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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2D783 it is the complementary color #5D287C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2D783. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2D783 shade: #A7D77E, #B8E991, #C9FBA4, #DAFFB7 and #EBFFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2D783. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2D783 shade: #A2D783, #91C570, #80B35D, #6FA14A and #5E8F37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2D783 shade: #A2D784, #B9D784, #CFD784, #D7C884 and #D7B284

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2D783 shade: #A2D784, #8CD784, #84D792, #84D7A8 and #84D7BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2D783 shade matches the following richer shades: #A2D784, #9FE477, #9CF169 and #98FF5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2D783 shade: #A2D784, #A6CA91, #A9BD9E, #ADAFAB and #B0A2B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2D783 shade: #D0D784, #BAD784, #A4D784, #8DD784 and #84D790

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2D783 shade: #74C345, #8BCD65, #A2D784, #BAE1A3 and #D1EBC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2D783 shade: #A2D783, #84D7C8 and #D784C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2D783 shade: #A2D783, #84A4D7 and #D784A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2D783 shade: #A2D783, #84D7C8, #B784D7 and #D78493

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2D783 shade: #A2D783, #84CDD7, #B784D7 and #D78D84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 39 / 16

HEX #A2D783

RGB 162 215 131

HSL 97.86, 0.51%, 0.68%

LAB 80.69, -32.07, 36.04

 

Complementary color

CMYK 25 / 68 / 0 / 51

HEX #5D287C

RGB 93 40 124

HSL 277.86, 0.51%, 0.32%

LAB 27.57, 39.33, -37.84

 

CMYK 22 / 0 / 41 / 16

HEX #A7D77E

RGB 167 215 126

HSL 92.36, 0.53%, 0.67%

LAB 80.92, -30.95, 38.9

 

CMYK 21 / 0 / 38 / 9

HEX #B8E991

RGB 184 233 145

HSL 93.41, 0.67%, 0.74%

LAB 87.25, -30.87, 37.76

 

CMYK 20 / 0 / 35 / 2

HEX #C9FBA4

RGB 201 251 164

HSL 94.48, 0.92%, 0.81%

LAB 93.49, -30.78, 36.65

 

CMYK 15 / 0 / 28 / 0

HEX #DAFFB7

RGB 218 255 183

HSL 90.83, 1%, 0.86%

LAB 95.93, -24.11, 30.6

 

CMYK 8 / 0 / 21 / 0

HEX #EBFFCA

RGB 235 255 202

HSL 82.64, 1%, 0.9%

LAB 97.41, -15.41, 23.2

 

CMYK 25 / 0 / 39 / 16

HEX #A2D783

RGB 162 215 131

HSL 97.86, 0.51%, 0.68%

LAB 80.69, -32.07, 36.04

 

CMYK 26 / 0 / 43 / 23

HEX #91C570

RGB 145 197 112

HSL 96.71, 0.42%, 0.61%

LAB 74.27, -32.18, 37.21

 

CMYK 28 / 0 / 48 / 30

HEX #80B35D

RGB 128 179 93

HSL 95.58, 0.36%, 0.53%

LAB 67.74, -32.27, 38.41

 

CMYK 31 / 0 / 54 / 37

HEX #6FA14A

RGB 111 161 74

HSL 94.48, 0.37%, 0.46%

LAB 61.1, -32.3, 39.6

 

CMYK 34 / 0 / 62 / 44

HEX #5E8F37

RGB 94 143 55

HSL 93.41, 0.44%, 0.39%

LAB 54.34, -32.24, 40.7

 

CMYK 25 / 0 / 39 / 16

HEX #A2D784

RGB 162 215 132

HSL 98.31, 0.51%, 0.68%

LAB 80.71, -31.93, 35.55

 

CMYK 14 / 0 / 39 / 16

HEX #B9D784

RGB 185 215 132

HSL 81.69, 0.51%, 0.68%

LAB 82.15, -23.6, 37.7

 

CMYK 4 / 0 / 39 / 16

HEX #CFD784

RGB 207 215 132

HSL 65.78, 0.51%, 0.68%

LAB 83.72, -15.21, 40.03

 

