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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2D1B5 it is the complementary color #5D2E4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2D1B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2D1B5 shade: #A7D1B0, #B8E3C3, #C9F5D6, #DAFFE9 and #EBFFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2D1B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2D1B5 shade: #A2D1B5, #91BFA2, #80AD8F, #6F9B7C and #5E8969

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2D1B5 shade: #A2D1B5, #A2D1A9, #A9D1A2, #B5D1A2 and #C2D1A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2D1B5 shade: #A2D1B5, #A2D1C2, #A2D1CE, #A2C7D1 and #A2BAD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2D1B5 shade matches the following richer shades: #A2D1B5, #97DCB3, #8CE7B1, #81F2AF and #76FEAD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2D1B5 shade: #A2D1B5, #ADC6B7, #B9BBB9, #C4B0BC and #CFA4BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2D1B5 shade: #A8D1A2, #A2D1A8, #A2D1B5, #A2D1C1 and #A2D1CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2D1B5 shade: #6BB689, #87C39F, #A2D1B5, #BEDFCB and #DAECE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2D1B5 shade: #A2D1B5, #A2B5D1 and #D1A2A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2D1B5 shade: #A2D1B5, #B5A2D1 and #D1B5A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2D1B5 shade: #A2D1B5, #A2B5D1, #D1A2BE and #D1BEA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2D1B5 shade: #A2D1B5, #A2A7D1, #D1A2BE and #D1CCA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 13 / 18

HEX #A2D1B5

RGB 162 209 181

HSL 144.26, 0.34%, 0.73%

LAB 79.96, -20.96, 8.91

 

Complementary color

CMYK 0 / 51 / 20 / 64

HEX #5D2E4A

RGB 93 46 74

HSL 324.26, 0.34%, 0.27%

LAB 26.09, 25.42, -7.73

 

CMYK 20 / 0 / 16 / 18

HEX #A7D1B0

RGB 167 209 176

HSL 132.86, 0.31%, 0.74%

LAB 80.15, -20.26, 11.88

 

CMYK 19 / 0 / 14 / 11

HEX #B8E3C3

RGB 184 227 195

HSL 135.35, 0.43%, 0.81%

LAB 86.54, -20.11, 11.06

 

CMYK 18 / 0 / 13 / 4

HEX #C9F5D6

RGB 201 245 214

HSL 137.73, 0.69%, 0.87%

LAB 92.83, -19.98, 10.28

 

CMYK 15 / 0 / 9 / 0

HEX #DAFFE9

RGB 218 255 233

HSL 144.32, 1%, 0.93%

LAB 96.95, -15.97, 6.54

 

CMYK 8 / 0 / 1 / 0

HEX #EBFFFC

RGB 235 255 252

HSL 171, 1%, 0.96%

LAB 98.52, -7.03, -0.81

 

CMYK 22 / 0 / 13 / 18

HEX #A2D1B5

RGB 162 209 181

HSL 144.26, 0.34%, 0.73%

LAB 79.96, -20.96, 8.91

 

CMYK 24 / 0 / 15 / 25

HEX #91BFA2

RGB 145 191 162

HSL 142.17, 0.26%, 0.66%

LAB 73.47, -21.14, 9.73

 

CMYK 26 / 0 / 17 / 32

HEX #80AD8F

RGB 128 173 143

HSL 140, 0.22%, 0.59%

LAB 66.87, -21.35, 10.59

 

CMYK 28 / 0 / 20 / 39

HEX #6F9B7C

RGB 111 155 124

HSL 137.73, 0.18%, 0.52%

LAB 60.14, -21.58, 11.52

 

CMYK 31 / 0 / 23 / 46

HEX #5E8969

RGB 94 137 105

HSL 135.35, 0.19%, 0.45%

LAB 53.27, -21.84, 12.53

 

CMYK 22 / 0 / 13 / 18

HEX #A2D1B5

RGB 162 209 181

HSL 144.26, 0.34%, 0.73%

LAB 79.96, -20.96, 8.91

 

CMYK 22 / 0 / 19 / 18

HEX #A2D1A9

RGB 162 209 169

HSL 128.94, 0.34%, 0.73%

LAB 79.7, -23.19, 14.91

 

