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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A334D7 it is the complementary color #5CCB28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A334D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A334D7 shade: #A834D2, #B946E5, #CA58F8, #DB6AFF and #EC7CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A334D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A334D7 shade: #A334D7, #9222C4, #8110B1, #70009E and #5F008B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A334D7 shade: #A233D7, #CF33D7, #D733B2, #D73386 and #D7335A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A334D7 shade: #A233D7, #7633D7, #4A33D7 and #3333D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A334D7 shade matches the following richer shades: #A233D7, #A91FEA and #B10BFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A334D7 shade: #A233D7, #9B46C3, #945AAF, #8D6E9B and #868287

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A334D7 shade: #4833D7, #7433D7, #A033D7, #CC33D7 and #D733B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A334D7 shade: #711E99, #8B25BB, #A233D7, #B255DD and #C277E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A334D7 shade: #A334D7, #D73348 and #33D75E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A334D7 shade: #A334D7, #D7A033 and #33D7A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A334D7 shade: #A334D7, #D73348, #69D733 and #33D7C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A334D7 shade: #A334D7, #D74E33, #69D733 and #33BBD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 76 / 0 / 16

HEX #A334D7

RGB 163 52 215

HSL 280.86, 0.67%, 0.52%

LAB 45.84, 68.5, -62.39

 

Complementary color

CMYK 55 / 0 / 80 / 20

HEX #5CCB28

RGB 92 203 40

HSL 100.86, 0.67%, 0.48%

LAB 72.98, -58.34, 65.21

 

CMYK 20 / 75 / 0 / 18

HEX #A834D2

RGB 168 52 210

HSL 284.05, 0.64%, 0.51%

LAB 46.22, 68.44, -58.87

 

CMYK 19 / 69 / 0 / 10

HEX #B946E5

RGB 185 70 229

HSL 283.4, 0.75%, 0.59%

LAB 52.23, 68.79, -59.88

 

CMYK 19 / 65 / 0 / 3

HEX #CA58F8

RGB 202 88 248

HSL 282.75, 0.92%, 0.66%

LAB 58.33, 68.69, -60.59

 

CMYK 14 / 58 / 0 / 0

HEX #DB6AFF

RGB 219 106 255

HSL 285.5, 1%, 0.71%

LAB 63.83, 65.95, -55.56

 

CMYK 7 / 51 / 0 / 0

HEX #EC7CFF

RGB 236 124 255

HSL 291.3, 1%, 0.74%

LAB 69.09, 61.8, -47.1

 

CMYK 24 / 76 / 0 / 16

HEX #A334D7

RGB 163 52 215

HSL 280.86, 0.67%, 0.52%

LAB 45.84, 68.5, -62.39

 

CMYK 26 / 83 / 0 / 23

HEX #9222C4

RGB 146 34 196

HSL 281.48, 0.7%, 0.45%

LAB 39.98, 67.49, -61.02

 

CMYK 27 / 91 / 0 / 31

HEX #8110B1

RGB 129 16 177

HSL 282.11, 0.83%, 0.38%

LAB 34.42, 65.34, -58.97

 

CMYK 29 / 100 / 0 / 38

HEX #70009E

RGB 112 0 158

HSL 282.53, 1%, 0.31%

LAB 29.19, 61.85, -56.17

 

CMYK 32 / 100 / 0 / 45

HEX #5F008B

RGB 95 0 139

HSL 281.01, 1%, 0.27%

LAB 24.63, 55.93, -52.03

 

CMYK 25 / 76 / 0 / 16

HEX #A233D7

RGB 162 51 215

HSL 280.61, 0.67%, 0.52%

LAB 45.57, 68.67, -62.83

 

CMYK 4 / 76 / 0 / 16

HEX #CF33D7

RGB 207 51 215

HSL 297.07, 0.67%, 0.52%

LAB 52.44, 77.11, -51.42

 

