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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2D321 it is the complementary color #5D2CDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2D321. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2D321 shade: #A7D31C, #B8E52F, #C9F742, #DAFF55 and #EBFF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2D321. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2D321 shade: #A2D321, #91C10E, #80AF00, #6F9D00 and #5E8B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2D321 shade: #A3D421, #D3D421, #D4A521, #D47421 and #D44421

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2D321 shade: #A3D421, #72D421, #42D421, #21D430 and #21D460

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2D321 shade matches the following richer shades: #A3D421 and #ABE80D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2D321 shade: #A3D421, #9AC035, #91AC49, #88985C and #7F8570

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2D321 shade: #D4A421, #D4D421, #A4D421, #74D421 and #45D421

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2D321 shade: #6C8C16, #87B01B, #A3D421, #B4E13D and #C2E661

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2D321 shade: #A2D321, #21D474 and #BC21D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2D321 shade: #A2D321, #21A4D4 and #D421A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2D321 shade: #A2D321, #21D474, #5121D4 and #D42180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2D321 shade: #A2D321, #21D4AA, #5121D4 and #D4214B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 84 / 17

HEX #A2D321

RGB 162 211 33

HSL 76.52, 0.73%, 0.48%

LAB 78.68, -38.26, 73.29

 

Complementary color

CMYK 58 / 80 / 0 / 13

HEX #5D2CDE

RGB 93 44 222

HSL 256.52, 0.73%, 0.52%

LAB 36.75, 62.92, -81.62

 

CMYK 21 / 0 / 87 / 17

HEX #A7D31C

RGB 167 211 28

HSL 74.43, 0.77%, 0.47%

LAB 78.98, -36.44, 74.69

 

CMYK 20 / 0 / 79 / 10

HEX #B8E52F

RGB 184 229 47

HSL 74.84, 0.78%, 0.54%

LAB 85.22, -37.28, 76.11

 

CMYK 19 / 0 / 73 / 3

HEX #C9F742

RGB 201 247 66

HSL 75.25, 0.92%, 0.61%

LAB 91.38, -37.96, 76.63

 

CMYK 15 / 0 / 67 / 0

HEX #DAFF55

RGB 218 255 85

HSL 73.06, 1%, 0.67%

LAB 94.77, -34.01, 73.79

 

CMYK 8 / 0 / 59 / 0

HEX #EBFF68

RGB 235 255 104

HSL 67.95, 1%, 0.7%

LAB 96.07, -26.18, 68.07

 

CMYK 23 / 0 / 84 / 17

HEX #A2D321

RGB 162 211 33

HSL 76.52, 0.73%, 0.48%

LAB 78.68, -38.26, 73.29

 

CMYK 25 / 0 / 93 / 24

HEX #91C10E

RGB 145 193 14

HSL 76.09, 0.86%, 0.41%

LAB 72.36, -37.32, 71.01

 

CMYK 27 / 0 / 100 / 31

HEX #80AF00

RGB 128 175 0

HSL 76.11, 1%, 0.34%

LAB 65.94, -36.15, 67.23

 

CMYK 29 / 0 / 100 / 38

HEX #6F9D00

RGB 111 157 0

HSL 77.58, 1%, 0.31%

LAB 59.43, -34.77, 61.8

 

CMYK 32 / 0 / 100 / 45

HEX #5E8B00

RGB 94 139 0

HSL 79.42, 1%, 0.27%

LAB 52.78, -33.36, 56.27

 

CMYK 23 / 0 / 84 / 17

HEX #A3D421

RGB 163 212 33

HSL 76.42, 0.73%, 0.48%

LAB 79.03, -38.32, 73.61

 

CMYK 0 / 0 / 84 / 17

HEX #D3D421

RGB 211 212 33

HSL 60.34, 0.73%, 0.48%

LAB 82.4, -18.7, 77.8

 

