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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2D031 it is the complementary color #5D2FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2D031. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2D031 shade: #A7D02C, #B8E23F, #C9F452, #DAFF65 and #EBFF78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2D031. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2D031 shade: #A2D031, #91BE1E, #80AC0B, #6F9A00 and #5E8800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2D031 shade: #A1D02F, #CDD02F, #D0A82F, #D07C2F and #D0512F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2D031 shade: #A1D02F, #76D02F, #4BD02F, #2FD03F and #2FD06A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2D031 shade matches the following richer shades: #A1D02F, #AAE41B and #B3F906

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2D031 shade: #A1D02F, #99BB44, #90A758, #87926D and #7F7D82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2D031 shade: #D0A82F, #CDD02F, #A2D02F, #77D02F and #4DD02F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2D031 shade: #6D8D20, #87AE28, #A1D02F, #B0D751 and #C0DF72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2D031 shade: #A2D031, #2FD07D and #BD2FD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2D031 shade: #A2D031, #2FA2D0 and #D02FA2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2D031 shade: #A2D031, #2FD07D, #5D2FD0 and #D02F82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2D031 shade: #A2D031, #2FD0AD, #5D2FD0 and #D02F52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 76 / 18

HEX #A2D031

RGB 162 208 49

HSL 77.36, 0.63%, 0.5%

LAB 77.88, -36.3, 68.34

 

Complementary color

CMYK 55 / 77 / 0 / 19

HEX #5D2FCE

RGB 93 47 206

HSL 257.36, 0.63%, 0.5%

LAB 35.63, 57.35, -74.24

 

CMYK 20 / 0 / 79 / 18

HEX #A7D02C

RGB 167 208 44

HSL 75, 0.65%, 0.49%

LAB 78.17, -34.55, 70.2

 

CMYK 19 / 0 / 72 / 11

HEX #B8E23F

RGB 184 226 63

HSL 75.46, 0.74%, 0.57%

LAB 84.45, -35.2, 70.56

 

CMYK 18 / 0 / 66 / 4

HEX #C9F452

RGB 201 244 82

HSL 75.93, 0.88%, 0.64%

LAB 90.66, -35.72, 70.33

 

CMYK 15 / 0 / 60 / 0

HEX #DAFF65

RGB 218 255 101

HSL 74.42, 1%, 0.7%

LAB 94.89, -32.95, 67.69

 

CMYK 8 / 0 / 53 / 0

HEX #EBFF78

RGB 235 255 120

HSL 68.89, 1%, 0.74%

LAB 96.22, -24.95, 61.38

 

CMYK 22 / 0 / 76 / 18

HEX #A2D031

RGB 162 208 49

HSL 77.36, 0.63%, 0.5%

LAB 77.88, -36.3, 68.34

 

CMYK 24 / 0 / 84 / 25

HEX #91BE1E

RGB 145 190 30

HSL 76.88, 0.73%, 0.43%

LAB 71.51, -35.56, 67.41

 

CMYK 26 / 0 / 94 / 33

HEX #80AC0B

RGB 128 172 11

HSL 76.4, 0.88%, 0.36%

LAB 65.06, -34.61, 65.14

 

CMYK 28 / 0 / 100 / 40

HEX #6F9A00

RGB 111 154 0

HSL 76.75, 1%, 0.3%

LAB 58.5, -33.4, 61.09

 

CMYK 31 / 0 / 100 / 47

HEX #5E8800

RGB 94 136 0

HSL 78.53, 1%, 0.27%

LAB 51.82, -31.98, 55.54

 

CMYK 23 / 0 / 77 / 18

HEX #A1D02F

RGB 161 208 47

HSL 77.52, 0.63%, 0.5%

LAB 77.81, -36.78, 68.86

 

CMYK 1 / 0 / 77 / 18

HEX #CDD02F

RGB 205 208 47

HSL 61.12, 0.63%, 0.5%

LAB 80.9, -18.84, 72.81

 

