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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A31E79 it is the complementary color #5CE186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A31E79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A31E79 shade: #A81E74, #B93087, #CA429A, #DB54AD and #EC66C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A31E79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A31E79 shade: #A31E79, #920C66, #810053, #700040 and #5F002D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A31E79 shade: #A41E7A, #A41E55, #A41E31 and #A41E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A31E79 shade: #A41E7A, #A41E9E, #861EA4, #621EA4 and #3E1EA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A31E79 shade matches the following richer shades: #A41E7A and #B30E7F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A31E79 shade: #A41E7A, #942E74, #843D6E, #754D68 and #655D62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A31E79 shade: #851EA4, #A41E9F, #A41E7C, #A41E58 and #A41E34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A31E79 shade: #5E1146, #811860, #A41E7A, #C72493 and #DB3AA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A31E79 shade: #A31E79, #A4611E and #1EA496

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A31E79 shade: #A31E79, #7CA41E and #1E7CA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A31E79 shade: #A31E79, #A4611E, #1EA446 and #1E61A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A31E79 shade: #A31E79, #A4891E, #1EA446 and #1E39A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 26 / 36

HEX #A31E79

RGB 163 30 121

HSL 318.95, 0.69%, 0.38%

LAB 38.01, 59.64, -18.7

 

Complementary color

CMYK 59 / 0 / 40 / 12

HEX #5CE186

RGB 92 225 134

HSL 138.95, 0.69%, 0.62%

LAB 80.65, -56.05, 33.89

 

CMYK 0 / 82 / 31 / 34

HEX #A81E74

RGB 168 30 116

HSL 322.61, 0.7%, 0.39%

LAB 38.75, 60.23, -14.37

 

CMYK 0 / 74 / 27 / 27

HEX #B93087

RGB 185 48 135

HSL 321.9, 0.59%, 0.46%

LAB 44.49, 61.5, -17.06

 

CMYK 0 / 67 / 24 / 21

HEX #CA429A

RGB 202 66 154

HSL 321.18, 0.56%, 0.53%

LAB 50.44, 61.97, -19.12

 

CMYK 0 / 62 / 21 / 14

HEX #DB54AD

RGB 219 84 173

HSL 320.44, 0.65%, 0.59%

LAB 56.5, 61.95, -20.75

 

CMYK 0 / 57 / 19 / 7

HEX #EC66C0

RGB 236 102 192

HSL 319.7, 0.78%, 0.66%

LAB 62.63, 61.62, -22.06

 

CMYK 0 / 82 / 26 / 36

HEX #A31E79

RGB 163 30 121

HSL 318.95, 0.69%, 0.38%

LAB 38.01, 59.64, -18.7

 

CMYK 0 / 92 / 30 / 43

HEX #920C66

RGB 146 12 102

HSL 319.7, 0.85%, 0.31%

LAB 32.55, 57.17, -15.34

 

CMYK 0 / 100 / 36 / 49

HEX #810053

RGB 129 0 83

HSL 321.4, 1%, 0.25%

LAB 27.55, 53.07, -10.88

 

CMYK 0 / 100 / 43 / 56

HEX #700040

RGB 112 0 64

HSL 325.71, 1%, 0.22%

LAB 23.05, 47.16, -5.17

 

CMYK 0 / 100 / 53 / 63

HEX #5F002D

RGB 95 0 45

HSL 331.58, 1%, 0.19%

LAB 18.46, 41.18, 0.99

 

CMYK 0 / 82 / 26 / 36

HEX #A41E7A

RGB 164 30 122

HSL 318.81, 0.69%, 0.38%

LAB 38.25, 60, -18.96

 

CMYK 0 / 82 / 48 / 36

HEX #A41E55

RGB 164 30 85

HSL 335.37, 0.69%, 0.38%

LAB 36.89, 56.02, 2.46

 

CMYK 0 / 82 / 70 / 36

HEX #A41E31

RGB 164 30 49

HSL 351.49, 0.69%, 0.38%

LAB 36.07, 53.53, 24.47

 

CMYK 0 / 82 / 82 / 36

HEX #A41E1E

RGB 164 30 30

HSL 0, 0.69%, 0.38%

LAB 35.82, 52.76, 35.66

 

CMYK 0 / 82 / 26 / 36

HEX #A41E7A

RGB 164 30 122

HSL 318.81, 0.69%, 0.38%

LAB 38.25, 60, -18.96

 

CMYK 0 / 82 / 4 / 36

HEX #A41E9E

RGB 164 30 158

HSL 302.69, 0.69%, 0.38%

LAB 40.06, 65.09, -38.18

 

CMYK 18 / 82 / 0 / 36

HEX #861EA4

RGB 134 30 164

HSL 286.57, 0.69%, 0.38%

LAB 35.36, 60.34, -49.63

 

CMYK 40 / 82 / 0 / 36

HEX #621EA4

RGB 98 30 164

HSL 270.45, 0.69%, 0.38%

LAB 29.93, 54.28, -58.7

 

CMYK 62 / 82 / 0 / 36

HEX #3E1EA4

RGB 62 30 164

HSL 254.33, 0.69%, 0.38%

LAB 25.66, 49.59, -65.86

 

CMYK 0 / 82 / 26 / 36

HEX #A41E7A

RGB 164 30 122

HSL 318.81, 0.69%, 0.38%

LAB 38.25, 60, -18.96

 

CMYK 0 / 92 / 29 / 30

HEX #B30E7F

RGB 179 14 127

HSL 318.91, 0.85%, 0.38%

LAB 40.3, 67.01, -18.67

 

CMYK 0 / 82 / 26 / 36

HEX #A41E7A

RGB 164 30 122

HSL 318.81, 0.69%, 0.38%

LAB 38.25, 60, -18.96

 

