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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2D223 it is the complementary color #5D2DDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2D223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2D223 shade: #A7D21E, #B8E431, #C9F644, #DAFF57 and #EBFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2D223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2D223 shade: #A2D223, #91C010, #80AE00, #6F9C00 and #5E8A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2D223 shade: #A2D123, #D0D123, #D1A323, #D17423 and #D14623

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2D223 shade: #A2D123, #73D123, #44D123, #23D132 and #23D161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2D223 shade matches the following richer shades: #A2D123 and #ABE510

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2D223 shade: #A2D123, #99BD37, #90AA4B, #87965F and #7E8273

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2D223 shade: #D1A323, #D1D123, #A3D123, #75D123 and #46D123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2D223 shade: #6B8B18, #86AE1E, #A2D123, #B3DF40 and #C1E563

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2D223 shade: #A2D223, #23D175 and #BA23D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2D223 shade: #A2D223, #23A3D1 and #D123A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2D223 shade: #A2D223, #23D175, #5223D1 and #D12380

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2D223 shade: #A2D223, #23D1A9, #5223D1 and #D1234C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 83 / 18

HEX #A2D223

RGB 162 210 35

HSL 76.46, 0.71%, 0.48%

LAB 78.4, -37.75, 72.59

 

Complementary color

CMYK 58 / 80 / 0 / 14

HEX #5D2DDC

RGB 93 45 220

HSL 256.46, 0.71%, 0.52%

LAB 36.69, 61.98, -80.57

 

CMYK 20 / 0 / 86 / 18

HEX #A7D21E

RGB 167 210 30

HSL 74.33, 0.75%, 0.47%

LAB 78.7, -35.94, 74.06

 

CMYK 19 / 0 / 79 / 11

HEX #B8E431

RGB 184 228 49

HSL 74.75, 0.77%, 0.54%

LAB 84.94, -36.76, 75.33

 

CMYK 18 / 0 / 72 / 4

HEX #C9F644

RGB 201 246 68

HSL 75.17, 0.91%, 0.62%

LAB 91.12, -37.41, 75.73

 

CMYK 15 / 0 / 66 / 0

HEX #DAFF57

RGB 218 255 87

HSL 73.21, 1%, 0.67%

LAB 94.79, -33.89, 73.06

 

CMYK 8 / 0 / 58 / 0

HEX #EBFF6A

RGB 235 255 106

HSL 68.05, 1%, 0.71%

LAB 96.09, -26.04, 67.26

 

CMYK 23 / 0 / 83 / 18

HEX #A2D223

RGB 162 210 35

HSL 76.46, 0.71%, 0.48%

LAB 78.4, -37.75, 72.59

 

CMYK 24 / 0 / 92 / 25

HEX #91C010

RGB 145 192 16

HSL 76.02, 0.85%, 0.41%

LAB 72.07, -36.83, 70.51

 

CMYK 26 / 0 / 100 / 32

HEX #80AE00

RGB 128 174 0

HSL 75.86, 1%, 0.34%

LAB 65.64, -35.7, 67

 

CMYK 29 / 0 / 100 / 39

HEX #6F9C00

RGB 111 156 0

HSL 77.31, 1%, 0.31%

LAB 59.12, -34.31, 61.57

 

CMYK 32 / 0 / 100 / 46

HEX #5E8A00

RGB 94 138 0

HSL 79.13, 1%, 0.27%

LAB 52.46, -32.9, 56.02

 

CMYK 22 / 0 / 83 / 18

HEX #A2D123

RGB 162 209 35

HSL 76.21, 0.71%, 0.48%

LAB 78.11, -37.3, 72.34

 

CMYK 0 / 0 / 83 / 18

HEX #D0D123

RGB 208 209 35

HSL 60.34, 0.71%, 0.48%

LAB 81.36, -18.44, 76.4

 

CMYK 0 / 22 / 83 / 18

HEX #D1A323

RGB 209 163 35

HSL 44.14, 0.71%, 0.48%

LAB 69.38, 5.73, 66.35

 

CMYK 0 / 44 / 83 / 18

HEX #D17423

RGB 209 116 35

HSL 27.93, 0.71%, 0.48%

LAB 58.2, 31.06, 56.74

 

CMYK 0 / 67 / 83 / 18

HEX #D14623

RGB 209 70 35

HSL 12.07, 0.71%, 0.48%

LAB 49.57, 53.18, 49.1

 

CMYK 22 / 0 / 83 / 18

HEX #A2D123

RGB 162 209 35

HSL 76.21, 0.71%, 0.48%

LAB 78.11, -37.3, 72.34

 

CMYK 45 / 0 / 83 / 18

HEX #73D123

RGB 115 209 35

HSL 92.41, 0.71%, 0.48%

LAB 75.68, -54.08, 69.27

 

CMYK 67 / 0 / 83 / 18

HEX #44D123

RGB 68 209 35

HSL 108.62, 0.71%, 0.48%

LAB 74.16, -66.19, 67.34

 

CMYK 83 / 0 / 76 / 18

HEX #23D132

RGB 35 209 50

HSL 125.17, 0.71%, 0.48%

LAB 73.67, -70.17, 62.41

 

CMYK 83 / 0 / 54 / 18

HEX #23D161

RGB 35 209 97

HSL 141.38, 0.71%, 0.48%

LAB 74.08, -65.14, 43.55

 

CMYK 22 / 0 / 83 / 18

HEX #A2D123

RGB 162 209 35

HSL 76.21, 0.71%, 0.48%

LAB 78.11, -37.3, 72.34

 

CMYK 25 / 0 / 93 / 10

HEX #ABE510

RGB 171 229 16

HSL 76.34, 0.87%, 0.48%

LAB 84.35, -43.1, 80.95

 

