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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A33394 it is the complementary color #5CCC6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A33394. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A33394 shade: #A8338F, #B945A2, #CA57B5, #DB69C8 and #EC7BDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A33394. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A33394 shade: #A33394, #922181, #810F6E, #70005B and #5F0048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A33394 shade: #A33394, #A33376, #A33358, #A3333A and #A33333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A33394 shade: #A33394, #9433A3, #7633A3, #5833A3 and #3A33A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A33394 shade matches the following richer shades: #A33394, #B422A1 and #C511AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A33394 shade: #A33394, #914587, #80567A, #6F676E and #5D7961

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A33394 shade: #7633A3, #9433A3, #A33394, #A33376 and #A33359

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A33394 shade: #64205B, #832A77, #A33394, #C23EB0 and #CC5DBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A33394 shade: #A33394, #A35933 and #33A385

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A33394 shade: #A33394, #94A333 and #3394A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A33394 shade: #A33394, #A35933, #33A342 and #337EA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A33394 shade: #A33394, #A37A33, #33A342 and #335CA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 9 / 36

HEX #A33394

RGB 163 51 148

HSL 308.04, 0.52%, 0.42%

LAB 41.68, 56.67, -29.6

 

Complementary color

CMYK 55 / 0 / 48 / 20

HEX #5CCC6B

RGB 92 204 107

HSL 128.04, 0.52%, 0.58%

LAB 73.88, -52.14, 38.73

 

CMYK 0 / 70 / 15 / 34

HEX #A8338F

RGB 168 51 143

HSL 312.82, 0.53%, 0.43%

LAB 42.27, 57.17, -25.58

 

CMYK 0 / 63 / 12 / 27

HEX #B945A2

RGB 185 69 162

HSL 311.9, 0.46%, 0.5%

LAB 48.48, 57.32, -27.1

 

CMYK 0 / 57 / 10 / 21

HEX #CA57B5

RGB 202 87 181

HSL 310.96, 0.52%, 0.57%

LAB 54.77, 57.07, -28.26

 

CMYK 0 / 52 / 9 / 14

HEX #DB69C8

RGB 219 105 200

HSL 310, 0.61%, 0.64%

LAB 61.07, 56.58, -29.19

 

CMYK 0 / 48 / 7 / 7

HEX #EC7BDB

RGB 236 123 219

HSL 309.03, 0.75%, 0.7%

LAB 67.36, 55.97, -29.96

 

CMYK 0 / 69 / 9 / 36

HEX #A33394

RGB 163 51 148

HSL 308.04, 0.52%, 0.42%

LAB 41.68, 56.67, -29.6

 

CMYK 0 / 77 / 12 / 43

HEX #922181

RGB 146 33 129

HSL 309.03, 0.63%, 0.35%

LAB 35.56, 55.87, -27.74

 

CMYK 0 / 88 / 15 / 49

HEX #810F6E

RGB 129 15 110

HSL 310, 0.79%, 0.28%

LAB 29.75, 53.91, -25.1

 

CMYK 0 / 100 / 19 / 56

HEX #70005B

RGB 112 0 91

HSL 311.25, 1%, 0.22%

LAB 24.32, 50.41, -21.48

 

CMYK 0 / 100 / 24 / 63

HEX #5F0048

RGB 95 0 72

HSL 314.53, 1%, 0.19%

LAB 19.64, 44.22, -16.23

 

CMYK 0 / 69 / 9 / 36

HEX #A33394

RGB 163 51 148

HSL 308.04, 0.52%, 0.42%

LAB 41.68, 56.67, -29.6

 

CMYK 0 / 69 / 28 / 36

HEX #A33376

RGB 163 51 118

HSL 324.11, 0.52%, 0.42%

LAB 40.35, 52.31, -13.26

 

CMYK 0 / 69 / 46 / 36

HEX #A33358

RGB 163 51 88

HSL 340.18, 0.52%, 0.42%

LAB 39.34, 48.85, 4.06

 

