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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2D9EC it is the complementary color #5D2613. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2D9EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A2D9EC: #A7D9E7, #B8EBFA, #C9FDFF, #DAFFFF and #EBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2D9EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A2D9EC: #A2D9EC, #91C7D9, #80B5C6, #6FA3B3 and #5E91A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 8 / 0 / 7

HEX #A2D9EC

RGB 162 217 236

HSL 195.41, 0.66%, 0.78%

LAB 83.63, -13.17, -15

 

Complementary color

CMYK 0 / 59 / 80 / 64

HEX #5D2613

RGB 93 38 19

HSL 15.41, 0.66%, 0.22%

LAB 22.86, 23.81, 24.28

 

CMYK 28 / 6 / 0 / 9

HEX #A7D9E7

RGB 167 217 231

HSL 193.13, 0.57%, 0.78%

LAB 83.76, -12.92, -12.13

 

CMYK 26 / 6 / 0 / 2

HEX #B8EBFA

RGB 184 235 250

HSL 193.64, 0.87%, 0.85%

LAB 90.1, -12.92, -12.57

 

CMYK 21 / 1 / 0 / 0

HEX #C9FDFF

RGB 201 253 255

HSL 182.22, 1%, 0.89%

LAB 95.95, -15.91, -6.37

 

CMYK 15 / 0 / 0 / 0

HEX #DAFFFF

RGB 218 255 255

HSL 180, 1%, 0.93%

LAB 97.49, -11.79, -3.99

 

CMYK 8 / 0 / 0 / 0

HEX #EBFFFF

RGB 235 255 255

HSL 180, 1%, 0.96%

LAB 98.59, -6.47, -2.24

 

CMYK 31 / 8 / 0 / 7

HEX #A2D9EC

RGB 162 217 236

HSL 195.41, 0.66%, 0.78%

LAB 83.63, -13.17, -15

 

CMYK 33 / 8 / 0 / 15

HEX #91C7D9

RGB 145 199 217

HSL 195, 0.49%, 0.71%

LAB 77.21, -13.14, -14.59

 

CMYK 35 / 9 / 0 / 22

HEX #80B5C6

RGB 128 181 198

HSL 194.57, 0.38%, 0.64%

LAB 70.67, -13.11, -14.17

 

CMYK 38 / 9 / 0 / 30

HEX #6FA3B3

RGB 111 163 179

HSL 194.12, 0.31%, 0.57%

LAB 64.02, -13.07, -13.74

 

CMYK 41 / 9 / 0 / 37

HEX #5E91A0

RGB 94 145 160

HSL 193.64, 0.26%, 0.5%

LAB 57.24, -13, -13.3

 

CMYK 31 / 8 / 0 / 7

HEX #A2D9EC

RGB 162 217 236

HSL 195.41, 0.66%, 0.78%

LAB 83.63, -13.17, -15

 

CMYK 31 / 13 / 0 / 8

HEX #A1CDEB

RGB 161 205 235

HSL 204.32, 0.65%, 0.78%

LAB 80.31, -7.45, -19.48

 

CMYK 31 / 18 / 0 / 8

HEX #A1C0EB

RGB 161 192 235

HSL 214.86, 0.65%, 0.78%

LAB 76.84, -0.53, -24.75

 

CMYK 31 / 23 / 0 / 8

HEX #A1B4EB

RGB 161 180 235

HSL 224.59, 0.65%, 0.78%

LAB 73.69, 6.02, -29.59

 

CMYK 31 / 29 / 0 / 8

HEX #A1A8EB

RGB 161 168 235

HSL 234.32, 0.65%, 0.78%

LAB 70.58, 12.7, -34.39

 

CMYK 31 / 8 / 0 / 7

HEX #A2D9EC

RGB 162 217 236

HSL 195.41, 0.66%, 0.78%

LAB 83.63, -13.17, -15

 

CMYK 31 / 9 / 0 / 87

HEX #161D20

RGB 22 29 32

HSL 198, 0.19%, 0.11%

LAB 10.21, -2.3, -3.12

 

CMYK 31 / 8 / 0 / 67

HEX #394C53

RGB 57 76 83

HSL 196.15, 0.19%, 0.27%

LAB 31.03, -5.48, -6.56

 

CMYK 31 / 8 / 0 / 47

HEX #5C7B86

RGB 92 123 134

HSL 195.71, 0.19%, 0.44%

LAB 49.69, -8.24, -9.58

 

CMYK 31 / 8 / 0 / 27

HEX #7FAAB9

RGB 127 170 185

HSL 195.52, 0.29%, 0.61%

LAB 67.1, -10.77, -12.37

 

CMYK 31 / 8 / 0 / 7

HEX #A2D9EC

RGB 162 217 236

HSL 195.41, 0.66%, 0.78%

LAB 83.63, -13.17, -15

 

CMYK 17 / 31 / 0 / 8

HEX #C3A1EB

RGB 195 161 235

HSL 267.57, 0.65%, 0.78%

LAB 71.62, 26.63, -32.56

 

CMYK 0 / 5 / 31 / 8

HEX #EBE0A1

RGB 235 224 161

HSL 51.08, 0.65%, 0.78%

LAB 88.71, -5.57, 32.26

 

CMYK 31 / 8 / 0 / 7

HEX #A2D9EC

RGB 162 217 236

HSL 195.41, 0.66%, 0.78%

LAB 83.63, -13.17, -15

 

CMYK 0 / 31 / 8 / 8

HEX #EBA1D9

RGB 235 161 217

HSL 314.59, 0.65%, 0.78%

LAB 74.93, 35.87, -17.31

 

CMYK 8 / 0 / 31 / 8

HEX #D9EBA1

RGB 217 235 161

HSL 74.59, 0.65%, 0.78%

LAB 90.2, -17.8, 34

 

CMYK 31 / 8 / 0 / 7

HEX #A2D9EC

RGB 162 217 236

HSL 195.41, 0.66%, 0.78%

LAB 83.63, -13.17, -15

 

CMYK 17 / 31 / 0 / 8

HEX #C3A1EB

RGB 195 161 235

HSL 267.57, 0.65%, 0.78%

LAB 71.62, 26.63, -32.56

 

CMYK 0 / 23 / 31 / 8

HEX #EBB4A1

RGB 235 180 161

HSL 15.41, 0.65%, 0.78%

LAB 77.8, 17.36, 17.4

 

CMYK 14 / 0 / 31 / 8

HEX #CAEBA1

RGB 202 235 161

HSL 86.76, 0.65%, 0.78%

LAB 89.18, -23.26, 32.46

 

CMYK 31 / 8 / 0 / 7

HEX #A2D9EC

RGB 162 217 236

HSL 195.41, 0.66%, 0.78%

LAB 83.63, -13.17, -15

 

CMYK 8 / 31 / 0 / 8

HEX #D9A1EB

RGB 217 161 235

HSL 285.41, 0.65%, 0.78%

LAB 73.7, 33.41, -29.17

 

CMYK 0 / 23 / 31 / 8

HEX #EBB4A1

RGB 235 180 161

HSL 15.41, 0.65%, 0.78%

LAB 77.8, 17.36, 17.4

 

CMYK 23 / 0 / 31 / 8

HEX #B4EBA1

RGB 180 235 161

HSL 104.59, 0.65%, 0.78%

LAB 87.82, -30.94, 30.4

 

Description

Color code: HEX #A2D9EC | qconv.com Color code: HEX #A2D9EC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 217 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 217 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 8 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 8% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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