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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2CB8C it is the complementary color #5D3473. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2CB8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2CB8C shade: #A7CB87, #B8DD9A, #C9EFAD, #DAFFC0 and #EBFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2CB8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2CB8C shade: #A2CB8C, #91B979, #80A766, #6F9553 and #5E8340

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2CB8C shade: #A1CB8B, #B2CB8B, #C4CB8B, #CBC18B and #CBAF8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2CB8C shade: #A1CB8B, #90CB8B, #8BCB97, #8BCBA8 and #8BCBBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2CB8C shade matches the following richer shades: #A1CB8B, #9DD87D, #99E670 and #95F462

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2CB8C shade: #A1CB8B, #A5BD98, #A9B0A6, #AEA2B4 and #B294C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2CB8C shade: #C3CB8B, #B2CB8B, #A1CB8B, #90CB8B and #8BCB97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2CB8C shade: #73B152, #8ABE6E, #A1CB8B, #B8D8A7 and #CFE4C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2CB8C shade: #A2CB8C, #8BCBC1 and #CB8BBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2CB8C shade: #A2CB8C, #8BA1CB and #CB8BA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2CB8C shade: #A2CB8C, #8BCBC1, #B48BCB and #CB8B94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2CB8C shade: #A2CB8C, #8BC1CB, #B48BCB and #CB948B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 31 / 20

HEX #A2CB8C

RGB 162 203 140

HSL 99.05, 0.38%, 0.67%

LAB 77.45, -25.05, 27.13

 

Complementary color

CMYK 19 / 55 / 0 / 55

HEX #5D3473

RGB 93 52 115

HSL 279.05, 0.38%, 0.33%

LAB 29.47, 30.54, -29.13

 

CMYK 18 / 0 / 33 / 20

HEX #A7CB87

RGB 167 203 135

HSL 91.76, 0.4%, 0.66%

LAB 77.68, -23.98, 30.1

 

CMYK 17 / 0 / 30 / 13

HEX #B8DD9A

RGB 184 221 154

HSL 93.13, 0.5%, 0.74%

LAB 84.09, -23.91, 29.02

 

CMYK 16 / 0 / 28 / 6

HEX #C9EFAD

RGB 201 239 173

HSL 94.55, 0.67%, 0.81%

LAB 90.4, -23.83, 27.99

 

CMYK 15 / 0 / 25 / 0

HEX #DAFFC0

RGB 218 255 192

HSL 95.24, 1%, 0.88%

LAB 96.09, -22.79, 26.28

 

CMYK 8 / 0 / 17 / 0

HEX #EBFFD3

RGB 235 255 211

HSL 87.27, 1%, 0.91%

LAB 97.59, -14.04, 18.86

 

CMYK 20 / 0 / 31 / 20

HEX #A2CB8C

RGB 162 203 140

HSL 99.05, 0.38%, 0.67%

LAB 77.45, -25.05, 27.13

 

CMYK 22 / 0 / 35 / 27

HEX #91B979

RGB 145 185 121

HSL 97.5, 0.31%, 0.6%

LAB 70.94, -25.18, 28.24

 

CMYK 23 / 0 / 39 / 35

HEX #80A766

RGB 128 167 102

HSL 96, 0.27%, 0.53%

LAB 64.31, -25.3, 29.41

 

CMYK 26 / 0 / 44 / 42

HEX #6F9553

RGB 111 149 83

HSL 94.55, 0.28%, 0.45%

LAB 57.56, -25.41, 30.64

 

CMYK 28 / 0 / 51 / 49

HEX #5E8340

RGB 94 131 64

HSL 93.13, 0.34%, 0.38%

LAB 50.67, -25.47, 31.9

 

CMYK 21 / 0 / 32 / 20

HEX #A1CB8B

RGB 161 203 139

HSL 99.38, 0.38%, 0.67%

LAB 77.37, -25.56, 27.54

 

CMYK 12 / 0 / 32 / 20

HEX #B2CB8B

RGB 178 203 139

HSL 83.44, 0.38%, 0.67%

LAB 78.49, -19.38, 29.22

 

