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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2DED9 it is the complementary color #5D2126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2DED9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2DED9 shade: #A7DED4, #B8F0E7, #C9FFFA, #DAFFFF and #EBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2DED9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2DED9 shade: #A2DED9, #91CCC6, #80BAB3, #6FA8A0 and #5E968D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2DED9 shade: #A1DED9, #A1DEC8, #A1DEB8, #A1DEA7 and #ABDEA1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2DED9 shade: #A1DED9, #A1D2DE, #A1C2DE, #A1B1DE and #A1A1DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2DED9 shade matches the following richer shades: #A1DED9, #96E8E1, #8CF2EA and #82FDF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2DED9 shade: #A1DED9, #ABD4D0, #B5C9C8, #C0BFBF and #CAB5B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2DED9 shade: #A1DEB8, #A1DEC8, #A1DED9, #A1D3DE and #A1C2DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2DED9 shade: #64C8C0, #82D3CC, #A1DED9, #BFE9E5 and #DEF3F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2DED9 shade: #A2DED9, #A8A1DE and #DEC0A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2DED9 shade: #A2DED9, #D9A1DE and #DED9A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2DED9 shade: #A2DED9, #A8A1DE, #DEA1A6 and #D7DEA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2DED9 shade: #A2DED9, #BAA1DE, #DEA1A6 and #C4DEA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 2 / 13

HEX #A2DED9

RGB 162 222 217

HSL 175, 0.48%, 0.75%

LAB 84.45, -20.02, -3.72

 

Complementary color

CMYK 0 / 65 / 59 / 64

HEX #5D2126

RGB 93 33 38

HSL 355, 0.48%, 0.25%

LAB 22.14, 27.91, 11

 

CMYK 25 / 0 / 5 / 13

HEX #A7DED4

RGB 167 222 212

HSL 169.09, 0.45%, 0.76%

LAB 84.59, -19.62, -0.83

 

CMYK 23 / 0 / 4 / 6

HEX #B8F0E7

RGB 184 240 231

HSL 170.36, 0.65%, 0.83%

LAB 90.91, -19.5, -1.45

 

CMYK 21 / 0 / 2 / 0

HEX #C9FFFA

RGB 201 255 250

HSL 174.44, 1%, 0.89%

LAB 96.34, -17.93, -3.21

 

CMYK 15 / 0 / 0 / 0

HEX #DAFFFF

RGB 218 255 255

HSL 180, 1%, 0.93%

LAB 97.49, -11.79, -3.99

 

CMYK 8 / 0 / 0 / 0

HEX #EBFFFF

RGB 235 255 255

HSL 180, 1%, 0.96%

LAB 98.59, -6.47, -2.24

 

CMYK 27 / 0 / 2 / 13

HEX #A2DED9

RGB 162 222 217

HSL 175, 0.48%, 0.75%

LAB 84.45, -20.02, -3.72

 

CMYK 29 / 0 / 3 / 20

HEX #91CCC6

RGB 145 204 198

HSL 173.9, 0.37%, 0.68%

LAB 78.04, -20.14, -3.11

 

CMYK 31 / 0 / 4 / 27

HEX #80BAB3

RGB 128 186 179

HSL 172.76, 0.3%, 0.62%

LAB 71.53, -20.28, -2.47

 

CMYK 34 / 0 / 5 / 34

HEX #6FA8A0

RGB 111 168 160

HSL 171.58, 0.25%, 0.55%

LAB 64.9, -20.42, -1.8

 

CMYK 37 / 0 / 6 / 41

HEX #5E968D

RGB 94 150 141

HSL 170.36, 0.23%, 0.48%

LAB 58.15, -20.57, -1.09

 

CMYK 27 / 0 / 2 / 13

HEX #A1DED9

RGB 161 222 217

HSL 175.08, 0.48%, 0.75%

LAB 84.4, -20.31, -3.81

 

CMYK 27 / 0 / 10 / 13

HEX #A1DEC8

RGB 161 222 200

HSL 158.36, 0.48%, 0.75%

LAB 83.96, -23.92, 4.56

 