CMYK 0 / 22 / 84 / 17

HEX #D4A521

RGB 212 165 33

HSL 44.25, 0.73%, 0.48%

LAB 70.19, 5.93, 67.72

 

CMYK 0 / 45 / 84 / 17

HEX #D47421

RGB 212 116 33

HSL 27.82, 0.73%, 0.48%

LAB 58.6, 32.24, 57.98

 

CMYK 0 / 68 / 84 / 17

HEX #D44421

RGB 212 68 33

HSL 11.73, 0.73%, 0.48%

LAB 49.79, 54.94, 50.41

 

CMYK 23 / 0 / 84 / 17

HEX #A3D421

RGB 163 212 33

HSL 76.42, 0.73%, 0.48%

LAB 79.03, -38.32, 73.61

 

CMYK 46 / 0 / 84 / 17

HEX #72D421

RGB 114 212 33

HSL 92.85, 0.73%, 0.48%

LAB 76.54, -55.61, 70.48

 

CMYK 69 / 0 / 84 / 17

HEX #42D421

RGB 66 212 33

HSL 108.94, 0.73%, 0.48%

LAB 75.05, -67.61, 68.59

 

CMYK 84 / 0 / 77 / 17

HEX #21D430

RGB 33 212 48

HSL 125.03, 0.73%, 0.48%

LAB 74.59, -71.37, 63.93

 

CMYK 84 / 0 / 55 / 17

HEX #21D460

RGB 33 212 96

HSL 141.12, 0.73%, 0.48%

LAB 74.99, -66.43, 45.12

 

CMYK 23 / 0 / 84 / 17

HEX #A3D421

RGB 163 212 33

HSL 76.42, 0.73%, 0.48%

LAB 79.03, -38.32, 73.61

 

CMYK 26 / 0 / 94 / 9

HEX #ABE80D

RGB 171 232 13

HSL 76.71, 0.89%, 0.48%

LAB 85.2, -44.43, 81.94

 

CMYK 23 / 0 / 84 / 17

HEX #A3D421

RGB 163 212 33

HSL 76.42, 0.73%, 0.48%

LAB 79.03, -38.32, 73.61

 

CMYK 20 / 0 / 72 / 25

HEX #9AC035

RGB 154 192 53

HSL 76.4, 0.57%, 0.48%

LAB 72.78, -31.88, 61.96

 

CMYK 16 / 0 / 58 / 33

HEX #91AC49

RGB 145 172 73

HSL 76.36, 0.4%, 0.48%

LAB 66.52, -24.48, 46.94

 

CMYK 11 / 0 / 39 / 40

HEX #88985C

RGB 136 152 92

HSL 76, 0.25%, 0.48%

LAB 60.31, -15.92, 29.69

 

CMYK 5 / 0 / 16 / 48

HEX #7F8570

RGB 127 133 112

HSL 77.14, 0.09%, 0.48%

LAB 54.51, -6.2, 10.58

 

CMYK 0 / 23 / 84 / 17

HEX #D4A421

RGB 212 164 33

HSL 43.91, 0.73%, 0.48%

LAB 69.94, 6.46, 67.51

 

CMYK 0 / 0 / 84 / 17

HEX #D4D421

RGB 212 212 33

HSL 60, 0.73%, 0.48%

LAB 82.48, -18.28, 77.9

 

CMYK 23 / 0 / 84 / 17

HEX #A4D421

RGB 164 212 33

HSL 76.09, 0.73%, 0.48%

LAB 79.09, -37.93, 73.69

 

CMYK 45 / 0 / 84 / 17

HEX #74D421

RGB 116 212 33

HSL 92.18, 0.73%, 0.48%

LAB 76.62, -54.99, 70.59

 

CMYK 67 / 0 / 84 / 17

HEX #45D421

RGB 69 212 33

HSL 107.93, 0.73%, 0.48%

LAB 75.12, -67.03, 68.68

 

