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Color name
HEX #A2F599

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2F599 it is the complementary color #5D0A66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2F599. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2F599 shade: #A7F594, #B8FFA7, #C9FFBA, #DAFFCD and #EBFFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2F599. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2F599 shade: #A2F599, #91E386, #80D173, #6FBF60 and #5EAD4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2F599 shade: #A2F599, #BBF599, #D4F599, #ECF599 and #F5E599

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2F599 shade: #A2F599, #99F5A9, #99F5C2, #99F5DA and #99F5F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2F599 shade matches the following richer shades: #A2F599 and #9BFE90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2F599 shade: #A2F599, #A9ECA2, #B1E3AB, #B8DAB4 and #BFD1BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2F599 shade: #D3F599, #BBF599, #A2F599, #99F5A8 and #99F5C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2F599 shade: #5DED4E, #80F173, #A2F599, #C4F9BE and #E6FCE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2F599 shade: #A2F599, #99ECF5 and #F599C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2F599 shade: #A2F599, #99A2F5 and #F599A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2F599 shade: #A2F599, #99ECF5, #EC99F5 and #F5A299

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2F599 shade: #A2F599, #99D0F5, #EC99F5 and #F5BE99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 38 / 4

HEX #A2F599

RGB 162 245 153

HSL 114.13, 0.82%, 0.78%

LAB 89.53, -42.53, 36.52

 

Complementary color

CMYK 9 / 90 / 0 / 60

HEX #5D0A66

RGB 93 10 102

HSL 294.13, 0.82%, 0.22%

LAB 21.96, 46.18, -32.73

 

CMYK 32 / 0 / 40 / 4

HEX #A7F594

RGB 167 245 148

HSL 108.25, 0.83%, 0.77%

LAB 89.7, -41.66, 39.27

 

CMYK 28 / 0 / 35 / 0

HEX #B8FFA7

RGB 184 255 167

HSL 108.41, 1%, 0.83%

LAB 93.67, -37.9, 35.22

 

CMYK 21 / 0 / 27 / 0

HEX #C9FFBA

RGB 201 255 186

HSL 106.96, 1%, 0.86%

LAB 94.94, -29.46, 27.57

 

CMYK 15 / 0 / 20 / 0

HEX #DAFFCD

RGB 218 255 205

HSL 104.4, 1%, 0.9%

LAB 96.34, -20.77, 20.02

 

CMYK 8 / 0 / 12 / 0

HEX #EBFFE0

RGB 235 255 224

HSL 98.71, 1%, 0.94%

LAB 97.86, -11.95, 12.61

 

CMYK 34 / 0 / 38 / 4

HEX #A2F599

RGB 162 245 153

HSL 114.13, 0.82%, 0.78%

LAB 89.53, -42.53, 36.52

 

CMYK 36 / 0 / 41 / 11

HEX #91E386

RGB 145 227 134

HSL 112.9, 0.62%, 0.71%

LAB 83.27, -42.73, 37.69

 

CMYK 39 / 0 / 45 / 18

HEX #80D173

RGB 128 209 115

HSL 111.7, 0.51%, 0.64%

LAB 76.94, -42.9, 38.9

 

CMYK 42 / 0 / 50 / 25

HEX #6FBF60

RGB 111 191 96

HSL 110.53, 0.43%, 0.56%

LAB 70.51, -43.02, 40.14

 

CMYK 46 / 0 / 55 / 32

HEX #5EAD4D

RGB 94 173 77

HSL 109.38, 0.38%, 0.49%

LAB 64, -43.04, 41.38

 

CMYK 34 / 0 / 38 / 4

HEX #A2F599

RGB 162 245 153

HSL 114.13, 0.82%, 0.78%

LAB 89.53, -42.53, 36.52

 

CMYK 24 / 0 / 38 / 4

HEX #BBF599

RGB 187 245 153

HSL 97.83, 0.82%, 0.78%

LAB 90.86, -34.32, 38.51

 

