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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2F3EC it is the complementary color #5D0C13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2F3EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2F3EC shade: #A7F3E7, #B8FFFA, #C9FFFF, #DAFFFF and #EBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2F3EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2F3EC shade: #A2F3EC, #91E1D9, #80CFC6, #6FBDB3 and #5EABA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2F3EC shade: #A0F3EC, #A0F3D5, #A0F3BF, #A0F3A9 and #AEF3A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2F3EC shade: #A0F3EC, #A0E4F3, #A0CDF3, #A0B7F3 and #A0A1F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2F3EC shade matches the following richer shades: #A0F3EC and #98FBF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2F3EC shade: #A0F3EC, #A9EAE4, #B2E1DD, #BAD9D6 and #C3D0CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2F3EC shade: #A0F3BE, #A0F3D4, #A0F3EA, #A0E5F3 and #A0CFF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2F3EC shade: #57E9DD, #7CEEE4, #A0F3EC, #C5F7F3 and #E9FCFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2F3EC shade: #A2F3EC, #A8A0F3 and #F3C9A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2F3EC shade: #A2F3EC, #EAA0F3 and #F3EAA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2F3EC shade: #A2F3EC, #A8A0F3, #F3A0A8 and #EAF3A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2F3EC shade: #A2F3EC, #C1A0F3, #F3A0A8 and #D2F3A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 3 / 5

HEX #A2F3EC

RGB 162 243 236

HSL 174.81, 0.77%, 0.79%

LAB 90.71, -26.1, -4.49

 

Complementary color

CMYK 0 / 87 / 80 / 64

HEX #5D0C13

RGB 93 12 19

HSL 354.81, 0.77%, 0.21%

LAB 18.53, 35.52, 19.44

 

CMYK 31 / 0 / 5 / 5

HEX #A7F3E7

RGB 167 243 231

HSL 170.53, 0.76%, 0.8%

LAB 90.82, -25.84, -1.69

 

CMYK 28 / 0 / 2 / 0

HEX #B8FFFA

RGB 184 255 250

HSL 175.77, 1%, 0.86%

LAB 95.42, -22.81, -4.68

 

CMYK 21 / 0 / 0 / 0

HEX #C9FFFF

RGB 201 255 255

HSL 180, 1%, 0.89%

LAB 96.47, -16.89, -5.6

 

CMYK 15 / 0 / 0 / 0

HEX #DAFFFF

RGB 218 255 255

HSL 180, 1%, 0.93%

LAB 97.49, -11.79, -3.99

 

CMYK 8 / 0 / 0 / 0

HEX #EBFFFF

RGB 235 255 255

HSL 180, 1%, 0.96%

LAB 98.59, -6.47, -2.24

 

CMYK 33 / 0 / 3 / 5

HEX #A2F3EC

RGB 162 243 236

HSL 174.81, 0.77%, 0.79%

LAB 90.71, -26.1, -4.49

 

CMYK 36 / 0 / 4 / 12

HEX #91E1D9

RGB 145 225 217

HSL 174, 0.57%, 0.73%

LAB 84.42, -26.22, -3.86

 

CMYK 38 / 0 / 4 / 19

HEX #80CFC6

RGB 128 207 198

HSL 173.16, 0.45%, 0.66%

LAB 78.05, -26.34, -3.2

 

CMYK 41 / 0 / 5 / 26

HEX #6FBDB3

RGB 111 189 179

HSL 172.31, 0.37%, 0.59%

LAB 71.57, -26.45, -2.5

 

CMYK 45 / 0 / 6 / 33

HEX #5EABA0

RGB 94 171 160

HSL 171.43, 0.31%, 0.52%

LAB 65, -26.54, -1.76

 

CMYK 34 / 0 / 3 / 5

HEX #A0F3EC

RGB 160 243 236

HSL 174.94, 0.78%, 0.79%

LAB 90.61, -26.63, -4.64

 

CMYK 34 / 0 / 12 / 5

HEX #A0F3D5

RGB 160 243 213

HSL 158.31, 0.78%, 0.79%

LAB 90.03, -31.59, 6.5

 

