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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2E596 it is the complementary color #5D1A69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2E596. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2E596 shade: #A7E591, #B8F7A4, #C9FFB7, #DAFFCA and #EBFFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2E596. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2E596 shade: #A2E596, #91D383, #80C170, #6FAF5D and #5E9D4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2E596 shade: #A1E495, #B6E495, #CCE495, #E1E495 and #E4D295

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2E596 shade: #A1E495, #95E49E, #95E4B4, #95E4C9 and #95E4DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2E596 shade matches the following richer shades: #A1E495, #9AEF8A and #92FA7F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2E596 shade: #A1E495, #A8DAA0, #B0CFAA, #B7C4B5 and #BFBAC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2E596 shade: #CDE495, #B7E495, #A2E495, #95E49D and #95E4B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2E596 shade: #67D453, #84DC74, #A1E495, #BEEDB6 and #DBF5D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2E596 shade: #A2E596, #95E2E4 and #E495C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2E596 shade: #A2E596, #95A2E4 and #E495A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2E596 shade: #A2E596, #95E2E4, #D795E4 and #E49895

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2E596 shade: #A2E596, #95CAE4, #D795E4 and #E4AF95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 34 / 10

HEX #A2E596

RGB 162 229 150

HSL 110.89, 0.6%, 0.74%

LAB 84.96, -35.81, 32

 

Complementary color

CMYK 11 / 75 / 0 / 59

HEX #5D1A69

RGB 93 26 105

HSL 290.89, 0.6%, 0.26%

LAB 23.95, 41.61, -31.48

 

CMYK 27 / 0 / 37 / 10

HEX #A7E591

RGB 167 229 145

HSL 104.29, 0.62%, 0.73%

LAB 85.15, -34.88, 34.83

 

CMYK 26 / 0 / 34 / 3

HEX #B8F7A4

RGB 184 247 164

HSL 105.54, 0.84%, 0.81%

LAB 91.41, -34.71, 33.72

 

CMYK 21 / 0 / 28 / 0

HEX #C9FFB7

RGB 201 255 183

HSL 105, 1%, 0.86%

LAB 94.89, -29.92, 29.01

 

CMYK 15 / 0 / 21 / 0

HEX #DAFFCA

RGB 218 255 202

HSL 101.89, 1%, 0.9%

LAB 96.28, -21.25, 21.46

 

CMYK 8 / 0 / 13 / 0

HEX #EBFFDD

RGB 235 255 221

HSL 95.29, 1%, 0.93%

LAB 97.79, -12.44, 14.05

 

CMYK 29 / 0 / 34 / 10

HEX #A2E596

RGB 162 229 150

HSL 110.89, 0.6%, 0.74%

LAB 84.96, -35.81, 32

 

CMYK 31 / 0 / 38 / 17

HEX #91D383

RGB 145 211 131

HSL 109.5, 0.48%, 0.67%

LAB 78.61, -36.02, 33.14

 

CMYK 34 / 0 / 42 / 24

HEX #80C170

RGB 128 193 112

HSL 108.15, 0.4%, 0.6%

LAB 72.16, -36.21, 34.33

 

CMYK 37 / 0 / 47 / 31

HEX #6FAF5D

RGB 111 175 93

HSL 106.83, 0.34%, 0.53%

LAB 65.62, -36.37, 35.57

 

CMYK 40 / 0 / 53 / 38

HEX #5E9D4A

RGB 94 157 74

HSL 105.54, 0.36%, 0.45%

LAB 58.96, -36.47, 36.83

 

CMYK 29 / 0 / 35 / 11

HEX #A1E495

RGB 161 228 149

HSL 110.89, 0.59%, 0.74%

LAB 84.6, -35.84, 32.03

 

CMYK 20 / 0 / 35 / 11

HEX #B6E495

RGB 182 228 149

HSL 94.94, 0.59%, 0.74%

LAB 85.81, -28.68, 33.84

 