CMYK 0 / 7 / 39 / 16

HEX #D7C884

RGB 215 200 132

HSL 49.16, 0.51%, 0.68%

LAB 80.42, -4.45, 35.91

 

CMYK 0 / 17 / 39 / 16

HEX #D7B284

RGB 215 178 132

HSL 33.25, 0.51%, 0.68%

LAB 74.8, 7.11, 28.53

 

CMYK 25 / 0 / 39 / 16

HEX #A2D784

RGB 162 215 132

HSL 98.31, 0.51%, 0.68%

LAB 80.71, -31.93, 35.55

 

CMYK 35 / 0 / 39 / 16

HEX #8CD784

RGB 140 215 132

HSL 114.22, 0.51%, 0.68%

LAB 79.52, -39.31, 33.78

 

CMYK 39 / 0 / 32 / 16

HEX #84D792

RGB 132 215 146

HSL 130.12, 0.51%, 0.68%

LAB 79.38, -39.54, 26.31

 

CMYK 39 / 0 / 22 / 16

HEX #84D7A8

RGB 132 215 168

HSL 146.02, 0.51%, 0.68%

LAB 79.8, -35.51, 15.36

 

CMYK 39 / 0 / 11 / 16

HEX #84D7BF

RGB 132 215 191

HSL 162.65, 0.51%, 0.68%

LAB 80.33, -30.73, 3.9

 

CMYK 25 / 0 / 39 / 16

HEX #A2D784

RGB 162 215 132

HSL 98.31, 0.51%, 0.68%

LAB 80.71, -31.93, 35.55

 

CMYK 30 / 0 / 48 / 11

HEX #9FE477

RGB 159 228 119

HSL 97.98, 0.67%, 0.68%

LAB 84.06, -40.55, 46.18

 

CMYK 35 / 0 / 56 / 5

HEX #9CF169

RGB 156 241 105

HSL 97.5, 0.83%, 0.68%

LAB 87.48, -48.67, 56.69

 

CMYK 40 / 0 / 64 / 0

HEX #98FF5C

RGB 152 255 92

HSL 97.91, 1%, 0.68%

LAB 91.22, -56.81, 66.27

 

CMYK 25 / 0 / 39 / 16

HEX #A2D784

RGB 162 215 132

HSL 98.31, 0.51%, 0.68%

LAB 80.71, -31.93, 35.55

 

CMYK 18 / 0 / 28 / 21

HEX #A6CA91

RGB 166 202 145

HSL 97.89, 0.35%, 0.68%

LAB 77.51, -22.37, 24.64

 

CMYK 11 / 0 / 16 / 26

HEX #A9BD9E

RGB 169 189 158

HSL 98.71, 0.19%, 0.68%

LAB 74.38, -12.61, 13.39

 

CMYK 1 / 0 / 2 / 31

HEX #ADAFAB

RGB 173 175 171

HSL 90, 0.02%, 0.68%

LAB 71.2, -1.45, 1.79

 

CMYK 5 / 12 / 0 / 27

HEX #B0A2B9

RGB 176 162 185

HSL 276.52, 0.14%, 0.68%

LAB 68.44, 9.41, -10

 

CMYK 3 / 0 / 39 / 16

HEX #D0D784

RGB 208 215 132

HSL 65.06, 0.51%, 0.68%

LAB 83.8, -14.83, 40.14

 

CMYK 13 / 0 / 39 / 16

HEX #BAD784

RGB 186 215 132

HSL 80.96, 0.51%, 0.68%

LAB 82.22, -23.22, 37.8

 

CMYK 24 / 0 / 39 / 16

HEX #A4D784

RGB 164 215 132

HSL 96.87, 0.51%, 0.68%

LAB 80.83, -31.23, 35.73

 

CMYK 34 / 0 / 39 / 16

HEX #8DD784

RGB 141 215 132

HSL 113.49, 0.51%, 0.68%

LAB 79.57, -38.99, 33.86

 