CMYK 0 / 76 / 17 / 16

HEX #D733B2

RGB 215 51 178

HSL 313.54, 0.67%, 0.52%

LAB 51.87, 73.34, -30.87

 

CMYK 0 / 76 / 38 / 16

HEX #D73386

RGB 215 51 134

HSL 329.63, 0.67%, 0.52%

LAB 50.14, 68.14, -7.39

 

CMYK 0 / 76 / 58 / 16

HEX #D7335A

RGB 215 51 90

HSL 345.73, 0.67%, 0.52%

LAB 48.95, 64.42, 17.65

 

CMYK 25 / 76 / 0 / 16

HEX #A233D7

RGB 162 51 215

HSL 280.61, 0.67%, 0.52%

LAB 45.57, 68.67, -62.83

 

CMYK 45 / 76 / 0 / 16

HEX #7633D7

RGB 118 51 215

HSL 264.51, 0.67%, 0.52%

LAB 39.79, 61.41, -72.5

 

CMYK 66 / 76 / 0 / 16

HEX #4A33D7

RGB 74 51 215

HSL 248.41, 0.67%, 0.52%

LAB 35.46, 55.84, -79.78

 

CMYK 76 / 76 / 0 / 16

HEX #3333D7

RGB 51 51 215

HSL 240, 0.67%, 0.52%

LAB 33.94, 53.84, -82.35

 

CMYK 25 / 76 / 0 / 16

HEX #A233D7

RGB 162 51 215

HSL 280.61, 0.67%, 0.52%

LAB 45.57, 68.67, -62.83

 

CMYK 28 / 87 / 0 / 8

HEX #A91FEA

RGB 169 31 234

HSL 280.79, 0.83%, 0.52%

LAB 46.12, 79.01, -72.72

 

CMYK 30 / 96 / 0 / 0

HEX #B10BFE

RGB 177 11 254

HSL 280.99, 0.99%, 0.52%

LAB 47.93, 86.66, -80.94

 

CMYK 25 / 76 / 0 / 16

HEX #A233D7

RGB 162 51 215

HSL 280.61, 0.67%, 0.52%

LAB 45.57, 68.67, -62.83

 

CMYK 21 / 64 / 0 / 24

HEX #9B46C3

RGB 155 70 195

HSL 280.8, 0.51%, 0.52%

LAB 46.03, 55.37, -50.61

 

CMYK 15 / 49 / 0 / 31

HEX #945AAF

RGB 148 90 175

HSL 280.94, 0.35%, 0.52%

LAB 47.88, 38.93, -36.06

 

CMYK 9 / 29 / 0 / 39

HEX #8D6E9B

RGB 141 110 155

HSL 281.33, 0.18%, 0.52%

LAB 50.9, 20.84, -19.71

 

CMYK 1 / 4 / 0 / 47

HEX #868287

RGB 134 130 135

HSL 288, 0.02%, 0.52%

LAB 54.85, 2.48, -2.17

 

CMYK 67 / 76 / 0 / 16

HEX #4833D7

RGB 72 51 215

HSL 247.68, 0.67%, 0.52%

LAB 35.3, 55.64, -80.04

 

CMYK 46 / 76 / 0 / 16

HEX #7433D7

RGB 116 51 215

HSL 263.78, 0.67%, 0.52%

LAB 39.56, 61.12, -72.89

 

CMYK 26 / 76 / 0 / 16

HEX #A033D7

RGB 160 51 215

HSL 279.88, 0.67%, 0.52%

LAB 45.29, 68.32, -63.31

 

CMYK 5 / 76 / 0 / 16

HEX #CC33D7

RGB 204 51 215

HSL 295.98, 0.67%, 0.52%

LAB 51.96, 76.53, -52.21

 

CMYK 0 / 76 / 15 / 16

HEX #D733B6

RGB 215 51 182

HSL 312.07, 0.67%, 0.52%

LAB 52.05, 73.88, -32.92

 

