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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2ED6F it is the complementary color #5D1290. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2ED6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2ED6F shade: #A7ED6A, #B8FF7D, #C9FF90, #DAFFA3 and #EBFFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2ED6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2ED6F shade: #A2ED6F, #91DB5C, #80C949, #6FB736 and #5EA523

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2ED6F shade: #A1ED6E, #C4ED6E, #E6ED6E, #EDD26E and #EDB06E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2ED6F shade: #A1ED6E, #7FED6E, #6EED7F, #6EEDA1 and #6EEDC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2ED6F shade matches the following richer shades: #A1ED6E and #9FFA61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2ED6F shade: #A1ED6E, #A4E07B, #A6D388, #A9C595 and #ABB8A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2ED6F shade: #E7ED6E, #C5ED6E, #A3ED6E, #81ED6E and #6EED7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2ED6F shade: #72E424, #8AE949, #A1ED6E, #B9F292 and #D1F6B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2ED6F shade: #A2ED6F, #6EEDD1 and #ED6ED6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2ED6F shade: #A2ED6F, #6EA3ED and #ED6EA3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2ED6F shade: #A2ED6F, #6EEDD1, #B86EED and #ED6E89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2ED6F shade: #A2ED6F, #6EE2ED, #B86EED and #ED786E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 53 / 7

HEX #A2ED6F

RGB 162 237 111

HSL 95.71, 0.78%, 0.68%

LAB 86.7, -44.35, 53.15

 

Complementary color

CMYK 35 / 88 / 0 / 44

HEX #5D1290

RGB 93 18 144

HSL 275.71, 0.78%, 0.32%

LAB 26.08, 52.8, -52.78

 

CMYK 30 / 0 / 55 / 7

HEX #A7ED6A

RGB 167 237 106

HSL 92.06, 0.78%, 0.67%

LAB 86.91, -43.15, 55.72

 

CMYK 28 / 0 / 51 / 0

HEX #B8FF7D

RGB 184 255 125

HSL 92.77, 1%, 0.75%

LAB 93.1, -43.18, 54.66

 

CMYK 21 / 0 / 44 / 0

HEX #C9FF90

RGB 201 255 144

HSL 89.19, 1%, 0.78%

LAB 94.29, -35.15, 47.45

 

CMYK 15 / 0 / 36 / 0

HEX #DAFFA3

RGB 218 255 163

HSL 84.13, 1%, 0.82%

LAB 95.61, -26.8, 40.13

 

CMYK 8 / 0 / 29 / 0

HEX #EBFFB6

RGB 235 255 182

HSL 76.44, 1%, 0.86%

LAB 97.05, -18.23, 32.8

 

CMYK 32 / 0 / 53 / 7

HEX #A2ED6F

RGB 162 237 111

HSL 95.71, 0.78%, 0.68%

LAB 86.7, -44.35, 53.15

 

CMYK 34 / 0 / 58 / 14

HEX #91DB5C

RGB 145 219 92

HSL 94.96, 0.64%, 0.61%

LAB 80.44, -44.31, 54.19

 

CMYK 36 / 0 / 64 / 21

HEX #80C949

RGB 128 201 73

HSL 94.22, 0.54%, 0.54%

LAB 74.09, -44.18, 55.08

 

CMYK 39 / 0 / 70 / 28

HEX #6FB736

RGB 111 183 54

HSL 93.49, 0.54%, 0.46%

LAB 67.66, -43.9, 55.67

 

CMYK 43 / 0 / 79 / 35

HEX #5EA523

RGB 94 165 35

HSL 92.77, 0.65%, 0.39%

LAB 61.14, -43.4, 55.66

 

CMYK 32 / 0 / 54 / 7

HEX #A1ED6E

RGB 161 237 110

HSL 95.91, 0.78%, 0.68%

LAB 86.64, -44.8, 53.52

 

CMYK 17 / 0 / 54 / 7

HEX #C4ED6E

RGB 196 237 110

HSL 79.37, 0.78%, 0.68%

LAB 88.65, -32.26, 56.39

 

