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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A33AE2 it is the complementary color #5CC51D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A33AE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A33AE2 shade: #A83ADD, #B94CF0, #CA5EFF, #DB70FF and #EC82FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A33AE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A33AE2 shade: #A33AE2, #9228CF, #8116BC, #7004A9 and #5F0096

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A33AE2 shade: #A43CE2, #D03CE2, #E23CC7, #E23C9A and #E23C6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A33AE2 shade: #A43CE2, #773CE2, #4A3CE2 and #3C3CE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A33AE2 shade matches the following richer shades: #A43CE2 and #A82AF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A33AE2 shade: #A43CE2, #9F4ED0, #9A60BE, #9672AB and #918499

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A33AE2 shade: #4A3CE2, #763CE2, #A23CE2, #CE3CE2 and #E23CC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A33AE2 shade: #781AB1, #9120D5, #A43CE2, #B460E7 and #C584ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A33AE2 shade: #A33AE2, #E23C5A and #3CE260

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A33AE2 shade: #A33AE2, #E2A23C and #3CE2A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A33AE2 shade: #A33AE2, #E23C5A, #7BE23C and #3CE2C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A33AE2 shade: #A33AE2, #E24F3C, #7BE23C and #3CCEE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 74 / 0 / 11

HEX #A33AE2

RGB 163 58 226

HSL 277.5, 0.74%, 0.56%

LAB 47.37, 68.58, -66.18

 

Complementary color

CMYK 53 / 0 / 85 / 23

HEX #5CC51D

RGB 92 197 29

HSL 97.5, 0.74%, 0.44%

LAB 71.07, -56.67, 66.26

 

CMYK 24 / 74 / 0 / 13

HEX #A83ADD

RGB 168 58 221

HSL 280.49, 0.71%, 0.55%

LAB 47.72, 68.47, -62.75

 

CMYK 23 / 68 / 0 / 6

HEX #B94CF0

RGB 185 76 240

HSL 279.88, 0.85%, 0.62%

LAB 53.79, 68.57, -63.56

 

CMYK 21 / 63 / 0 / 0

HEX #CA5EFF

RGB 202 94 255

HSL 280.25, 1%, 0.68%

LAB 59.69, 67.47, -62.29

 

CMYK 14 / 56 / 0 / 0

HEX #DB70FF

RGB 219 112 255

HSL 284.9, 1%, 0.72%

LAB 64.86, 63.17, -53.92

 

CMYK 7 / 49 / 0 / 0

HEX #EC82FF

RGB 236 130 255

HSL 290.88, 1%, 0.75%

LAB 70.19, 58.9, -45.37

 

CMYK 28 / 74 / 0 / 11

HEX #A33AE2

RGB 163 58 226

HSL 277.5, 0.74%, 0.56%

LAB 47.37, 68.58, -66.18

 

CMYK 29 / 81 / 0 / 19

HEX #9228CF

RGB 146 40 207

HSL 278.08, 0.68%, 0.48%

LAB 41.43, 67.95, -65.06

 

CMYK 31 / 88 / 0 / 26

HEX #8116BC

RGB 129 22 188

HSL 278.67, 0.79%, 0.41%

LAB 35.74, 66.33, -63.35

 

CMYK 34 / 98 / 0 / 34

HEX #7004A9

RGB 112 4 169

HSL 279.27, 0.95%, 0.34%

LAB 30.39, 63.39, -60.88

 

CMYK 37 / 100 / 0 / 41

HEX #5F0096

RGB 95 0 150

HSL 278, 1%, 0.29%

LAB 25.67, 58.19, -57.15

 

CMYK 27 / 73 / 0 / 11

HEX #A43CE2

RGB 164 60 226

HSL 277.59, 0.74%, 0.56%

LAB 47.77, 68.01, -65.53

 

CMYK 8 / 73 / 0 / 11

HEX #D03CE2

RGB 208 60 226

HSL 293.49, 0.74%, 0.56%

LAB 54.17, 76.43, -54.9

 

