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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2ED4F00 it is the complementary color #5D12B000. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2ED4F00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2ED4F00 shade: #A7ED4A00, #B8FF5D00, #C9FF7000, #DAFF8300 and #EBFF9600

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2ED4F00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2ED4F00 shade: #A2ED4F00, #91DB3C00, #80C92900, #6FB71600 and #5EA50300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2ED4F00 shade: #A2ED50, #CCED50, #EDE250, #EDB850 and #ED8E50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2ED4F00 shade: #A2ED50, #78ED50, #50ED52, #50ED7C and #50EDA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2ED4F00 shade matches the following richer shades: #A2ED50 and #A3FC40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2ED4F00 shade: #A2ED50, #A1DD5F, #A0CD6F, #A0BE7F and #9FAE8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2ED4F00 shade: #EDE250, #CDED50, #A3ED50, #79ED50 and #50ED50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2ED4F00 shade: #7AD316, #8EE92A, #A2ED50, #B6F175 and #CAF49A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2ED4F00 shade: #A2ED4F, #50EDB8 and #ED50E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2ED4F00 shade: #A2ED4F, #50A3ED and #ED50A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2ED4F00 shade: #A2ED4F, #50EDB8, #9950ED and #ED5084

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2ED4F00 shade: #A2ED4F, #50EDE7, #9950ED and #ED5055

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #A2ED4F00

RGBA 162 237 79 0

HSLA 88.48, 0.81%, 0.62%, 0

LABA 86.41, -47.18, 66.35, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #5D12B000

RGBA 93 18 176 0

HSLA 268.48, 0.81%, 0.38%, 0

LABA 29.14, 60.13, -67.23, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A7ED4A00

RGBA 167 237 74 0

HSLA 85.77, 0.82%, 0.61%, 0

LABA 86.64, -45.76, 68.54, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B8FF5D00

RGBA 184 255 93 0

HSLA 86.3, 1%, 0.68%, 0

LABA 92.8, -46.06, 68.04, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C9FF7000

RGBA 201 255 112 0

HSLA 82.66, 1%, 0.72%, 0

LABA 93.93, -38.41, 61.68, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DAFF8300

RGBA 218 255 131 0

HSLA 77.9, 1%, 0.76%, 0

LABA 95.19, -30.38, 54.9, 0

 

CMYK 0 / 0 / 0 / 0

HEX #EBFF9600

RGBA 235 255 150 0

HSLA 71.43, 1%, 0.79%, 0

LABA 96.57, -22.09, 47.9, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A2ED4F00

RGBA 162 237 79 0

HSLA 88.48, 0.81%, 0.62%, 0

LABA 86.41, -47.18, 66.35, 0

 

CMYK 0 / 0 / 0 / 0

HEX #91DB3C00

RGBA 145 219 60 0

HSLA 87.92, 0.69%, 0.55%, 0

LABA 80.18, -46.82, 66.64, 0

 

CMYK 0 / 0 / 0 / 0

HEX #80C92900

RGBA 128 201 41 0

HSLA 87.38, 0.66%, 0.47%, 0

LABA 73.88, -46.28, 66.31, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6FB71600

RGBA 111 183 22 0

HSLA 86.83, 0.79%, 0.4%, 0

LABA 67.5, -45.52, 64.96, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5EA50300

RGBA 94 165 3 0

HSLA 86.3, 0.96%, 0.33%, 0

LABA 61.04, -44.48, 62.24, 0

 

CMYK 32 / 0 / 66 / 7

HEX #A2ED50

RGB 162 237 80

HSL 88.66, 0.81%, 0.62%

LAB 86.42, -47.11, 65.98

 

CMYK 14 / 0 / 66 / 7

HEX #CCED50

RGB 204 237 80

HSL 72.61, 0.81%, 0.62%

LAB 88.92, -31.48, 69.35

 

