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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2CC75 it is the complementary color #5D338A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2CC75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2CC75 shade: #A7CC70, #B8DE83, #C9F096, #DAFFA9 and #EBFFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2CC75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2CC75 shade: #A2CC75, #91BA62, #80A84F, #6F963C and #5E8429

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2CC75 shade: #A2CC75, #BACC75, #CCC775, #CCB075 and #CC9875

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2CC75 shade: #A2CC75, #8BCC75, #75CC77, #75CC8F and #75CCA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2CC75 shade matches the following richer shades: #A2CC75, #A3DB66, #A3EB57 and #A4FA47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2CC75 shade: #A2CC75, #A2BD85, #A1AE94, #A19EA3 and #A08FB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2CC75 shade: #CCC675, #BBCC75, #A4CC75, #8CCC75 and #75CC75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2CC75 shade: #79AE40, #8EC157, #A2CC75, #B6D793 and #CBE2B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2CC75 shade: #A2CC75, #75CCAF and #CC75C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2CC75 shade: #A2CC75, #75A4CC and #CC75A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2CC75 shade: #A2CC75, #75CCAF, #9E75CC and #CC7592

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2CC75 shade: #A2CC75, #75CCC9, #9E75CC and #CC7578

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 43 / 20

HEX #A2CC75

RGB 162 204 117

HSL 88.97, 0.46%, 0.63%

LAB 77.37, -28.69, 38.84

 

Complementary color

CMYK 33 / 63 / 0 / 46

HEX #5D338A

RGB 93 51 138

HSL 268.97, 0.46%, 0.37%

LAB 30.71, 36.92, -41.54

 

CMYK 18 / 0 / 45 / 20

HEX #A7CC70

RGB 167 204 112

HSL 84.13, 0.47%, 0.62%

LAB 77.62, -27.43, 41.71

 

CMYK 17 / 0 / 41 / 13

HEX #B8DE83

RGB 184 222 131

HSL 85.05, 0.58%, 0.69%

LAB 84, -27.46, 40.56

 

CMYK 16 / 0 / 38 / 6

HEX #C9F096

RGB 201 240 150

HSL 86, 0.75%, 0.76%

LAB 90.29, -27.46, 39.43

 

CMYK 15 / 0 / 34 / 0

HEX #DAFFA9

RGB 218 255 169

HSL 85.81, 1%, 0.83%

LAB 95.7, -26.03, 37.28

 

CMYK 8 / 0 / 26 / 0

HEX #EBFFBC

RGB 235 255 188

HSL 77.91, 1%, 0.87%

LAB 97.15, -17.42, 29.92

 

CMYK 21 / 0 / 43 / 20

HEX #A2CC75

RGB 162 204 117

HSL 88.97, 0.46%, 0.63%

LAB 77.37, -28.69, 38.84

 

CMYK 22 / 0 / 47 / 27

HEX #91BA62

RGB 145 186 98

HSL 87.95, 0.39%, 0.56%

LAB 70.88, -28.7, 40.02

 

CMYK 24 / 0 / 53 / 34

HEX #80A84F

RGB 128 168 79

HSL 86.97, 0.36%, 0.48%

LAB 64.29, -28.66, 41.19

 

CMYK 26 / 0 / 60 / 41

HEX #6F963C

RGB 111 150 60

HSL 86, 0.43%, 0.41%

LAB 57.58, -28.54, 42.27

 

CMYK 29 / 0 / 69 / 48

HEX #5E8429

RGB 94 132 41

HSL 85.05, 0.53%, 0.34%

LAB 50.74, -28.29, 43.09

 

CMYK 21 / 0 / 43 / 20

HEX #A2CC75

RGB 162 204 117

HSL 88.97, 0.46%, 0.63%

LAB 77.37, -28.69, 38.84

 

CMYK 9 / 0 / 43 / 20

HEX #BACC75

RGB 186 204 117

HSL 72.41, 0.46%, 0.63%

LAB 78.99, -19.58, 41.22

 