CMYK 3 / 0 / 54 / 7

HEX #E6ED6E

RGB 230 237 110

HSL 63.31, 0.78%, 0.68%

LAB 91.02, -19.11, 59.73

 

CMYK 0 / 11 / 54 / 7

HEX #EDD26E

RGB 237 210 110

HSL 47.24, 0.78%, 0.68%

LAB 84.6, -2.83, 52.4

 

CMYK 0 / 26 / 54 / 7

HEX #EDB06E

RGB 237 176 110

HSL 31.18, 0.78%, 0.68%

LAB 76.18, 14.9, 42.23

 

CMYK 32 / 0 / 54 / 7

HEX #A1ED6E

RGB 161 237 110

HSL 95.91, 0.78%, 0.68%

LAB 86.64, -44.8, 53.52

 

CMYK 46 / 0 / 54 / 7

HEX #7FED6E

RGB 127 237 110

HSL 111.97, 0.78%, 0.68%

LAB 85.1, -55.39, 51.32

 

CMYK 54 / 0 / 46 / 7

HEX #6EED7F

RGB 110 237 127

HSL 128.03, 0.78%, 0.68%

LAB 84.7, -57.65, 42.66

 

CMYK 54 / 0 / 32 / 7

HEX #6EEDA1

RGB 110 237 161

HSL 144.09, 0.78%, 0.68%

LAB 85.23, -52.06, 26.37

 

CMYK 54 / 0 / 17 / 7

HEX #6EEDC4

RGB 110 237 196

HSL 160.63, 0.78%, 0.68%

LAB 85.94, -44.92, 9.22

 

CMYK 32 / 0 / 54 / 7

HEX #A1ED6E

RGB 161 237 110

HSL 95.91, 0.78%, 0.68%

LAB 86.64, -44.8, 53.52

 

CMYK 36 / 0 / 61 / 2

HEX #9FFA61

RGB 159 250 97

HSL 95.69, 0.94%, 0.68%

LAB 90.14, -52.15, 63.16

 

CMYK 32 / 0 / 54 / 7

HEX #A1ED6E

RGB 161 237 110

HSL 95.91, 0.78%, 0.68%

LAB 86.64, -44.8, 53.52

 

CMYK 27 / 0 / 45 / 12

HEX #A4E07B

RGB 164 224 123

HSL 95.64, 0.62%, 0.68%

LAB 83.25, -36.55, 43.29

 

CMYK 21 / 0 / 36 / 17

HEX #A6D388

RGB 166 211 136

HSL 96, 0.46%, 0.68%

LAB 79.88, -28.07, 32.48

 

CMYK 14 / 0 / 24 / 23

HEX #A9C595

RGB 169 197 149

HSL 95, 0.29%, 0.68%

LAB 76.4, -18.18, 21.03

 

CMYK 7 / 0 / 11 / 28

HEX #ABB8A3

RGB 171 184 163

HSL 97.14, 0.13%, 0.68%

LAB 73.27, -8.41, 9.13

 

CMYK 3 / 0 / 54 / 7

HEX #E7ED6E

RGB 231 237 110

HSL 62.83, 0.78%, 0.68%

LAB 91.09, -18.71, 59.84

 

CMYK 17 / 0 / 54 / 7

HEX #C5ED6E

RGB 197 237 110

HSL 78.9, 0.78%, 0.68%

LAB 88.72, -31.89, 56.48

 

CMYK 31 / 0 / 54 / 7

HEX #A3ED6E

RGB 163 237 110

HSL 94.96, 0.78%, 0.68%

LAB 86.74, -44.12, 53.66

 

CMYK 46 / 0 / 54 / 7

HEX #81ED6E

RGB 129 237 110

HSL 111.02, 0.78%, 0.68%

LAB 85.18, -54.83, 51.43

 

CMYK 54 / 0 / 47 / 7

HEX #6EED7D

RGB 110 237 125

HSL 127.09, 0.78%, 0.68%

LAB 84.67, -57.94, 43.59

 