CMYK 13 / 0 / 38 / 4

HEX #D4F599

RGB 212 245 153

HSL 81.52, 0.82%, 0.78%

LAB 92.4, -25.47, 40.81

 

CMYK 4 / 0 / 38 / 4

HEX #ECF599

RGB 236 245 153

HSL 65.87, 0.82%, 0.78%

LAB 94.07, -16.56, 43.29

 

CMYK 0 / 7 / 38 / 4

HEX #F5E599

RGB 245 229 153

HSL 49.57, 0.82%, 0.78%

LAB 90.67, -5.19, 39.04

 

CMYK 34 / 0 / 38 / 4

HEX #A2F599

RGB 162 245 153

HSL 114.13, 0.82%, 0.78%

LAB 89.53, -42.53, 36.52

 

CMYK 38 / 0 / 31 / 4

HEX #99F5A9

RGB 153 245 169

HSL 130.43, 0.82%, 0.78%

LAB 89.37, -42.75, 28.18

 

CMYK 38 / 0 / 21 / 4

HEX #99F5C2

RGB 153 245 194

HSL 146.74, 0.82%, 0.78%

LAB 89.85, -38.25, 16.03

 

CMYK 38 / 0 / 11 / 4

HEX #99F5DA

RGB 153 245 218

HSL 162.39, 0.82%, 0.78%

LAB 90.39, -33.38, 4.36

 

CMYK 38 / 0 / 1 / 4

HEX #99F5F3

RGB 153 245 243

HSL 178.7, 0.82%, 0.78%

LAB 91.03, -27.78, -7.7

 

CMYK 34 / 0 / 38 / 4

HEX #A2F599

RGB 162 245 153

HSL 114.13, 0.82%, 0.78%

LAB 89.53, -42.53, 36.52

 

CMYK 39 / 0 / 43 / 0

HEX #9BFE90

RGB 155 254 144

HSL 114, 0.98%, 0.78%

LAB 91.62, -49.8, 43.58

 

CMYK 34 / 0 / 38 / 4

HEX #A2F599

RGB 162 245 153

HSL 114.13, 0.82%, 0.78%

LAB 89.53, -42.53, 36.52

 

CMYK 28 / 0 / 31 / 7

HEX #A9ECA2

RGB 169 236 162

HSL 114.32, 0.66%, 0.78%

LAB 87.5, -34.9, 29.36

 

CMYK 22 / 0 / 25 / 11

HEX #B1E3AB

RGB 177 227 171

HSL 113.57, 0.5%, 0.78%

LAB 85.62, -26.59, 22.24

 

CMYK 16 / 0 / 17 / 15

HEX #B8DAB4

RGB 184 218 180

HSL 113.68, 0.34%, 0.78%

LAB 83.77, -18.31, 15.03

 

CMYK 9 / 0 / 10 / 18

HEX #BFD1BD

RGB 191 209 189

HSL 114, 0.18%, 0.78%

LAB 82.03, -9.78, 7.85

 

CMYK 14 / 0 / 38 / 4

HEX #D3F599

RGB 211 245 153

HSL 82.17, 0.82%, 0.78%

LAB 92.33, -25.84, 40.71

 

CMYK 24 / 0 / 38 / 4

HEX #BBF599

RGB 187 245 153

HSL 97.83, 0.82%, 0.78%

LAB 90.86, -34.32, 38.51

 

CMYK 34 / 0 / 38 / 4

HEX #A2F599

RGB 162 245 153

HSL 114.13, 0.82%, 0.78%

LAB 89.53, -42.53, 36.52

 

CMYK 38 / 0 / 31 / 4

HEX #99F5A8

RGB 153 245 168

HSL 129.78, 0.82%, 0.78%

LAB 89.35, -42.91, 28.66

 

CMYK 38 / 0 / 21 / 4

HEX #99F5C1

RGB 153 245 193

HSL 146.09, 0.82%, 0.78%

LAB 89.83, -38.44, 16.52

 

