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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2C5E5 it is the complementary color #5D3A1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2C5E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2C5E5 shade: #A7C5E0, #B8D7F3, #C9E9FF, #DAFBFF and #EBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2C5E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2C5E5 shade: #A2C5E5, #91B3D2, #80A1BF, #6F8FAC and #5E7D99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2C5E5 shade: #A3C5E5, #A3B4E5, #A4A3E5, #B6A3E5 and #C8A3E5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2C5E5 shade: #A3C5E5, #A3B4E5 and #A3A3E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2C5E5 shade matches the following richer shades: #A3C5E5, #9AC6EE and #90C6F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2C5E5 shade: #A3C5E5, #ACC5DB, #B6C4D2, #BFC4C8 and #C9C4BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2C5E5 shade: #A3E5E0, #A3D8E5, #A3C6E5, #A3B5E5 and #A3A3E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2C5E5 shade: #639DD3, #83B1DC, #A3C5E5, #C3D9EE and #E3EEF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2C5E5 shade: #A2C5E5, #CFA3E5 and #E0E5A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2C5E5 shade: #A2C5E5, #E5A3C6 and #C6E5A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2C5E5 shade: #A2C5E5, #CFA3E5, #E5C2A3 and #B9E5A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2C5E5 shade: #A2C5E5, #E3A3E5, #E5C2A3 and #A5E5A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 14 / 0 / 10

HEX #A2C5E5

RGB 162 197 229

HSL 208.66, 0.56%, 0.77%

LAB 78.03, -4.38, -19.71

 

Complementary color

CMYK 0 / 38 / 72 / 64

HEX #5D3A1A

RGB 93 58 26

HSL 28.66, 0.56%, 0.23%

LAB 27.92, 12.11, 25.76

 

CMYK 25 / 12 / 0 / 12

HEX #A7C5E0

RGB 167 197 224

HSL 208.42, 0.48%, 0.77%

LAB 78.19, -4.09, -16.76

 

CMYK 24 / 12 / 0 / 5

HEX #B8D7F3

RGB 184 215 243

HSL 208.47, 0.71%, 0.84%

LAB 84.62, -4.2, -17.1

 

CMYK 21 / 9 / 0 / 0

HEX #C9E9FF

RGB 201 233 255

HSL 204.44, 1%, 0.89%

LAB 90.74, -5.83, -14.11

 

CMYK 15 / 2 / 0 / 0

HEX #DAFBFF

RGB 218 251 255

HSL 186.49, 1%, 0.93%

LAB 96.46, -9.8, -5.5

 

CMYK 8 / 0 / 0 / 0

HEX #EBFFFF

RGB 235 255 255

HSL 180, 1%, 0.96%

LAB 98.59, -6.47, -2.24

 

CMYK 29 / 14 / 0 / 10

HEX #A2C5E5

RGB 162 197 229

HSL 208.66, 0.56%, 0.77%

LAB 78.03, -4.38, -19.71

 

CMYK 31 / 15 / 0 / 18

HEX #91B3D2

RGB 145 179 210

HSL 208.62, 0.42%, 0.7%

LAB 71.5, -4.23, -19.41

 

CMYK 33 / 16 / 0 / 25

HEX #80A1BF

RGB 128 161 191

HSL 208.57, 0.33%, 0.63%

LAB 64.84, -4.07, -19.12

 

CMYK 35 / 17 / 0 / 33

HEX #6F8FAC

RGB 111 143 172

HSL 208.52, 0.27%, 0.55%

LAB 58.04, -3.88, -18.84

 

CMYK 39 / 18 / 0 / 40

HEX #5E7D99

RGB 94 125 153

HSL 208.47, 0.24%, 0.48%

LAB 51.09, -3.66, -18.59

 

CMYK 29 / 14 / 0 / 10

HEX #A3C5E5

RGB 163 197 229

HSL 209.09, 0.56%, 0.77%

LAB 78.1, -4.09, -19.61

 

