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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2DD93 it is the complementary color #5D226C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2DD93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2DD93 shade: #A7DD8E, #B8EFA1, #C9FFB4, #DAFFC7 and #EBFFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2DD93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2DD93 shade: #A2DD93, #91CB80, #80B96D, #6FA75A and #5E9547

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2DD93 shade: #A2DD92, #B6DD92, #CADD92, #DDDC92 and #DDC892

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2DD93 shade: #A2DD92, #92DD97, #92DDAB, #92DDBF and #92DDD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2DD93 shade matches the following richer shades: #A2DD92, #9BE887 and #94F47B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2DD93 shade: #A2DD92, #A8D19E, #AFC6AA, #B6BAB5 and #BDAFC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2DD93 shade: #CADD92, #B6DD92, #A3DD92, #92DD96 and #92DDAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2DD93 shade: #6CC954, #87D373, #A2DD92, #BDE7B2 and #D8F1D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2DD93 shade: #A2DD93, #92DDDB and #DD92C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2DD93 shade: #A2DD93, #92A3DD and #DD92A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2DD93 shade: #A2DD93, #92DDDB, #CD92DD and #DD9294

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2DD93 shade: #A2DD93, #92C8DD, #CD92DD and #DDA892

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 33 / 13

HEX #A2DD93

RGB 162 221 147

HSL 107.84, 0.52%, 0.72%

LAB 82.65, -32.57, 30.45

 

Complementary color

CMYK 14 / 69 / 0 / 58

HEX #5D226C

RGB 93 34 108

HSL 287.84, 0.52%, 0.28%

LAB 25.42, 38.66, -31.08

 

CMYK 24 / 0 / 36 / 13

HEX #A7DD8E

RGB 167 221 142

HSL 101.01, 0.54%, 0.71%

LAB 82.85, -31.6, 33.33

 

CMYK 23 / 0 / 33 / 6

HEX #B8EFA1

RGB 184 239 161

HSL 102.31, 0.71%, 0.78%

LAB 89.16, -31.45, 32.23

 

CMYK 21 / 0 / 29 / 0

HEX #C9FFB4

RGB 201 255 180

HSL 103.2, 1%, 0.85%

LAB 94.84, -30.37, 30.45

 

CMYK 15 / 0 / 22 / 0

HEX #DAFFC7

RGB 218 255 199

HSL 99.64, 1%, 0.89%

LAB 96.22, -21.72, 22.91

 

CMYK 8 / 0 / 15 / 0

HEX #EBFFDA

RGB 235 255 218

HSL 92.43, 1%, 0.93%

LAB 97.73, -12.93, 15.49

 

CMYK 27 / 0 / 33 / 13

HEX #A2DD93

RGB 162 221 147

HSL 107.84, 0.52%, 0.72%

LAB 82.65, -32.57, 30.45

 

CMYK 29 / 0 / 37 / 20

HEX #91CB80

RGB 145 203 128

HSL 106.4, 0.42%, 0.65%

LAB 76.25, -32.77, 31.59

 

CMYK 31 / 0 / 41 / 27

HEX #80B96D

RGB 128 185 109

HSL 105, 0.35%, 0.58%

LAB 69.75, -32.95, 32.77

 

CMYK 34 / 0 / 46 / 35

HEX #6FA75A

RGB 111 167 90

HSL 103.64, 0.3%, 0.5%

LAB 63.14, -33.11, 34.01

 

CMYK 37 / 0 / 52 / 42

HEX #5E9547

RGB 94 149 71

HSL 102.31, 0.35%, 0.43%

LAB 56.42, -33.21, 35.26

 

CMYK 27 / 0 / 34 / 13

HEX #A2DD92

RGB 162 221 146

HSL 107.2, 0.52%, 0.72%

LAB 82.63, -32.72, 30.94

 

CMYK 18 / 0 / 34 / 13

HEX #B6DD92

RGB 182 221 146

HSL 91.2, 0.52%, 0.72%

LAB 83.83, -25.76, 32.75

 

