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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2DCCF it is the complementary color #5D2330. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2DCCF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2DCCF shade: #A7DCCA, #B8EEDD, #C9FFF0, #DAFFFF and #EBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2DCCF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2DCCF shade: #A2DCCF, #91CABC, #80B8A9, #6FA696 and #5E9483

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2DCCF shade: #A2DBCF, #A2DBBF, #A2DBB0, #A4DBA2 and #B3DBA2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2DCCF shade: #A2DBCF, #A2D9DB, #A2C9DB, #A2BADB and #A2AADB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2DCCF shade matches the following richer shades: #A2DBCF, #98E6D4, #8DF0DA and #83FAE0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2DCCF shade: #A2DBCF, #ACD1C9, #B7C7C3, #C1BCBE and #CBB2B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2DCCF shade: #A2DBAF, #A2DBBF, #A2DBCE, #A2DADB and #A2CADB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2DCCF shade: #66C5B0, #84D0BF, #A2DBCF, #C0E7DE and #DEF2EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2DCCF shade: #A2DCCF, #A2A4DB and #DBB7A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2DCCF shade: #A2DCCF, #CEA2DB and #DBCEA2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2DCCF shade: #A2DCCF, #A2A4DB, #DBA2AF and #DBDAA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2DCCF shade: #A2DCCF, #B1A2DB, #DBA2AF and #CCDBA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 6 / 14

HEX #A2DCCF

RGB 162 220 207

HSL 166.55, 0.45%, 0.75%

LAB 83.64, -21.18, 0.39

 

Complementary color

CMYK 0 / 62 / 48 / 64

HEX #5D2330

RGB 93 35 48

HSL 346.55, 0.45%, 0.25%

LAB 22.8, 27.87, 5.04

 

CMYK 24 / 0 / 8 / 14

HEX #A7DCCA

RGB 167 220 202

HSL 159.62, 0.43%, 0.76%

LAB 83.79, -20.7, 3.29

 

CMYK 23 / 0 / 7 / 7

HEX #B8EEDD

RGB 184 238 221

HSL 161.11, 0.61%, 0.83%

LAB 90.12, -20.55, 2.61

 

CMYK 21 / 0 / 6 / 0

HEX #C9FFF0

RGB 201 255 240

HSL 163.33, 1%, 0.89%

LAB 96.09, -19.94, 1.57

 

CMYK 15 / 0 / 0 / 0

HEX #DAFFFF

RGB 218 255 255

HSL 180, 1%, 0.93%

LAB 97.49, -11.79, -3.99

 

CMYK 8 / 0 / 0 / 0

HEX #EBFFFF

RGB 235 255 255

HSL 180, 1%, 0.96%

LAB 98.59, -6.47, -2.24

 

CMYK 26 / 0 / 6 / 14

HEX #A2DCCF

RGB 162 220 207

HSL 166.55, 0.45%, 0.75%

LAB 83.64, -21.18, 0.39

 

CMYK 28 / 0 / 7 / 21

HEX #91CABC

RGB 145 202 188

HSL 165.26, 0.35%, 0.68%

LAB 77.22, -21.33, 1.06

 

CMYK 30 / 0 / 8 / 28

HEX #80B8A9

RGB 128 184 169

HSL 163.93, 0.28%, 0.61%

LAB 70.69, -21.51, 1.78

 

CMYK 33 / 0 / 10 / 35

HEX #6FA696

RGB 111 166 150

HSL 162.55, 0.24%, 0.54%

LAB 64.04, -21.7, 2.53

 

CMYK 36 / 0 / 11 / 42

HEX #5E9483

RGB 94 148 131

HSL 161.11, 0.22%, 0.47%

LAB 57.27, -21.91, 3.34

 

CMYK 26 / 0 / 5 / 14

HEX #A2DBCF

RGB 162 219 207

HSL 167.37, 0.44%, 0.75%

LAB 83.36, -20.68, -0.01

 

CMYK 26 / 0 / 13 / 14

HEX #A2DBBF

RGB 162 219 191

HSL 150.53, 0.44%, 0.75%

LAB 82.97, -23.95, 7.9

 