CMYK 3 / 0 / 32 / 20

HEX #C4CB8B

RGB 196 203 139

HSL 66.56, 0.38%, 0.67%

LAB 79.79, -12.57, 31.19

 

CMYK 0 / 5 / 32 / 20

HEX #CBC18B

RGB 203 193 139

HSL 50.63, 0.38%, 0.67%

LAB 77.7, -4.71, 28.51

 

CMYK 0 / 14 / 32 / 20

HEX #CBAF8B

RGB 203 175 139

HSL 33.75, 0.38%, 0.67%

LAB 73.04, 4.81, 22.22

 

CMYK 21 / 0 / 32 / 20

HEX #A1CB8B

RGB 161 203 139

HSL 99.38, 0.38%, 0.67%

LAB 77.37, -25.56, 27.54

 

CMYK 29 / 0 / 32 / 20

HEX #90CB8B

RGB 144 203 139

HSL 115.31, 0.38%, 0.67%

LAB 76.38, -31.4, 26.03

 

CMYK 32 / 0 / 26 / 20

HEX #8BCB97

RGB 139 203 151

HSL 131.25, 0.38%, 0.67%

LAB 76.34, -30.99, 19.59

 

CMYK 32 / 0 / 17 / 20

HEX #8BCBA8

RGB 139 203 168

HSL 147.19, 0.38%, 0.67%

LAB 76.7, -27.78, 11.03

 

CMYK 32 / 0 / 8 / 20

HEX #8BCBBA

RGB 139 203 186

HSL 164.06, 0.38%, 0.67%

LAB 77.13, -24.04, 1.98

 

CMYK 21 / 0 / 32 / 20

HEX #A1CB8B

RGB 161 203 139

HSL 99.38, 0.38%, 0.67%

LAB 77.37, -25.56, 27.54

 

CMYK 27 / 0 / 42 / 15

HEX #9DD87D

RGB 157 216 125

HSL 98.9, 0.54%, 0.67%

LAB 80.61, -35.08, 38.88

 

CMYK 33 / 0 / 51 / 10

HEX #99E670

RGB 153 230 112

HSL 99.15, 0.7%, 0.67%

LAB 84.24, -44.25, 49.64

 

CMYK 39 / 0 / 60 / 4

HEX #95F462

RGB 149 244 98

HSL 99.04, 0.87%, 0.67%

LAB 87.96, -52.84, 60.17

 

CMYK 21 / 0 / 32 / 20

HEX #A1CB8B

RGB 161 203 139

HSL 99.38, 0.38%, 0.67%

LAB 77.37, -25.56, 27.54

 

CMYK 13 / 0 / 20 / 26

HEX #A5BD98

RGB 165 189 152

HSL 98.92, 0.22%, 0.67%

LAB 73.97, -15.06, 16.02

 

CMYK 4 / 0 / 6 / 31

HEX #A9B0A6

RGB 169 176 166

HSL 102, 0.06%, 0.67%

LAB 71.04, -4.34, 4.26

 

CMYK 3 / 10 / 0 / 29

HEX #AEA2B4

RGB 174 162 180

HSL 280, 0.11%, 0.67%

LAB 68.12, 7.73, -7.71

 

CMYK 8 / 23 / 0 / 24

HEX #B294C1

RGB 178 148 193

HSL 280, 0.27%, 0.67%

LAB 65.35, 19.53, -19.09

 

CMYK 4 / 0 / 32 / 20

HEX #C3CB8B

RGB 195 203 139

HSL 67.5, 0.38%, 0.67%

LAB 79.72, -12.95, 31.07

 

CMYK 12 / 0 / 32 / 20

HEX #B2CB8B

RGB 178 203 139

HSL 83.44, 0.38%, 0.67%

LAB 78.49, -19.38, 29.22

 

CMYK 21 / 0 / 32 / 20

HEX #A1CB8B

RGB 161 203 139

HSL 99.38, 0.38%, 0.67%

LAB 77.37, -25.56, 27.54

 

CMYK 29 / 0 / 32 / 20

HEX #90CB8B

RGB 144 203 139

HSL 115.31, 0.38%, 0.67%

LAB 76.38, -31.4, 26.03

 