CMYK 29 / 21 / 0 / 10

HEX #A3B4E5

RGB 163 180 229

HSL 224.55, 0.56%, 0.77%

LAB 73.6, 5.12, -26.45

 

CMYK 28 / 29 / 0 / 10

HEX #A4A3E5

RGB 164 163 229

HSL 240.91, 0.56%, 0.77%

LAB 69.29, 14.88, -33.09

 

CMYK 21 / 29 / 0 / 10

HEX #B6A3E5

RGB 182 163 229

HSL 257.27, 0.56%, 0.77%

LAB 70.73, 20.23, -30.74

 

CMYK 13 / 29 / 0 / 10

HEX #C8A3E5

RGB 200 163 229

HSL 273.64, 0.56%, 0.77%

LAB 72.32, 25.79, -28.17

 

CMYK 29 / 14 / 0 / 10

HEX #A3C5E5

RGB 163 197 229

HSL 209.09, 0.56%, 0.77%

LAB 78.1, -4.09, -19.61

 

CMYK 29 / 21 / 0 / 10

HEX #A3B4E5

RGB 163 180 229

HSL 224.55, 0.56%, 0.77%

LAB 73.6, 5.12, -26.45

 

CMYK 29 / 29 / 0 / 10

HEX #A3A3E5

RGB 163 163 229

HSL 240, 0.56%, 0.77%

LAB 69.21, 14.59, -33.21

 

CMYK 29 / 14 / 0 / 10

HEX #A3C5E5

RGB 163 197 229

HSL 209.09, 0.56%, 0.77%

LAB 78.1, -4.09, -19.61

 

CMYK 35 / 17 / 0 / 7

HEX #9AC6EE

RGB 154 198 238

HSL 208.57, 0.71%, 0.77%

LAB 78.13, -4.94, -24.44

 

CMYK 42 / 20 / 0 / 3

HEX #90C6F8

RGB 144 198 248

HSL 208.85, 0.88%, 0.77%

LAB 77.93, -4.94, -30.16

 

CMYK 29 / 14 / 0 / 10

HEX #A3C5E5

RGB 163 197 229

HSL 209.09, 0.56%, 0.77%

LAB 78.1, -4.09, -19.61

 

CMYK 21 / 10 / 0 / 14

HEX #ACC5DB

RGB 172 197 219

HSL 208.09, 0.39%, 0.77%

LAB 78.36, -3.71, -13.78

 

CMYK 13 / 7 / 0 / 18

HEX #B6C4D2

RGB 182 196 210

HSL 210, 0.24%, 0.77%

LAB 78.51, -1.95, -8.63

 

CMYK 5 / 2 / 0 / 22

HEX #BFC4C8

RGB 191 196 200

HSL 206.67, 0.08%, 0.77%

LAB 78.88, -0.96, -2.61

 

CMYK 0 / 2 / 5 / 21

HEX #C9C4BF

RGB 201 196 191

HSL 30, 0.08%, 0.77%

LAB 79.42, 0.85, 3.11

 

CMYK 29 / 0 / 2 / 10

HEX #A3E5E0

RGB 163 229 224

HSL 175.45, 0.56%, 0.77%

LAB 86.61, -21.67, -4.24

 

CMYK 29 / 6 / 0 / 10

HEX #A3D8E5

RGB 163 216 229

HSL 191.82, 0.56%, 0.77%

LAB 83.21, -14.01, -11.92

 

CMYK 29 / 14 / 0 / 10

HEX #A3C6E5

RGB 163 198 229

HSL 208.18, 0.56%, 0.77%

LAB 78.36, -4.62, -19.2

 

CMYK 29 / 21 / 0 / 10

HEX #A3B5E5

RGB 163 181 229

HSL 223.64, 0.56%, 0.77%

LAB 73.86, 4.57, -26.05

 

CMYK 29 / 29 / 0 / 10

HEX #A3A3E5

RGB 163 163 229

HSL 240, 0.56%, 0.77%

LAB 69.21, 14.59, -33.21

 

