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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3209F it is the complementary color #5CDF60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3209F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3209F shade: #A8209A, #B932AD, #CA44C0, #DB56D3 and #EC68E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3209F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3209F shade: #A3209F, #920E8C, #810079, #700066 and #5F0053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3209F shade: #A2209E, #A2207B, #A22058, #A22035 and #A22020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3209F shade: #A2209E, #8320A2, #6020A2, #3D20A2 and #2020A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3209F shade matches the following richer shades: #A2209E, #B210AD and #C101BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3209F shade: #A2209E, #92308F, #823F80, #734F72 and #635F63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3209F shade: #5F20A2, #8120A2, #A220A0, #A2207D and #A2205A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3209F shade: #5D125B, #7F197C, #A2209E, #C427BF and #D83CD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3209F shade: #A3209F, #A23C20 and #20A270

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3209F shade: #A3209F, #A0A220 and #20A0A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3209F shade: #A3209F, #A23C20, #20A222 and #2086A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3209F shade: #A3209F, #A26320, #20A222 and #205FA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 2 / 36

HEX #A3209F

RGB 163 32 159

HSL 301.83, 0.67%, 0.38%

LAB 40.12, 64.54, -38.71

 

Complementary color

CMYK 59 / 0 / 57 / 13

HEX #5CDF60

RGB 92 223 96

HSL 121.83, 0.67%, 0.62%

LAB 79.55, -60.76, 50.83

 

CMYK 0 / 81 / 8 / 34

HEX #A8209A

RGB 168 32 154

HSL 306.18, 0.68%, 0.39%

LAB 40.72, 64.81, -34.68

 

CMYK 0 / 73 / 6 / 27

HEX #B932AD

RGB 185 50 173

HSL 305.33, 0.57%, 0.46%

LAB 46.46, 66.17, -36.77

 

CMYK 0 / 66 / 5 / 21

HEX #CA44C0

RGB 202 68 192

HSL 304.48, 0.56%, 0.53%

LAB 52.39, 66.76, -38.34

 

CMYK 0 / 61 / 4 / 14

HEX #DB56D3

RGB 219 86 211

HSL 303.61, 0.65%, 0.6%

LAB 58.43, 66.83, -39.54

 

CMYK 0 / 56 / 3 / 7

HEX #EC68E6

RGB 236 104 230

HSL 302.73, 0.78%, 0.67%

LAB 64.52, 66.6, -40.49

 

CMYK 0 / 80 / 2 / 36

HEX #A3209F

RGB 163 32 159

HSL 301.83, 0.67%, 0.38%

LAB 40.12, 64.54, -38.71

 

CMYK 0 / 90 / 4 / 43

HEX #920E8C

RGB 146 14 140

HSL 302.73, 0.83%, 0.31%

LAB 34.64, 62.03, -36.03

 

CMYK 0 / 100 / 6 / 49

HEX #810079

RGB 129 0 121

HSL 303.72, 1%, 0.25%

LAB 29.53, 58.04, -32.46

 

CMYK 0 / 100 / 9 / 56

HEX #700066

RGB 112 0 102

HSL 305.36, 1%, 0.22%

LAB 24.96, 52, -27.71

 

CMYK 0 / 100 / 13 / 63

HEX #5F0053

RGB 95 0 83

HSL 307.58, 1%, 0.19%

LAB 20.27, 45.8, -22.75

 

CMYK 0 / 80 / 2 / 36

HEX #A2209E

RGB 162 32 158

HSL 301.85, 0.67%, 0.38%

LAB 39.89, 64.18, -38.48

 

CMYK 0 / 80 / 24 / 36

HEX #A2207B

RGB 162 32 123

HSL 318, 0.67%, 0.38%

LAB 38.1, 59.12, -19.83

 

CMYK 0 / 80 / 46 / 36

HEX #A22058

RGB 162 32 88

HSL 334.15, 0.67%, 0.38%

LAB 36.78, 55.2, 0.33

 