CMYK 9 / 0 / 34 / 13

HEX #CADD92

RGB 202 221 146

HSL 75.2, 0.52%, 0.72%

LAB 85.17, -18.42, 34.77

 

CMYK 0 / 0 / 34 / 13

HEX #DDDC92

RGB 221 220 146

HSL 59.2, 0.52%, 0.72%

LAB 86.32, -10.7, 36.54

 

CMYK 0 / 10 / 34 / 13

HEX #DDC892

RGB 221 200 146

HSL 43.2, 0.52%, 0.72%

LAB 81.16, -0.46, 29.73

 

CMYK 27 / 0 / 34 / 13

HEX #A2DD92

RGB 162 221 146

HSL 107.2, 0.52%, 0.72%

LAB 82.63, -32.72, 30.94

 

CMYK 34 / 0 / 32 / 13

HEX #92DD97

RGB 146 221 151

HSL 124, 0.52%, 0.72%

LAB 81.87, -37.14, 27.21

 

CMYK 34 / 0 / 23 / 13

HEX #92DDAB

RGB 146 221 171

HSL 140, 0.52%, 0.72%

LAB 82.25, -33.62, 17.31

 

CMYK 34 / 0 / 14 / 13

HEX #92DDBF

RGB 146 221 191

HSL 156, 0.52%, 0.72%

LAB 82.69, -29.69, 7.39

 

CMYK 34 / 0 / 4 / 13

HEX #92DDD4

RGB 146 221 212

HSL 172.8, 0.52%, 0.72%

LAB 83.22, -25.14, -2.97

 

CMYK 27 / 0 / 34 / 13

HEX #A2DD92

RGB 162 221 146

HSL 107.2, 0.52%, 0.72%

LAB 82.63, -32.72, 30.94

 

CMYK 33 / 0 / 42 / 9

HEX #9BE887

RGB 155 232 135

HSL 107.63, 0.68%, 0.72%

LAB 85.22, -41.6, 39.79

 

CMYK 39 / 0 / 50 / 4

HEX #94F47B

RGB 148 244 123

HSL 107.6, 0.85%, 0.72%

LAB 88.17, -50.47, 49.21

 

CMYK 27 / 0 / 34 / 13

HEX #A2DD92

RGB 162 221 146

HSL 107.2, 0.52%, 0.72%

LAB 82.63, -32.72, 30.94

 

CMYK 20 / 0 / 24 / 18

HEX #A8D19E

RGB 168 209 158

HSL 108.24, 0.36%, 0.72%

LAB 79.84, -23.05, 20.98

 

CMYK 12 / 0 / 14 / 22

HEX #AFC6AA

RGB 175 198 170

HSL 109.29, 0.2%, 0.72%

LAB 77.52, -13.04, 11.43

 

CMYK 2 / 0 / 3 / 27

HEX #B6BAB5

RGB 182 186 181

HSL 108, 0.03%, 0.72%

LAB 75.08, -2.32, 2.03

 

CMYK 2 / 9 / 0 / 24

HEX #BDAFC1

RGB 189 175 193

HSL 286.67, 0.13%, 0.72%

LAB 73.11, 8.31, -7.35

 

CMYK 9 / 0 / 34 / 13

HEX #CADD92

RGB 202 221 146

HSL 75.2, 0.52%, 0.72%

LAB 85.17, -18.42, 34.77

 

CMYK 18 / 0 / 34 / 13

HEX #B6DD92

RGB 182 221 146

HSL 91.2, 0.52%, 0.72%

LAB 83.83, -25.76, 32.75

 

CMYK 26 / 0 / 34 / 13

HEX #A3DD92

RGB 163 221 146

HSL 106.4, 0.52%, 0.72%

LAB 82.69, -32.39, 31.03

 

CMYK 34 / 0 / 32 / 13

HEX #92DD96

RGB 146 221 150

HSL 123.2, 0.52%, 0.72%

LAB 81.85, -37.3, 27.7

 

