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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A30BA3 it is the complementary color #5CF45C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A30BA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A30BA3 shade: #A80B9E, #B91DB1, #CA2FC4, #DB41D7 and #EC53EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A30BA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A30BA3 shade: #A30BA3, #920090, #81007D, #70006A and #5F0057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A30BA3 shade: #A20BA2, #A20B79, #A20B51, #A20B28 and #A20B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A30BA3 shade: #A20BA2, #790BA2, #510BA2, #280BA2 and #0B0BA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A30BA3 shade matches the following richer shades: #A20BA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A30BA3 shade: #A20BA2, #941994, #862786, #783578 and #6A436A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A30BA3 shade: #520BA2, #7A0BA2, #A20BA2, #A20B7A and #A20B52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A30BA3 shade: #550655, #7C097C, #A20BA2, #C90EC9 and #EE11EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A30BA3 shade: #A30BA3, #A2290B and #0BA266

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A30BA3 shade: #A30BA3, #A2A20B and #0BA2A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A30BA3 shade: #A30BA3, #A2290B, #0BA20B and #0B84A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A30BA3 shade: #A30BA3, #A2570B, #0BA20B and #0B57A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 0 / 36

HEX #A30BA3

RGB 163 11 163

HSL 300, 0.87%, 0.34%

LAB 39.02, 69.07, -42.87

 

Complementary color

CMYK 62 / 0 / 62 / 4

HEX #5CF45C

RGB 92 244 92

HSL 120, 0.87%, 0.66%

LAB 85.88, -68.56, 59.81

 

CMYK 0 / 93 / 6 / 34

HEX #A80B9E

RGB 168 11 158

HSL 303.82, 0.88%, 0.35%

LAB 39.64, 69.22, -38.82

 

CMYK 0 / 84 / 4 / 27

HEX #B91DB1

RGB 185 29 177

HSL 303.08, 0.73%, 0.42%

LAB 44.76, 72.33, -41.84

 

CMYK 0 / 77 / 3 / 21

HEX #CA2FC4

RGB 202 47 196

HSL 302.32, 0.62%, 0.49%

LAB 50.19, 74.24, -44.14

 

CMYK 0 / 70 / 2 / 14

HEX #DB41D7

RGB 219 65 215

HSL 301.56, 0.68%, 0.56%

LAB 55.83, 75.31, -45.91

 

CMYK 0 / 65 / 1 / 7

HEX #EC53EA

RGB 236 83 234

HSL 300.78, 0.8%, 0.63%

LAB 61.62, 75.77, -47.28

 

CMYK 0 / 93 / 0 / 36

HEX #A30BA3

RGB 163 11 163

HSL 300, 0.87%, 0.34%

LAB 39.02, 69.07, -42.87

 

CMYK 0 / 100 / 1 / 43

HEX #920090

RGB 146 0 144

HSL 300.82, 1%, 0.29%

LAB 34.24, 64.54, -39.13

 

CMYK 0 / 100 / 3 / 49

HEX #81007D

RGB 129 0 125

HSL 301.86, 1%, 0.25%

LAB 29.78, 58.65, -34.6

 

CMYK 0 / 100 / 5 / 56

HEX #70006A

RGB 112 0 106

HSL 303.21, 1%, 0.22%

LAB 25.22, 52.61, -29.91

 

CMYK 0 / 100 / 8 / 63

HEX #5F0057

RGB 95 0 87

HSL 305.05, 1%, 0.19%

LAB 20.52, 46.41, -25.05

 

CMYK 0 / 93 / 0 / 36

HEX #A20BA2

RGB 162 11 162

HSL 300, 0.87%, 0.34%

LAB 38.78, 68.74, -42.67

 

CMYK 0 / 93 / 25 / 36

HEX #A20B79

RGB 162 11 121

HSL 316.29, 0.87%, 0.34%

LAB 36.56, 63.07, -20.97

 

CMYK 0 / 93 / 50 / 36

HEX #A20B51

RGB 162 11 81

HSL 332.19, 0.87%, 0.34%

LAB 35.03, 58.98, 2.32

 

CMYK 0 / 93 / 75 / 36

HEX #A20B28

RGB 162 11 40

HSL 348.48, 0.87%, 0.34%

LAB 34.14, 56.49, 27.73

 

CMYK 0 / 93 / 93 / 36

HEX #A20B0B

RGB 162 11 11

HSL 0, 0.87%, 0.34%

LAB 33.87, 55.74, 43.34

 

CMYK 0 / 93 / 0 / 36

HEX #A20BA2

RGB 162 11 162

HSL 300, 0.87%, 0.34%

LAB 38.78, 68.74, -42.67

 

CMYK 25 / 93 / 0 / 36

HEX #790BA2

RGB 121 11 162

HSL 283.71, 0.87%, 0.34%

LAB 31.61, 62.12, -54.6

 

CMYK 50 / 93 / 0 / 36

HEX #510BA2

RGB 81 11 162

HSL 267.81, 0.87%, 0.34%

LAB 25.56, 57.2, -64.76

 

CMYK 75 / 93 / 0 / 36

HEX #280BA2

RGB 40 11 162

HSL 251.52, 0.87%, 0.34%

LAB 21.2, 54.25, -72.1

 

CMYK 93 / 93 / 0 / 36

HEX #0B0BA2

RGB 11 11 162

HSL 240, 0.87%, 0.34%

LAB 19.72, 53.4, -74.62

 

CMYK 0 / 93 / 0 / 36

HEX #A20BA2

RGB 162 11 162

HSL 300, 0.87%, 0.34%

LAB 38.78, 68.74, -42.67

 