CMYK 0 / 80 / 67 / 36

HEX #A22035

RGB 162 32 53

HSL 350.31, 0.67%, 0.38%

LAB 35.93, 52.59, 21.67

 

CMYK 0 / 80 / 80 / 36

HEX #A22020

RGB 162 32 32

HSL 0, 0.67%, 0.38%

LAB 35.63, 51.65, 34.2

 

CMYK 0 / 80 / 2 / 36

HEX #A2209E

RGB 162 32 158

HSL 301.85, 0.67%, 0.38%

LAB 39.89, 64.18, -38.48

 

CMYK 19 / 80 / 0 / 36

HEX #8320A2

RGB 131 32 162

HSL 285.69, 0.67%, 0.38%

LAB 34.94, 58.79, -49.12

 

CMYK 41 / 80 / 0 / 36

HEX #6020A2

RGB 96 32 162

HSL 269.54, 0.67%, 0.38%

LAB 29.73, 52.74, -57.81

 

CMYK 62 / 80 / 0 / 36

HEX #3D20A2

RGB 61 32 162

HSL 253.38, 0.67%, 0.38%

LAB 25.66, 47.99, -64.65

 

CMYK 80 / 80 / 0 / 36

HEX #2020A2

RGB 32 32 162

HSL 240, 0.67%, 0.38%

LAB 23.5, 45.46, -68.3

 

CMYK 0 / 80 / 2 / 36

HEX #A2209E

RGB 162 32 158

HSL 301.85, 0.67%, 0.38%

LAB 39.89, 64.18, -38.48

 

CMYK 0 / 91 / 3 / 30

HEX #B210AD

RGB 178 16 173

HSL 301.85, 0.84%, 0.38%

LAB 42.54, 72.61, -43.07

 

CMYK 0 / 99 / 3 / 24

HEX #C101BB

RGB 193 1 187

HSL 301.88, 0.99%, 0.38%

LAB 45.56, 78.72, -46.36

 

CMYK 0 / 80 / 2 / 36

HEX #A2209E

RGB 162 32 158

HSL 301.85, 0.67%, 0.38%

LAB 39.89, 64.18, -38.48

 

CMYK 0 / 67 / 2 / 43

HEX #92308F

RGB 146 48 143

HSL 301.84, 0.51%, 0.38%

LAB 38.21, 52.76, -32.2

 

CMYK 0 / 52 / 2 / 49

HEX #823F80

RGB 130 63 128

HSL 301.79, 0.35%, 0.38%

LAB 37.59, 38.49, -24.14

 

CMYK 0 / 31 / 1 / 55

HEX #734F72

RGB 115 79 114

HSL 301.67, 0.19%, 0.38%

LAB 38.64, 21.45, -14.03

 

CMYK 0 / 4 / 0 / 61

HEX #635F63

RGB 99 95 99

HSL 300, 0.02%, 0.38%

LAB 40.8, 2.41, -1.72

 

CMYK 41 / 80 / 0 / 36

HEX #5F20A2

RGB 95 32 162

HSL 269.08, 0.67%, 0.38%

LAB 29.6, 52.58, -58.04

 

CMYK 20 / 80 / 0 / 36

HEX #8120A2

RGB 129 32 162

HSL 284.77, 0.67%, 0.38%

LAB 34.62, 58.42, -49.65

 

CMYK 0 / 80 / 1 / 36

HEX #A220A0

RGB 162 32 160

HSL 300.92, 0.67%, 0.38%

LAB 40, 64.49, -39.51

 

CMYK 0 / 80 / 23 / 36

HEX #A2207D

RGB 162 32 125

HSL 317.08, 0.67%, 0.38%

LAB 38.19, 59.38, -20.94

 

CMYK 0 / 80 / 44 / 36

HEX #A2205A

RGB 162 32 90

HSL 333.23, 0.67%, 0.38%

LAB 36.84, 55.39, -0.86

 