CMYK 27 / 0 / 17 / 13

HEX #A1DEB8

RGB 161 222 184

HSL 142.62, 0.48%, 0.75%

LAB 83.59, -27.07, 12.47

 

CMYK 27 / 0 / 25 / 13

HEX #A1DEA7

RGB 161 222 167

HSL 125.9, 0.48%, 0.75%

LAB 83.24, -30.14, 20.89

 

CMYK 23 / 0 / 27 / 13

HEX #ABDEA1

RGB 171 222 161

HSL 110.16, 0.48%, 0.75%

LAB 83.69, -27.83, 24.73

 

CMYK 27 / 0 / 2 / 13

HEX #A1DED9

RGB 161 222 217

HSL 175.08, 0.48%, 0.75%

LAB 84.4, -20.31, -3.81

 

CMYK 27 / 5 / 0 / 13

HEX #A1D2DE

RGB 161 210 222

HSL 191.8, 0.48%, 0.75%

LAB 81.26, -13.12, -11.11

 

CMYK 27 / 13 / 0 / 13

HEX #A1C2DE

RGB 161 194 222

HSL 207.54, 0.48%, 0.75%

LAB 76.94, -4.73, -17.59

 

CMYK 27 / 20 / 0 / 13

HEX #A1B1DE

RGB 161 177 222

HSL 224.26, 0.48%, 0.75%

LAB 72.43, 4.48, -24.45

 

CMYK 27 / 27 / 0 / 13

HEX #A1A1DE

RGB 161 161 222

HSL 240, 0.48%, 0.75%

LAB 68.27, 13.41, -30.84

 

CMYK 27 / 0 / 2 / 13

HEX #A1DED9

RGB 161 222 217

HSL 175.08, 0.48%, 0.75%

LAB 84.4, -20.31, -3.81

 

CMYK 35 / 0 / 3 / 9

HEX #96E8E1

RGB 150 232 225

HSL 174.88, 0.64%, 0.75%

LAB 86.82, -26.46, -4.53

 

CMYK 42 / 0 / 3 / 5

HEX #8CF2EA

RGB 140 242 234

HSL 175.29, 0.8%, 0.75%

LAB 89.4, -31.64, -5.48

 

CMYK 49 / 0 / 4 / 1

HEX #82FDF3

RGB 130 253 243

HSL 175.12, 0.97%, 0.75%

LAB 92.34, -36.85, -5.87

 

CMYK 27 / 0 / 2 / 13

HEX #A1DED9

RGB 161 222 217

HSL 175.08, 0.48%, 0.75%

LAB 84.4, -20.31, -3.81

 

CMYK 19 / 0 / 2 / 17

HEX #ABD4D0

RGB 171 212 208

HSL 174.15, 0.32%, 0.75%

LAB 82, -14.2, -2.48

 

CMYK 10 / 0 / 0 / 21

HEX #B5C9C8

RGB 181 201 200

HSL 177, 0.16%, 0.75%

LAB 79.48, -6.94, -1.82

 

CMYK 0 / 1 / 1 / 25

HEX #C0BFBF

RGB 192 191 191

HSL 0, 0.01%, 0.75%

LAB 77.42, 0.35, 0.11

 

CMYK 0 / 10 / 10 / 21

HEX #CAB5B6

RGB 202 181 182

HSL 357.14, 0.17%, 0.75%

LAB 75.44, 7.66, 2.22

 

CMYK 27 / 0 / 17 / 13

HEX #A1DEB8

RGB 161 222 184

HSL 142.62, 0.48%, 0.75%

LAB 83.59, -27.07, 12.47

 

CMYK 27 / 0 / 10 / 13

HEX #A1DEC8

RGB 161 222 200

HSL 158.36, 0.48%, 0.75%

LAB 83.96, -23.92, 4.56

 

CMYK 27 / 0 / 2 / 13

HEX #A1DED9

RGB 161 222 217

HSL 175.08, 0.48%, 0.75%

LAB 84.4, -20.31, -3.81

 

CMYK 27 / 5 / 0 / 13

HEX #A1D3DE

RGB 161 211 222

HSL 190.82, 0.48%, 0.75%

LAB 81.53, -13.63, -10.7

 