CMYK 0 / 73 / 12 / 11

HEX #E23CC7

RGB 226 60 199

HSL 309.76, 0.74%, 0.56%

LAB 55.61, 76.04, -37.06

 

CMYK 0 / 73 / 32 / 11

HEX #E23C9A

RGB 226 60 154

HSL 326.02, 0.74%, 0.56%

LAB 53.74, 70.33, -13.72

 

CMYK 0 / 73 / 52 / 11

HEX #E23C6D

RGB 226 60 109

HSL 342.29, 0.74%, 0.56%

LAB 52.4, 66.05, 11.22

 

CMYK 27 / 73 / 0 / 11

HEX #A43CE2

RGB 164 60 226

HSL 277.59, 0.74%, 0.56%

LAB 47.77, 68.01, -65.53

 

CMYK 47 / 73 / 0 / 11

HEX #773CE2

RGB 119 60 226

HSL 261.33, 0.74%, 0.56%

LAB 42.22, 60.4, -74.81

 

CMYK 67 / 73 / 0 / 11

HEX #4A3CE2

RGB 74 60 226

HSL 245.06, 0.74%, 0.56%

LAB 38.16, 54.57, -81.63

 

CMYK 73 / 73 / 0 / 11

HEX #3C3CE2

RGB 60 60 226

HSL 240, 0.74%, 0.56%

LAB 37.27, 53.25, -83.14

 

CMYK 27 / 73 / 0 / 11

HEX #A43CE2

RGB 164 60 226

HSL 277.59, 0.74%, 0.56%

LAB 47.77, 68.01, -65.53

 

CMYK 31 / 83 / 0 / 4

HEX #A82AF4

RGB 168 42 244

HSL 277.43, 0.9%, 0.56%

LAB 47.64, 78.19, -75.88

 

CMYK 27 / 73 / 0 / 11

HEX #A43CE2

RGB 164 60 226

HSL 277.59, 0.74%, 0.56%

LAB 47.77, 68.01, -65.53

 

CMYK 24 / 63 / 0 / 18

HEX #9F4ED0

RGB 159 78 208

HSL 277.38, 0.58%, 0.56%

LAB 48.73, 55.3, -53.75

 

CMYK 19 / 49 / 0 / 25

HEX #9A60BE

RGB 154 96 190

HSL 277.02, 0.42%, 0.56%

LAB 50.63, 40.67, -40.4

 

CMYK 12 / 33 / 0 / 33

HEX #9672AB

RGB 150 114 171

HSL 277.89, 0.25%, 0.56%

LAB 53.45, 25, -25.04

 

CMYK 5 / 14 / 0 / 40

HEX #918499

RGB 145 132 153

HSL 277.14, 0.09%, 0.56%

LAB 56.9, 9, -9.43

 

CMYK 67 / 73 / 0 / 11

HEX #4A3CE2

RGB 74 60 226

HSL 245.06, 0.74%, 0.56%

LAB 38.16, 54.57, -81.63

 

CMYK 48 / 73 / 0 / 11

HEX #763CE2

RGB 118 60 226

HSL 260.96, 0.74%, 0.56%

LAB 42.11, 60.24, -74.99

 

CMYK 28 / 73 / 0 / 11

HEX #A23CE2

RGB 162 60 226

HSL 276.87, 0.74%, 0.56%

LAB 47.5, 67.64, -65.98

 

CMYK 9 / 73 / 0 / 11

HEX #CE3CE2

RGB 206 60 226

HSL 292.77, 0.74%, 0.56%

LAB 53.86, 76.04, -55.4

 

CMYK 0 / 73 / 11 / 11

HEX #E23CC9

RGB 226 60 201

HSL 309.04, 0.74%, 0.56%

LAB 55.7, 76.32, -38.05

 