CMYK 19 / 0 / 22 / 18

HEX #A9D1A2

RGB 169 209 162

HSL 111.06, 0.34%, 0.73%

LAB 79.98, -22.04, 19.08

 

CMYK 13 / 0 / 22 / 18

HEX #B5D1A2

RGB 181 209 162

HSL 95.74, 0.34%, 0.73%

LAB 80.76, -17.84, 20.28

 

CMYK 7 / 0 / 22 / 18

HEX #C2D1A2

RGB 194 209 162

HSL 79.15, 0.34%, 0.73%

LAB 81.66, -13.15, 21.67

 

CMYK 22 / 0 / 13 / 18

HEX #A2D1B5

RGB 162 209 181

HSL 144.26, 0.34%, 0.73%

LAB 79.96, -20.96, 8.91

 

CMYK 22 / 0 / 7 / 18

HEX #A2D1C2

RGB 162 209 194

HSL 160.85, 0.34%, 0.73%

LAB 80.28, -18.38, 2.42

 

CMYK 22 / 0 / 1 / 18

HEX #A2D1CE

RGB 162 209 206

HSL 176.17, 0.34%, 0.73%

LAB 80.59, -15.86, -3.54

 

CMYK 22 / 5 / 0 / 18

HEX #A2C7D1

RGB 162 199 209

HSL 192.77, 0.34%, 0.73%

LAB 77.95, -10.05, -9.06

 

CMYK 22 / 11 / 0 / 18

HEX #A2BAD1

RGB 162 186 209

HSL 209.36, 0.34%, 0.73%

LAB 74.45, -3.16, -14.3

 

CMYK 22 / 0 / 13 / 18

HEX #A2D1B5

RGB 162 209 181

HSL 144.26, 0.34%, 0.73%

LAB 79.96, -20.96, 8.91

 

CMYK 31 / 0 / 19 / 14

HEX #97DCB3

RGB 151 220 179

HSL 144.35, 0.5%, 0.73%

LAB 82.39, -30.13, 13.33

 

CMYK 39 / 0 / 23 / 9

HEX #8CE7B1

RGB 140 231 177

HSL 144.4, 0.65%, 0.73%

LAB 84.95, -38.81, 17.89

 

CMYK 47 / 0 / 28 / 5

HEX #81F2AF

RGB 129 242 175

HSL 144.42, 0.81%, 0.73%

LAB 87.61, -46.94, 22.56

 

CMYK 54 / 0 / 32 / 0

HEX #76FEAD

RGB 118 254 173

HSL 144.26, 0.99%, 0.73%

LAB 90.67, -54.92, 27.69

 

CMYK 22 / 0 / 13 / 18

HEX #A2D1B5

RGB 162 209 181

HSL 144.26, 0.34%, 0.73%

LAB 79.96, -20.96, 8.91

 

CMYK 13 / 0 / 8 / 22

HEX #ADC6B7

RGB 173 198 183

HSL 144, 0.18%, 0.73%

LAB 77.69, -11.35, 4.66

 

CMYK 1 / 0 / 1 / 27

HEX #B9BBB9

RGB 185 187 185

HSL 120, 0.01%, 0.73%

LAB 75.67, -1.06, 0.76

 

CMYK 0 / 10 / 4 / 23

HEX #C4B0BC

RGB 196 176 188

HSL 324, 0.14%, 0.73%

LAB 73.82, 9.28, -3.49

 

CMYK 0 / 21 / 8 / 19

HEX #CFA4BE

RGB 207 164 190

HSL 323.72, 0.31%, 0.73%

LAB 71.92, 20.06, -7.29

 

CMYK 20 / 0 / 22 / 18

HEX #A8D1A2

RGB 168 209 162

HSL 112.34, 0.34%, 0.73%

LAB 79.92, -22.38, 18.98

 

CMYK 22 / 0 / 20 / 18

HEX #A2D1A8

RGB 162 209 168

HSL 127.66, 0.34%, 0.73%

LAB 79.68, -23.37, 15.42

 

CMYK 22 / 0 / 13 / 18

HEX #A2D1B5

RGB 162 209 181

HSL 144.26, 0.34%, 0.73%

LAB 79.96, -20.96, 8.91

 

