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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2E448 it is the complementary color #5D1BB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2E448. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2E448 shade: #A7E443, #B8F656, #C9FF69, #DAFF7C and #EBFF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2E448. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2E448 shade: #A2E448, #91D235, #80C022, #6FAE0F and #5E9C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2E448 shade: #A2E449, #CCE449, #E4D249, #E4A849 and #E47E49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2E448 shade: #A2E449, #79E449, #4FE449, #49E46D and #49E497

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2E448 shade matches the following richer shades: #A2E449 and #A5F538

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2E448 shade: #A2E449, #A0D35A, #9DC26B, #9BB17C and #98A08D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2E448 shade: #E4D249, #CDE449, #A3E449, #7AE449 and #51E449

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2E448 shade: #7ABE1C, #90DE25, #A2E449, #B5E96D and #C7EF91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2E448 shade: #A2E448, #49E4A9 and #E449E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2E448 shade: #A2E448, #49A3E4 and #E449A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2E448 shade: #A2E448, #49E4A9, #8A49E4 and #E44984

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2E448 shade: #A2E448, #49E4D7, #8A49E4 and #E44956

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 68 / 11

HEX #A2E448

RGB 162 228 72

HSL 85.38, 0.74%, 0.59%

LAB 83.78, -43.83, 66.26

 

Complementary color

CMYK 49 / 85 / 0 / 28

HEX #5D1BB7

RGB 93 27 183

HSL 265.38, 0.74%, 0.41%

LAB 30.71, 59.23, -68.82

 

CMYK 27 / 0 / 71 / 11

HEX #A7E443

RGB 167 228 67

HSL 82.73, 0.75%, 0.58%

LAB 84.02, -42.32, 68.41

 

CMYK 25 / 0 / 65 / 4

HEX #B8F656

RGB 184 246 86

HSL 83.25, 0.9%, 0.65%

LAB 90.22, -42.69, 68.03

 

CMYK 21 / 0 / 59 / 0

HEX #C9FF69

RGB 201 255 105

HSL 81.6, 1%, 0.71%

LAB 93.86, -39, 64.59

 

CMYK 15 / 0 / 51 / 0

HEX #DAFF7C

RGB 218 255 124

HSL 76.95, 1%, 0.74%

LAB 95.11, -31.05, 58

 

CMYK 8 / 0 / 44 / 0

HEX #EBFF8F

RGB 235 255 143

HSL 70.71, 1%, 0.78%

LAB 96.48, -22.82, 51.13

 

CMYK 29 / 0 / 68 / 11

HEX #A2E448

RGB 162 228 72

HSL 85.38, 0.74%, 0.59%

LAB 83.78, -43.83, 66.26

 

CMYK 31 / 0 / 75 / 18

HEX #91D235

RGB 145 210 53

HSL 84.84, 0.64%, 0.52%

LAB 77.5, -43.4, 66.36

 

CMYK 33 / 0 / 82 / 25

HEX #80C022

RGB 128 192 34

HSL 84.3, 0.7%, 0.44%

LAB 71.15, -42.79, 65.73

 

CMYK 36 / 0 / 91 / 32

HEX #6FAE0F

RGB 111 174 15

HSL 83.77, 0.84%, 0.37%

LAB 64.71, -41.94, 63.88

 

CMYK 40 / 0 / 100 / 39

HEX #5E9C00

RGB 94 156 0

HSL 83.85, 1%, 0.31%

LAB 58.19, -40.82, 60.44

 

CMYK 29 / 0 / 68 / 11

HEX #A2E449

RGB 162 228 73

HSL 85.55, 0.74%, 0.59%

LAB 83.78, -43.76, 65.89

 

CMYK 11 / 0 / 68 / 11

HEX #CCE449

RGB 204 228 73

HSL 69.29, 0.74%, 0.59%

LAB 86.41, -27.69, 69.41

 