CMYK 0 / 5 / 66 / 7

HEX #EDE250

RGB 237 226 80

HSL 55.8, 0.81%, 0.62%

LAB 88.44, -12.9, 69.64

 

CMYK 0 / 22 / 66 / 7

HEX #EDB850

RGB 237 184 80

HSL 39.75, 0.81%, 0.62%

LAB 77.8, 8.58, 58.48

 

CMYK 0 / 40 / 66 / 7

HEX #ED8E50

RGB 237 142 80

HSL 23.69, 0.81%, 0.62%

LAB 67.97, 30.76, 47.61

 

CMYK 32 / 0 / 66 / 7

HEX #A2ED50

RGB 162 237 80

HSL 88.66, 0.81%, 0.62%

LAB 86.42, -47.11, 65.98

 

CMYK 49 / 0 / 66 / 7

HEX #78ED50

RGB 120 237 80

HSL 104.71, 0.81%, 0.62%

LAB 84.56, -60.37, 63.44

 

CMYK 66 / 0 / 65 / 7

HEX #50ED52

RGB 80 237 82

HSL 120.76, 0.81%, 0.62%

LAB 83.38, -69.59, 61.04

 

CMYK 66 / 0 / 48 / 7

HEX #50ED7C

RGB 80 237 124

HSL 136.82, 0.81%, 0.62%

LAB 83.82, -64.44, 42.83

 

CMYK 66 / 0 / 30 / 7

HEX #50EDA6

RGB 80 237 166

HSL 152.87, 0.81%, 0.62%

LAB 84.5, -57.01, 22.67

 

CMYK 32 / 0 / 66 / 7

HEX #A2ED50

RGB 162 237 80

HSL 88.66, 0.81%, 0.62%

LAB 86.42, -47.11, 65.98

 

CMYK 35 / 0 / 75 / 1

HEX #A3FC40

RGB 163 252 64

HSL 88.4, 0.97%, 0.62%

LAB 90.68, -53.94, 75.85

 

CMYK 32 / 0 / 66 / 7

HEX #A2ED50

RGB 162 237 80

HSL 88.66, 0.81%, 0.62%

LAB 86.42, -47.11, 65.98

 

CMYK 27 / 0 / 57 / 13

HEX #A1DD5F

RGB 161 221 95

HSL 88.57, 0.65%, 0.62%

LAB 81.9, -39.29, 54.76

 

CMYK 22 / 0 / 46 / 20

HEX #A0CD6F

RGB 160 205 111

HSL 88.72, 0.48%, 0.62%

LAB 77.45, -30.63, 41.9

 

CMYK 16 / 0 / 33 / 25

HEX #A0BE7F

RGB 160 190 127

HSL 88.57, 0.33%, 0.62%

LAB 73.44, -21.27, 28.57

 

CMYK 9 / 0 / 18 / 32

HEX #9FAE8E

RGB 159 174 142

HSL 88.13, 0.16%, 0.62%

LAB 69.18, -11.12, 14.69

 

CMYK 0 / 5 / 66 / 7

HEX #EDE250

RGB 237 226 80

HSL 55.8, 0.81%, 0.62%

LAB 88.44, -12.9, 69.64

 

CMYK 14 / 0 / 66 / 7

HEX #CDED50

RGB 205 237 80

HSL 72.23, 0.81%, 0.62%

LAB 88.98, -31.09, 69.44

 

CMYK 31 / 0 / 66 / 7

HEX #A3ED50

RGB 163 237 80

HSL 88.28, 0.81%, 0.62%

LAB 86.47, -46.76, 66.05

 

CMYK 49 / 0 / 66 / 7

HEX #79ED50

RGB 121 237 80

HSL 104.33, 0.81%, 0.62%

LAB 84.59, -60.1, 63.49

 

CMYK 66 / 0 / 66 / 7

HEX #50ED50

RGB 80 237 80

HSL 120, 0.81%, 0.62%

LAB 83.36, -69.78, 61.81

 