CMYK 11 / 0 / 35 / 11

HEX #CCE495

RGB 204 228 149

HSL 78.23, 0.59%, 0.74%

LAB 87.24, -20.73, 35.99

 

CMYK 1 / 0 / 35 / 11

HEX #E1E495

RGB 225 228 149

HSL 62.28, 0.59%, 0.74%

LAB 88.76, -12.82, 38.27

 

CMYK 0 / 8 / 35 / 11

HEX #E4D295

RGB 228 210 149

HSL 46.33, 0.59%, 0.74%

LAB 84.36, -2.55, 32.53

 

CMYK 29 / 0 / 35 / 11

HEX #A1E495

RGB 161 228 149

HSL 110.89, 0.59%, 0.74%

LAB 84.6, -35.84, 32.03

 

CMYK 35 / 0 / 31 / 11

HEX #95E49E

RGB 149 228 158

HSL 126.84, 0.59%, 0.74%

LAB 84.15, -38.22, 26.7

 

CMYK 35 / 0 / 21 / 11

HEX #95E4B4

RGB 149 228 180

HSL 143.54, 0.59%, 0.74%

LAB 84.57, -34.29, 15.87

 

CMYK 35 / 0 / 12 / 11

HEX #95E4C9

RGB 149 228 201

HSL 159.49, 0.59%, 0.74%

LAB 85.04, -30.08, 5.51

 

CMYK 35 / 0 / 2 / 11

HEX #95E4DF

RGB 149 228 223

HSL 176.2, 0.59%, 0.74%

LAB 85.61, -25.24, -5.26

 

CMYK 29 / 0 / 35 / 11

HEX #A1E495

RGB 161 228 149

HSL 110.89, 0.59%, 0.74%

LAB 84.6, -35.84, 32.03

 

CMYK 36 / 0 / 42 / 6

HEX #9AEF8A

RGB 154 239 138

HSL 110.5, 0.76%, 0.74%

LAB 87.21, -44.56, 40.86

 

CMYK 42 / 0 / 49 / 2

HEX #92FA7F

RGB 146 250 127

HSL 110.73, 0.92%, 0.74%

LAB 89.87, -53.04, 49.39

 

CMYK 29 / 0 / 35 / 11

HEX #A1E495

RGB 161 228 149

HSL 110.89, 0.59%, 0.74%

LAB 84.6, -35.84, 32.03

 

CMYK 23 / 0 / 27 / 15

HEX #A8DAA0

RGB 168 218 160

HSL 111.72, 0.44%, 0.74%

LAB 82.38, -27.09, 23.43

 

CMYK 15 / 0 / 18 / 19

HEX #B0CFAA

RGB 176 207 170

HSL 110.27, 0.28%, 0.74%

LAB 80.04, -17.27, 15

 

CMYK 7 / 0 / 8 / 23

HEX #B7C4B5

RGB 183 196 181

HSL 112, 0.11%, 0.74%

LAB 77.81, -7.25, 5.99

 

CMYK 1 / 3 / 0 / 25

HEX #BFBAC0

RGB 191 186 192

HSL 290, 0.05%, 0.74%

LAB 76.07, 2.86, -2.41

 

CMYK 10 / 0 / 35 / 11

HEX #CDE495

RGB 205 228 149

HSL 77.47, 0.59%, 0.74%

LAB 87.31, -20.35, 36.09

 

CMYK 20 / 0 / 35 / 11

HEX #B7E495

RGB 183 228 149

HSL 94.18, 0.59%, 0.74%

LAB 85.87, -28.33, 33.93

 

CMYK 29 / 0 / 35 / 11

HEX #A2E495

RGB 162 228 149

HSL 110.13, 0.59%, 0.74%

LAB 84.66, -35.51, 32.11

 

CMYK 35 / 0 / 31 / 11

HEX #95E49D

RGB 149 228 157

HSL 126.08, 0.59%, 0.74%

LAB 84.13, -38.38, 27.19

 