CMYK 0 / 69 / 64 / 36

HEX #A3333A

RGB 163 51 58

HSL 356.25, 0.52%, 0.42%

LAB 38.66, 46.42, 22.03

 

CMYK 0 / 69 / 69 / 36

HEX #A33333

RGB 163 51 51

HSL 0, 0.52%, 0.42%

LAB 38.54, 46, 26.2

 

CMYK 0 / 69 / 9 / 36

HEX #A33394

RGB 163 51 148

HSL 308.04, 0.52%, 0.42%

LAB 41.68, 56.67, -29.6

 

CMYK 9 / 69 / 0 / 36

HEX #9433A3

RGB 148 51 163

HSL 291.96, 0.52%, 0.42%

LAB 40.09, 55.65, -41.3

 

CMYK 28 / 69 / 0 / 36

HEX #7633A3

RGB 118 51 163

HSL 275.89, 0.52%, 0.42%

LAB 35.72, 48.86, -48.55

 

CMYK 46 / 69 / 0 / 36

HEX #5833A3

RGB 88 51 163

HSL 259.82, 0.52%, 0.42%

LAB 32, 42.66, -54.75

 

CMYK 64 / 69 / 0 / 36

HEX #3A33A3

RGB 58 51 163

HSL 243.75, 0.52%, 0.42%

LAB 29.19, 37.59, -59.47

 

CMYK 0 / 69 / 9 / 36

HEX #A33394

RGB 163 51 148

HSL 308.04, 0.52%, 0.42%

LAB 41.68, 56.67, -29.6

 

CMYK 0 / 81 / 11 / 29

HEX #B422A1

RGB 180 34 161

HSL 307.81, 0.68%, 0.42%

LAB 43.39, 67.86, -34.54

 

CMYK 0 / 91 / 12 / 23

HEX #C511AD

RGB 197 17 173

HSL 308, 0.84%, 0.42%

LAB 46.03, 75.96, -37.32

 

CMYK 0 / 69 / 9 / 36

HEX #A33394

RGB 163 51 148

HSL 308.04, 0.52%, 0.42%

LAB 41.68, 56.67, -29.6

 

CMYK 0 / 52 / 7 / 43

HEX #914587

RGB 145 69 135

HSL 307.89, 0.36%, 0.42%

LAB 41.26, 41.28, -22.57

 

CMYK 0 / 33 / 5 / 50

HEX #80567A

RGB 128 86 122

HSL 308.57, 0.2%, 0.42%

LAB 42.23, 23.59, -13.34

 

CMYK 0 / 7 / 1 / 56

HEX #6F676E

RGB 111 103 110

HSL 307.5, 0.04%, 0.42%

LAB 44.53, 4.55, -2.8

 

CMYK 23 / 0 / 20 / 53

HEX #5D7961

RGB 93 121 97

HSL 128.57, 0.13%, 0.42%

LAB 48.09, -15.31, 9.91

 

CMYK 28 / 69 / 0 / 36

HEX #7633A3

RGB 118 51 163

HSL 275.89, 0.52%, 0.42%

LAB 35.72, 48.86, -48.55

 

CMYK 9 / 69 / 0 / 36

HEX #9433A3

RGB 148 51 163

HSL 291.96, 0.52%, 0.42%

LAB 40.09, 55.65, -41.3

 

CMYK 0 / 69 / 9 / 36

HEX #A33394

RGB 163 51 148

HSL 308.04, 0.52%, 0.42%

LAB 41.68, 56.67, -29.6

 

CMYK 0 / 69 / 28 / 36

HEX #A33376

RGB 163 51 118

HSL 324.11, 0.52%, 0.42%

LAB 40.35, 52.31, -13.26

 

CMYK 0 / 69 / 45 / 36

HEX #A33359

RGB 163 51 89

HSL 339.64, 0.52%, 0.42%

LAB 39.37, 48.95, 3.47

 

