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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2DCA6 it is the complementary color #5D2359. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2DCA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2DCA6 shade: #A7DCA1, #B8EEB4, #C9FFC7, #DAFFDA and #EBFFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2DCA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2DCA6 shade: #A2DCA6, #91CA93, #80B880, #6FA66D and #5E945A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2DCA6 shade: #A3DCA7, #AEDCA3, #BEDCA3, #CDDCA3 and #DCDBA3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2DCA6 shade: #A3DCA7, #A3DCB6, #A3DCC5, #A3DCD5 and #A3D3DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2DCA6 shade matches the following richer shades: #A3DCA7, #98E69E, #8EF195 and #84FB8C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2DCA6 shade: #A3DCA7, #ADD2AF, #B7C7B8, #C2BDC1 and #CCB3CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2DCA6 shade: #BDDCA3, #AEDCA3, #A3DCA6, #A3DCB6 and #A3DCC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2DCA6 shade: #67C56D, #85D18A, #A3DCA7, #C0E7C3 and #DEF3E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2DCA6 shade: #A2DCA6, #A3CDDC and #DCA3B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2DCA6 shade: #A2DCA6, #A6A3DC and #DCA6A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2DCA6 shade: #A2DCA6, #A3CDDC, #DCA3D8 and #DCB2A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2DCA6 shade: #A2DCA6, #A3BBDC, #DCA3D8 and #DCC3A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 25 / 14

HEX #A2DCA6

RGB 162 220 166

HSL 124.14, 0.45%, 0.75%

LAB 82.71, -29.04, 20.7

 

Complementary color

CMYK 0 / 62 / 4 / 64

HEX #5D2359

RGB 93 35 89

HSL 304.14, 0.45%, 0.25%

LAB 24.48, 34.27, -20.16

 

CMYK 24 / 0 / 27 / 14

HEX #A7DCA1

RGB 167 220 161

HSL 113.9, 0.46%, 0.75%

LAB 82.9, -28.23, 23.61

 

CMYK 23 / 0 / 24 / 7

HEX #B8EEB4

RGB 184 238 180

HSL 115.86, 0.63%, 0.82%

LAB 89.22, -28.03, 22.62

 

CMYK 21 / 0 / 22 / 0

HEX #C9FFC7

RGB 201 255 199

HSL 117.86, 1%, 0.89%

LAB 95.19, -27.38, 21.31

 

CMYK 15 / 0 / 15 / 0

HEX #DAFFDA

RGB 218 255 218

HSL 120, 1%, 0.93%

LAB 96.61, -18.62, 13.75

 

CMYK 8 / 0 / 7 / 0

HEX #EBFFED

RGB 235 255 237

HSL 126, 1%, 0.96%

LAB 98.15, -9.73, 6.36

 

CMYK 26 / 0 / 25 / 14

HEX #A2DCA6

RGB 162 220 166

HSL 124.14, 0.45%, 0.75%

LAB 82.71, -29.04, 20.7

 

CMYK 28 / 0 / 27 / 21

HEX #91CA93

RGB 145 202 147

HSL 122.11, 0.35%, 0.68%

LAB 76.29, -29.27, 21.71

 

CMYK 30 / 0 / 30 / 28

HEX #80B880

RGB 128 184 128

HSL 120, 0.28%, 0.61%

LAB 69.77, -29.51, 22.78

 

CMYK 33 / 0 / 34 / 35

HEX #6FA66D

RGB 111 166 109

HSL 117.89, 0.24%, 0.54%

LAB 63.14, -29.76, 23.93

 

CMYK 36 / 0 / 39 / 42

HEX #5E945A

RGB 94 148 90

HSL 115.86, 0.24%, 0.47%

LAB 56.38, -30.01, 25.16

 

CMYK 26 / 0 / 24 / 14

HEX #A3DCA7

RGB 163 220 167

HSL 124.21, 0.45%, 0.75%

LAB 82.79, -28.54, 20.29

 

CMYK 21 / 0 / 26 / 14

HEX #AEDCA3

RGB 174 220 163

HSL 108.42, 0.45%, 0.75%

LAB 83.35, -25.53, 23.25

 