CMYK 32 / 85 / 0 / 31

HEX #781AB1

RGB 120 26 177

HSL 277.35, 0.74%, 0.4%

LAB 33.79, 61.77, -60.07

 

CMYK 32 / 85 / 0 / 16

HEX #9120D5

RGB 145 32 213

HSL 277.46, 0.74%, 0.48%

LAB 40.99, 71.28, -69.25

 

CMYK 27 / 73 / 0 / 11

HEX #A43CE2

RGB 164 60 226

HSL 277.59, 0.74%, 0.56%

LAB 47.77, 68.01, -65.53

 

CMYK 22 / 58 / 0 / 9

HEX #B460E7

RGB 180 96 231

HSL 277.33, 0.74%, 0.64%

LAB 55.93, 56.46, -55.12

 

CMYK 17 / 44 / 0 / 7

HEX #C584ED

RGB 197 132 237

HSL 277.14, 0.74%, 0.72%

LAB 65.35, 43.52, -43.41

 

CMYK 28 / 74 / 0 / 11

HEX #A33AE2

RGB 163 58 226

HSL 277.5, 0.74%, 0.56%

LAB 47.37, 68.58, -66.18

 

CMYK 0 / 73 / 60 / 11

HEX #E23C5A

RGB 226 60 90

HSL 349.16, 0.74%, 0.56%

LAB 51.99, 64.71, 22.08

 

CMYK 73 / 0 / 58 / 11

HEX #3CE260

RGB 60 226 96

HSL 133.01, 0.74%, 0.56%

LAB 79.73, -67.81, 50.85

 

CMYK 28 / 74 / 0 / 11

HEX #A33AE2

RGB 163 58 226

HSL 277.5, 0.74%, 0.56%

LAB 47.37, 68.58, -66.18

 

CMYK 0 / 28 / 73 / 11

HEX #E2A23C

RGB 226 162 60

HSL 36.87, 0.74%, 0.56%

LAB 71.1, 14.55, 59.73

 

CMYK 73 / 0 / 28 / 11

HEX #3CE2A2

RGB 60 226 162

HSL 156.87, 0.74%, 0.56%

LAB 80.72, -56.53, 19.46

 

CMYK 28 / 74 / 0 / 11

HEX #A33AE2

RGB 163 58 226

HSL 277.5, 0.74%, 0.56%

LAB 47.37, 68.58, -66.18

 

CMYK 0 / 73 / 60 / 11

HEX #E23C5A

RGB 226 60 90

HSL 349.16, 0.74%, 0.56%

LAB 51.99, 64.71, 22.08

 

CMYK 46 / 0 / 73 / 11

HEX #7BE23C

RGB 123 226 60

HSL 97.23, 0.74%, 0.56%

LAB 81.25, -56.83, 67.35

 

CMYK 73 / 0 / 14 / 11

HEX #3CE2C3

RGB 60 226 195

HSL 168.8, 0.74%, 0.56%

LAB 81.45, -48.79, 3.13

 

CMYK 28 / 74 / 0 / 11

HEX #A33AE2

RGB 163 58 226

HSL 277.5, 0.74%, 0.56%

LAB 47.37, 68.58, -66.18

 

CMYK 0 / 65 / 73 / 11

HEX #E24F3C

RGB 226 79 60

HSL 6.87, 0.74%, 0.56%

LAB 54.12, 56.06, 41.96

 

CMYK 46 / 0 / 73 / 11

HEX #7BE23C

RGB 123 226 60

HSL 97.23, 0.74%, 0.56%

LAB 81.25, -56.83, 67.35

 

CMYK 73 / 9 / 0 / 11

HEX #3CCEE2

RGB 60 206 226

HSL 187.23, 0.74%, 0.56%

LAB 76.43, -31.17, -20.9

 

Description

Color code: HEX #A33AE2 | qconv.com Color code: HEX #A33AE2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 58 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 58 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 74 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 74% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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