CMYK 26 / 80 / 0 / 40

HEX #711E99

RGB 113 30 153

HSL 280.49, 0.67%, 0.36%

LAB 31.21, 54.3, -49.83

 

CMYK 26 / 80 / 0 / 27

HEX #8B25BB

RGB 139 37 187

HSL 280.8, 0.67%, 0.44%

LAB 38.55, 63.64, -58.11

 

CMYK 25 / 76 / 0 / 16

HEX #A233D7

RGB 162 51 215

HSL 280.61, 0.67%, 0.52%

LAB 45.57, 68.67, -62.83

 

CMYK 19 / 62 / 0 / 13

HEX #B255DD

RGB 178 85 221

HSL 281.03, 0.67%, 0.6%

LAB 53.15, 59.16, -53.94

 

CMYK 15 / 48 / 0 / 11

HEX #C277E4

RGB 194 119 228

HSL 281.28, 0.67%, 0.68%

LAB 61.88, 47.69, -43.89

 

CMYK 24 / 76 / 0 / 16

HEX #A334D7

RGB 163 52 215

HSL 280.86, 0.67%, 0.52%

LAB 45.84, 68.5, -62.39

 

CMYK 0 / 76 / 67 / 16

HEX #D73348

RGB 215 51 72

HSL 352.32, 0.67%, 0.52%

LAB 48.61, 63.35, 28.11

 

CMYK 76 / 0 / 56 / 16

HEX #33D75E

RGB 51 215 94

HSL 135.73, 0.67%, 0.52%

LAB 76.14, -65.7, 47.48

 

CMYK 24 / 76 / 0 / 16

HEX #A334D7

RGB 163 52 215

HSL 280.86, 0.67%, 0.52%

LAB 45.84, 68.5, -62.39

 

CMYK 0 / 26 / 76 / 16

HEX #D7A033

RGB 215 160 51

HSL 39.88, 0.67%, 0.52%

LAB 69.35, 10.51, 61.18

 

CMYK 76 / 0 / 26 / 16

HEX #33D7A0

RGB 51 215 160

HSL 159.88, 0.67%, 0.52%

LAB 77.19, -53.79, 15.57

 

CMYK 24 / 76 / 0 / 16

HEX #A334D7

RGB 163 52 215

HSL 280.86, 0.67%, 0.52%

LAB 45.84, 68.5, -62.39

 

CMYK 0 / 76 / 67 / 16

HEX #D73348

RGB 215 51 72

HSL 352.32, 0.67%, 0.52%

LAB 48.61, 63.35, 28.11

 

CMYK 51 / 0 / 76 / 16

HEX #69D733

RGB 105 215 51

HSL 100.24, 0.67%, 0.52%

LAB 77.19, -58.52, 66.08

 

CMYK 76 / 0 / 10 / 16

HEX #33D7C1

RGB 51 215 193

HSL 171.95, 0.67%, 0.52%

LAB 77.97, -45.65, -0.9

 

CMYK 24 / 76 / 0 / 16

HEX #A334D7

RGB 163 52 215

HSL 280.86, 0.67%, 0.52%

LAB 45.84, 68.5, -62.39

 

CMYK 0 / 64 / 76 / 16

HEX #D74E33

RGB 215 78 51

HSL 9.88, 0.67%, 0.52%

LAB 51.99, 52.39, 43.9

 

CMYK 51 / 0 / 76 / 16

HEX #69D733

RGB 105 215 51

HSL 100.24, 0.67%, 0.52%

LAB 77.19, -58.52, 66.08

 

CMYK 76 / 13 / 0 / 16

HEX #33BBD7

RGB 51 187 215

HSL 190.24, 0.67%, 0.52%

LAB 70.28, -26.25, -24.33

 

Description

Color code: HEX #A334D7 | qconv.com Color code: HEX #A334D7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 52 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 52 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 76 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 76% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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