CMYK 42 / 0 / 90 / 17

HEX #7AD316

RGB 122 211 22

HSL 88.25, 0.81%, 0.46%

LAB 76.55, -53.03, 72.76

 

CMYK 39 / 0 / 82 / 9

HEX #8EE92A

RGB 142 233 42

HSL 88.59, 0.81%, 0.54%

LAB 84.07, -54.42, 75.49

 

CMYK 32 / 0 / 66 / 7

HEX #A2ED50

RGB 162 237 80

HSL 88.66, 0.81%, 0.62%

LAB 86.42, -47.11, 65.98

 

CMYK 24 / 0 / 51 / 5

HEX #B6F175

RGB 182 241 117

HSL 88.55, 0.82%, 0.7%

LAB 88.99, -38.53, 53.38

 

CMYK 17 / 0 / 37 / 4

HEX #CAF49A

RGB 202 244 154

HSL 88, 0.8%, 0.78%

LAB 91.5, -28.48, 39.02

 

CMYK 32 / 0 / 67 / 7

HEX #A2ED4F

RGB 162 237 79

HSL 88.48, 0.81%, 0.62%

LAB 86.41, -47.18, 66.35

 

CMYK 66 / 0 / 22 / 7

HEX #50EDB8

RGB 80 237 184

HSL 159.75, 0.81%, 0.62%

LAB 84.86, -53.17, 13.84

 

CMYK 0 / 66 / 5 / 7

HEX #ED50E2

RGB 237 80 226

HSL 304.2, 0.81%, 0.62%

LAB 60.99, 75.84, -43.8

 

CMYK 32 / 0 / 67 / 7

HEX #A2ED4F

RGB 162 237 79

HSL 88.48, 0.81%, 0.62%

LAB 86.41, -47.18, 66.35

 

CMYK 66 / 31 / 0 / 7

HEX #50A3ED

RGB 80 163 237

HSL 208.28, 0.81%, 0.62%

LAB 64.97, -2.31, -44.56

 

CMYK 0 / 66 / 31 / 7

HEX #ED50A3

RGB 237 80 163

HSL 328.28, 0.81%, 0.62%

LAB 58.4, 67.27, -11.79

 

CMYK 32 / 0 / 67 / 7

HEX #A2ED4F

RGB 162 237 79

HSL 88.48, 0.81%, 0.62%

LAB 86.41, -47.18, 66.35

 

CMYK 66 / 0 / 22 / 7

HEX #50EDB8

RGB 80 237 184

HSL 159.75, 0.81%, 0.62%

LAB 84.86, -53.17, 13.84

 

CMYK 35 / 66 / 0 / 7

HEX #9950ED

RGB 153 80 237

HSL 267.9, 0.81%, 0.62%

LAB 50.24, 59.71, -67.8

 

CMYK 0 / 66 / 44 / 7

HEX #ED5084

RGB 237 80 132

HSL 340.13, 0.81%, 0.62%

LAB 57.47, 64.03, 4.99

 

CMYK 32 / 0 / 67 / 7

HEX #A2ED4F

RGB 162 237 79

HSL 88.48, 0.81%, 0.62%

LAB 86.41, -47.18, 66.35

 

CMYK 66 / 0 / 3 / 7

HEX #50EDE7

RGB 80 237 231

HSL 177.71, 0.81%, 0.62%

LAB 86.03, -41.56, -9.11

 

CMYK 35 / 66 / 0 / 7

HEX #9950ED

RGB 153 80 237

HSL 267.9, 0.81%, 0.62%

LAB 50.24, 59.71, -67.8

 

CMYK 0 / 66 / 64 / 7

HEX #ED5055

RGB 237 80 85

HSL 358.09, 0.81%, 0.62%

LAB 56.48, 60.49, 31.19

 

Description

Color code: HEX #A2ED4F00 | qconv.com Color code: HEX #A2ED4F00 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 237 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 237 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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