CMYK 14 / 0 / 26 / 14

HEX #BEDCA3

RGB 190 220 163

HSL 91.58, 0.45%, 0.75%

LAB 84.37, -19.95, 24.81

 

CMYK 7 / 0 / 26 / 14

HEX #CDDCA3

RGB 205 220 163

HSL 75.79, 0.45%, 0.75%

LAB 85.41, -14.52, 26.4

 

CMYK 0 / 0 / 26 / 14

HEX #DCDBA3

RGB 220 219 163

HSL 58.95, 0.45%, 0.75%

LAB 86.27, -8.44, 27.75

 

CMYK 26 / 0 / 24 / 14

HEX #A3DCA7

RGB 163 220 167

HSL 124.21, 0.45%, 0.75%

LAB 82.79, -28.54, 20.29

 

CMYK 26 / 0 / 17 / 14

HEX #A3DCB6

RGB 163 220 182

HSL 140, 0.45%, 0.75%

LAB 83.1, -25.85, 12.84

 

CMYK 26 / 0 / 10 / 14

HEX #A3DCC5

RGB 163 220 197

HSL 155.79, 0.45%, 0.75%

LAB 83.44, -22.94, 5.41

 

CMYK 26 / 0 / 3 / 14

HEX #A3DCD5

RGB 163 220 213

HSL 172.63, 0.45%, 0.75%

LAB 83.85, -19.6, -2.48

 

CMYK 26 / 4 / 0 / 14

HEX #A3D3DC

RGB 163 211 220

HSL 189.47, 0.45%, 0.75%

LAB 81.59, -13.5, -9.54

 

CMYK 26 / 0 / 24 / 14

HEX #A3DCA7

RGB 163 220 167

HSL 124.21, 0.45%, 0.75%

LAB 82.79, -28.54, 20.29

 

CMYK 34 / 0 / 31 / 10

HEX #98E69E

RGB 152 230 158

HSL 124.62, 0.61%, 0.75%

LAB 84.86, -38.2, 27.69

 

CMYK 41 / 0 / 38 / 5

HEX #8EF195

RGB 142 241 149

HSL 124.24, 0.78%, 0.75%

LAB 87.4, -47.43, 35.55

 

CMYK 47 / 0 / 44 / 2

HEX #84FB8C

RGB 132 251 140

HSL 124.03, 0.94%, 0.75%

LAB 89.76, -55.65, 42.95

 

CMYK 26 / 0 / 24 / 14

HEX #A3DCA7

RGB 163 220 167

HSL 124.21, 0.45%, 0.75%

LAB 82.79, -28.54, 20.29

 

CMYK 18 / 0 / 17 / 18

HEX #ADD2AF

RGB 173 210 175

HSL 123.24, 0.29%, 0.75%

LAB 80.78, -18.93, 13.35

 

CMYK 8 / 0 / 8 / 22

HEX #B7C7B8

RGB 183 199 184

HSL 123.75, 0.13%, 0.75%

LAB 78.68, -8.27, 5.64

 

CMYK 0 / 3 / 1 / 24

HEX #C2BDC1

RGB 194 189 193

HSL 312, 0.04%, 0.75%

LAB 77.11, 2.48, -1.4

 

CMYK 0 / 12 / 1 / 20

HEX #CCB3CA

RGB 204 179 202

HSL 304.8, 0.2%, 0.75%

LAB 75.66, 13, -8.33

 

CMYK 14 / 0 / 26 / 14

HEX #BDDCA3

RGB 189 220 163

HSL 92.63, 0.45%, 0.75%

LAB 84.3, -20.3, 24.71

 

CMYK 21 / 0 / 26 / 14

HEX #AEDCA3

RGB 174 220 163

HSL 108.42, 0.45%, 0.75%

LAB 83.35, -25.53, 23.25

 

CMYK 26 / 0 / 25 / 14

HEX #A3DCA6

RGB 163 220 166

HSL 123.16, 0.45%, 0.75%

LAB 82.77, -28.71, 20.78

 

CMYK 26 / 0 / 17 / 14

HEX #A3DCB6

RGB 163 220 182

HSL 140, 0.45%, 0.75%

LAB 83.1, -25.85, 12.84

 