CMYK 61 / 0 / 67 / 7

HEX #5DED4E

RGB 93 237 78

HSL 114.34, 0.82%, 0.62%

LAB 83.68, -67.3, 63.02

 

CMYK 47 / 0 / 52 / 5

HEX #80F173

RGB 128 241 115

HSL 113.81, 0.82%, 0.7%

LAB 86.37, -56.09, 50.55

 

CMYK 34 / 0 / 38 / 4

HEX #A2F599

RGB 162 245 153

HSL 114.13, 0.82%, 0.78%

LAB 89.53, -42.53, 36.52

 

CMYK 21 / 0 / 24 / 2

HEX #C4F9BE

RGB 196 249 190

HSL 113.9, 0.83%, 0.86%

LAB 93.1, -27.66, 22.97

 

CMYK 9 / 0 / 10 / 1

HEX #E6FCE4

RGB 230 252 228

HSL 115, 0.8%, 0.94%

LAB 96.84, -11.46, 9.05

 

CMYK 34 / 0 / 38 / 4

HEX #A2F599

RGB 162 245 153

HSL 114.13, 0.82%, 0.78%

LAB 89.53, -42.53, 36.52

 

CMYK 38 / 4 / 0 / 4

HEX #99ECF5

RGB 153 236 245

HSL 185.87, 0.82%, 0.78%

LAB 88.62, -22.94, -12.33

 

CMYK 0 / 38 / 19 / 4

HEX #F599C7

RGB 245 153 199

HSL 330, 0.82%, 0.78%

LAB 73.75, 40.52, -9.08

 

CMYK 34 / 0 / 38 / 4

HEX #A2F599

RGB 162 245 153

HSL 114.13, 0.82%, 0.78%

LAB 89.53, -42.53, 36.52

 

CMYK 38 / 34 / 0 / 4

HEX #99A2F5

RGB 153 162 245

HSL 234.13, 0.82%, 0.78%

LAB 68.9, 16.51, -42.5

 

CMYK 0 / 38 / 34 / 4

HEX #F599A2

RGB 245 153 162

HSL 354.13, 0.82%, 0.78%

LAB 72.76, 35.49, 9.92

 

CMYK 34 / 0 / 38 / 4

HEX #A2F599

RGB 162 245 153

HSL 114.13, 0.82%, 0.78%

LAB 89.53, -42.53, 36.52

 

CMYK 38 / 4 / 0 / 4

HEX #99ECF5

RGB 153 236 245

HSL 185.87, 0.82%, 0.78%

LAB 88.62, -22.94, -12.33

 

CMYK 4 / 38 / 0 / 4

HEX #EC99F5

RGB 236 153 245

HSL 294.13, 0.82%, 0.78%

LAB 74.32, 45.39, -33.49

 

CMYK 0 / 34 / 38 / 4

HEX #F5A299

RGB 245 162 153

HSL 5.87, 0.82%, 0.78%

LAB 74.54, 29.71, 17.37

 

CMYK 34 / 0 / 38 / 4

HEX #A2F599

RGB 162 245 153

HSL 114.13, 0.82%, 0.78%

LAB 89.53, -42.53, 36.52

 

CMYK 38 / 15 / 0 / 4

HEX #99D0F5

RGB 153 208 245

HSL 204.13, 0.82%, 0.78%

LAB 81, -8.72, -23.81

 

CMYK 4 / 38 / 0 / 4

HEX #EC99F5

RGB 236 153 245

HSL 294.13, 0.82%, 0.78%

LAB 74.32, 45.39, -33.49

 

CMYK 0 / 22 / 38 / 4

HEX #F5BE99

RGB 245 190 153

HSL 24.13, 0.82%, 0.78%

LAB 81.04, 14.94, 26.28

 

Description

Color code: HEX #A2F599 | qconv.com Color code: HEX #A2F599 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 245 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 245 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 38 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 38% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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