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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2F943 it is the complementary color #5D06BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2F943. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2F943 shade: #A7F93E, #B8FF51, #C9FF64, #DAFF77 and #EBFF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2F943. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2F943 shade: #A2F943, #91E730, #80D51D, #6FC30A and #5EB100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2F943 shade: #A2F943, #D3F943, #F9EE43, #F9BD43 and #F98C43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2F943 shade: #A2F943, #71F943, #43F946, #43F977 and #43F9A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2F943 shade matches the following richer shades: #A2F943

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2F943 shade: #A2F943, #A1EA53, #A1DA62, #A0CA72 and #9FBA82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2F943 shade: #F9ED43, #D5F943, #A4F943, #74F943 and #43F943

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2F943 shade: #7AE307, #8EF81B, #A2F943, #B6FA6B and #CAFC93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2F943 shade: #A2F943, #43F9BC and #F943ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2F943 shade: #A2F943, #43A4F9 and #F943A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2F943 shade: #A2F943, #43F9BC, #9843F9 and #F94380

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2F943 shade: #A2F943, #43F9F3, #9843F9 and #F94349

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 73 / 2

HEX #A2F943

RGB 162 249 67

HSL 88.68, 0.94%, 0.62%

LAB 89.78, -52.91, 74.01

 

Complementary color

CMYK 51 / 97 / 0 / 26

HEX #5D06BC

RGB 93 6 188

HSL 268.68, 0.94%, 0.38%

LAB 29.63, 65.18, -73.57

 

CMYK 33 / 0 / 75 / 2

HEX #A7F93E

RGB 167 249 62

HSL 86.31, 0.94%, 0.61%

LAB 90.01, -51.47, 75.89

 

CMYK 28 / 0 / 68 / 0

HEX #B8FF51

RGB 184 255 81

HSL 84.48, 1%, 0.66%

LAB 92.71, -46.9, 72.49

 

CMYK 21 / 0 / 61 / 0

HEX #C9FF64

RGB 201 255 100

HSL 80.9, 1%, 0.7%

LAB 93.82, -39.39, 66.62

 

CMYK 15 / 0 / 53 / 0

HEX #DAFF77

RGB 218 255 119

HSL 76.32, 1%, 0.73%

LAB 95.06, -31.5, 60.18

 

CMYK 8 / 0 / 46 / 0

HEX #EBFF8A

RGB 235 255 138

HSL 70.26, 1%, 0.77%

LAB 96.42, -23.32, 53.41

 

CMYK 35 / 0 / 73 / 2

HEX #A2F943

RGB 162 249 67

HSL 88.68, 0.94%, 0.62%

LAB 89.78, -52.91, 74.01

 

CMYK 37 / 0 / 79 / 9

HEX #91E730

RGB 145 231 48

HSL 88.2, 0.79%, 0.55%

LAB 83.64, -52.37, 73.62

 

CMYK 40 / 0 / 86 / 16

HEX #80D51D

RGB 128 213 29

HSL 87.72, 0.76%, 0.47%

LAB 77.44, -51.63, 72.35

 

CMYK 43 / 0 / 95 / 24

HEX #6FC30A

RGB 111 195 10

HSL 87.24, 0.9%, 0.4%

LAB 71.17, -50.63, 69.79

 

CMYK 47 / 0 / 100 / 31

HEX #5EB100

RGB 94 177 0

HSL 88.14, 1%, 0.35%

LAB 64.82, -49.31, 65.61

 

CMYK 35 / 0 / 73 / 2

HEX #A2F943

RGB 162 249 67

HSL 88.68, 0.94%, 0.62%

LAB 89.78, -52.91, 74.01

 

CMYK 15 / 0 / 73 / 2

HEX #D3F943

RGB 211 249 67

HSL 72.53, 0.94%, 0.62%

LAB 92.58, -34.95, 77.67

 

CMYK 0 / 4 / 73 / 2

HEX #F9EE43

RGB 249 238 67

HSL 56.37, 0.94%, 0.62%

LAB 92.44, -14.48, 78.53

 

CMYK 0 / 24 / 73 / 2

HEX #F9BD43

RGB 249 189 67

HSL 40.22, 0.94%, 0.62%

LAB 80.15, 10.35, 66.71

 

CMYK 0 / 44 / 73 / 2

HEX #F98C43

RGB 249 140 67

HSL 24.07, 0.94%, 0.62%

LAB 68.97, 35.92, 55.4

 

CMYK 35 / 0 / 73 / 2

HEX #A2F943

RGB 162 249 67

HSL 88.68, 0.94%, 0.62%

LAB 89.78, -52.91, 74.01

 

CMYK 55 / 0 / 73 / 2

HEX #71F943

RGB 113 249 67

HSL 104.84, 0.94%, 0.62%

LAB 87.81, -67.52, 71.4

 

CMYK 73 / 0 / 72 / 2

HEX #43F946

RGB 67 249 70

HSL 120.99, 0.94%, 0.62%

LAB 86.7, -76.6, 68.9

 

CMYK 73 / 0 / 52 / 2

HEX #43F977

RGB 67 249 119

HSL 137.14, 0.94%, 0.62%

LAB 87.13, -71.35, 49.23

 

CMYK 73 / 0 / 33 / 2

HEX #43F9A8

RGB 67 249 168

HSL 153.3, 0.94%, 0.62%

LAB 87.86, -63.06, 26.2

 

CMYK 35 / 0 / 73 / 2

HEX #A2F943

RGB 162 249 67

HSL 88.68, 0.94%, 0.62%

LAB 89.78, -52.91, 74.01

 

CMYK 35 / 0 / 73 / 2

HEX #A2F943

RGB 162 249 67

HSL 88.68, 0.94%, 0.62%

LAB 89.78, -52.91, 74.01

 

