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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A33450 it is the complementary color #5CCBAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A33450. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A33450 shade: #A8344B, #B9465E, #CA5871, #DB6A84 and #EC7C97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A33450. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A33450 shade: #A33450, #92223D, #81102A, #700017 and #5F0004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A33450 shade: #A33350 and #A33333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A33450 shade: #A33350, #A3336E, #A3338C, #9C33A3 and #7E33A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A33450 shade matches the following richer shades: #A33350, #B42247 and #C5113E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A33450 shade: #A33350, #914558, #805661, #6F6769 and #5D7972

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A33450 shade: #A3338D, #A3336F, #A33351, #A33333 and #A35133

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A33450 shade: #642031, #832A40, #A33350, #C23E5F and #CC5D79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A33450 shade: #A33450, #A39B33 and #337EA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A33450 shade: #A33450, #51A333 and #3351A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A33450 shade: #A33450, #A39B33, #33A385 and #333BA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A33450 shade: #A33450, #89A333, #33A385 and #4D33A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 51 / 36

HEX #A33450

RGB 163 52 80

HSL 344.86, 0.52%, 0.42%

LAB 39.28, 47.69, 9.03

 

Complementary color

CMYK 55 / 0 / 14 / 20

HEX #5CCBAF

RGB 92 203 175

HSL 164.86, 0.52%, 0.58%

LAB 74.88, -38.5, 4.39

 

CMYK 0 / 69 / 55 / 34

HEX #A8344B

RGB 168 52 75

HSL 348.1, 0.53%, 0.43%

LAB 40.06, 48.88, 13.41

 

CMYK 0 / 62 / 49 / 27

HEX #B9465E

RGB 185 70 94

HSL 347.48, 0.45%, 0.5%

LAB 46.32, 48.38, 10.74

 

CMYK 0 / 56 / 44 / 21

HEX #CA5871

RGB 202 88 113

HSL 346.84, 0.52%, 0.57%

LAB 52.65, 47.63, 8.6

 

CMYK 0 / 52 / 40 / 14

HEX #DB6A84

RGB 219 106 132

HSL 346.19, 0.61%, 0.64%

LAB 59.01, 46.75, 6.82

 

CMYK 0 / 47 / 36 / 7

HEX #EC7C97

RGB 236 124 151

HSL 345.54, 0.75%, 0.71%

LAB 65.34, 45.85, 5.32

 

CMYK 0 / 68 / 51 / 36

HEX #A33450

RGB 163 52 80

HSL 344.86, 0.52%, 0.42%

LAB 39.28, 47.69, 9.03

 

CMYK 0 / 77 / 58 / 43

HEX #92223D

RGB 146 34 61

HSL 345.54, 0.62%, 0.35%

LAB 33.12, 47.66, 12.21

 

CMYK 0 / 88 / 67 / 49

HEX #81102A

RGB 129 16 42

HSL 346.19, 0.78%, 0.28%

LAB 27.31, 46.62, 16.45

 

CMYK 0 / 100 / 79 / 56

HEX #700017

RGB 112 0 23

HSL 347.68, 1%, 0.22%

LAB 21.97, 44.28, 21.87

 

CMYK 0 / 100 / 96 / 63

HEX #5F0004

RGB 95 0 4

HSL 357.47, 1%, 0.19%

LAB 17.65, 39, 25.63

 

CMYK 0 / 69 / 51 / 36

HEX #A33350

RGB 163 51 80

HSL 344.46, 0.52%, 0.42%

LAB 39.13, 48.1, 8.82

 

CMYK 0 / 69 / 69 / 36

HEX #A33333

RGB 163 51 51

HSL 0, 0.52%, 0.42%

LAB 38.54, 46, 26.2

 

CMYK 0 / 69 / 51 / 36

HEX #A33350

RGB 163 51 80

HSL 344.46, 0.52%, 0.42%

LAB 39.13, 48.1, 8.82

 

CMYK 0 / 69 / 33 / 36

HEX #A3336E

RGB 163 51 110

HSL 328.39, 0.52%, 0.42%

LAB 40.05, 51.29, -8.73

 

CMYK 0 / 69 / 14 / 36

HEX #A3338C

RGB 163 51 140

HSL 312.32, 0.52%, 0.42%

LAB 41.29, 55.43, -25.35

 

CMYK 4 / 69 / 0 / 36

HEX #9C33A3

RGB 156 51 163

HSL 296.25, 0.52%, 0.42%

LAB 41.34, 57.51, -39.24

 

CMYK 23 / 69 / 0 / 36

HEX #7E33A3

RGB 126 51 163

HSL 280.18, 0.52%, 0.42%

LAB 36.83, 50.63, -46.7

 

CMYK 0 / 69 / 51 / 36

HEX #A33350

RGB 163 51 80

HSL 344.46, 0.52%, 0.42%

LAB 39.13, 48.1, 8.82

 

CMYK 0 / 81 / 61 / 29

HEX #B42247

RGB 180 34 71

HSL 344.79, 0.68%, 0.42%

LAB 40.09, 58.26, 16.35

 

CMYK 0 / 91 / 69 / 23

HEX #C5113E

RGB 197 17 62

HSL 345, 0.84%, 0.42%

LAB 42.18, 65.66, 25.4

 

CMYK 0 / 69 / 51 / 36

HEX #A33350

RGB 163 51 80

HSL 344.46, 0.52%, 0.42%

LAB 39.13, 48.1, 8.82

 