CMYK 0 / 19 / 77 / 18

HEX #D0A82F

RGB 208 168 47

HSL 45.09, 0.63%, 0.5%

LAB 70.61, 3.02, 63.56

 

CMYK 0 / 40 / 77 / 18

HEX #D07C2F

RGB 208 124 47

HSL 28.7, 0.63%, 0.5%

LAB 59.92, 26.78, 53.45

 

CMYK 0 / 61 / 77 / 18

HEX #D0512F

RGB 208 81 47

HSL 12.67, 0.63%, 0.5%

LAB 51.27, 48.46, 44.84

 

CMYK 23 / 0 / 77 / 18

HEX #A1D02F

RGB 161 208 47

HSL 77.52, 0.63%, 0.5%

LAB 77.81, -36.78, 68.86

 

CMYK 43 / 0 / 77 / 18

HEX #76D02F

RGB 118 208 47

HSL 93.54, 0.63%, 0.5%

LAB 75.56, -52.17, 65.94

 

CMYK 64 / 0 / 77 / 18

HEX #4BD02F

RGB 75 208 47

HSL 109.57, 0.63%, 0.5%

LAB 74.07, -63.78, 64

 

CMYK 77 / 0 / 70 / 18

HEX #2FD03F

RGB 47 208 63

HSL 125.96, 0.63%, 0.5%

LAB 73.59, -67.43, 57.8

 

CMYK 77 / 0 / 49 / 18

HEX #2FD06A

RGB 47 208 106

HSL 141.99, 0.63%, 0.5%

LAB 74.03, -62.14, 39.18

 

CMYK 23 / 0 / 77 / 18

HEX #A1D02F

RGB 161 208 47

HSL 77.52, 0.63%, 0.5%

LAB 77.81, -36.78, 68.86

 

CMYK 25 / 0 / 88 / 11

HEX #AAE41B

RGB 170 228 27

HSL 77.31, 0.79%, 0.5%

LAB 84.02, -42.83, 79.12

 

CMYK 28 / 0 / 98 / 2

HEX #B3F906

RGB 179 249 6

HSL 77.28, 0.95%, 0.5%

LAB 90.48, -48.73, 86.82

 

CMYK 23 / 0 / 77 / 18

HEX #A1D02F

RGB 161 208 47

HSL 77.52, 0.63%, 0.5%

LAB 77.81, -36.78, 68.86

 

CMYK 18 / 0 / 64 / 27

HEX #99BB44

RGB 153 187 68

HSL 77.14, 0.47%, 0.5%

LAB 71.37, -28.95, 54.66

 

CMYK 14 / 0 / 47 / 35

HEX #90A758

RGB 144 167 88

HSL 77.47, 0.31%, 0.5%

LAB 65.18, -20.89, 38.02

 

CMYK 8 / 0 / 25 / 43

HEX #87926D

RGB 135 146 109

HSL 77.84, 0.15%, 0.5%

LAB 58.8, -10.7, 18.33

 

CMYK 2 / 4 / 0 / 49

HEX #7F7D82

RGB 127 125 130

HSL 264, 0.02%, 0.5%

LAB 52.72, 1.76, -2.45

 

CMYK 0 / 19 / 77 / 18

HEX #D0A82F

RGB 208 168 47

HSL 45.09, 0.63%, 0.5%

LAB 70.61, 3.02, 63.56

 

CMYK 1 / 0 / 77 / 18

HEX #CDD02F

RGB 205 208 47

HSL 61.12, 0.63%, 0.5%

LAB 80.9, -18.84, 72.81

 

CMYK 22 / 0 / 77 / 18

HEX #A2D02F

RGB 162 208 47

HSL 77.14, 0.63%, 0.5%

LAB 77.87, -36.39, 68.94

 

CMYK 43 / 0 / 77 / 18

HEX #77D02F

RGB 119 208 47

HSL 93.17, 0.63%, 0.5%

LAB 75.6, -51.85, 65.99

 

CMYK 63 / 0 / 77 / 18

HEX #4DD02F

RGB 77 208 47

HSL 108.82, 0.63%, 0.5%

LAB 74.12, -63.35, 64.07

 