CMYK 0 / 69 / 22 / 42

HEX #942E74

RGB 148 46 116

HSL 318.82, 0.53%, 0.38%

LAB 36.95, 49.8, -17.44

 

CMYK 0 / 54 / 17 / 48

HEX #843D6E

RGB 132 61 110

HSL 318.59, 0.37%, 0.38%

LAB 36.68, 36.96, -14.31

 

CMYK 0 / 34 / 11 / 54

HEX #754D68

RGB 117 77 104

HSL 319.5, 0.21%, 0.38%

LAB 38, 21.43, -8.76

 

CMYK 0 / 8 / 3 / 60

HEX #655D62

RGB 101 93 98

HSL 322.5, 0.04%, 0.38%

LAB 40.37, 4.21, -1.7

 

CMYK 19 / 82 / 0 / 36

HEX #851EA4

RGB 133 30 164

HSL 286.12, 0.69%, 0.38%

LAB 35.19, 60.15, -49.9

 

CMYK 0 / 82 / 3 / 36

HEX #A41E9F

RGB 164 30 159

HSL 302.24, 0.69%, 0.38%

LAB 40.12, 65.24, -38.69

 

CMYK 0 / 82 / 24 / 36

HEX #A41E7C

RGB 164 30 124

HSL 317.91, 0.69%, 0.38%

LAB 38.33, 60.26, -20.07

 

CMYK 0 / 82 / 46 / 36

HEX #A41E58

RGB 164 30 88

HSL 334.03, 0.69%, 0.38%

LAB 36.98, 56.29, 0.66

 

CMYK 0 / 82 / 68 / 36

HEX #A41E34

RGB 164 30 52

HSL 350.15, 0.69%, 0.38%

LAB 36.12, 53.68, 22.63

 

CMYK 0 / 82 / 26 / 63

HEX #5E1146

RGB 94 17 70

HSL 318.7, 0.69%, 0.22%

LAB 20.91, 39.1, -12.9

 

CMYK 0 / 81 / 26 / 49

HEX #811860

RGB 129 24 96

HSL 318.86, 0.69%, 0.3%

LAB 29.82, 49.72, -15.94

 

CMYK 0 / 82 / 26 / 36

HEX #A41E7A

RGB 164 30 122

HSL 318.81, 0.69%, 0.38%

LAB 38.25, 60, -18.96

 

CMYK 0 / 82 / 26 / 22

HEX #C72493

RGB 199 36 147

HSL 319.14, 0.69%, 0.46%

LAB 46.33, 69.7, -21.29

 

CMYK 0 / 74 / 23 / 14

HEX #DB3AA8

RGB 219 58 168

HSL 319.01, 0.69%, 0.54%

LAB 52.85, 70.89, -23.43

 

CMYK 0 / 82 / 26 / 36

HEX #A31E79

RGB 163 30 121

HSL 318.95, 0.69%, 0.38%

LAB 38.01, 59.64, -18.7

 

CMYK 0 / 41 / 82 / 36

HEX #A4611E

RGB 164 97 30

HSL 30, 0.69%, 0.38%

LAB 47.67, 22.06, 46.95

 

CMYK 82 / 0 / 9 / 36

HEX #1EA496

RGB 30 164 150

HSL 173.73, 0.69%, 0.38%

LAB 60.81, -37.1, -2.51

 

CMYK 0 / 82 / 26 / 36

HEX #A31E79

RGB 163 30 121

HSL 318.95, 0.69%, 0.38%

LAB 38.01, 59.64, -18.7

 

CMYK 24 / 0 / 82 / 36

HEX #7CA41E

RGB 124 164 30

HSL 77.91, 0.69%, 0.38%

LAB 62.45, -31.97, 58.94

 

CMYK 82 / 24 / 0 / 36

HEX #1E7CA4

RGB 30 124 164

HSL 197.91, 0.69%, 0.38%

LAB 48.72, -12.17, -28.86

 

CMYK 0 / 82 / 26 / 36

HEX #A31E79

RGB 163 30 121

HSL 318.95, 0.69%, 0.38%

LAB 38.01, 59.64, -18.7

 

CMYK 0 / 41 / 82 / 36

HEX #A4611E

RGB 164 97 30

HSL 30, 0.69%, 0.38%

LAB 47.67, 22.06, 46.95

 

CMYK 82 / 0 / 57 / 36

HEX #1EA446

RGB 30 164 70

HSL 137.91, 0.69%, 0.38%

LAB 59.22, -54.54, 38.65

 

CMYK 82 / 41 / 0 / 36

HEX #1E61A4

RGB 30 97 164

HSL 210, 0.69%, 0.38%

LAB 40.42, 4.19, -41.96

 

CMYK 0 / 82 / 26 / 36

HEX #A31E79

RGB 163 30 121

HSL 318.95, 0.69%, 0.38%

LAB 38.01, 59.64, -18.7

 

CMYK 0 / 16 / 82 / 36

HEX #A4891E

RGB 164 137 30

HSL 47.91, 0.69%, 0.38%

LAB 57.92, -0.46, 56.15

 

CMYK 82 / 0 / 57 / 36

HEX #1EA446

RGB 30 164 70

HSL 137.91, 0.69%, 0.38%

LAB 59.22, -54.54, 38.65

 

CMYK 82 / 65 / 0 / 36

HEX #1E39A4

RGB 30 57 164

HSL 227.91, 0.69%, 0.38%

LAB 29.11, 30.87, -60.26

 

Description

Color code: HEX #A31E79 | qconv.com Color code: HEX #A31E79 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 30 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 30 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 26 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 26% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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