CMYK 0 / 2 / 43 / 20

HEX #CCC775

RGB 204 199 117

HSL 56.55, 0.46%, 0.63%

LAB 79.02, -9.93, 41.56

 

CMYK 0 / 14 / 43 / 20

HEX #CCB075

RGB 204 176 117

HSL 40.69, 0.46%, 0.63%

LAB 73.01, 2.08, 33.92

 

CMYK 0 / 25 / 43 / 20

HEX #CC9875

RGB 204 152 117

HSL 24.14, 0.46%, 0.63%

LAB 66.96, 15.04, 26

 

CMYK 21 / 0 / 43 / 20

HEX #A2CC75

RGB 162 204 117

HSL 88.97, 0.46%, 0.63%

LAB 77.37, -28.69, 38.84

 

CMYK 32 / 0 / 43 / 20

HEX #8BCC75

RGB 139 204 117

HSL 104.83, 0.46%, 0.63%

LAB 76.04, -36.83, 36.88

 

CMYK 43 / 0 / 42 / 20

HEX #75CC77

RGB 117 204 119

HSL 121.38, 0.46%, 0.63%

LAB 75.01, -43.53, 34.33

 

CMYK 43 / 0 / 30 / 20

HEX #75CC8F

RGB 117 204 143

HSL 137.93, 0.46%, 0.63%

LAB 75.42, -39.51, 22.4

 

CMYK 43 / 0 / 19 / 20

HEX #75CCA6

RGB 117 204 166

HSL 153.79, 0.46%, 0.63%

LAB 75.9, -34.98, 10.82

 

CMYK 21 / 0 / 43 / 20

HEX #A2CC75

RGB 162 204 117

HSL 88.97, 0.46%, 0.63%

LAB 77.37, -28.69, 38.84

 

CMYK 26 / 0 / 53 / 14

HEX #A3DB66

RGB 163 219 102

HSL 88.72, 0.62%, 0.63%

LAB 81.52, -36.98, 51.16

 

CMYK 31 / 0 / 63 / 8

HEX #A3EB57

RGB 163 235 87

HSL 89.19, 0.79%, 0.63%

LAB 85.95, -45.38, 62.72

 

CMYK 34 / 0 / 72 / 2

HEX #A4FA47

RGB 164 250 71

HSL 88.83, 0.95%, 0.63%

LAB 90.19, -52.4, 73.12

 

CMYK 21 / 0 / 43 / 20

HEX #A2CC75

RGB 162 204 117

HSL 88.97, 0.46%, 0.63%

LAB 77.37, -28.69, 38.84

 

CMYK 14 / 0 / 30 / 26

HEX #A2BD85

RGB 162 189 133

HSL 88.93, 0.3%, 0.63%

LAB 73.4, -19.16, 25.37

 

CMYK 7 / 0 / 15 / 32

HEX #A1AE94

RGB 161 174 148

HSL 90, 0.14%, 0.63%

LAB 69.46, -9.37, 11.82

 

CMYK 1 / 3 / 0 / 36

HEX #A19EA3

RGB 161 158 163

HSL 276, 0.03%, 0.63%

LAB 65.49, 2.04, -2.22

 

CMYK 10 / 20 / 0 / 30

HEX #A08FB2

RGB 160 143 178

HSL 269.14, 0.19%, 0.63%

LAB 61.94, 13.17, -15.98

 

CMYK 0 / 3 / 43 / 20

HEX #CCC675

RGB 204 198 117

HSL 55.86, 0.46%, 0.63%

LAB 78.76, -9.42, 41.23

 

CMYK 8 / 0 / 43 / 20

HEX #BBCC75

RGB 187 204 117

HSL 71.72, 0.46%, 0.63%

LAB 79.06, -19.19, 41.32

 

CMYK 20 / 0 / 43 / 20

HEX #A4CC75

RGB 164 204 117

HSL 87.59, 0.46%, 0.63%

LAB 77.5, -27.96, 39.02

 

CMYK 31 / 0 / 43 / 20

HEX #8CCC75

RGB 140 204 117

HSL 104.14, 0.46%, 0.63%

LAB 76.1, -36.49, 36.96

 