CMYK 23 / 0 / 77 / 45

HEX #6D8D20

RGB 109 141 32

HSL 77.61, 0.63%, 0.34%

LAB 54.45, -27.08, 50.61

 

CMYK 22 / 0 / 77 / 32

HEX #87AE28

RGB 135 174 40

HSL 77.46, 0.63%, 0.42%

LAB 66.19, -31.76, 59.62

 

CMYK 23 / 0 / 77 / 18

HEX #A1D02F

RGB 161 208 47

HSL 77.52, 0.63%, 0.5%

LAB 77.81, -36.78, 68.86

 

CMYK 18 / 0 / 62 / 16

HEX #B0D751

RGB 176 215 81

HSL 77.46, 0.63%, 0.58%

LAB 80.97, -32.11, 60.01

 

CMYK 14 / 0 / 49 / 13

HEX #C0DF72

RGB 192 223 114

HSL 77.06, 0.63%, 0.66%

LAB 84.59, -26.82, 49.65

 

CMYK 22 / 0 / 76 / 18

HEX #A2D031

RGB 162 208 49

HSL 77.36, 0.63%, 0.5%

LAB 77.88, -36.3, 68.34

 

CMYK 77 / 0 / 40 / 18

HEX #2FD07D

RGB 47 208 125

HSL 149.07, 0.63%, 0.5%

LAB 74.32, -58.87, 29.96

 

CMYK 9 / 77 / 0 / 18

HEX #BD2FD0

RGB 189 47 208

HSL 292.92, 0.63%, 0.5%

LAB 48.77, 73.62, -53.45

 

CMYK 22 / 0 / 76 / 18

HEX #A2D031

RGB 162 208 49

HSL 77.36, 0.63%, 0.5%

LAB 77.88, -36.3, 68.34

 

CMYK 77 / 22 / 0 / 18

HEX #2FA2D0

RGB 47 162 208

HSL 197.14, 0.63%, 0.5%

LAB 62.51, -16, -32.45

 

CMYK 0 / 77 / 22 / 18

HEX #D02FA2

RGB 208 47 162

HSL 317.14, 0.63%, 0.5%

LAB 49.56, 70.78, -25.13

 

CMYK 22 / 0 / 76 / 18

HEX #A2D031

RGB 162 208 49

HSL 77.36, 0.63%, 0.5%

LAB 77.88, -36.3, 68.34

 

CMYK 77 / 0 / 40 / 18

HEX #2FD07D

RGB 47 208 125

HSL 149.07, 0.63%, 0.5%

LAB 74.32, -58.87, 29.96

 

CMYK 55 / 77 / 0 / 18

HEX #5D2FD0

RGB 93 47 208

HSL 257.14, 0.63%, 0.5%

LAB 35.82, 57.89, -75.08

 

CMYK 0 / 77 / 38 / 18

HEX #D02F82

RGB 208 47 130

HSL 329.07, 0.63%, 0.5%

LAB 48.33, 67.11, -7.81

 

CMYK 22 / 0 / 76 / 18

HEX #A2D031

RGB 162 208 49

HSL 77.36, 0.63%, 0.5%

LAB 77.88, -36.3, 68.34

 

CMYK 77 / 0 / 17 / 18

HEX #2FD0AD

RGB 47 208 173

HSL 166.96, 0.63%, 0.5%

LAB 75.29, -48.3, 5.92

 

CMYK 55 / 77 / 0 / 18

HEX #5D2FD0

RGB 93 47 208

HSL 257.14, 0.63%, 0.5%

LAB 35.82, 57.89, -75.08

 

CMYK 0 / 77 / 61 / 18

HEX #D02F52

RGB 208 47 82

HSL 346.96, 0.63%, 0.5%

LAB 47.04, 63.13, 19.75

 

Description

Color code: HEX #A2D031 | qconv.com Color code: HEX #A2D031 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 208 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 208 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 76 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 76% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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