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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2FF8C it is the complementary color #5D0073. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2FF8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2FF8C shade: #A7FF87, #B8FF9A, #C9FFAD, #DAFFC0 and #EBFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2FF8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2FF8C shade: #A2FF8C, #91ED79, #80DB66, #6FC953 and #5EB740

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2FF8C shade: #A0FF8A, #C0FF8A, #DFFF8A, #FFFF8A and #FFDF8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2FF8C shade: #A0FF8A, #8AFF93, #8AFFB3, #8AFFD2 and #8AFFF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2FF8C shade matches the following richer shades: #A0FF8A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2FF8C shade: #A0FF8A, #A6F693, #ACEC9D, #B2E3A6 and #B8D9B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2FF8C shade: #E0FF8A, #C0FF8A, #A1FF8A, #8AFF92 and #8AFFB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2FF8C shade: #5DFF37, #7FFF60, #A0FF8A, #C2FFB3 and #E3FFDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2FF8C shade: #A2FF8C, #8AFFFF and #FF8AD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2FF8C shade: #A2FF8C, #8AA1FF and #FF8AA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2FF8C shade: #A2FF8C, #8AFFFF, #E88AFF and #FF8A8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2FF8C shade: #A2FF8C, #8ADCFF, #E88AFF and #FFAD8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 45 / 0

HEX #A2FF8C

RGB 162 255 140

HSL 108.52, 1%, 0.77%

LAB 92.17, -48.62, 46.26

 

Complementary color

CMYK 19 / 100 / 0 / 55

HEX #5D0073

RGB 93 0 115

HSL 288.52, 1%, 0.23%

LAB 22.18, 50.93, -40.82

 

CMYK 35 / 0 / 47 / 0

HEX #A7FF87

RGB 167 255 135

HSL 104, 1%, 0.76%

LAB 92.35, -47.67, 48.9

 

CMYK 28 / 0 / 40 / 0

HEX #B8FF9A

RGB 184 255 154

HSL 102.18, 1%, 0.8%

LAB 93.47, -39.72, 41.37

 

CMYK 21 / 0 / 32 / 0

HEX #C9FFAD

RGB 201 255 173

HSL 99.51, 1%, 0.84%

LAB 94.72, -31.39, 33.8

 

CMYK 15 / 0 / 25 / 0

HEX #DAFFC0

RGB 218 255 192

HSL 95.24, 1%, 0.88%

LAB 96.09, -22.79, 26.28

 

CMYK 8 / 0 / 17 / 0

HEX #EBFFD3

RGB 235 255 211

HSL 87.27, 1%, 0.91%

LAB 97.59, -14.04, 18.86

 

CMYK 36 / 0 / 45 / 0

HEX #A2FF8C

RGB 162 255 140

HSL 108.52, 1%, 0.77%

LAB 92.17, -48.62, 46.26

 

CMYK 39 / 0 / 49 / 7

HEX #91ED79

RGB 145 237 121

HSL 107.59, 0.76%, 0.7%

LAB 85.99, -48.73, 47.44

 

CMYK 42 / 0 / 53 / 14

HEX #80DB66

RGB 128 219 102

HSL 106.67, 0.62%, 0.63%

LAB 79.73, -48.78, 48.61

 

CMYK 45 / 0 / 59 / 21

HEX #6FC953

RGB 111 201 83

HSL 105.76, 0.52%, 0.56%

LAB 73.4, -48.73, 49.73

 

CMYK 49 / 0 / 65 / 28

HEX #5EB740

RGB 94 183 64

HSL 104.87, 0.48%, 0.48%

LAB 66.99, -48.52, 50.69

 

CMYK 37 / 0 / 46 / 0

HEX #A0FF8A

RGB 160 255 138

HSL 108.72, 1%, 0.77%

LAB 92.06, -49.49, 47.05

 

CMYK 25 / 0 / 46 / 0

HEX #C0FF8A

RGB 192 255 138

HSL 92.31, 1%, 0.77%

LAB 93.69, -38.99, 49.44

 

CMYK 13 / 0 / 46 / 0

HEX #DFFF8A

RGB 223 255 138

HSL 76.41, 1%, 0.77%

LAB 95.6, -27.83, 52.22

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF8A

RGB 255 255 138

HSL 60, 1%, 0.77%

LAB 97.88, -15.67, 55.52

 

CMYK 0 / 13 / 46 / 0

HEX #FFDF8A

RGB 255 223 138

HSL 43.59, 1%, 0.77%

LAB 89.8, 0.22, 45.56

 

CMYK 37 / 0 / 46 / 0

HEX #A0FF8A

RGB 160 255 138

HSL 108.72, 1%, 0.77%

LAB 92.06, -49.49, 47.05

 

CMYK 46 / 0 / 42 / 0

HEX #8AFF93

RGB 138 255 147

HSL 124.62, 1%, 0.77%

LAB 91.25, -54.63, 41.5

 

CMYK 46 / 0 / 30 / 0

HEX #8AFFB3

RGB 138 255 179

HSL 141.03, 1%, 0.77%

LAB 91.76, -49.42, 26.27

 

CMYK 46 / 0 / 18 / 0

HEX #8AFFD2

RGB 138 255 210

HSL 156.92, 1%, 0.77%

LAB 92.39, -43.4, 11.3

 

CMYK 46 / 0 / 5 / 0

HEX #8AFFF2

RGB 138 255 242

HSL 173.33, 1%, 0.77%

LAB 93.16, -36.26, -4.11

 

CMYK 37 / 0 / 46 / 0

HEX #A0FF8A

RGB 160 255 138

HSL 108.72, 1%, 0.77%

LAB 92.06, -49.49, 47.05

 