CMYK 53 / 26 / 0 / 17

HEX #639DD3

RGB 99 157 211

HSL 208.93, 0.56%, 0.61%

LAB 62.9, -3.64, -33.37

 

CMYK 40 / 20 / 0 / 14

HEX #83B1DC

RGB 131 177 220

HSL 208.99, 0.56%, 0.69%

LAB 70.48, -4.42, -26.5

 

CMYK 29 / 14 / 0 / 10

HEX #A3C5E5

RGB 163 197 229

HSL 209.09, 0.56%, 0.77%

LAB 78.1, -4.09, -19.61

 

CMYK 18 / 9 / 0 / 7

HEX #C3D9EE

RGB 195 217 238

HSL 209.3, 0.56%, 0.85%

LAB 85.71, -3.01, -12.75

 

CMYK 8 / 4 / 0 / 3

HEX #E3EEF7

RGB 227 238 247

HSL 207, 0.56%, 0.93%

LAB 93.54, -1.94, -5.6

 

CMYK 29 / 14 / 0 / 10

HEX #A2C5E5

RGB 162 197 229

HSL 208.66, 0.56%, 0.77%

LAB 78.03, -4.38, -19.71

 

CMYK 10 / 29 / 0 / 10

HEX #CFA3E5

RGB 207 163 229

HSL 280, 0.56%, 0.77%

LAB 72.97, 27.99, -27.11

 

CMYK 2 / 0 / 29 / 10

HEX #E0E5A3

RGB 224 229 163

HSL 64.55, 0.56%, 0.77%

LAB 89.17, -11.98, 31.71

 

CMYK 29 / 14 / 0 / 10

HEX #A2C5E5

RGB 162 197 229

HSL 208.66, 0.56%, 0.77%

LAB 78.03, -4.38, -19.71

 

CMYK 0 / 29 / 14 / 10

HEX #E5A3C6

RGB 229 163 198

HSL 328.18, 0.56%, 0.77%

LAB 74.14, 29.62, -8.14

 

CMYK 14 / 0 / 29 / 10

HEX #C6E5A3

RGB 198 229 163

HSL 88.18, 0.56%, 0.77%

LAB 87.33, -21.5, 28.92

 

CMYK 29 / 14 / 0 / 10

HEX #A2C5E5

RGB 162 197 229

HSL 208.66, 0.56%, 0.77%

LAB 78.03, -4.38, -19.71

 

CMYK 10 / 29 / 0 / 10

HEX #CFA3E5

RGB 207 163 229

HSL 280, 0.56%, 0.77%

LAB 72.97, 27.99, -27.11

 

CMYK 0 / 15 / 29 / 10

HEX #E5C2A3

RGB 229 194 163

HSL 28.18, 0.56%, 0.77%

LAB 80.68, 7.92, 20.23

 

CMYK 19 / 0 / 29 / 10

HEX #B9E5A3

RGB 185 229 163

HSL 100, 0.56%, 0.77%

LAB 86.5, -26.08, 27.66

 

CMYK 29 / 14 / 0 / 10

HEX #A2C5E5

RGB 162 197 229

HSL 208.66, 0.56%, 0.77%

LAB 78.03, -4.38, -19.71

 

CMYK 1 / 29 / 0 / 10

HEX #E3A3E5

RGB 227 163 229

HSL 298.18, 0.56%, 0.77%

LAB 74.94, 34.34, -23.92

 

CMYK 0 / 15 / 29 / 10

HEX #E5C2A3

RGB 229 194 163

HSL 28.18, 0.56%, 0.77%

LAB 80.68, 7.92, 20.23

 

CMYK 28 / 0 / 29 / 10

HEX #A5E5A3

RGB 165 229 163

HSL 118.18, 0.56%, 0.77%

LAB 85.34, -32.8, 25.89

 

Description

Color code: HEX #A2C5E5 | qconv.com Color code: HEX #A2C5E5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 197 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 197 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 14 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 14% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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