CMYK 31 / 0 / 65 / 8

HEX #A1EA53

RGB 161 234 83

HSL 89.01, 0.78%, 0.62%

LAB 85.53, -45.96, 63.84

 

CMYK 26 / 0 / 55 / 15

HEX #A1DA62

RGB 161 218 98

HSL 88.5, 0.62%, 0.62%

LAB 81.07, -37.66, 52.45

 

CMYK 21 / 0 / 44 / 21

HEX #A0CA72

RGB 160 202 114

HSL 88.64, 0.45%, 0.62%

LAB 76.64, -28.85, 39.39

 

CMYK 15 / 0 / 30 / 27

HEX #9FBA82

RGB 159 186 130

HSL 88.93, 0.29%, 0.62%

LAB 72.3, -19.2, 25.45

 

CMYK 0 / 5 / 73 / 2

HEX #F9ED43

RGB 249 237 67

HSL 56.04, 0.94%, 0.62%

LAB 92.18, -13.99, 78.28

 

CMYK 14 / 0 / 73 / 2

HEX #D5F943

RGB 213 249 67

HSL 71.87, 0.94%, 0.62%

LAB 92.71, -34.17, 77.84

 

CMYK 34 / 0 / 73 / 2

HEX #A4F943

RGB 164 249 67

HSL 88.02, 0.94%, 0.62%

LAB 89.88, -52.23, 74.14

 

CMYK 53 / 0 / 73 / 2

HEX #74F943

RGB 116 249 67

HSL 103.85, 0.94%, 0.62%

LAB 87.91, -66.76, 71.53

 

CMYK 73 / 0 / 73 / 2

HEX #43F943

RGB 67 249 67

HSL 120, 0.94%, 0.62%

LAB 86.68, -76.82, 69.9

 

CMYK 46 / 0 / 97 / 11

HEX #7AE307

RGB 122 227 7

HSL 88.64, 0.94%, 0.46%

LAB 81.34, -59.38, 78.4

 

CMYK 43 / 0 / 89 / 3

HEX #8EF81B

RGB 142 248 27

HSL 88.78, 0.94%, 0.54%

LAB 88.43, -60.66, 82.2

 

CMYK 35 / 0 / 73 / 2

HEX #A2F943

RGB 162 249 67

HSL 88.68, 0.94%, 0.62%

LAB 89.78, -52.91, 74.01

 

CMYK 27 / 0 / 57 / 2

HEX #B6FA6B

RGB 182 250 107

HSL 88.53, 0.93%, 0.7%

LAB 91.4, -43.46, 60.67

 

CMYK 20 / 0 / 42 / 1

HEX #CAFC93

RGB 202 252 147

HSL 88.57, 0.95%, 0.78%

LAB 93.57, -33.07, 45.11

 

CMYK 35 / 0 / 73 / 2

HEX #A2F943

RGB 162 249 67

HSL 88.68, 0.94%, 0.62%

LAB 89.78, -52.91, 74.01

 

CMYK 73 / 0 / 24 / 2

HEX #43F9BC

RGB 67 249 188

HSL 159.89, 0.94%, 0.62%

LAB 88.24, -58.86, 16.5

 

CMYK 0 / 73 / 5 / 2

HEX #F943ED

RGB 249 67 237

HSL 303.96, 0.94%, 0.62%

LAB 61.89, 84.35, -48.41

 

CMYK 35 / 0 / 73 / 2

HEX #A2F943

RGB 162 249 67

HSL 88.68, 0.94%, 0.62%

LAB 89.78, -52.91, 74.01

 

CMYK 73 / 34 / 0 / 2

HEX #43A4F9

RGB 67 164 249

HSL 208.02, 0.94%, 0.62%

LAB 65.42, -0.65, -50.44

 

CMYK 0 / 73 / 34 / 2

HEX #F943A4

RGB 249 67 164

HSL 328.02, 0.94%, 0.62%

LAB 58.82, 75.05, -11.54

 

CMYK 35 / 0 / 73 / 2

HEX #A2F943

RGB 162 249 67

HSL 88.68, 0.94%, 0.62%

LAB 89.78, -52.91, 74.01

 

CMYK 73 / 0 / 24 / 2

HEX #43F9BC

RGB 67 249 188

HSL 159.89, 0.94%, 0.62%

LAB 88.24, -58.86, 16.5

 

CMYK 39 / 73 / 0 / 2

HEX #9843F9

RGB 152 67 249

HSL 268.02, 0.94%, 0.62%

LAB 48.92, 68.21, -76.68

 

CMYK 0 / 73 / 49 / 2

HEX #F94380

RGB 249 67 128

HSL 339.89, 0.94%, 0.62%

LAB 57.76, 71.67, 8.04

 

CMYK 35 / 0 / 73 / 2

HEX #A2F943

RGB 162 249 67

HSL 88.68, 0.94%, 0.62%

LAB 89.78, -52.91, 74.01

 

CMYK 73 / 0 / 2 / 2

HEX #43F9F3

RGB 67 249 243

HSL 178.02, 0.94%, 0.62%

LAB 89.59, -45.22, -10.12

 

CMYK 39 / 73 / 0 / 2

HEX #9843F9

RGB 152 67 249

HSL 268.02, 0.94%, 0.62%

LAB 48.92, 68.21, -76.68

 

CMYK 0 / 73 / 71 / 2

HEX #F94349

RGB 249 67 73

HSL 358.02, 0.94%, 0.62%

LAB 56.72, 68.23, 38.81

 

Description

Color code: HEX #A2F943 | qconv.com Color code: HEX #A2F943 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 249 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 249 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 73 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 73% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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