CMYK 37 / 0 / 46 / 0

HEX #A0FF8A

RGB 160 255 138

HSL 108.72, 1%, 0.77%

LAB 92.06, -49.49, 47.05

 

CMYK 33 / 0 / 40 / 4

HEX #A6F693

RGB 166 246 147

HSL 108.48, 0.85%, 0.77%

LAB 89.92, -42.56, 40.03

 

CMYK 27 / 0 / 33 / 7

HEX #ACEC9D

RGB 172 236 157

HSL 108.61, 0.68%, 0.77%

LAB 87.58, -34.68, 32.03

 

CMYK 22 / 0 / 27 / 11

HEX #B2E3A6

RGB 178 227 166

HSL 108.2, 0.52%, 0.77%

LAB 85.58, -27.06, 24.79

 

CMYK 15 / 0 / 19 / 15

HEX #B8D9B0

RGB 184 217 176

HSL 108.29, 0.35%, 0.77%

LAB 83.42, -18.49, 16.63

 

CMYK 12 / 0 / 46 / 0

HEX #E0FF8A

RGB 224 255 138

HSL 75.9, 1%, 0.77%

LAB 95.66, -27.45, 52.31

 

CMYK 25 / 0 / 46 / 0

HEX #C0FF8A

RGB 192 255 138

HSL 92.31, 1%, 0.77%

LAB 93.69, -38.99, 49.44

 

CMYK 37 / 0 / 46 / 0

HEX #A1FF8A

RGB 161 255 138

HSL 108.21, 1%, 0.77%

LAB 92.1, -49.18, 47.11

 

CMYK 46 / 0 / 43 / 0

HEX #8AFF92

RGB 138 255 146

HSL 124.1, 1%, 0.77%

LAB 91.23, -54.78, 41.97

 

CMYK 46 / 0 / 31 / 0

HEX #8AFFB1

RGB 138 255 177

HSL 140, 1%, 0.77%

LAB 91.73, -49.78, 27.23

 

CMYK 64 / 0 / 78 / 0

HEX #5DFF37

RGB 93 255 55

HSL 108.6, 1%, 0.61%

LAB 88.98, -74.82, 75.99

 

CMYK 50 / 0 / 62 / 0

HEX #7FFF60

RGB 127 255 96

HSL 108.3, 1%, 0.69%

LAB 90.26, -63.71, 63.34

 

CMYK 37 / 0 / 46 / 0

HEX #A0FF8A

RGB 160 255 138

HSL 108.72, 1%, 0.77%

LAB 92.06, -49.49, 47.05

 

CMYK 24 / 0 / 30 / 0

HEX #C2FFB3

RGB 194 255 179

HSL 108.16, 1%, 0.85%

LAB 94.42, -32.85, 30.32

 

CMYK 11 / 0 / 14 / 0

HEX #E3FFDC

RGB 227 255 220

HSL 108, 1%, 0.93%

LAB 97.23, -15.3, 13.69

 

CMYK 36 / 0 / 45 / 0

HEX #A2FF8C

RGB 162 255 140

HSL 108.52, 1%, 0.77%

LAB 92.17, -48.62, 46.26

 

CMYK 46 / 0 / 0 / 0

HEX #8AFFFF

RGB 138 255 255

HSL 180, 1%, 0.77%

LAB 93.51, -33.13, -10.31

 

CMYK 0 / 46 / 18 / 0

HEX #FF8AD0

RGB 255 138 208

HSL 324.1, 1%, 0.77%

LAB 72.22, 52.69, -16.22

 

CMYK 36 / 0 / 45 / 0

HEX #A2FF8C

RGB 162 255 140

HSL 108.52, 1%, 0.77%

LAB 92.17, -48.62, 46.26

 

CMYK 46 / 37 / 0 / 0

HEX #8AA1FF

RGB 138 161 255

HSL 228.21, 1%, 0.77%

LAB 68.1, 16.12, -49.26

 

CMYK 0 / 46 / 37 / 0

HEX #FF8AA1

RGB 255 138 161

HSL 348.21, 1%, 0.77%

LAB 70.88, 46.58, 7.95

 

CMYK 36 / 0 / 45 / 0

HEX #A2FF8C

RGB 162 255 140

HSL 108.52, 1%, 0.77%

LAB 92.17, -48.62, 46.26

 

CMYK 46 / 0 / 0 / 0

HEX #8AFFFF

RGB 138 255 255

HSL 180, 1%, 0.77%

LAB 93.51, -33.13, -10.31

 

CMYK 9 / 46 / 0 / 0

HEX #E88AFF

RGB 232 138 255

HSL 288.21, 1%, 0.77%

LAB 71.25, 53.83, -43.74

 

CMYK 0 / 46 / 46 / 0

HEX #FF8A8A

RGB 255 138 138

HSL 0, 1%, 0.77%

LAB 70.37, 44.18, 20.06

 

CMYK 36 / 0 / 45 / 0

HEX #A2FF8C

RGB 162 255 140

HSL 108.52, 1%, 0.77%

LAB 92.17, -48.62, 46.26

 

CMYK 46 / 14 / 0 / 0

HEX #8ADCFF

RGB 138 220 255

HSL 197.95, 1%, 0.77%

LAB 83.87, -16.03, -24.83

 

CMYK 9 / 46 / 0 / 0

HEX #E88AFF

RGB 232 138 255

HSL 288.21, 1%, 0.77%

LAB 71.25, 53.83, -43.74

 

CMYK 0 / 32 / 46 / 0

HEX #FFAD8A

RGB 255 173 138

HSL 17.95, 1%, 0.77%

LAB 77.86, 26.16, 30.17

 

Description

Color code: HEX #A2FF8C | qconv.com Color code: HEX #A2FF8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 255 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 255 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 45 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 45% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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