CMYK 35 / 0 / 22 / 11

HEX #95E4B2

RGB 149 228 178

HSL 142.03, 0.59%, 0.74%

LAB 84.53, -34.67, 16.85

 

CMYK 51 / 0 / 61 / 17

HEX #67D453

RGB 103 212 83

HSL 110.7, 0.6%, 0.58%

LAB 76.43, -55.36, 53.1

 

CMYK 40 / 0 / 47 / 14

HEX #84DC74

RGB 132 220 116

HSL 110.77, 0.6%, 0.66%

LAB 80.38, -46.24, 42.77

 

CMYK 29 / 0 / 35 / 11

HEX #A1E495

RGB 161 228 149

HSL 110.89, 0.59%, 0.74%

LAB 84.6, -35.84, 32.03

 

CMYK 20 / 0 / 23 / 7

HEX #BEEDB6

RGB 190 237 182

HSL 111.27, 0.6%, 0.82%

LAB 89.34, -25.23, 21.81

 

CMYK 11 / 0 / 12 / 4

HEX #DBF5D7

RGB 219 245 215

HSL 112, 0.6%, 0.9%

LAB 94, -13.89, 11.59

 

CMYK 29 / 0 / 34 / 10

HEX #A2E596

RGB 162 229 150

HSL 110.89, 0.6%, 0.74%

LAB 84.96, -35.81, 32

 

CMYK 35 / 1 / 0 / 11

HEX #95E2E4

RGB 149 226 228

HSL 181.52, 0.59%, 0.74%

LAB 85.19, -23.1, -8.51

 

CMYK 0 / 35 / 15 / 11

HEX #E495C2

RGB 228 149 194

HSL 325.82, 0.59%, 0.74%

LAB 70.79, 36.09, -10.94

 

CMYK 29 / 0 / 34 / 10

HEX #A2E596

RGB 162 229 150

HSL 110.89, 0.6%, 0.74%

LAB 84.96, -35.81, 32

 

CMYK 35 / 29 / 0 / 11

HEX #95A2E4

RGB 149 162 228

HSL 230.13, 0.59%, 0.74%

LAB 67.9, 10.93, -34.78

 

CMYK 0 / 35 / 29 / 11

HEX #E495A2

RGB 228 149 162

HSL 350.13, 0.59%, 0.74%

LAB 69.89, 31.41, 5.54

 

CMYK 29 / 0 / 34 / 10

HEX #A2E596

RGB 162 229 150

HSL 110.89, 0.6%, 0.74%

LAB 84.96, -35.81, 32

 

CMYK 35 / 1 / 0 / 11

HEX #95E2E4

RGB 149 226 228

HSL 181.52, 0.59%, 0.74%

LAB 85.19, -23.1, -8.51

 

CMYK 6 / 35 / 0 / 11

HEX #D795E4

RGB 215 149 228

HSL 290.13, 0.59%, 0.74%

LAB 70.55, 37.88, -30.21

 

CMYK 0 / 33 / 35 / 11

HEX #E49895

RGB 228 152 149

HSL 2.28, 0.59%, 0.74%

LAB 70.26, 28.14, 13.3

 

CMYK 29 / 0 / 34 / 10

HEX #A2E596

RGB 162 229 150

HSL 110.89, 0.6%, 0.74%

LAB 84.96, -35.81, 32

 

CMYK 35 / 11 / 0 / 11

HEX #95CAE4

RGB 149 202 228

HSL 199.75, 0.59%, 0.74%

LAB 78.6, -10.91, -18.39

 

CMYK 6 / 35 / 0 / 11

HEX #D795E4

RGB 215 149 228

HSL 290.13, 0.59%, 0.74%

LAB 70.55, 37.88, -30.21

 

CMYK 0 / 23 / 35 / 11

HEX #E4AF95

RGB 228 175 149

HSL 19.75, 0.59%, 0.74%

LAB 75.65, 15.84, 20.79

 

Description

Color code: HEX #A2E596 | qconv.com Color code: HEX #A2E596 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 229 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 229 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 34 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 34% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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