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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A323C9 it is the complementary color #5CDC36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A323C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A323C9 shade: #A823C4, #B935D7, #CA47EA, #DB59FD and #EC6BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A323C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A323C9 shade: #A323C9, #9211B6, #8100A3, #700090 and #5F007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A323C9 shade: #A223C7, #C723C1, #C72394, #C72368 and #C7233C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A323C9 shade: #A223C7, #7623C7, #4923C7 and #2323C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A323C9 shade matches the following richer shades: #A223C7 and #AC10DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A323C9 shade: #A223C7, #9836B4, #8D49A1, #835C8E and #796F7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A323C9 shade: #4A23C7, #7523C7, #A123C7, #C723C2 and #C72396

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A323C9 shade: #691781, #851DA4, #A223C7, #B638DC and #C35BE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A323C9 shade: #A323C9, #C72329 and #23C75F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A323C9 shade: #A323C9, #C7A123 and #23C7A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A323C9 shade: #A323C9, #C72329, #4AC723 and #23C7C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A323C9 shade: #A323C9, #C74F23, #4AC723 and #239CC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 83 / 0 / 21

HEX #A323C9

RGB 163 35 201

HSL 286.27, 0.7%, 0.46%

LAB 43.07, 70.98, -58.8

 

Complementary color

CMYK 58 / 0 / 75 / 14

HEX #5CDC36

RGB 92 220 54

HSL 106.27, 0.7%, 0.54%

LAB 78.3, -63.52, 66.06

 

CMYK 14 / 82 / 0 / 23

HEX #A823C4

RGB 168 35 196

HSL 289.57, 0.7%, 0.45%

LAB 43.53, 70.94, -55.12

 

CMYK 14 / 75 / 0 / 16

HEX #B935D7

RGB 185 53 215

HSL 288.89, 0.67%, 0.53%

LAB 49.21, 72.26, -56.79

 

CMYK 14 / 70 / 0 / 8

HEX #CA47EA

RGB 202 71 234

HSL 288.22, 0.8%, 0.6%

LAB 55.08, 72.84, -58

 

CMYK 13 / 65 / 0 / 1

HEX #DB59FD

RGB 219 89 253

HSL 287.56, 0.98%, 0.67%

LAB 61.04, 72.93, -58.89

 

CMYK 7 / 58 / 0 / 0

HEX #EC6BFF

RGB 236 107 255

HSL 292.3, 1%, 0.71%

LAB 66.19, 69.59, -51.67

 

CMYK 19 / 83 / 0 / 21

HEX #A323C9

RGB 163 35 201

HSL 286.27, 0.7%, 0.46%

LAB 43.07, 70.98, -58.8

 

CMYK 20 / 91 / 0 / 29

HEX #9211B6

RGB 146 17 182

HSL 286.91, 0.83%, 0.39%

LAB 37.64, 68.62, -56.58

 

CMYK 21 / 100 / 0 / 36

HEX #8100A3

RGB 129 0 163

HSL 287.48, 1%, 0.32%

LAB 32.51, 65.06, -53.68

 

CMYK 22 / 100 / 0 / 44

HEX #700090

RGB 112 0 144

HSL 286.67, 1%, 0.28%

LAB 28, 59.17, -49.51

 

CMYK 24 / 100 / 0 / 51

HEX #5F007D

RGB 95 0 125

HSL 285.6, 1%, 0.25%

LAB 23.38, 53.14, -45.24

 

CMYK 19 / 82 / 0 / 22

HEX #A223C7

RGB 162 35 199

HSL 286.46, 0.7%, 0.46%

LAB 42.77, 70.45, -58.12

 

CMYK 0 / 82 / 3 / 22

HEX #C723C1

RGB 199 35 193

HSL 302.2, 0.7%, 0.46%

LAB 48.5, 76.13, -45.11

 

CMYK 0 / 82 / 26 / 22

HEX #C72394

RGB 199 35 148

HSL 318.66, 0.7%, 0.46%

LAB 46.29, 70.05, -21.95

 

CMYK 0 / 82 / 48 / 22

HEX #C72368

RGB 199 35 104

HSL 334.76, 0.7%, 0.46%

LAB 44.72, 65.54, 2.65

 

CMYK 0 / 82 / 70 / 22

HEX #C7233C

RGB 199 35 60

HSL 350.85, 0.7%, 0.46%

LAB 43.76, 62.66, 28.66

 

CMYK 19 / 82 / 0 / 22

HEX #A223C7

RGB 162 35 199

HSL 286.46, 0.7%, 0.46%

LAB 42.77, 70.45, -58.12

 

CMYK 41 / 82 / 0 / 22

HEX #7623C7

RGB 118 35 199

HSL 270.37, 0.7%, 0.46%

LAB 36.32, 63.61, -68.91

 

CMYK 63 / 82 / 0 / 22

HEX #4923C7

RGB 73 35 199

HSL 253.9, 0.7%, 0.46%

LAB 31.21, 58.39, -77.51

 

CMYK 82 / 82 / 0 / 22

HEX #2323C7

RGB 35 35 199

HSL 240, 0.7%, 0.46%

LAB 28.6, 55.8, -81.92

 

CMYK 19 / 82 / 0 / 22

HEX #A223C7

RGB 162 35 199

HSL 286.46, 0.7%, 0.46%

LAB 42.77, 70.45, -58.12

 

CMYK 21 / 93 / 0 / 15

HEX #AC10DA

RGB 172 16 218

HSL 286.34, 0.86%, 0.46%

LAB 44.52, 79, -66.18

 

CMYK 19 / 82 / 0 / 22

HEX #A223C7

RGB 162 35 199

HSL 286.46, 0.7%, 0.46%

LAB 42.77, 70.45, -58.12

 