CMYK 39 / 0 / 33 / 16

HEX #84D790

RGB 132 215 144

HSL 128.67, 0.51%, 0.68%

LAB 79.34, -39.88, 27.3

 

CMYK 41 / 0 / 65 / 24

HEX #74C345

RGB 116 195 69

HSL 97.62, 0.51%, 0.52%

LAB 71.67, -46.03, 53.96

 

CMYK 32 / 0 / 51 / 20

HEX #8BCD65

RGB 139 205 101

HSL 98.08, 0.51%, 0.6%

LAB 76.13, -39.3, 44.87

 

CMYK 25 / 0 / 39 / 16

HEX #A2D784

RGB 162 215 132

HSL 98.31, 0.51%, 0.68%

LAB 80.71, -31.93, 35.55

 

CMYK 17 / 0 / 28 / 12

HEX #BAE1A3

RGB 186 225 163

HSL 97.74, 0.51%, 0.76%

LAB 85.47, -23.81, 26.27

 

CMYK 11 / 0 / 17 / 8

HEX #D1EBC2

RGB 209 235 194

HSL 98.05, 0.51%, 0.84%

LAB 90.26, -15.84, 17.07

 

CMYK 25 / 0 / 39 / 16

HEX #A2D783

RGB 162 215 131

HSL 97.86, 0.51%, 0.68%

LAB 80.69, -32.07, 36.04

 

CMYK 39 / 0 / 7 / 16

HEX #84D7C8

RGB 132 215 200

HSL 169.16, 0.51%, 0.68%

LAB 80.56, -28.71, -0.57

 

CMYK 0 / 39 / 8 / 16

HEX #D784C5

RGB 215 132 197

HSL 313.01, 0.51%, 0.68%

LAB 65.73, 41.27, -20.39

 

CMYK 25 / 0 / 39 / 16

HEX #A2D783

RGB 162 215 131

HSL 97.86, 0.51%, 0.68%

LAB 80.69, -32.07, 36.04

 

CMYK 39 / 24 / 0 / 16

HEX #84A4D7

RGB 132 164 215

HSL 216.87, 0.51%, 0.68%

LAB 66.8, 1.7, -29.42

 

CMYK 0 / 39 / 24 / 16

HEX #D784A4

RGB 215 132 164

HSL 336.87, 0.51%, 0.68%

LAB 64.67, 36.06, -3.37

 

CMYK 25 / 0 / 39 / 16

HEX #A2D783

RGB 162 215 131

HSL 97.86, 0.51%, 0.68%

LAB 80.69, -32.07, 36.04

 

CMYK 39 / 0 / 7 / 16

HEX #84D7C8

RGB 132 215 200

HSL 169.16, 0.51%, 0.68%

LAB 80.56, -28.71, -0.57

 

CMYK 15 / 39 / 0 / 16

HEX #B784D7

RGB 183 132 215

HSL 276.87, 0.51%, 0.68%

LAB 62.91, 34.72, -35.12

 

CMYK 0 / 39 / 32 / 16

HEX #D78493

RGB 215 132 147

HSL 349.16, 0.51%, 0.68%

LAB 64.21, 33.73, 5.6

 

CMYK 25 / 0 / 39 / 16

HEX #A2D783

RGB 162 215 131

HSL 97.86, 0.51%, 0.68%

LAB 80.69, -32.07, 36.04

 

CMYK 39 / 5 / 0 / 16

HEX #84CDD7

RGB 132 205 215

HSL 187.23, 0.51%, 0.68%

LAB 78.15, -20.19, -12.16

 

CMYK 15 / 39 / 0 / 16

HEX #B784D7

RGB 183 132 215

HSL 276.87, 0.51%, 0.68%

LAB 62.91, 34.72, -35.12

 

CMYK 0 / 34 / 39 / 16

HEX #D78D84

RGB 215 141 132

HSL 6.51, 0.51%, 0.68%

LAB 65.88, 27.06, 16.42

 

Description

Color code: HEX #A2D783 | qconv.com Color code: HEX #A2D783 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 215 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 215 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 39 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 39% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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