CMYK 43 / 0 / 43 / 20

HEX #75CC75

RGB 117 204 117

HSL 120, 0.46%, 0.63%

LAB 74.98, -43.83, 35.31

 

CMYK 30 / 0 / 63 / 32

HEX #79AE40

RGB 121 174 64

HSL 88.91, 0.46%, 0.47%

LAB 65.52, -35.58, 49.46

 

CMYK 26 / 0 / 55 / 24

HEX #8EC157

RGB 142 193 87

HSL 88.87, 0.46%, 0.55%

LAB 72.61, -34.32, 47.38

 

CMYK 21 / 0 / 43 / 20

HEX #A2CC75

RGB 162 204 117

HSL 88.97, 0.46%, 0.63%

LAB 77.37, -28.69, 38.84

 

CMYK 15 / 0 / 32 / 16

HEX #B6D793

RGB 182 215 147

HSL 89.12, 0.46%, 0.71%

LAB 82.19, -22.71, 30.06

 

CMYK 10 / 0 / 22 / 11

HEX #CBE2B1

RGB 203 226 177

HSL 88.16, 0.46%, 0.79%

LAB 87.13, -16.16, 21.47

 

CMYK 21 / 0 / 43 / 20

HEX #A2CC75

RGB 162 204 117

HSL 88.97, 0.46%, 0.63%

LAB 77.37, -28.69, 38.84

 

CMYK 43 / 0 / 14 / 20

HEX #75CCAF

RGB 117 204 175

HSL 160, 0.46%, 0.63%

LAB 76.11, -33.03, 6.29

 

CMYK 0 / 43 / 3 / 20

HEX #CC75C6

RGB 204 117 198

HSL 304.14, 0.46%, 0.63%

LAB 61.34, 45.83, -27.81

 

CMYK 21 / 0 / 43 / 20

HEX #A2CC75

RGB 162 204 117

HSL 88.97, 0.46%, 0.63%

LAB 77.37, -28.69, 38.84

 

CMYK 43 / 20 / 0 / 20

HEX #75A4CC

RGB 117 164 204

HSL 207.59, 0.46%, 0.63%

LAB 65.51, -5.28, -25.38

 

CMYK 0 / 43 / 20 / 20

HEX #CC75A4

RGB 204 117 164

HSL 327.59, 0.46%, 0.63%

LAB 60.11, 40.19, -10.3

 

CMYK 21 / 0 / 43 / 20

HEX #A2CC75

RGB 162 204 117

HSL 88.97, 0.46%, 0.63%

LAB 77.37, -28.69, 38.84

 

CMYK 43 / 0 / 14 / 20

HEX #75CCAF

RGB 117 204 175

HSL 160, 0.46%, 0.63%

LAB 76.11, -33.03, 6.29

 

CMYK 23 / 43 / 0 / 20

HEX #9E75CC

RGB 158 117 204

HSL 268.28, 0.46%, 0.63%

LAB 56.44, 33.27, -39.23

 

CMYK 0 / 43 / 28 / 20

HEX #CC7592

RGB 204 117 146

HSL 340, 0.46%, 0.63%

LAB 59.56, 37.59, -0.74

 

CMYK 21 / 0 / 43 / 20

HEX #A2CC75

RGB 162 204 117

HSL 88.97, 0.46%, 0.63%

LAB 77.37, -28.69, 38.84

 

CMYK 43 / 0 / 1 / 20

HEX #75CCC9

RGB 117 204 201

HSL 177.93, 0.46%, 0.63%

LAB 76.79, -26.92, -6.72

 

CMYK 23 / 43 / 0 / 20

HEX #9E75CC

RGB 158 117 204

HSL 268.28, 0.46%, 0.63%

LAB 56.44, 33.27, -39.23

 

CMYK 0 / 43 / 41 / 20

HEX #CC7578

RGB 204 117 120

HSL 357.93, 0.46%, 0.63%

LAB 58.9, 34.37, 13.33

 

Description

Color code: HEX #A2CC75 | qconv.com Color code: HEX #A2CC75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 204 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 204 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 43 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 43% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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