CMYK 0 / 52 / 39 / 43

HEX #914558

RGB 145 69 88

HSL 345, 0.36%, 0.42%

LAB 39.55, 34.13, 3.97

 

CMYK 0 / 33 / 24 / 50

HEX #805661

RGB 128 86 97

HSL 344.29, 0.2%, 0.42%

LAB 41.39, 19.11, 0.74

 

CMYK 0 / 7 / 5 / 56

HEX #6F6769

RGB 111 103 105

HSL 345, 0.04%, 0.42%

LAB 44.38, 3.54, 0

 

CMYK 23 / 0 / 6 / 53

HEX #5D7972

RGB 93 121 114

HSL 165, 0.13%, 0.42%

LAB 48.53, -11.67, 0.52

 

CMYK 0 / 69 / 13 / 36

HEX #A3338D

RGB 163 51 141

HSL 311.79, 0.52%, 0.42%

LAB 41.34, 55.58, -25.88

 

CMYK 0 / 69 / 32 / 36

HEX #A3336F

RGB 163 51 111

HSL 327.86, 0.52%, 0.42%

LAB 40.08, 51.42, -9.3

 

CMYK 0 / 69 / 50 / 36

HEX #A33351

RGB 163 51 81

HSL 343.93, 0.52%, 0.42%

LAB 39.15, 48.19, 8.22

 

CMYK 0 / 69 / 69 / 36

HEX #A33333

RGB 163 51 51

HSL 0, 0.52%, 0.42%

LAB 38.54, 46, 26.2

 

CMYK 0 / 50 / 69 / 36

HEX #A35133

RGB 163 81 51

HSL 16.07, 0.52%, 0.42%

LAB 44.1, 31.45, 32.81

 

CMYK 0 / 68 / 51 / 61

HEX #642031

RGB 100 32 49

HSL 345, 0.52%, 0.26%

LAB 23.55, 32.15, 5.6

 

CMYK 0 / 68 / 51 / 49

HEX #832A40

RGB 131 42 64

HSL 345.17, 0.51%, 0.34%

LAB 31.47, 39.9, 7.52

 

CMYK 0 / 69 / 51 / 36

HEX #A33350

RGB 163 51 80

HSL 344.46, 0.52%, 0.42%

LAB 39.13, 48.1, 8.82

 

CMYK 0 / 68 / 51 / 24

HEX #C23E5F

RGB 194 62 95

HSL 345, 0.52%, 0.5%

LAB 46.63, 54.76, 10.8

 

CMYK 0 / 54 / 41 / 20

HEX #CC5D79

RGB 204 93 121

HSL 344.86, 0.52%, 0.58%

LAB 54.08, 46.75, 5.92

 

CMYK 0 / 68 / 51 / 36

HEX #A33450

RGB 163 52 80

HSL 344.86, 0.52%, 0.42%

LAB 39.28, 47.69, 9.03

 

CMYK 0 / 5 / 69 / 36

HEX #A39B33

RGB 163 155 51

HSL 55.71, 0.52%, 0.42%

LAB 62.9, -9.7, 53.11

 

CMYK 69 / 23 / 0 / 36

HEX #337EA3

RGB 51 126 163

HSL 199.82, 0.52%, 0.42%

LAB 49.82, -10.91, -26.53

 

CMYK 0 / 68 / 51 / 36

HEX #A33450

RGB 163 52 80

HSL 344.86, 0.52%, 0.42%

LAB 39.28, 47.69, 9.03

 

CMYK 50 / 0 / 69 / 36

HEX #51A333

RGB 81 163 51

HSL 103.93, 0.52%, 0.42%

LAB 60.05, -45.62, 48.52

 

CMYK 69 / 50 / 0 / 36

HEX #3351A3

RGB 51 81 163

HSL 223.93, 0.52%, 0.42%

LAB 36.43, 17.07, -47.72

 

CMYK 0 / 68 / 51 / 36

HEX #A33450

RGB 163 52 80

HSL 344.86, 0.52%, 0.42%

LAB 39.28, 47.69, 9.03

 

CMYK 0 / 5 / 69 / 36

HEX #A39B33

RGB 163 155 51

HSL 55.71, 0.52%, 0.42%

LAB 62.9, -9.7, 53.11

 

CMYK 69 / 0 / 18 / 36

HEX #33A385

RGB 51 163 133

HSL 163.93, 0.52%, 0.42%

LAB 60.42, -38.61, 6.54

 

CMYK 69 / 64 / 0 / 36

HEX #333BA3

RGB 51 59 163

HSL 235.71, 0.52%, 0.42%

LAB 30.58, 31.58, -57.2

 

CMYK 0 / 68 / 51 / 36

HEX #A33450

RGB 163 52 80

HSL 344.86, 0.52%, 0.42%

LAB 39.28, 47.69, 9.03

 

CMYK 16 / 0 / 69 / 36

HEX #89A333

RGB 137 163 51

HSL 73.93, 0.52%, 0.42%

LAB 63.14, -25.03, 52.69

 

CMYK 69 / 0 / 18 / 36

HEX #33A385

RGB 51 163 133

HSL 163.93, 0.52%, 0.42%

LAB 60.42, -38.61, 6.54

 

CMYK 53 / 69 / 0 / 36

HEX #4D33A3

RGB 77 51 163

HSL 253.93, 0.52%, 0.42%

LAB 30.85, 40.63, -56.68

 

Description

Color code: HEX #A33450 | qconv.com Color code: HEX #A33450 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 52 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 52 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 51 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 51% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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