CMYK 16 / 70 / 0 / 29

HEX #9836B4

RGB 152 54 180

HSL 286.67, 0.54%, 0.46%

LAB 42.17, 58.61, -48.05

 

CMYK 12 / 55 / 0 / 37

HEX #8D49A1

RGB 141 73 161

HSL 286.36, 0.38%, 0.46%

LAB 42.76, 43.1, -35.93

 

CMYK 8 / 35 / 0 / 44

HEX #835C8E

RGB 131 92 142

HSL 286.8, 0.21%, 0.46%

LAB 44.85, 25.23, -21.4

 

CMYK 2 / 10 / 0 / 52

HEX #796F7B

RGB 121 111 123

HSL 290, 0.05%, 0.46%

LAB 48.09, 6.27, -5.22

 

CMYK 63 / 82 / 0 / 22

HEX #4A23C7

RGB 74 35 199

HSL 254.27, 0.7%, 0.46%

LAB 31.3, 58.48, -77.35

 

CMYK 41 / 82 / 0 / 22

HEX #7523C7

RGB 117 35 199

HSL 270, 0.7%, 0.46%

LAB 36.19, 63.47, -69.13

 

CMYK 19 / 82 / 0 / 22

HEX #A123C7

RGB 161 35 199

HSL 286.1, 0.7%, 0.46%

LAB 42.62, 70.28, -58.39

 

CMYK 0 / 82 / 3 / 22

HEX #C723C2

RGB 199 35 194

HSL 301.83, 0.7%, 0.46%

LAB 48.56, 76.28, -45.6

 

CMYK 0 / 82 / 25 / 22

HEX #C72396

RGB 199 35 150

HSL 317.93, 0.7%, 0.46%

LAB 46.37, 70.29, -23.02

 

CMYK 19 / 82 / 0 / 49

HEX #691781

RGB 105 23 129

HSL 286.42, 0.7%, 0.3%

LAB 27.3, 50.15, -41.34

 

CMYK 19 / 82 / 0 / 36

HEX #851DA4

RGB 133 29 164

HSL 286.22, 0.7%, 0.38%

LAB 35.09, 60.44, -50.06

 

CMYK 19 / 82 / 0 / 22

HEX #A223C7

RGB 162 35 199

HSL 286.46, 0.7%, 0.46%

LAB 42.77, 70.45, -58.12

 

CMYK 17 / 75 / 0 / 14

HEX #B638DC

RGB 182 56 220

HSL 286.1, 0.7%, 0.54%

LAB 49.42, 71.62, -59.32

 

CMYK 14 / 60 / 0 / 11

HEX #C35BE2

RGB 195 91 226

HSL 286.22, 0.7%, 0.62%

LAB 56.66, 61.43, -51.03

 

CMYK 19 / 83 / 0 / 21

HEX #A323C9

RGB 163 35 201

HSL 286.27, 0.7%, 0.46%

LAB 43.07, 70.98, -58.8

 

CMYK 0 / 82 / 79 / 22

HEX #C72329

RGB 199 35 41

HSL 357.8, 0.7%, 0.46%

LAB 43.51, 61.92, 39.57

 

CMYK 82 / 0 / 52 / 22

HEX #23C75F

RGB 35 199 95

HSL 141.95, 0.7%, 0.46%

LAB 70.89, -62.14, 40.63

 

CMYK 19 / 83 / 0 / 21

HEX #A323C9

RGB 163 35 201

HSL 286.27, 0.7%, 0.46%

LAB 43.07, 70.98, -58.8

 

CMYK 0 / 19 / 82 / 22

HEX #C7A123

RGB 199 161 35

HSL 46.1, 0.7%, 0.46%

LAB 67.84, 2.39, 64.63

 

CMYK 82 / 0 / 19 / 22

HEX #23C7A1

RGB 35 199 161

HSL 166.1, 0.7%, 0.46%

LAB 72.08, -48.75, 7.77

 

CMYK 19 / 83 / 0 / 21

HEX #A323C9

RGB 163 35 201

HSL 286.27, 0.7%, 0.46%

LAB 43.07, 70.98, -58.8

 

CMYK 0 / 82 / 79 / 22

HEX #C72329

RGB 199 35 41

HSL 357.8, 0.7%, 0.46%

LAB 43.51, 61.92, 39.57

 

CMYK 63 / 0 / 82 / 22

HEX #4AC723

RGB 74 199 35

HSL 105.73, 0.7%, 0.46%

LAB 71.16, -61.65, 64.68

 

CMYK 82 / 0 / 3 / 22

HEX #23C7C2

RGB 35 199 194

HSL 178.17, 0.7%, 0.46%

LAB 72.96, -39.8, -8.86

 

CMYK 19 / 83 / 0 / 21

HEX #A323C9

RGB 163 35 201

HSL 286.27, 0.7%, 0.46%

LAB 43.07, 70.98, -58.8

 

CMYK 0 / 60 / 82 / 22

HEX #C74F23

RGB 199 79 35

HSL 16.1, 0.7%, 0.46%

LAB 49.32, 45.71, 48.24

 

CMYK 63 / 0 / 82 / 22

HEX #4AC723

RGB 74 199 35

HSL 105.73, 0.7%, 0.46%

LAB 71.16, -61.65, 64.68

 

CMYK 82 / 22 / 0 / 22

HEX #239CC7

RGB 35 156 199

HSL 195.73, 0.7%, 0.46%

LAB 60.12, -17.03, -31.14

 

Description

Color code: HEX #A323C9 | qconv.com Color code: HEX #A323C9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 35 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 35 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 83 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 83% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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