27.13, -50.89

 

CMYK 0 / 60 / 58 / 36

HEX #A34245

RGB 163 66 69

HSL 358.14, 0.42%, 0.45%

LAB 41.39, 40.41, 18.79

 

CMYK 10 / 0 / 59 / 36

HEX #93A343

RGB 147 163 67

HSL 70, 0.42%, 0.45%

LAB 64, -19.66, 46.91

 

CMYK 59 / 0 / 2 / 36

HEX #43A3A0

RGB 67 163 160

HSL 178.13, 0.42%, 0.45%

LAB 61.59, -28.58, -6.9

 

CMYK 49 / 59 / 0 / 36

HEX #5343A3

RGB 83 67 163

HSL 250, 0.42%, 0.45%

LAB 35, 32.3, -49.92

 

CMYK 0 / 60 / 58 / 36

HEX #A34245

RGB 163 66 69

HSL 358.14, 0.42%, 0.45%

LAB 41.39, 40.41, 18.79

 

CMYK 28 / 0 / 59 / 36

HEX #76A343

RGB 118 163 67

HSL 88.13, 0.42%, 0.45%

LAB 62.04, -31.35, 44.17

 

CMYK 59 / 0 / 2 / 36

HEX #43A3A0

RGB 67 163 160

HSL 178.13, 0.42%, 0.45%

LAB 61.59, -28.58, -6.9

 

CMYK 31 / 59 / 0 / 36

HEX #7043A3

RGB 112 67 163

HSL 268.13, 0.42%, 0.45%

LAB 38.03, 39.11, -44.88

 

Description

Color code: HEX #A34245 | qconv.com Color code: HEX #A34245 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 66 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 66 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 58 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 58% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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