CMYK 22 / 0 / 8 / 18

HEX #A2D1C1

RGB 162 209 193

HSL 159.57, 0.34%, 0.73%

LAB 80.25, -18.59, 2.92

 

CMYK 22 / 0 / 1 / 18

HEX #A2D1CE

RGB 162 209 206

HSL 176.17, 0.34%, 0.73%

LAB 80.59, -15.86, -3.54

 

CMYK 41 / 0 / 25 / 29

HEX #6BB689

RGB 107 182 137

HSL 144, 0.34%, 0.57%

LAB 68.31, -33.46, 15.74

 

CMYK 31 / 0 / 18 / 24

HEX #87C39F

RGB 135 195 159

HSL 144, 0.33%, 0.65%

LAB 73.99, -26.9, 12

 

CMYK 22 / 0 / 13 / 18

HEX #A2D1B5

RGB 162 209 181

HSL 144.26, 0.34%, 0.73%

LAB 79.96, -20.96, 8.91

 

CMYK 15 / 0 / 9 / 13

HEX #BEDFCB

RGB 190 223 203

HSL 143.64, 0.34%, 0.81%

LAB 86.02, -14.68, 6.17

 

CMYK 8 / 0 / 5 / 7

HEX #DAECE1

RGB 218 236 225

HSL 143.33, 0.32%, 0.89%

LAB 91.83, -7.96, 3.28

 

CMYK 22 / 0 / 13 / 18

HEX #A2D1B5

RGB 162 209 181

HSL 144.26, 0.34%, 0.73%

LAB 79.96, -20.96, 8.91

 

CMYK 22 / 13 / 0 / 18

HEX #A2B5D1

RGB 162 181 209

HSL 215.74, 0.34%, 0.73%

LAB 73.11, -0.46, -16.31

 

CMYK 0 / 22 / 22 / 18

HEX #D1A2A2

RGB 209 162 162

HSL 0, 0.34%, 0.73%

LAB 70.87, 17.35, 6.69

 

CMYK 22 / 0 / 13 / 18

HEX #A2D1B5

RGB 162 209 181

HSL 144.26, 0.34%, 0.73%

LAB 79.96, -20.96, 8.91

 

CMYK 13 / 22 / 0 / 18

HEX #B5A2D1

RGB 181 162 209

HSL 264.26, 0.34%, 0.73%

LAB 69.66, 16.05, -21.4

 

CMYK 0 / 13 / 22 / 18

HEX #D1B5A2

RGB 209 181 162

HSL 24.26, 0.34%, 0.73%

LAB 75.58, 7.09, 13.38

 

CMYK 22 / 0 / 13 / 18

HEX #A2D1B5

RGB 162 209 181

HSL 144.26, 0.34%, 0.73%

LAB 79.96, -20.96, 8.91

 

CMYK 22 / 13 / 0 / 18

HEX #A2B5D1

RGB 162 181 209

HSL 215.74, 0.34%, 0.73%

LAB 73.11, -0.46, -16.31

 

CMYK 0 / 22 / 9 / 18

HEX #D1A2BE

RGB 209 162 190

HSL 324.26, 0.34%, 0.73%

LAB 71.63, 21.85, -7.69

 

CMYK 0 / 9 / 22 / 18

HEX #D1BEA2

RGB 209 190 162

HSL 35.74, 0.34%, 0.73%

LAB 77.87, 2.3, 16.59

 

CMYK 22 / 0 / 13 / 18

HEX #A2D1B5

RGB 162 209 181

HSL 144.26, 0.34%, 0.73%

LAB 79.96, -20.96, 8.91

 

CMYK 22 / 20 / 0 / 18

HEX #A2A7D1

RGB 162 167 209

HSL 233.62, 0.34%, 0.73%

LAB 69.41, 7.24, -21.92

 

CMYK 0 / 22 / 9 / 18

HEX #D1A2BE

RGB 209 162 190

HSL 324.26, 0.34%, 0.73%

LAB 71.63, 21.85, -7.69

 

CMYK 0 / 2 / 22 / 18

HEX #D1CCA2

RGB 209 204 162

HSL 53.62, 0.34%, 0.73%

LAB 81.48, -5.03, 21.6

 

Description

Color code: HEX #A2D1B5 | qconv.com Color code: HEX #A2D1B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 209 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 209 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 13 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 13% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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