CMYK 23 / 0 / 84 / 45

HEX #6C8C16

RGB 108 140 22

HSL 76.27, 0.73%, 0.32%

LAB 54.03, -27.47, 53.28

 

CMYK 23 / 0 / 85 / 31

HEX #87B01B

RGB 135 176 27

HSL 76.51, 0.73%, 0.4%

LAB 66.73, -33.23, 63.75

 

CMYK 23 / 0 / 84 / 17

HEX #A3D421

RGB 163 212 33

HSL 76.42, 0.73%, 0.48%

LAB 79.03, -38.32, 73.61

 

CMYK 20 / 0 / 73 / 12

HEX #B4E13D

RGB 180 225 61

HSL 76.46, 0.73%, 0.56%

LAB 83.91, -36.41, 70.62

 

CMYK 16 / 0 / 58 / 10

HEX #C2E661

RGB 194 230 97

HSL 76.24, 0.73%, 0.64%

LAB 86.47, -30.9, 59.6

 

CMYK 23 / 0 / 84 / 17

HEX #A2D321

RGB 162 211 33

HSL 76.52, 0.73%, 0.48%

LAB 78.68, -38.26, 73.29

 

CMYK 84 / 0 / 45 / 17

HEX #21D474

RGB 33 212 116

HSL 147.82, 0.73%, 0.48%

LAB 75.25, -63.31, 35.71

 

CMYK 11 / 84 / 0 / 17

HEX #BC21D4

RGB 188 33 212

HSL 291.96, 0.73%, 0.48%

LAB 47.67, 77.59, -57.53

 

CMYK 23 / 0 / 84 / 17

HEX #A2D321

RGB 162 211 33

HSL 76.52, 0.73%, 0.48%

LAB 78.68, -38.26, 73.29

 

CMYK 84 / 23 / 0 / 17

HEX #21A4D4

RGB 33 164 212

HSL 196.09, 0.73%, 0.48%

LAB 63.03, -16.98, -33.87

 

CMYK 0 / 84 / 23 / 17

HEX #D421A4

RGB 212 33 164

HSL 316.09, 0.73%, 0.48%

LAB 49.21, 75.23, -26.8

 

CMYK 23 / 0 / 84 / 17

HEX #A2D321

RGB 162 211 33

HSL 76.52, 0.73%, 0.48%

LAB 78.68, -38.26, 73.29

 

CMYK 84 / 0 / 45 / 17

HEX #21D474

RGB 33 212 116

HSL 147.82, 0.73%, 0.48%

LAB 75.25, -63.31, 35.71

 

CMYK 62 / 84 / 0 / 17

HEX #5121D4

RGB 81 33 212

HSL 256.09, 0.73%, 0.48%

LAB 33.12, 63.34, -81.9

 

CMYK 0 / 84 / 40 / 17

HEX #D42180

RGB 212 33 128

HSL 328.16, 0.73%, 0.48%

LAB 47.81, 71.32, -7.29

 

CMYK 23 / 0 / 84 / 17

HEX #A2D321

RGB 162 211 33

HSL 76.52, 0.73%, 0.48%

LAB 78.68, -38.26, 73.29

 

CMYK 84 / 0 / 20 / 17

HEX #21D4AA

RGB 33 212 170

HSL 165.92, 0.73%, 0.48%

LAB 76.26, -51.93, 8.91

 

CMYK 62 / 84 / 0 / 17

HEX #5121D4

RGB 81 33 212

HSL 256.09, 0.73%, 0.48%

LAB 33.12, 63.34, -81.9

 

CMYK 0 / 84 / 65 / 17

HEX #D4214B

RGB 212 33 75

HSL 345.92, 0.73%, 0.48%

LAB 46.44, 67.35, 23.4

 

Description

Color code: HEX #A2D321 | qconv.com Color code: HEX #A2D321 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 211 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 211 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 84 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 84% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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