CMYK 26 / 0 / 20 / 14

HEX #A2DBB0

RGB 162 219 176

HSL 134.74, 0.44%, 0.75%

LAB 82.64, -26.79, 15.34

 

CMYK 25 / 0 / 26 / 14

HEX #A4DBA2

RGB 164 219 162

HSL 117.89, 0.44%, 0.75%

LAB 82.47, -28.58, 22.47

 

CMYK 18 / 0 / 26 / 14

HEX #B3DBA2

RGB 179 219 162

HSL 102.11, 0.44%, 0.75%

LAB 83.37, -23.49, 23.84

 

CMYK 26 / 0 / 5 / 14

HEX #A2DBCF

RGB 162 219 207

HSL 167.37, 0.44%, 0.75%

LAB 83.36, -20.68, -0.01

 

CMYK 26 / 1 / 0 / 14

HEX #A2D9DB

RGB 162 217 219

HSL 182.11, 0.44%, 0.75%

LAB 83.14, -17.07, -6.72

 

CMYK 26 / 8 / 0 / 14

HEX #A2C9DB

RGB 162 201 219

HSL 198.95, 0.44%, 0.75%

LAB 78.79, -8.84, -13.19

 

CMYK 26 / 15 / 0 / 14

HEX #A2BADB

RGB 162 186 219

HSL 214.74, 0.44%, 0.75%

LAB 74.77, -0.85, -19.25

 

CMYK 26 / 22 / 0 / 14

HEX #A2AADB

RGB 162 170 219

HSL 231.58, 0.44%, 0.75%

LAB 70.56, 7.94, -25.67

 

CMYK 26 / 0 / 5 / 14

HEX #A2DBCF

RGB 162 219 207

HSL 167.37, 0.44%, 0.75%

LAB 83.36, -20.68, -0.01

 

CMYK 34 / 0 / 8 / 10

HEX #98E6D4

RGB 152 230 212

HSL 166.15, 0.61%, 0.75%

LAB 86.02, -27.85, 1.15

 

CMYK 41 / 0 / 9 / 6

HEX #8DF0DA

RGB 141 240 218

HSL 166.67, 0.77%, 0.75%

LAB 88.47, -34.15, 1.52

 

CMYK 48 / 0 / 10 / 2

HEX #83FAE0

RGB 131 250 224

HSL 166.89, 0.92%, 0.75%

LAB 91.04, -39.75, 2.09

 

CMYK 26 / 0 / 5 / 14

HEX #A2DBCF

RGB 162 219 207

HSL 167.37, 0.44%, 0.75%

LAB 83.36, -20.68, -0.01

 

CMYK 18 / 0 / 4 / 18

HEX #ACD1C9

RGB 172 209 201

HSL 167.03, 0.29%, 0.75%

LAB 81.06, -13.8, -0.1

 

CMYK 8 / 0 / 2 / 22

HEX #B7C7C3

RGB 183 199 195

HSL 165, 0.13%, 0.75%

LAB 78.96, -6.2, 0.12

 

CMYK 0 / 3 / 2 / 24

HEX #C1BCBE

RGB 193 188 190

HSL 336, 0.04%, 0.75%

LAB 76.69, 2.12, -0.39

 

CMYK 0 / 12 / 9 / 20

HEX #CBB2B8

RGB 203 178 184

HSL 345.6, 0.19%, 0.75%

LAB 74.82, 9.98, 0.24

 

CMYK 26 / 0 / 20 / 14

HEX #A2DBAF

RGB 162 219 175

HSL 133.68, 0.44%, 0.75%

LAB 82.61, -26.97, 15.84

 

CMYK 26 / 0 / 13 / 14

HEX #A2DBBF

RGB 162 219 191

HSL 150.53, 0.44%, 0.75%

LAB 82.97, -23.95, 7.9

 

CMYK 26 / 0 / 6 / 14

HEX #A2DBCE

RGB 162 219 206

HSL 166.32, 0.44%, 0.75%

LAB 83.34, -20.89, 0.48

 

CMYK 26 / 0 / 0 / 14

HEX #A2DADB

RGB 162 218 219

HSL 181.05, 0.44%, 0.75%

LAB 83.41, -17.58, -6.31

 

