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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A32377 it is the complementary color #5CDC88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A32377. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A32377 shade: #A82372, #B93585, #CA4798, #DB59AB and #EC6BBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A32377. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A32377 shade: #A32377, #921164, #810051, #70003E and #5F002B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A32377 shade: #A42378, #A42355, #A42332 and #A42323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A32377 shade: #A42378, #A4239B, #8B23A4, #6823A4 and #4523A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A32377 shade matches the following richer shades: #A42378, #B4137D and #C40382

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A32377 shade: #A42378, #943373, #84436E, #745369 and #646364

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A32377 shade: #8A23A4, #A4239B, #A42379, #A42357 and #A42334

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A32377 shade: #601446, #821C5F, #A42378, #C62A90 and #D742A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A32377 shade: #A32377, #A46823 and #23A49B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A32377 shade: #A32377, #79A423 and #2379A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A32377 shade: #A32377, #A46823, #23A44E and #235FA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A32377 shade: #A32377, #A48F23, #23A44E and #2338A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 27 / 36

HEX #A32377

RGB 163 35 119

HSL 320.63, 0.65%, 0.39%

LAB 38.41, 58, -16.84

 

Complementary color

CMYK 58 / 0 / 38 / 14

HEX #5CDC88

RGB 92 220 136

HSL 140.63, 0.65%, 0.61%

LAB 79.18, -53.76, 30.94

 

CMYK 0 / 79 / 32 / 34

HEX #A82372

RGB 168 35 114

HSL 324.36, 0.66%, 0.4%

LAB 39.14, 58.65, -12.52

 

CMYK 0 / 71 / 28 / 27

HEX #B93585

RGB 185 53 133

HSL 323.64, 0.55%, 0.47%

LAB 45.02, 59.54, -15.03

 

CMYK 0 / 65 / 25 / 21

HEX #CA4798

RGB 202 71 152

HSL 322.9, 0.55%, 0.54%

LAB 51.07, 59.74, -16.96

 

CMYK 0 / 59 / 22 / 14

HEX #DB59AB

RGB 219 89 171

HSL 322.15, 0.64%, 0.6%

LAB 57.22, 59.53, -18.5

 

CMYK 0 / 55 / 19 / 7

HEX #EC6BBE

RGB 236 107 190

HSL 321.4, 0.77%, 0.67%

LAB 63.4, 59.08, -19.75

 

CMYK 0 / 79 / 27 / 36

HEX #A32377

RGB 163 35 119

HSL 320.63, 0.65%, 0.39%

LAB 38.41, 58, -16.84

 

CMYK 0 / 88 / 32 / 43

HEX #921164

RGB 146 17 100

HSL 321.4, 0.79%, 0.32%

LAB 32.77, 56.05, -13.72

 

CMYK 0 / 100 / 37 / 49

HEX #810051

RGB 129 0 81

HSL 322.33, 1%, 0.25%

LAB 27.47, 52.85, -9.67

 

CMYK 0 / 100 / 45 / 56

HEX #70003E

RGB 112 0 62

HSL 326.79, 1%, 0.22%

LAB 22.97, 46.96, -3.9

 

CMYK 0 / 100 / 55 / 63

HEX #5F002B

RGB 95 0 43

HSL 332.84, 1%, 0.19%

LAB 18.4, 41, 2.33

 

CMYK 0 / 79 / 27 / 36

HEX #A42378

RGB 164 35 120

HSL 320.47, 0.65%, 0.39%

LAB 38.64, 58.38, -17.1

 

CMYK 0 / 79 / 48 / 36

HEX #A42355

RGB 164 35 85

HSL 336.74, 0.65%, 0.39%

LAB 37.39, 54.59, 3.19

 

CMYK 0 / 79 / 70 / 36

HEX #A42332

RGB 164 35 50

HSL 353.02, 0.65%, 0.39%

LAB 36.6, 52.11, 24.49

 

CMYK 0 / 79 / 79 / 36

HEX #A42323

RGB 164 35 35

HSL 0, 0.65%, 0.39%

LAB 36.4, 51.46, 33.39

 

CMYK 0 / 79 / 27 / 36

HEX #A42378

RGB 164 35 120

HSL 320.47, 0.65%, 0.39%

LAB 38.64, 58.38, -17.1

 

CMYK 0 / 79 / 5 / 36

HEX #A4239B

RGB 164 35 155

HSL 304.19, 0.65%, 0.39%

LAB 40.35, 63.32, -35.92

 

CMYK 15 / 79 / 0 / 36

HEX #8B23A4

RGB 139 35 164

HSL 288.37, 0.65%, 0.39%

LAB 36.69, 59.75, -47.43

 

CMYK 37 / 79 / 0 / 36

HEX #6823A4

RGB 104 35 164

HSL 272.09, 0.65%, 0.39%

LAB 31.41, 53.35, -56.25

 

CMYK 58 / 79 / 0 / 36

HEX #4523A4

RGB 69 35 164

HSL 255.81, 0.65%, 0.39%

LAB 27.15, 48.11, -63.39

 

CMYK 0 / 79 / 27 / 36

HEX #A42378

RGB 164 35 120

HSL 320.47, 0.65%, 0.39%

LAB 38.64, 58.38, -17.1

 

CMYK 0 / 89 / 31 / 29

HEX #B4137D

RGB 180 19 125

HSL 320.5, 0.81%, 0.39%

LAB 40.65, 66.28, -16.86

 

CMYK 0 / 98 / 34 / 23

HEX #C40382

RGB 196 3 130

HSL 320.52, 0.97%, 0.39%

LAB 43.38, 72.04, -15.5

 