CMYK 0 / 8 / 68 / 11

HEX #E4D249

RGB 228 210 73

HSL 53.03, 0.74%, 0.59%

LAB 83.48, -9.01, 67.06

 

CMYK 0 / 26 / 68 / 11

HEX #E4A849

RGB 228 168 73

HSL 36.77, 0.74%, 0.59%

LAB 72.88, 12.85, 56.04

 

CMYK 0 / 45 / 68 / 11

HEX #E47E49

RGB 228 126 73

HSL 20.52, 0.74%, 0.59%

LAB 63.26, 35.11, 45.47

 

CMYK 29 / 0 / 68 / 11

HEX #A2E449

RGB 162 228 73

HSL 85.55, 0.74%, 0.59%

LAB 83.78, -43.76, 65.89

 

CMYK 47 / 0 / 68 / 11

HEX #79E449

RGB 121 228 73

HSL 101.42, 0.74%, 0.59%

LAB 81.86, -57.27, 63.29

 

CMYK 65 / 0 / 68 / 11

HEX #4FE449

RGB 79 228 73

HSL 117.68, 0.74%, 0.59%

LAB 80.53, -67.64, 61.49

 

CMYK 68 / 0 / 52 / 11

HEX #49E46D

RGB 73 228 109

HSL 133.94, 0.74%, 0.59%

LAB 80.74, -64.68, 46.13

 

CMYK 68 / 0 / 34 / 11

HEX #49E497

RGB 73 228 151

HSL 150.19, 0.74%, 0.59%

LAB 81.37, -57.67, 26.09

 

CMYK 29 / 0 / 68 / 11

HEX #A2E449

RGB 162 228 73

HSL 85.55, 0.74%, 0.59%

LAB 83.78, -43.76, 65.89

 

CMYK 33 / 0 / 77 / 4

HEX #A5F538

RGB 165 245 56

HSL 85.4, 0.9%, 0.59%

LAB 88.73, -50.81, 76.43

 

CMYK 29 / 0 / 68 / 11

HEX #A2E449

RGB 162 228 73

HSL 85.55, 0.74%, 0.59%

LAB 83.78, -43.76, 65.89

 

CMYK 24 / 0 / 57 / 17

HEX #A0D35A

RGB 160 211 90

HSL 85.29, 0.58%, 0.59%

LAB 78.93, -35.61, 53.57

 

CMYK 19 / 0 / 45 / 24

HEX #9DC26B

RGB 157 194 107

HSL 85.52, 0.42%, 0.59%

LAB 74.07, -26.97, 39.64

 

CMYK 12 / 0 / 30 / 31

HEX #9BB17C

RGB 155 177 124

HSL 84.91, 0.25%, 0.59%

LAB 69.38, -17.01, 24.68

 

CMYK 5 / 0 / 12 / 37

HEX #98A08D

RGB 152 160 141

HSL 85.26, 0.09%, 0.59%

LAB 64.76, -6.42, 8.93

 

CMYK 0 / 8 / 68 / 11

HEX #E4D249

RGB 228 210 73

HSL 53.03, 0.74%, 0.59%

LAB 83.48, -9.01, 67.06

 

CMYK 10 / 0 / 68 / 11

HEX #CDE449

RGB 205 228 73

HSL 68.9, 0.74%, 0.59%

LAB 86.48, -27.29, 69.5

 

CMYK 29 / 0 / 68 / 11

HEX #A3E449

RGB 163 228 73

HSL 85.16, 0.74%, 0.59%

LAB 83.84, -43.4, 65.97

 

CMYK 46 / 0 / 68 / 11

HEX #7AE449

RGB 122 228 73

HSL 101.03, 0.74%, 0.59%

LAB 81.9, -56.97, 63.34

 

CMYK 64 / 0 / 68 / 11

HEX #51E449

RGB 81 228 73

HSL 116.9, 0.74%, 0.59%

LAB 80.58, -67.24, 61.56

 