CMYK 0 / 81 / 2 / 64

HEX #5D125B

RGB 93 18 91

HSL 301.6, 0.68%, 0.22%

LAB 22, 41.92, -25.4

 

CMYK 0 / 80 / 2 / 50

HEX #7F197C

RGB 127 25 124

HSL 301.76, 0.67%, 0.3%

LAB 31.03, 53.18, -32.01

 

CMYK 0 / 80 / 2 / 36

HEX #A2209E

RGB 162 32 158

HSL 301.85, 0.67%, 0.38%

LAB 39.89, 64.18, -38.48

 

CMYK 0 / 80 / 3 / 23

HEX #C427BF

RGB 196 39 191

HSL 301.91, 0.67%, 0.46%

LAB 48.19, 74.34, -44.47

 

CMYK 0 / 72 / 2 / 15

HEX #D83CD4

RGB 216 60 212

HSL 301.54, 0.67%, 0.54%

LAB 54.64, 75.8, -46.12

 

CMYK 0 / 80 / 2 / 36

HEX #A3209F

RGB 163 32 159

HSL 301.83, 0.67%, 0.38%

LAB 40.12, 64.54, -38.71

 

CMYK 0 / 63 / 80 / 36

HEX #A23C20

RGB 162 60 32

HSL 12.92, 0.67%, 0.38%

LAB 39.61, 40.78, 38.22

 

CMYK 80 / 0 / 31 / 36

HEX #20A270

RGB 32 162 112

HSL 156.92, 0.67%, 0.38%

LAB 59.27, -45.84, 16.58

 

CMYK 0 / 80 / 2 / 36

HEX #A3209F

RGB 163 32 159

HSL 301.83, 0.67%, 0.38%

LAB 40.12, 64.54, -38.71

 

CMYK 1 / 0 / 80 / 36

HEX #A0A220

RGB 160 162 32

HSL 60.92, 0.67%, 0.38%

LAB 64.5, -15.56, 61.2

 

CMYK 80 / 1 / 0 / 36

HEX #20A0A2

RGB 32 160 162

HSL 180.92, 0.67%, 0.38%

LAB 59.94, -31.49, -10.57

 

CMYK 0 / 80 / 2 / 36

HEX #A3209F

RGB 163 32 159

HSL 301.83, 0.67%, 0.38%

LAB 40.12, 64.54, -38.71

 

CMYK 0 / 63 / 80 / 36

HEX #A23C20

RGB 162 60 32

HSL 12.92, 0.67%, 0.38%

LAB 39.61, 40.78, 38.22

 

CMYK 80 / 0 / 79 / 36

HEX #20A222

RGB 32 162 34

HSL 120.92, 0.67%, 0.38%

LAB 58.29, -57.37, 52.59

 

CMYK 80 / 17 / 0 / 36

HEX #2086A2

RGB 32 134 162

HSL 192.92, 0.67%, 0.38%

LAB 51.8, -18.23, -22.94

 

CMYK 0 / 80 / 2 / 36

HEX #A3209F

RGB 163 32 159

HSL 301.83, 0.67%, 0.38%

LAB 40.12, 64.54, -38.71

 

CMYK 0 / 39 / 80 / 36

HEX #A26320

RGB 162 99 32

HSL 30.92, 0.67%, 0.38%

LAB 47.89, 20.12, 46.22

 

CMYK 80 / 0 / 79 / 36

HEX #20A222

RGB 32 162 34

HSL 120.92, 0.67%, 0.38%

LAB 58.29, -57.37, 52.59

 

CMYK 80 / 41 / 0 / 36

HEX #205FA2

RGB 32 95 162

HSL 210.92, 0.67%, 0.38%

LAB 39.75, 4.9, -41.84

 

Description

Color code: HEX #A3209F | qconv.com Color code: HEX #A3209F | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 32 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 32 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 2 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 2% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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