CMYK 34 / 0 / 21 / 5

HEX #A0F3BF

RGB 160 243 191

HSL 142.41, 0.78%, 0.79%

LAB 89.55, -35.91, 17.21

 

CMYK 34 / 0 / 30 / 5

HEX #A0F3A9

RGB 160 243 169

HSL 126.51, 0.78%, 0.79%

LAB 89.13, -39.77, 27.92

 

CMYK 28 / 0 / 34 / 5

HEX #AEF3A0

RGB 174 243 160

HSL 109.88, 0.78%, 0.79%

LAB 89.69, -36.77, 33.35

 

CMYK 34 / 0 / 3 / 5

HEX #A0F3EC

RGB 160 243 236

HSL 174.94, 0.78%, 0.79%

LAB 90.61, -26.63, -4.64

 

CMYK 34 / 6 / 0 / 5

HEX #A0E4F3

RGB 160 228 243

HSL 190.84, 0.78%, 0.79%

LAB 86.72, -17.63, -14.09

 

CMYK 34 / 16 / 0 / 5

HEX #A0CDF3

RGB 160 205 243

HSL 207.47, 0.78%, 0.79%

LAB 80.52, -5.77, -23.45

 

CMYK 34 / 25 / 0 / 5

HEX #A0B7F3

RGB 160 183 243

HSL 223.37, 0.78%, 0.79%

LAB 74.71, 6.11, -32.35

 

CMYK 34 / 34 / 0 / 5

HEX #A0A1F3

RGB 160 161 243

HSL 239.28, 0.78%, 0.79%

LAB 69.06, 18.42, -41.12

 

CMYK 34 / 0 / 3 / 5

HEX #A0F3EC

RGB 160 243 236

HSL 174.94, 0.78%, 0.79%

LAB 90.61, -26.63, -4.64

 

CMYK 39 / 0 / 3 / 2

HEX #98FBF3

RGB 152 251 243

HSL 175.15, 0.93%, 0.79%

LAB 92.64, -30.88, -5.33

 

CMYK 34 / 0 / 3 / 5

HEX #A0F3EC

RGB 160 243 236

HSL 174.94, 0.78%, 0.79%

LAB 90.61, -26.63, -4.64

 

CMYK 28 / 0 / 3 / 8

HEX #A9EAE4

RGB 169 234 228

HSL 174.46, 0.61%, 0.79%

LAB 88.39, -21.55, -3.67

 

CMYK 21 / 0 / 2 / 12

HEX #B2E1DD

RGB 178 225 221

HSL 174.89, 0.44%, 0.79%

LAB 86.27, -15.92, -3.05

 

CMYK 14 / 0 / 1 / 15

HEX #BAD9D6

RGB 186 217 214

HSL 174.19, 0.29%, 0.79%

LAB 84.44, -10.8, -1.98

 

CMYK 6 / 0 / 0 / 18

HEX #C3D0CF

RGB 195 208 207

HSL 175.38, 0.12%, 0.79%

LAB 82.5, -4.58, -1.03

 

CMYK 34 / 0 / 22 / 5

HEX #A0F3BE

RGB 160 243 190

HSL 141.69, 0.78%, 0.79%

LAB 89.53, -36.1, 17.7

 

CMYK 34 / 0 / 13 / 5

HEX #A0F3D4

RGB 160 243 212

HSL 157.59, 0.78%, 0.79%

LAB 90.01, -31.8, 6.98

 

CMYK 34 / 0 / 4 / 5

HEX #A0F3EA

RGB 160 243 234

HSL 173.49, 0.78%, 0.79%

LAB 90.56, -27.08, -3.67

 

CMYK 34 / 6 / 0 / 5

HEX #A0E5F3

RGB 160 229 243

HSL 190.12, 0.78%, 0.79%

LAB 86.99, -18.13, -13.68

 

CMYK 34 / 15 / 0 / 5

HEX #A0CFF3

RGB 160 207 243

HSL 206.02, 0.78%, 0.79%

LAB 81.05, -6.83, -22.63

 