CMYK 27 / 13 / 0 / 13

HEX #A1C2DE

RGB 161 194 222

HSL 207.54, 0.48%, 0.75%

LAB 76.94, -4.73, -17.59

 

CMYK 50 / 0 / 4 / 22

HEX #64C8C0

RGB 100 200 192

HSL 175.2, 0.48%, 0.59%

LAB 74.71, -31.18, -5.01

 

CMYK 38 / 0 / 3 / 17

HEX #82D3CC

RGB 130 211 204

HSL 174.81, 0.48%, 0.67%

LAB 79.44, -26.36, -4.36

 

CMYK 27 / 0 / 2 / 13

HEX #A1DED9

RGB 161 222 217

HSL 175.08, 0.48%, 0.75%

LAB 84.4, -20.31, -3.81

 

CMYK 18 / 0 / 2 / 9

HEX #BFE9E5

RGB 191 233 229

HSL 174.29, 0.49%, 0.83%

LAB 89.4, -14.31, -2.57

 

CMYK 9 / 0 / 0 / 5

HEX #DEF3F2

RGB 222 243 242

HSL 177.14, 0.47%, 0.91%

LAB 94.33, -7.04, -1.88

 

CMYK 27 / 0 / 2 / 13

HEX #A2DED9

RGB 162 222 217

HSL 175, 0.48%, 0.75%

LAB 84.45, -20.02, -3.72

 

CMYK 24 / 27 / 0 / 13

HEX #A8A1DE

RGB 168 161 222

HSL 246.89, 0.48%, 0.75%

LAB 68.82, 15.49, -29.95

 

CMYK 0 / 14 / 27 / 13

HEX #DEC0A1

RGB 222 192 161

HSL 30.49, 0.48%, 0.75%

LAB 79.5, 6.04, 19.57

 

CMYK 27 / 0 / 2 / 13

HEX #A2DED9

RGB 162 222 217

HSL 175, 0.48%, 0.75%

LAB 84.45, -20.02, -3.72

 

CMYK 2 / 27 / 0 / 13

HEX #D9A1DE

RGB 217 161 222

HSL 295.08, 0.48%, 0.75%

LAB 73.23, 30.89, -22.8

 

CMYK 0 / 2 / 27 / 13

HEX #DED9A1

RGB 222 217 161

HSL 55.08, 0.48%, 0.75%

LAB 85.87, -6.94, 28.27

 

CMYK 27 / 0 / 2 / 13

HEX #A2DED9

RGB 162 222 217

HSL 175, 0.48%, 0.75%

LAB 84.45, -20.02, -3.72

 

CMYK 24 / 27 / 0 / 13

HEX #A8A1DE

RGB 168 161 222

HSL 246.89, 0.48%, 0.75%

LAB 68.82, 15.49, -29.95

 

CMYK 0 / 27 / 25 / 13

HEX #DEA1A6

RGB 222 161 166

HSL 355.08, 0.48%, 0.75%

LAB 72.08, 23.32, 6.38

 

CMYK 3 / 0 / 27 / 13

HEX #D7DEA1

RGB 215 222 161

HSL 66.89, 0.48%, 0.75%

LAB 86.63, -12.1, 29.21

 

CMYK 27 / 0 / 2 / 13

HEX #A2DED9

RGB 162 222 217

HSL 175, 0.48%, 0.75%

LAB 84.45, -20.02, -3.72

 

CMYK 16 / 27 / 0 / 13

HEX #BAA1DE

RGB 186 161 222

HSL 264.59, 0.48%, 0.75%

LAB 70.32, 21.01, -27.51

 

CMYK 0 / 27 / 25 / 13

HEX #DEA1A6

RGB 222 161 166

HSL 355.08, 0.48%, 0.75%

LAB 72.08, 23.32, 6.38

 

CMYK 12 / 0 / 27 / 13

HEX #C4DEA1

RGB 196 222 161

HSL 85.57, 0.48%, 0.75%

LAB 85.28, -19.08, 27.15

 

Description

Color code: HEX #A2DED9 | qconv.com Color code: HEX #A2DED9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 222 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 222 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 2 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 2% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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