CMYK 0 / 79 / 27 / 36

HEX #A42378

RGB 164 35 120

HSL 320.47, 0.65%, 0.39%

LAB 38.64, 58.38, -17.1

 

CMYK 0 / 66 / 22 / 42

HEX #943373

RGB 148 51 115

HSL 320.41, 0.49%, 0.39%

LAB 37.66, 47.56, -15.72

 

CMYK 0 / 49 / 17 / 48

HEX #84436E

RGB 132 67 110

HSL 320.31, 0.33%, 0.39%

LAB 37.92, 33.73, -12.42

 

CMYK 0 / 28 / 9 / 55

HEX #745369

RGB 116 83 105

HSL 320, 0.17%, 0.39%

LAB 39.44, 17.61, -7.23

 

CMYK 0 / 1 / 0 / 61

HEX #646364

RGB 100 99 100

HSL 300, 0.01%, 0.39%

LAB 42.08, 0.6, -0.43

 

CMYK 16 / 79 / 0 / 36

HEX #8A23A4

RGB 138 35 164

HSL 287.91, 0.65%, 0.39%

LAB 36.53, 59.56, -47.7

 

CMYK 0 / 79 / 5 / 36

HEX #A4239B

RGB 164 35 155

HSL 304.19, 0.65%, 0.39%

LAB 40.35, 63.32, -35.92

 

CMYK 0 / 79 / 26 / 36

HEX #A42379

RGB 164 35 121

HSL 320, 0.65%, 0.39%

LAB 38.68, 58.5, -17.66

 

CMYK 0 / 79 / 47 / 36

HEX #A42357

RGB 164 35 87

HSL 335.81, 0.65%, 0.39%

LAB 37.45, 54.77, 1.99

 

CMYK 0 / 79 / 68 / 36

HEX #A42334

RGB 164 35 52

HSL 352.09, 0.65%, 0.39%

LAB 36.64, 52.22, 23.28

 

CMYK 0 / 79 / 27 / 62

HEX #601446

RGB 96 20 70

HSL 320.53, 0.66%, 0.23%

LAB 21.69, 38.61, -11.68

 

CMYK 0 / 78 / 27 / 49

HEX #821C5F

RGB 130 28 95

HSL 320.59, 0.65%, 0.31%

LAB 30.41, 48.6, -14.38

 

CMYK 0 / 79 / 27 / 36

HEX #A42378

RGB 164 35 120

HSL 320.47, 0.65%, 0.39%

LAB 38.64, 58.38, -17.1

 

CMYK 0 / 79 / 27 / 22

HEX #C62A90

RGB 198 42 144

HSL 320.77, 0.65%, 0.47%

LAB 46.55, 67.6, -19.16

 

CMYK 0 / 69 / 24 / 16

HEX #D742A4

RGB 215 66 164

HSL 320.54, 0.65%, 0.55%

LAB 52.98, 66.7, -20.95

 

CMYK 0 / 79 / 27 / 36

HEX #A32377

RGB 163 35 119

HSL 320.63, 0.65%, 0.39%

LAB 38.41, 58, -16.84

 

CMYK 0 / 37 / 79 / 36

HEX #A46823

RGB 164 104 35

HSL 32.09, 0.65%, 0.39%

LAB 49.39, 18.3, 46.46

 

CMYK 79 / 0 / 5 / 36

HEX #23A49B

RGB 35 164 155

HSL 175.81, 0.65%, 0.39%

LAB 61.02, -35.17, -5

 

CMYK 0 / 79 / 27 / 36

HEX #A32377

RGB 163 35 119

HSL 320.63, 0.65%, 0.39%

LAB 38.41, 58, -16.84

 

CMYK 26 / 0 / 79 / 36

HEX #79A423

RGB 121 164 35

HSL 80, 0.65%, 0.39%

LAB 62.29, -32.95, 57.25

 

CMYK 79 / 26 / 0 / 36

HEX #2379A4

RGB 35 121 164

HSL 200, 0.65%, 0.39%

LAB 47.9, -9.91, -30.15

 

CMYK 0 / 79 / 27 / 36

HEX #A32377

RGB 163 35 119

HSL 320.63, 0.65%, 0.39%

LAB 38.41, 58, -16.84

 

CMYK 0 / 37 / 79 / 36

HEX #A46823

RGB 164 104 35

HSL 32.09, 0.65%, 0.39%

LAB 49.39, 18.3, 46.46

 

CMYK 79 / 0 / 52 / 36

HEX #23A44E

RGB 35 164 78

HSL 140, 0.65%, 0.39%

LAB 59.4, -52.73, 34.91

 

CMYK 79 / 42 / 0 / 36

HEX #235FA4

RGB 35 95 164

HSL 212.09, 0.65%, 0.39%

LAB 39.95, 6.03, -42.7

 

CMYK 0 / 79 / 27 / 36

HEX #A32377

RGB 163 35 119

HSL 320.63, 0.65%, 0.39%

LAB 38.41, 58, -16.84

 

CMYK 0 / 13 / 79 / 36

HEX #A48F23

RGB 164 143 35

HSL 50.23, 0.65%, 0.39%

LAB 59.58, -3.56, 55.98

 

CMYK 79 / 0 / 52 / 36

HEX #23A44E

RGB 35 164 78

HSL 140, 0.65%, 0.39%

LAB 59.4, -52.73, 34.91

 

CMYK 79 / 66 / 0 / 36

HEX #2338A4

RGB 35 56 164

HSL 230.23, 0.65%, 0.39%

LAB 29.07, 31.99, -60.32

 

Description

Color code: HEX #A32377 | qconv.com Color code: HEX #A32377 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 35 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 35 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 27 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 27% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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