CMYK 26 / 0 / 10 / 14

HEX #A3DCC5

RGB 163 220 197

HSL 155.79, 0.45%, 0.75%

LAB 83.44, -22.94, 5.41

 

CMYK 48 / 0 / 45 / 23

HEX #67C56D

RGB 103 197 109

HSL 123.83, 0.45%, 0.59%

LAB 72.18, -46.11, 35.65

 

CMYK 36 / 0 / 34 / 18

HEX #85D18A

RGB 133 209 138

HSL 123.95, 0.45%, 0.67%

LAB 77.53, -37.88, 28

 

CMYK 26 / 0 / 24 / 14

HEX #A3DCA7

RGB 163 220 167

HSL 124.21, 0.45%, 0.75%

LAB 82.79, -28.54, 20.29

 

CMYK 17 / 0 / 16 / 9

HEX #C0E7C3

RGB 192 231 195

HSL 124.62, 0.45%, 0.83%

LAB 88.11, -19.45, 13.37

 

CMYK 9 / 0 / 8 / 5

HEX #DEF3E0

RGB 222 243 224

HSL 125.71, 0.47%, 0.91%

LAB 93.89, -10.33, 6.81

 

CMYK 26 / 0 / 25 / 14

HEX #A2DCA6

RGB 162 220 166

HSL 124.14, 0.45%, 0.75%

LAB 82.71, -29.04, 20.7

 

CMYK 26 / 7 / 0 / 14

HEX #A3CDDC

RGB 163 205 220

HSL 195.79, 0.45%, 0.75%

LAB 79.96, -10.4, -11.97

 

CMYK 0 / 26 / 17 / 14

HEX #DCA3B6

RGB 220 163 182

HSL 340, 0.45%, 0.75%

LAB 72.75, 23.9, -1.5

 

CMYK 26 / 0 / 25 / 14

HEX #A2DCA6

RGB 162 220 166

HSL 124.14, 0.45%, 0.75%

LAB 82.71, -29.04, 20.7

 

CMYK 25 / 26 / 0 / 14

HEX #A6A3DC

RGB 166 163 220

HSL 243.16, 0.45%, 0.75%

LAB 69.09, 13.29, -28.44

 

CMYK 0 / 25 / 26 / 14

HEX #DCA6A3

RGB 220 166 163

HSL 3.16, 0.45%, 0.75%

LAB 72.98, 19.46, 9.3

 

CMYK 26 / 0 / 25 / 14

HEX #A2DCA6

RGB 162 220 166

HSL 124.14, 0.45%, 0.75%

LAB 82.71, -29.04, 20.7

 

CMYK 26 / 7 / 0 / 14

HEX #A3CDDC

RGB 163 205 220

HSL 195.79, 0.45%, 0.75%

LAB 79.96, -10.4, -11.97

 

CMYK 0 / 26 / 2 / 14

HEX #DCA3D8

RGB 220 163 216

HSL 304.21, 0.45%, 0.75%

LAB 73.78, 29.68, -18.65

 

CMYK 0 / 19 / 26 / 14

HEX #DCB2A3

RGB 220 178 163

HSL 15.79, 0.45%, 0.75%

LAB 75.89, 13, 13.41

 

CMYK 26 / 0 / 25 / 14

HEX #A2DCA6

RGB 162 220 166

HSL 124.14, 0.45%, 0.75%

LAB 82.71, -29.04, 20.7

 

CMYK 26 / 15 / 0 / 14

HEX #A3BBDC

RGB 163 187 220

HSL 214.74, 0.45%, 0.75%

LAB 75.14, -0.85, -19.23

 

CMYK 0 / 26 / 2 / 14

HEX #DCA3D8

RGB 220 163 216

HSL 304.21, 0.45%, 0.75%

LAB 73.78, 29.68, -18.65

 

CMYK 0 / 11 / 26 / 14

HEX #DCC3A3

RGB 220 195 163

HSL 33.68, 0.45%, 0.75%

LAB 80.12, 3.97, 19.33

 

Description

Color code: HEX #A2DCA6 | qconv.com Color code: HEX #A2DCA6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 220 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 220 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 25 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 25% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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