CMYK 34 / 0 / 23 / 13

HEX #92DDAA

RGB 146 221 170

HSL 139.2, 0.52%, 0.72%

LAB 82.23, -33.81, 17.81

 

CMYK 46 / 0 / 58 / 21

HEX #6CC954

RGB 108 201 84

HSL 107.69, 0.52%, 0.56%

LAB 73.29, -49.52, 49.11

 

CMYK 36 / 0 / 45 / 17

HEX #87D373

RGB 135 211 115

HSL 107.5, 0.52%, 0.64%

LAB 77.86, -41.54, 40.14

 

CMYK 27 / 0 / 34 / 13

HEX #A2DD92

RGB 162 221 146

HSL 107.2, 0.52%, 0.72%

LAB 82.63, -32.72, 30.94

 

CMYK 18 / 0 / 23 / 9

HEX #BDE7B2

RGB 189 231 178

HSL 107.55, 0.52%, 0.8%

LAB 87.57, -23.33, 21.43

 

CMYK 10 / 0 / 13 / 5

HEX #D8F1D1

RGB 216 241 209

HSL 106.88, 0.53%, 0.88%

LAB 92.62, -13.93, 12.71

 

CMYK 27 / 0 / 33 / 13

HEX #A2DD93

RGB 162 221 147

HSL 107.84, 0.52%, 0.72%

LAB 82.65, -32.57, 30.45

 

CMYK 34 / 0 / 1 / 13

HEX #92DDDB

RGB 146 221 219

HSL 178.4, 0.52%, 0.72%

LAB 83.41, -23.53, -6.41

 

CMYK 0 / 34 / 13 / 13

HEX #DD92C0

RGB 221 146 192

HSL 323.2, 0.52%, 0.72%

LAB 69.28, 34.99, -12.17

 

CMYK 27 / 0 / 33 / 13

HEX #A2DD93

RGB 162 221 147

HSL 107.84, 0.52%, 0.72%

LAB 82.65, -32.57, 30.45

 

CMYK 34 / 26 / 0 / 13

HEX #92A3DD

RGB 146 163 221

HSL 226.4, 0.52%, 0.72%

LAB 67.67, 7.7, -31.3

 

CMYK 0 / 34 / 26 / 13

HEX #DD92A3

RGB 221 146 163

HSL 346.4, 0.52%, 0.72%

LAB 68.44, 30.6, 2.79

 

CMYK 27 / 0 / 33 / 13

HEX #A2DD93

RGB 162 221 147

HSL 107.84, 0.52%, 0.72%

LAB 82.65, -32.57, 30.45

 

CMYK 34 / 0 / 1 / 13

HEX #92DDDB

RGB 146 221 219

HSL 178.4, 0.52%, 0.72%

LAB 83.41, -23.53, -6.41

 

CMYK 7 / 34 / 0 / 13

HEX #CD92DD

RGB 205 146 221

HSL 287.2, 0.52%, 0.72%

LAB 68.58, 35.02, -29.49

 

CMYK 0 / 34 / 33 / 13

HEX #DD9294

RGB 221 146 148

HSL 358.4, 0.52%, 0.72%

LAB 68.07, 28.6, 10.65

 

CMYK 27 / 0 / 33 / 13

HEX #A2DD93

RGB 162 221 147

HSL 107.84, 0.52%, 0.72%

LAB 82.65, -32.57, 30.45

 

CMYK 34 / 10 / 0 / 13

HEX #92C8DD

RGB 146 200 221

HSL 196.8, 0.52%, 0.72%

LAB 77.66, -12.41, -16.05

 

CMYK 7 / 34 / 0 / 13

HEX #CD92DD

RGB 205 146 221

HSL 287.2, 0.52%, 0.72%

LAB 68.58, 35.02, -29.49

 

CMYK 0 / 24 / 34 / 13

HEX #DDA892

RGB 221 168 146

HSL 17.6, 0.52%, 0.72%

LAB 73.19, 16.51, 18.91

 

Description

Color code: HEX #A2DD93 | qconv.com Color code: HEX #A2DD93 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 221 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 221 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 33 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 33% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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