CMYK 26 / 8 / 0 / 14

HEX #A2CADB

RGB 162 202 219

HSL 197.89, 0.44%, 0.75%

LAB 79.06, -9.36, -12.78

 

CMYK 48 / 0 / 11 / 23

HEX #66C5B0

RGB 102 197 176

HSL 166.74, 0.45%, 0.59%

LAB 73.48, -33.25, 1.86

 

CMYK 37 / 0 / 8 / 18

HEX #84D0BF

RGB 132 208 191

HSL 166.58, 0.45%, 0.67%

LAB 78.33, -27.36, 1

 

CMYK 26 / 0 / 5 / 14

HEX #A2DBCF

RGB 162 219 207

HSL 167.37, 0.44%, 0.75%

LAB 83.36, -20.68, -0.01

 

CMYK 17 / 0 / 4 / 9

HEX #C0E7DE

RGB 192 231 222

HSL 166.15, 0.45%, 0.83%

LAB 88.75, -14.4, 0.15

 

CMYK 8 / 0 / 2 / 5

HEX #DEF2EE

RGB 222 242 238

HSL 168, 0.43%, 0.91%

LAB 93.97, -7.29, -0.33

 

CMYK 26 / 0 / 6 / 14

HEX #A2DCCF

RGB 162 220 207

HSL 166.55, 0.45%, 0.75%

LAB 83.64, -21.18, 0.39

 

CMYK 26 / 25 / 0 / 14

HEX #A2A4DB

RGB 162 164 219

HSL 237.89, 0.44%, 0.75%

LAB 69, 11.29, -28.05

 

CMYK 0 / 16 / 26 / 14

HEX #DBB7A2

RGB 219 183 162

HSL 22.11, 0.44%, 0.75%

LAB 77, 9.81, 15.51

 

CMYK 26 / 0 / 6 / 14

HEX #A2DCCF

RGB 162 220 207

HSL 166.55, 0.45%, 0.75%

LAB 83.64, -21.18, 0.39

 

CMYK 6 / 26 / 0 / 14

HEX #CEA2DB

RGB 206 162 219

HSL 286.32, 0.44%, 0.75%

LAB 72.28, 26.21, -22.7

 

CMYK 0 / 6 / 26 / 14

HEX #DBCEA2

RGB 219 206 162

HSL 46.32, 0.44%, 0.75%

LAB 82.81, -2.29, 23.56

 

CMYK 26 / 0 / 6 / 14

HEX #A2DCCF

RGB 162 220 207

HSL 166.55, 0.45%, 0.75%

LAB 83.64, -21.18, 0.39

 

CMYK 26 / 25 / 0 / 14

HEX #A2A4DB

RGB 162 164 219

HSL 237.89, 0.44%, 0.75%

LAB 69, 11.29, -28.05

 

CMYK 0 / 26 / 20 / 14

HEX #DBA2AF

RGB 219 162 175

HSL 346.32, 0.44%, 0.75%

LAB 72.23, 23, 1.59

 

CMYK 0 / 0 / 26 / 14

HEX #DBDAA2

RGB 219 218 162

HSL 58.95, 0.44%, 0.75%

LAB 85.91, -8.45, 27.77

 

CMYK 26 / 0 / 6 / 14

HEX #A2DCCF

RGB 162 220 207

HSL 166.55, 0.45%, 0.75%

LAB 83.64, -21.18, 0.39

 

CMYK 19 / 26 / 0 / 14

HEX #B1A2DB

RGB 177 162 219

HSL 255.79, 0.44%, 0.75%

LAB 69.68, 16.99, -26.9

 

CMYK 0 / 26 / 20 / 14

HEX #DBA2AF

RGB 219 162 175

HSL 346.32, 0.44%, 0.75%

LAB 72.23, 23, 1.59

 

CMYK 7 / 0 / 26 / 14

HEX #CCDBA2

RGB 204 219 162

HSL 75.79, 0.44%, 0.75%

LAB 85.05, -14.53, 26.42

 

Description

Color code: HEX #A2DCCF | qconv.com Color code: HEX #A2DCCF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 220 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 220 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 6 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 6% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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