CMYK 36 / 0 / 85 / 25

HEX #7ABE1C

RGB 122 190 28

HSL 85.19, 0.74%, 0.43%

LAB 70.21, -44.34, 66.23

 

CMYK 35 / 0 / 83 / 13

HEX #90DE25

RGB 144 222 37

HSL 85.3, 0.74%, 0.51%

LAB 80.91, -49.51, 73.92

 

CMYK 29 / 0 / 68 / 11

HEX #A2E449

RGB 162 228 73

HSL 85.55, 0.74%, 0.59%

LAB 83.78, -43.76, 65.89

 

CMYK 22 / 0 / 53 / 9

HEX #B5E96D

RGB 181 233 109

HSL 85.16, 0.74%, 0.67%

LAB 86.61, -36.08, 54.21

 

CMYK 17 / 0 / 39 / 6

HEX #C7EF91

RGB 199 239 145

HSL 85.53, 0.75%, 0.75%

LAB 89.82, -28.33, 41.27

 

CMYK 29 / 0 / 68 / 11

HEX #A2E448

RGB 162 228 72

HSL 85.38, 0.74%, 0.59%

LAB 83.78, -43.83, 66.26

 

CMYK 68 / 0 / 26 / 11

HEX #49E4A9

RGB 73 228 169

HSL 157.16, 0.74%, 0.59%

LAB 81.71, -53.96, 17.22

 

CMYK 0 / 68 / 1 / 11

HEX #E449E1

RGB 228 73 225

HSL 301.16, 0.74%, 0.59%

LAB 58.69, 76.14, -46.95

 

CMYK 29 / 0 / 68 / 11

HEX #A2E448

RGB 162 228 72

HSL 85.38, 0.74%, 0.59%

LAB 83.78, -43.83, 66.26

 

CMYK 68 / 29 / 0 / 11

HEX #49A3E4

RGB 73 163 228

HSL 205.16, 0.74%, 0.59%

LAB 64.33, -6.4, -40.63

 

CMYK 0 / 68 / 29 / 11

HEX #E449A3

RGB 228 73 163

HSL 325.16, 0.74%, 0.59%

LAB 55.99, 67.45, -15.57

 

CMYK 29 / 0 / 68 / 11

HEX #A2E448

RGB 162 228 72

HSL 85.38, 0.74%, 0.59%

LAB 83.78, -43.83, 66.26

 

CMYK 68 / 0 / 26 / 11

HEX #49E4A9

RGB 73 228 169

HSL 157.16, 0.74%, 0.59%

LAB 81.71, -53.96, 17.22

 

CMYK 39 / 68 / 0 / 11

HEX #8A49E4

RGB 138 73 228

HSL 265.16, 0.74%, 0.59%

LAB 46.67, 58.01, -68.6

 

CMYK 0 / 68 / 42 / 11

HEX #E44984

RGB 228 73 132

HSL 337.16, 0.74%, 0.59%

LAB 55, 64.07, 1.22

 

CMYK 29 / 0 / 68 / 11

HEX #A2E448

RGB 162 228 72

HSL 85.38, 0.74%, 0.59%

LAB 83.78, -43.83, 66.26

 

CMYK 68 / 0 / 6 / 11

HEX #49E4D7

RGB 73 228 215

HSL 174.97, 0.74%, 0.59%

LAB 82.81, -42.8, -5.45

 

CMYK 39 / 68 / 0 / 11

HEX #8A49E4

RGB 138 73 228

HSL 265.16, 0.74%, 0.59%

LAB 46.67, 58.01, -68.6

 

CMYK 0 / 68 / 62 / 11

HEX #E44956

RGB 228 73 86

HSL 354.97, 0.74%, 0.59%

LAB 53.95, 60.43, 27.08

 

Description

Color code: HEX #A2E448 | qconv.com Color code: HEX #A2E448 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 228 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 228 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 68 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 68% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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