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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A31553 it is the complementary color #5CEAAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A31553. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A31553 shade: #A8154E, #B92761, #CA3974, #DB4B87 and #EC5D9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A31553. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A31553 shade: #A31553, #920340, #81002D, #70001A and #5F0007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A31553 shade: #A21553, #A2152D and #A21515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A31553 shade: #A21553, #A21579, #A2159F, #8015A2 and #5A15A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A31553 shade matches the following richer shades: #A21553 and #B10651

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A31553 shade: #A21553, #942455, #853357, #764258 and #67515A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A31553 shade: #A215A0, #A2157A, #A21555, #A2152F and #A22115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A31553 shade: #590C2E, #7E1040, #A21553, #C71A65 and #E32779

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A31553 shade: #A31553, #A27F15 and #158DA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A31553 shade: #A31553, #55A215 and #1555A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A31553 shade: #A31553, #A27F15, #15A263 and #1538A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A31553 shade: #A31553, #9BA215, #15A263 and #1C15A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 49 / 36

HEX #A31553

RGB 163 21 83

HSL 333.8, 0.77%, 0.36%

LAB 35.88, 57.71, 2.27

 

Complementary color

CMYK 61 / 0 / 26 / 8

HEX #5CEAAC

RGB 92 234 172

HSL 153.8, 0.77%, 0.64%

LAB 84.02, -52.45, 18.94

 

CMYK 0 / 88 / 54 / 34

HEX #A8154E

RGB 168 21 78

HSL 336.73, 0.78%, 0.37%

LAB 36.76, 58.59, 6.9

 

CMYK 0 / 79 / 48 / 27

HEX #B92761

RGB 185 39 97

HSL 336.16, 0.65%, 0.44%

LAB 42.2, 60.23, 3.03

 

CMYK 0 / 72 / 43 / 21

HEX #CA3974

RGB 202 57 116

HSL 335.59, 0.58%, 0.51%

LAB 47.94, 60.92, 0.01

 

CMYK 0 / 66 / 38 / 14

HEX #DB4B87

RGB 219 75 135

HSL 335, 0.67%, 0.58%

LAB 53.86, 60.99, -2.4

 

CMYK 0 / 61 / 35 / 7

HEX #EC5D9A

RGB 236 93 154

HSL 334.41, 0.79%, 0.65%

LAB 59.88, 60.69, -4.37

 

CMYK 0 / 87 / 49 / 36

HEX #A31553

RGB 163 21 83

HSL 333.8, 0.77%, 0.36%

LAB 35.88, 57.71, 2.27

 

CMYK 0 / 98 / 56 / 43

HEX #920340

RGB 146 3 64

HSL 334.41, 0.96%, 0.29%

LAB 30.75, 54.86, 6.95

 

CMYK 0 / 100 / 65 / 49

HEX #81002D

RGB 129 0 45

HSL 339.07, 1%, 0.25%

LAB 26.32, 49.84, 13.12

 

CMYK 0 / 100 / 77 / 56

HEX #70001A

RGB 112 0 26

HSL 346.07, 1%, 0.22%

LAB 22.01, 44.41, 19.89

 

CMYK 0 / 100 / 93 / 63

HEX #5F0007

RGB 95 0 7

HSL 355.58, 1%, 0.19%

LAB 17.68, 39.09, 24.44

 

CMYK 0 / 87 / 49 / 36

HEX #A21553

RGB 162 21 83

HSL 333.62, 0.77%, 0.36%

LAB 35.68, 57.46, 1.95

 

CMYK 0 / 87 / 72 / 36

HEX #A2152D

RGB 162 21 45

HSL 349.79, 0.77%, 0.36%

LAB 34.82, 54.96, 25.38

 

CMYK 0 / 87 / 87 / 36

HEX #A21515

RGB 162 21 21

HSL 0, 0.77%, 0.36%

LAB 34.54, 54.16, 39.2

 

CMYK 0 / 87 / 49 / 36

HEX #A21553

RGB 162 21 83

HSL 333.62, 0.77%, 0.36%

LAB 35.68, 57.46, 1.95

 

CMYK 0 / 87 / 25 / 36

HEX #A21579

RGB 162 21 121

HSL 317.45, 0.77%, 0.36%

LAB 37.11, 61.46, -20.11

 

CMYK 0 / 87 / 2 / 36

HEX #A2159F

RGB 162 21 159

HSL 301.28, 0.77%, 0.36%

LAB 39.11, 66.78, -40.33

 

CMYK 21 / 87 / 0 / 36

HEX #8015A2

RGB 128 21 162

HSL 285.53, 0.77%, 0.36%

LAB 33.42, 61.26, -51.59

 

CMYK 44 / 87 / 0 / 36

HEX #5A15A2

RGB 90 21 162

HSL 269.36, 0.77%, 0.36%

LAB 27.62, 55.67, -61.3

 

CMYK 0 / 87 / 49 / 36

HEX #A21553

RGB 162 21 83

HSL 333.62, 0.77%, 0.36%

LAB 35.68, 57.46, 1.95

 

CMYK 0 / 97 / 54 / 31

HEX #B10651

RGB 177 6 81

HSL 333.68, 0.93%, 0.36%

LAB 37.97, 63.18, 6.94

 

CMYK 0 / 87 / 49 / 36

HEX #A21553

RGB 162 21 83

HSL 333.62, 0.77%, 0.36%

LAB 35.68, 57.46, 1.95

 