CMYK 63 / 0 / 5 / 9

HEX #57E9DD

RGB 87 233 221

HSL 175.07, 0.77%, 0.63%

LAB 84.75, -41.38, -5.72

 

CMYK 48 / 0 / 4 / 7

HEX #7CEEE4

RGB 124 238 228

HSL 174.74, 0.77%, 0.71%

LAB 87.5, -34.87, -5.21

 

CMYK 34 / 0 / 3 / 5

HEX #A0F3EC

RGB 160 243 236

HSL 174.94, 0.78%, 0.79%

LAB 90.61, -26.63, -4.64

 

CMYK 20 / 0 / 2 / 3

HEX #C5F7F3

RGB 197 247 243

HSL 175.2, 0.76%, 0.87%

LAB 93.82, -16.61, -3.32

 

CMYK 8 / 0 / 0 / 1

HEX #E9FCFB

RGB 233 252 251

HSL 176.84, 0.76%, 0.95%

LAB 97.6, -6.36, -1.66

 

CMYK 33 / 0 / 3 / 5

HEX #A2F3EC

RGB 162 243 236

HSL 174.81, 0.77%, 0.79%

LAB 90.71, -26.1, -4.49

 

CMYK 31 / 34 / 0 / 5

HEX #A8A0F3

RGB 168 160 243

HSL 245.78, 0.78%, 0.79%

LAB 69.42, 21.19, -40.51

 

CMYK 0 / 17 / 34 / 5

HEX #F3C9A0

RGB 243 201 160

HSL 29.64, 0.78%, 0.79%

LAB 83.63, 9.23, 26.07

 

CMYK 33 / 0 / 3 / 5

HEX #A2F3EC

RGB 162 243 236

HSL 174.81, 0.77%, 0.79%

LAB 90.71, -26.1, -4.49

 

CMYK 4 / 34 / 0 / 5

HEX #EAA0F3

RGB 234 160 243

HSL 293.49, 0.78%, 0.79%

LAB 75.52, 40.74, -30.58

 

CMYK 0 / 4 / 34 / 5

HEX #F3EAA0

RGB 243 234 160

HSL 53.49, 0.78%, 0.79%

LAB 91.88, -7.68, 37.08

 

CMYK 33 / 0 / 3 / 5

HEX #A2F3EC

RGB 162 243 236

HSL 174.81, 0.77%, 0.79%

LAB 90.71, -26.1, -4.49

 

CMYK 31 / 34 / 0 / 5

HEX #A8A0F3

RGB 168 160 243

HSL 245.78, 0.78%, 0.79%

LAB 69.42, 21.19, -40.51

 

CMYK 0 / 34 / 31 / 5

HEX #F3A0A8

RGB 243 160 168

HSL 354.22, 0.78%, 0.79%

LAB 74.2, 31.85, 8.63

 

CMYK 4 / 0 / 34 / 5

HEX #EAF3A0

RGB 234 243 160

HSL 66.51, 0.78%, 0.79%

LAB 93.51, -15.53, 39.08

 

CMYK 33 / 0 / 3 / 5

HEX #A2F3EC

RGB 162 243 236

HSL 174.81, 0.77%, 0.79%

LAB 90.71, -26.1, -4.49

 

CMYK 21 / 34 / 0 / 5

HEX #C1A0F3

RGB 193 160 243

HSL 263.86, 0.78%, 0.79%

LAB 71.52, 28.36, -37.08

 

CMYK 0 / 34 / 31 / 5

HEX #F3A0A8

RGB 243 160 168

HSL 354.22, 0.78%, 0.79%

LAB 74.2, 31.85, 8.63

 

CMYK 14 / 0 / 34 / 5

HEX #D2F3A0

RGB 210 243 160

HSL 83.86, 0.78%, 0.79%

LAB 91.84, -24.36, 36.58

 

Description

Color code: HEX #A2F3EC | qconv.com Color code: HEX #A2F3EC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 243 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 243 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 3 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 3% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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