CMYK 22 / 0 / 83 / 18

HEX #A2D123

RGB 162 209 35

HSL 76.21, 0.71%, 0.48%

LAB 78.11, -37.3, 72.34

 

CMYK 19 / 0 / 71 / 26

HEX #99BD37

RGB 153 189 55

HSL 76.12, 0.55%, 0.48%

LAB 71.85, -30.76, 60.31

 

CMYK 15 / 0 / 56 / 33

HEX #90AA4B

RGB 144 170 75

HSL 76.42, 0.39%, 0.48%

LAB 65.89, -23.71, 45.26

 

CMYK 10 / 0 / 37 / 41

HEX #87965F

RGB 135 150 95

HSL 76.36, 0.22%, 0.48%

LAB 59.7, -14.87, 27.27

 

CMYK 3 / 0 / 12 / 49

HEX #7E8273

RGB 126 130 115

HSL 76, 0.06%, 0.48%

LAB 53.64, -4.37, 7.61

 

CMYK 0 / 22 / 83 / 18

HEX #D1A323

RGB 209 163 35

HSL 44.14, 0.71%, 0.48%

LAB 69.38, 5.73, 66.35

 

CMYK 0 / 0 / 83 / 18

HEX #D1D123

RGB 209 209 35

HSL 60, 0.71%, 0.48%

LAB 81.44, -18.02, 76.5

 

CMYK 22 / 0 / 83 / 18

HEX #A3D123

RGB 163 209 35

HSL 75.86, 0.71%, 0.48%

LAB 78.17, -36.91, 72.42

 

CMYK 44 / 0 / 83 / 18

HEX #75D123

RGB 117 209 35

HSL 91.72, 0.71%, 0.48%

LAB 75.76, -53.45, 69.38

 

CMYK 67 / 0 / 83 / 18

HEX #46D123

RGB 70 209 35

HSL 107.93, 0.71%, 0.48%

LAB 74.21, -65.79, 67.4

 

CMYK 23 / 0 / 83 / 45

HEX #6B8B18

RGB 107 139 24

HSL 76.7, 0.71%, 0.32%

LAB 53.66, -27.32, 52.37

 

CMYK 23 / 0 / 83 / 32

HEX #86AE1E

RGB 134 174 30

HSL 76.67, 0.71%, 0.4%

LAB 66.09, -32.6, 62.41

 

CMYK 22 / 0 / 83 / 18

HEX #A2D123

RGB 162 209 35

HSL 76.21, 0.71%, 0.48%

LAB 78.11, -37.3, 72.34

 

CMYK 20 / 0 / 71 / 13

HEX #B3DF40

RGB 179 223 64

HSL 76.6, 0.71%, 0.56%

LAB 83.3, -35.73, 68.98

 

CMYK 16 / 0 / 57 / 10

HEX #C1E563

RGB 193 229 99

HSL 76.62, 0.71%, 0.64%

LAB 86.14, -30.65, 58.35

 

CMYK 23 / 0 / 83 / 18

HEX #A2D223

RGB 162 210 35

HSL 76.46, 0.71%, 0.48%

LAB 78.4, -37.75, 72.59

 

CMYK 83 / 0 / 44 / 18

HEX #23D175

RGB 35 209 117

HSL 148.28, 0.71%, 0.48%

LAB 74.34, -61.94, 34.05

 

CMYK 11 / 83 / 0 / 18

HEX #BA23D1

RGB 186 35 209

HSL 292.07, 0.71%, 0.48%

LAB 47.29, 76.31, -56.42

 

CMYK 23 / 0 / 83 / 18

HEX #A2D223

RGB 162 210 35

HSL 76.46, 0.71%, 0.48%

LAB 78.4, -37.75, 72.59

 

CMYK 83 / 22 / 0 / 18

HEX #23A3D1

RGB 35 163 209

HSL 195.86, 0.71%, 0.48%

LAB 62.64, -17.33, -32.82

 

CMYK 0 / 83 / 22 / 18

HEX #D123A3

RGB 209 35 163

HSL 315.86, 0.71%, 0.48%

LAB 48.76, 74.06, -26.95

 

CMYK 23 / 0 / 83 / 18

HEX #A2D223

RGB 162 210 35

HSL 76.46, 0.71%, 0.48%

LAB 78.4, -37.75, 72.59

 

CMYK 83 / 0 / 44 / 18

HEX #23D175

RGB 35 209 117

HSL 148.28, 0.71%, 0.48%

LAB 74.34, -61.94, 34.05

 

CMYK 61 / 83 / 0 / 18

HEX #5223D1

RGB 82 35 209

HSL 256.21, 0.71%, 0.48%

LAB 33.13, 61.91, -80.13

 

CMYK 0 / 83 / 39 / 18

HEX #D12380

RGB 209 35 128

HSL 327.93, 0.71%, 0.48%

LAB 47.39, 70.19, -7.98

 

CMYK 23 / 0 / 83 / 18

HEX #A2D223

RGB 162 210 35

HSL 76.46, 0.71%, 0.48%

LAB 78.4, -37.75, 72.59

 

CMYK 83 / 0 / 19 / 18

HEX #23D1A9

RGB 35 209 169

HSL 166.21, 0.71%, 0.48%

LAB 75.34, -50.82, 8.13

 

CMYK 61 / 83 / 0 / 18

HEX #5223D1

RGB 82 35 209

HSL 256.21, 0.71%, 0.48%

LAB 33.13, 61.91, -80.13

 

CMYK 0 / 83 / 64 / 18

HEX #D1234C

RGB 209 35 76

HSL 345.86, 0.71%, 0.48%

LAB 46.01, 66.18, 22.12

 

Description

Color code: HEX #A2D223 | qconv.com Color code: HEX #A2D223 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 210 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 210 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 83 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 83% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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