CMYK 0 / 68 / 9 / 61

HEX #64205B

RGB 100 32 91

HSL 307.94, 0.52%, 0.26%

LAB 25.25, 38.16, -20.19

 

CMYK 0 / 68 / 9 / 49

HEX #832A77

RGB 131 42 119

HSL 308.09, 0.51%, 0.34%

LAB 33.59, 47.24, -24.77

 

CMYK 0 / 69 / 9 / 36

HEX #A33394

RGB 163 51 148

HSL 308.04, 0.52%, 0.42%

LAB 41.68, 56.67, -29.6

 

CMYK 0 / 68 / 9 / 24

HEX #C23EB0

RGB 194 62 176

HSL 308.18, 0.52%, 0.5%

LAB 49.56, 64.57, -33.57

 

CMYK 0 / 54 / 7 / 20

HEX #CC5DBD

RGB 204 93 189

HSL 308.11, 0.52%, 0.58%

LAB 56.43, 56.16, -30.29

 

CMYK 0 / 69 / 9 / 36

HEX #A33394

RGB 163 51 148

HSL 308.04, 0.52%, 0.42%

LAB 41.68, 56.67, -29.6

 

CMYK 0 / 45 / 69 / 36

HEX #A35933

RGB 163 89 51

HSL 20.36, 0.52%, 0.42%

LAB 45.87, 27.09, 34.84

 

CMYK 69 / 0 / 18 / 36

HEX #33A385

RGB 51 163 133

HSL 163.93, 0.52%, 0.42%

LAB 60.42, -38.61, 6.54

 

CMYK 0 / 69 / 9 / 36

HEX #A33394

RGB 163 51 148

HSL 308.04, 0.52%, 0.42%

LAB 41.68, 56.67, -29.6

 

CMYK 9 / 0 / 69 / 36

HEX #94A333

RGB 148 163 51

HSL 68.04, 0.52%, 0.42%

LAB 63.94, -20.38, 53.77

 

CMYK 69 / 9 / 0 / 36

HEX #3394A3

RGB 51 148 163

HSL 188.04, 0.52%, 0.42%

LAB 56.61, -22.87, -16.12

 

CMYK 0 / 69 / 9 / 36

HEX #A33394

RGB 163 51 148

HSL 308.04, 0.52%, 0.42%

LAB 41.68, 56.67, -29.6

 

CMYK 0 / 45 / 69 / 36

HEX #A35933

RGB 163 89 51

HSL 20.36, 0.52%, 0.42%

LAB 45.87, 27.09, 34.84

 

CMYK 69 / 0 / 60 / 36

HEX #33A342

RGB 51 163 66

HSL 128.04, 0.52%, 0.42%

LAB 59.24, -51.47, 40.69

 

CMYK 69 / 23 / 0 / 36

HEX #337EA3

RGB 51 126 163

HSL 199.82, 0.52%, 0.42%

LAB 49.82, -10.91, -26.53

 

CMYK 0 / 69 / 9 / 36

HEX #A33394

RGB 163 51 148

HSL 308.04, 0.52%, 0.42%

LAB 41.68, 56.67, -29.6

 

CMYK 0 / 25 / 69 / 36

HEX #A37A33

RGB 163 122 51

HSL 38.04, 0.52%, 0.42%

LAB 53.97, 8.45, 43.8

 

CMYK 69 / 0 / 60 / 36

HEX #33A342

RGB 51 163 66

HSL 128.04, 0.52%, 0.42%

LAB 59.24, -51.47, 40.69

 

CMYK 69 / 44 / 0 / 36

HEX #335CA3

RGB 51 92 163

HSL 218.04, 0.52%, 0.42%

LAB 39.58, 9.87, -42.66

 

Description

Color code: HEX #A33394 | qconv.com Color code: HEX #A33394 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 51 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 51 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 9 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 9% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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