CMYK 0 / 93 / 0 / 36

HEX #A20BA2

RGB 162 11 162

HSL 300, 0.87%, 0.34%

LAB 38.78, 68.74, -42.67

 

CMYK 0 / 83 / 0 / 42

HEX #941994

RGB 148 25 148

HSL 300, 0.71%, 0.34%

LAB 36.23, 61.49, -38.38

 

CMYK 0 / 71 / 0 / 47

HEX #862786

RGB 134 39 134

HSL 300, 0.55%, 0.34%

LAB 34.48, 51.78, -32.7

 

CMYK 0 / 56 / 0 / 53

HEX #783578

RGB 120 53 120

HSL 300, 0.39%, 0.34%

LAB 33.76, 39.15, -25.25

 

CMYK 0 / 37 / 0 / 58

HEX #6A436A

RGB 106 67 106

HSL 300, 0.23%, 0.34%

LAB 34.23, 23.81, -15.87

 

CMYK 49 / 93 / 0 / 36

HEX #520BA2

RGB 82 11 162

HSL 268.21, 0.87%, 0.34%

LAB 25.69, 57.3, -64.53

 

CMYK 25 / 93 / 0 / 36

HEX #7A0BA2

RGB 122 11 162

HSL 284.11, 0.87%, 0.34%

LAB 31.77, 62.27, -54.32

 

CMYK 0 / 93 / 0 / 36

HEX #A20BA2

RGB 162 11 162

HSL 300, 0.87%, 0.34%

LAB 38.78, 68.74, -42.67

 

CMYK 0 / 93 / 25 / 36

HEX #A20B7A

RGB 162 11 122

HSL 315.89, 0.87%, 0.34%

LAB 36.6, 63.19, -21.53

 

CMYK 0 / 93 / 49 / 36

HEX #A20B52

RGB 162 11 82

HSL 331.79, 0.87%, 0.34%

LAB 35.06, 59.07, 1.71

 

CMYK 0 / 93 / 0 / 67

HEX #550655

RGB 85 6 85

HSL 300, 0.87%, 0.18%

LAB 18.87, 42.5, -26.45

 

CMYK 0 / 93 / 0 / 51

HEX #7C097C

RGB 124 9 124

HSL 300, 0.86%, 0.26%

LAB 29.25, 56.12, -34.87

 

CMYK 0 / 93 / 0 / 36

HEX #A20BA2

RGB 162 11 162

HSL 300, 0.87%, 0.34%

LAB 38.78, 68.74, -42.67

 

CMYK 0 / 93 / 0 / 21

HEX #C90EC9

RGB 201 14 201

HSL 300, 0.87%, 0.42%

LAB 48.2, 80.95, -50.22

 

CMYK 0 / 93 / 0 / 7

HEX #EE11EE

RGB 238 17 238

HSL 300, 0.87%, 0.5%

LAB 56.83, 92.08, -57.11

 

CMYK 0 / 93 / 0 / 36

HEX #A30BA3

RGB 163 11 163

HSL 300, 0.87%, 0.34%

LAB 39.02, 69.07, -42.87

 

CMYK 0 / 75 / 93 / 36

HEX #A2290B

RGB 162 41 11

HSL 11.92, 0.87%, 0.34%

LAB 36.54, 48.19, 45.11

 

CMYK 93 / 0 / 37 / 36

HEX #0BA266

RGB 11 162 102

HSL 156.16, 0.87%, 0.34%

LAB 58.85, -49.73, 21.49

 

CMYK 0 / 93 / 0 / 36

HEX #A30BA3

RGB 163 11 163

HSL 300, 0.87%, 0.34%

LAB 39.02, 69.07, -42.87

 

CMYK 0 / 0 / 93 / 36

HEX #A2A20B

RGB 162 162 11

HSL 60, 0.87%, 0.34%

LAB 64.6, -15.2, 65.84

 

CMYK 93 / 0 / 0 / 36

HEX #0BA2A2

RGB 11 162 162

HSL 180, 0.87%, 0.34%

LAB 60.36, -33.82, -9.97

 

CMYK 0 / 93 / 0 / 36

HEX #A30BA3

RGB 163 11 163

HSL 300, 0.87%, 0.34%

LAB 39.02, 69.07, -42.87

 

CMYK 0 / 75 / 93 / 36

HEX #A2290B

RGB 162 41 11

HSL 11.92, 0.87%, 0.34%

LAB 36.54, 48.19, 45.11

 

CMYK 93 / 0 / 93 / 36

HEX #0BA20B

RGB 11 162 11

HSL 120, 0.87%, 0.34%

LAB 57.98, -60.47, 57.73

 

CMYK 93 / 19 / 0 / 36

HEX #0B84A2

RGB 11 132 162

HSL 191.92, 0.87%, 0.34%

LAB 50.9, -18.7, -24.35

 

CMYK 0 / 93 / 0 / 36

HEX #A30BA3

RGB 163 11 163

HSL 300, 0.87%, 0.34%

LAB 39.02, 69.07, -42.87

 

CMYK 0 / 46 / 93 / 36

HEX #A2570B

RGB 162 87 11

HSL 30.2, 0.87%, 0.34%

LAB 44.97, 26.27, 51.05

 

CMYK 93 / 0 / 93 / 36

HEX #0BA20B

RGB 11 162 11

HSL 120, 0.87%, 0.34%

LAB 57.98, -60.47, 57.73

 

CMYK 93 / 46 / 0 / 36

HEX #0B57A2

RGB 11 87 162

HSL 209.8, 0.87%, 0.34%

LAB 36.92, 8.46, -46.39

 

Description

Color code: HEX #A30BA3 | qconv.com Color code: HEX #A30BA3 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 11 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 11 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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