CMYK 50 / 0 / 84 / 11

HEX #72E424

RGB 114 228 36

HSL 95.63, 0.78%, 0.52%

LAB 81.4, -61.43, 74.08

 

CMYK 41 / 0 / 69 / 9

HEX #8AE949

RGB 138 233 73

HSL 95.63, 0.78%, 0.6%

LAB 84.05, -54, 65.79

 

CMYK 32 / 0 / 54 / 7

HEX #A1ED6E

RGB 161 237 110

HSL 95.91, 0.78%, 0.68%

LAB 86.64, -44.8, 53.52

 

CMYK 24 / 0 / 40 / 5

HEX #B9F292

RGB 185 242 146

HSL 95.63, 0.79%, 0.76%

LAB 89.81, -34.56, 40.59

 

CMYK 15 / 0 / 26 / 4

HEX #D1F6B7

RGB 209 246 183

HSL 95.24, 0.78%, 0.84%

LAB 92.96, -22.93, 26.47

 

CMYK 32 / 0 / 53 / 7

HEX #A2ED6F

RGB 162 237 111

HSL 95.71, 0.78%, 0.68%

LAB 86.7, -44.35, 53.15

 

CMYK 54 / 0 / 12 / 7

HEX #6EEDD1

RGB 110 237 209

HSL 166.77, 0.78%, 0.68%

LAB 86.25, -41.94, 2.86

 

CMYK 0 / 54 / 10 / 7

HEX #ED6ED6

RGB 237 110 214

HSL 310.87, 0.78%, 0.68%

LAB 64.97, 61.59, -30.85

 

CMYK 32 / 0 / 53 / 7

HEX #A2ED6F

RGB 162 237 111

HSL 95.71, 0.78%, 0.68%

LAB 86.7, -44.35, 53.15

 

CMYK 54 / 31 / 0 / 7

HEX #6EA3ED

RGB 110 163 237

HSL 214.96, 0.78%, 0.68%

LAB 66.23, 3.3, -42.49

 

CMYK 0 / 54 / 31 / 7

HEX #ED6EA3

RGB 237 110 163

HSL 334.96, 0.78%, 0.68%

LAB 63.18, 54.42, -4.67

 

CMYK 32 / 0 / 53 / 7

HEX #A2ED6F

RGB 162 237 111

HSL 95.71, 0.78%, 0.68%

LAB 86.7, -44.35, 53.15

 

CMYK 54 / 0 / 12 / 7

HEX #6EEDD1

RGB 110 237 209

HSL 166.77, 0.78%, 0.68%

LAB 86.25, -41.94, 2.86

 

CMYK 22 / 54 / 0 / 7

HEX #B86EED

RGB 184 110 237

HSL 274.96, 0.78%, 0.68%

LAB 59.39, 51.67, -52.91

 

CMYK 0 / 54 / 42 / 7

HEX #ED6E89

RGB 237 110 137

HSL 347.24, 0.78%, 0.68%

LAB 62.48, 51.49, 9.23

 

CMYK 32 / 0 / 53 / 7

HEX #A2ED6F

RGB 162 237 111

HSL 95.71, 0.78%, 0.68%

LAB 86.7, -44.35, 53.15

 

CMYK 54 / 5 / 0 / 7

HEX #6EE2ED

RGB 110 226 237

HSL 185.2, 0.78%, 0.68%

LAB 83.87, -29.81, -15.41

 

CMYK 22 / 54 / 0 / 7

HEX #B86EED

RGB 184 110 237

HSL 274.96, 0.78%, 0.68%

LAB 59.39, 51.67, -52.91

 

CMYK 0 / 49 / 54 / 7

HEX #ED786E

RGB 237 120 110

HSL 4.72, 0.78%, 0.68%

LAB 63.81, 44.13, 26.44

 

Description

Color code: HEX #A2ED6F | qconv.com Color code: HEX #A2ED6F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 237 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 237 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 53 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 53% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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