CMYK 0 / 76 / 43 / 42

HEX #942455

RGB 148 36 85

HSL 333.75, 0.61%, 0.36%

LAB 34.42, 49.72, -1.51

 

CMYK 0 / 62 / 35 / 48

HEX #853357

RGB 133 51 87

HSL 333.66, 0.45%, 0.36%

LAB 34.07, 38.97, -3.62

 

CMYK 0 / 44 / 25 / 54

HEX #764258

RGB 118 66 88

HSL 334.62, 0.28%, 0.36%

LAB 34.91, 25.56, -3.28

 

CMYK 0 / 21 / 13 / 60

HEX #67515A

RGB 103 81 90

HSL 335.45, 0.12%, 0.36%

LAB 36.94, 10.81, -1.76

 

CMYK 0 / 87 / 1 / 36

HEX #A215A0

RGB 162 21 160

HSL 300.85, 0.77%, 0.36%

LAB 39.17, 66.93, -40.84

 

CMYK 0 / 87 / 25 / 36

HEX #A2157A

RGB 162 21 122

HSL 317.02, 0.77%, 0.36%

LAB 37.16, 61.59, -20.67

 

CMYK 0 / 87 / 48 / 36

HEX #A21555

RGB 162 21 85

HSL 332.77, 0.77%, 0.36%

LAB 35.74, 57.63, 0.75

 

CMYK 0 / 87 / 71 / 36

HEX #A2152F

RGB 162 21 47

HSL 348.94, 0.77%, 0.36%

LAB 34.85, 55.06, 24.15

 

CMYK 0 / 80 / 87 / 36

HEX #A22115

RGB 162 33 21

HSL 5.11, 0.77%, 0.36%

LAB 35.64, 51.04, 40.14

 

CMYK 0 / 87 / 48 / 65

HEX #590C2E

RGB 89 12 46

HSL 333.51, 0.76%, 0.2%

LAB 18.29, 36.28, -0.14

 

CMYK 0 / 87 / 49 / 51

HEX #7E1040

RGB 126 16 64

HSL 333.82, 0.77%, 0.28%

LAB 27.23, 47.44, 1.34

 

CMYK 0 / 87 / 49 / 36

HEX #A21553

RGB 162 21 83

HSL 333.62, 0.77%, 0.36%

LAB 35.68, 57.46, 1.95

 

CMYK 0 / 87 / 49 / 22

HEX #C71A65

RGB 199 26 101

HSL 333.99, 0.77%, 0.44%

LAB 43.97, 67.19, 3.44

 

CMYK 0 / 83 / 47 / 11

HEX #E32779

RGB 227 39 121

HSL 333.83, 0.77%, 0.52%

LAB 50.88, 73.02, 1.81

 

CMYK 0 / 87 / 49 / 36

HEX #A31553

RGB 163 21 83

HSL 333.8, 0.77%, 0.36%

LAB 35.88, 57.71, 2.27

 

CMYK 0 / 22 / 87 / 36

HEX #A27F15

RGB 162 127 21

HSL 45.11, 0.77%, 0.36%

LAB 54.98, 3.91, 56.23

 

CMYK 87 / 13 / 0 / 36

HEX #158DA2

RGB 21 141 162

HSL 188.94, 0.77%, 0.36%

LAB 53.83, -22.9, -19.83

 

CMYK 0 / 87 / 49 / 36

HEX #A31553

RGB 163 21 83

HSL 333.8, 0.77%, 0.36%

LAB 35.88, 57.71, 2.27

 

CMYK 48 / 0 / 87 / 36

HEX #55A215

RGB 85 162 21

HSL 92.77, 0.77%, 0.36%

LAB 59.73, -45.81, 58.03

 

CMYK 87 / 48 / 0 / 36

HEX #1555A2

RGB 21 85 162

HSL 212.77, 0.77%, 0.36%

LAB 36.49, 10.42, -47.08

 

CMYK 0 / 87 / 49 / 36

HEX #A31553

RGB 163 21 83

HSL 333.8, 0.77%, 0.36%

LAB 35.88, 57.71, 2.27

 

CMYK 0 / 22 / 87 / 36

HEX #A27F15

RGB 162 127 21

HSL 45.11, 0.77%, 0.36%

LAB 54.98, 3.91, 56.23

 

CMYK 87 / 0 / 39 / 36

HEX #15A263

RGB 21 162 99

HSL 153.19, 0.77%, 0.36%

LAB 58.88, -49.71, 23.17

 

CMYK 87 / 65 / 0 / 36

HEX #1538A2

RGB 21 56 162

HSL 225.11, 0.77%, 0.36%

LAB 28.37, 30.08, -60.28

 

CMYK 0 / 87 / 49 / 36

HEX #A31553

RGB 163 21 83

HSL 333.8, 0.77%, 0.36%

LAB 35.88, 57.71, 2.27

 

CMYK 4 / 0 / 87 / 36

HEX #9BA215

RGB 155 162 21

HSL 62.98, 0.77%, 0.36%

LAB 64.05, -18.1, 63.41

 

CMYK 87 / 0 / 39 / 36

HEX #15A263

RGB 21 162 99

HSL 153.19, 0.77%, 0.36%

LAB 58.88, -49.71, 23.17

 

CMYK 83 / 87 / 0 / 36

HEX #1C15A2

RGB 28 21 162

HSL 242.98, 0.77%, 0.36%

LAB 21.55, 50.38, -71.55

 

Description

Color code: HEX #A31553 | qconv.com Color code: HEX #A31553 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 21 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 21 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 49 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 49% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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