CMYK 32 / 0 / 26 / 20

HEX #8BCB97

RGB 139 203 151

HSL 131.25, 0.38%, 0.67%

LAB 76.34, -30.99, 19.59

 

CMYK 35 / 0 / 54 / 31

HEX #73B152

RGB 115 177 82

HSL 99.16, 0.38%, 0.51%

LAB 66.29, -37.29, 41.92

 

CMYK 27 / 0 / 42 / 25

HEX #8ABE6E

RGB 138 190 110

HSL 99, 0.38%, 0.59%

LAB 71.8, -31.65, 35

 

CMYK 21 / 0 / 32 / 20

HEX #A1CB8B

RGB 161 203 139

HSL 99.38, 0.38%, 0.67%

LAB 77.37, -25.56, 27.54

 

CMYK 15 / 0 / 23 / 15

HEX #B8D8A7

RGB 184 216 167

HSL 99.18, 0.39%, 0.75%

LAB 82.96, -19.47, 20.73

 

CMYK 9 / 0 / 14 / 11

HEX #CFE4C4

RGB 207 228 196

HSL 99.38, 0.37%, 0.83%

LAB 88.32, -12.7, 13.28

 

CMYK 20 / 0 / 31 / 20

HEX #A2CB8C

RGB 162 203 140

HSL 99.05, 0.38%, 0.67%

LAB 77.45, -25.05, 27.13

 

CMYK 32 / 0 / 5 / 20

HEX #8BCBC1

RGB 139 203 193

HSL 170.63, 0.38%, 0.67%

LAB 77.31, -22.49, -1.53

 

CMYK 0 / 32 / 8 / 20

HEX #CB8BBB

RGB 203 139 187

HSL 315, 0.38%, 0.67%

LAB 65.55, 31.81, -15.18

 

CMYK 20 / 0 / 31 / 20

HEX #A2CB8C

RGB 162 203 140

HSL 99.05, 0.38%, 0.67%

LAB 77.45, -25.05, 27.13

 

CMYK 32 / 21 / 0 / 20

HEX #8BA1CB

RGB 139 161 203

HSL 219.38, 0.38%, 0.67%

LAB 65.97, 2.2, -24

 

CMYK 0 / 32 / 21 / 20

HEX #CB8BA1

RGB 203 139 161

HSL 339.38, 0.38%, 0.67%

LAB 64.75, 27.54, -1.72

 

CMYK 20 / 0 / 31 / 20

HEX #A2CB8C

RGB 162 203 140

HSL 99.05, 0.38%, 0.67%

LAB 77.45, -25.05, 27.13

 

CMYK 32 / 0 / 5 / 20

HEX #8BCBC1

RGB 139 203 193

HSL 170.63, 0.38%, 0.67%

LAB 77.31, -22.49, -1.53

 

CMYK 11 / 32 / 0 / 20

HEX #B48BCB

RGB 180 139 203

HSL 278.44, 0.38%, 0.67%

LAB 63.74, 27.32, -27.14

 

CMYK 0 / 32 / 27 / 20

HEX #CB8B94

RGB 203 139 148

HSL 351.56, 0.38%, 0.67%

LAB 64.4, 25.64, 5.13

 

CMYK 20 / 0 / 31 / 20

HEX #A2CB8C

RGB 162 203 140

HSL 99.05, 0.38%, 0.67%

LAB 77.45, -25.05, 27.13

 

CMYK 32 / 5 / 0 / 20

HEX #8BC1CB

RGB 139 193 203

HSL 189.38, 0.38%, 0.67%

LAB 74.79, -15.09, -10.67

 

CMYK 11 / 32 / 0 / 20

HEX #B48BCB

RGB 180 139 203

HSL 278.44, 0.38%, 0.67%

LAB 63.74, 27.32, -27.14

 

CMYK 0 / 27 / 32 / 20

HEX #CB948B

RGB 203 148 139

HSL 8.44, 0.38%, 0.67%

LAB 66.32, 19.48, 12.92

 

Description

Color code: HEX #A2CB8C | qconv.com Color code: HEX #A2CB8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 203 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 203 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 31 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 31% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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