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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2BE42 it is the complementary color #5D41BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2BE42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2BE42 shade: #A7BE3D, #B8D050, #C9E263, #DAF476 and #EBFF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2BE42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2BE42 shade: #A2BE42, #91AC2F, #809A1C, #6F8809 and #5E7600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2BE42 shade: #A2BE41, #BEB841, #BE9741, #BE7541 and #BE5341

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2BE42 shade: #A2BE41, #80BE41, #5EBE41, #41BE45 and #41BE67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2BE42 shade matches the following richer shades: #A2BE41, #ADD32C, #B8E718 and #C4FC03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2BE42 shade: #A2BE41, #96A956, #8B956A, #80807F and #756B94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2BE42 shade: #BE9641, #BEB841, #A3BE41, #82BE41 and #60BE41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2BE42 shade: #6D802C, #889F37, #A2BE41, #B1C860 and #C0D37F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2BE42 shade: #A2BE42, #41BE75 and #A741BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2BE42 shade: #A2BE42, #41A3BE and #BE41A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2BE42 shade: #A2BE42, #41BE75, #5C41BE and #BE418A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2BE42 shade: #A2BE42, #41BE9B, #5C41BE and #BE4164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 65 / 25

HEX #A2BE42

RGB 162 190 66

HSL 73.55, 0.49%, 0.5%

LAB 72.83, -26.91, 57.22

 

Complementary color

CMYK 51 / 66 / 0 / 26

HEX #5D41BD

RGB 93 65 189

HSL 253.55, 0.49%, 0.5%

LAB 37.45, 43.32, -61.33

 

CMYK 12 / 0 / 68 / 25

HEX #A7BE3D

RGB 167 190 61

HSL 70.7, 0.51%, 0.49%

LAB 73.14, -25.19, 59.65

 

CMYK 12 / 0 / 62 / 18

HEX #B8D050

RGB 184 208 80

HSL 71.25, 0.58%, 0.56%

LAB 79.55, -25.72, 59.04

 

CMYK 11 / 0 / 56 / 11

HEX #C9E263

RGB 201 226 99

HSL 71.81, 0.69%, 0.64%

LAB 85.86, -26.13, 58.17

 

CMYK 11 / 0 / 52 / 4

HEX #DAF476

RGB 218 244 118

HSL 72.38, 0.85%, 0.71%

LAB 92.09, -26.46, 57.16

 

CMYK 8 / 0 / 46 / 0

HEX #EBFF89

RGB 235 255 137

HSL 70.17, 1%, 0.77%

LAB 96.41, -23.42, 53.86

 

CMYK 15 / 0 / 65 / 25

HEX #A2BE42

RGB 162 190 66

HSL 73.55, 0.49%, 0.5%

LAB 72.83, -26.91, 57.22

 

CMYK 16 / 0 / 73 / 33

HEX #91AC2F

RGB 145 172 47

HSL 72.96, 0.57%, 0.43%

LAB 66.31, -26.35, 57.58

 

CMYK 17 / 0 / 82 / 40

HEX #809A1C

RGB 128 154 28

HSL 72.38, 0.69%, 0.36%

LAB 59.69, -25.6, 57.15

 

CMYK 18 / 0 / 93 / 47

HEX #6F8809

RGB 111 136 9

HSL 71.81, 0.88%, 0.28%

LAB 52.96, -24.6, 55.29

 

CMYK 20 / 0 / 100 / 54

HEX #5E7600

RGB 94 118 0

HSL 72.2, 1%, 0.23%

LAB 46.09, -23.28, 51.17

 

CMYK 15 / 0 / 66 / 25

HEX #A2BE41

RGB 162 190 65

HSL 73.44, 0.49%, 0.5%

LAB 72.82, -26.98, 57.62

 

CMYK 0 / 3 / 66 / 25

HEX #BEB841

RGB 190 184 65

HSL 57.12, 0.49%, 0.5%

LAB 73.29, -12.29, 58.78

 

CMYK 0 / 21 / 66 / 25

HEX #BE9741

RGB 190 151 65

HSL 41.28, 0.49%, 0.5%

LAB 64.53, 5.2, 49.5

 

CMYK 0 / 38 / 66 / 25

HEX #BE7541

RGB 190 117 65

HSL 24.96, 0.49%, 0.5%

LAB 56.14, 23.91, 40.13

 

CMYK 0 / 56 / 66 / 25

HEX #BE5341

RGB 190 83 65

HSL 8.64, 0.49%, 0.5%

LAB 48.9, 41.81, 31.59

 

CMYK 15 / 0 / 66 / 25

HEX #A2BE41

RGB 162 190 65

HSL 73.44, 0.49%, 0.5%

LAB 72.82, -26.98, 57.62

 

CMYK 33 / 0 / 66 / 25

HEX #80BE41

RGB 128 190 65

HSL 89.76, 0.49%, 0.5%

LAB 70.73, -40.08, 54.78

 

CMYK 51 / 0 / 66 / 25

HEX #5EBE41

RGB 94 190 65

HSL 106.08, 0.49%, 0.5%

LAB 69.18, -51.18, 52.65

 

CMYK 66 / 0 / 64 / 25

HEX #41BE45

RGB 65 190 69

HSL 121.92, 0.49%, 0.5%

LAB 68.3, -57.92, 49.73

 

CMYK 66 / 0 / 46 / 25

HEX #41BE67

RGB 65 190 103

HSL 138.24, 0.49%, 0.5%

LAB 68.7, -53.32, 34.02

 

CMYK 15 / 0 / 66 / 25

HEX #A2BE41

RGB 162 190 65

HSL 73.44, 0.49%, 0.5%

LAB 72.82, -26.98, 57.62

 

CMYK 18 / 0 / 79 / 17

HEX #ADD32C

RGB 173 211 44

HSL 73.65, 0.65%, 0.5%

LAB 79.42, -33.54, 71.46

 

CMYK 20 / 0 / 90 / 9

HEX #B8E718

RGB 184 231 24

HSL 73.62, 0.81%, 0.5%

LAB 85.71, -38.83, 81.32

 

CMYK 22 / 0 / 99 / 1

HEX #C4FC03

RGB 196 252 3

HSL 73.49, 0.98%, 0.5%

LAB 92.29, -43.68, 88.85

 

CMYK 15 / 0 / 66 / 25

HEX #A2BE41

RGB 162 190 65

HSL 73.44, 0.49%, 0.5%

LAB 72.82, -26.98, 57.62

 

CMYK 11 / 0 / 49 / 34

HEX #96A956

RGB 150 169 86

HSL 73.73, 0.33%, 0.5%

LAB 66.16, -19.69, 40.32

 

CMYK 7 / 0 / 29 / 42

HEX #8B956A

RGB 139 149 106

HSL 73.95, 0.17%, 0.5%

LAB 59.91, -11.19, 21.56

 

CMYK 0 / 0 / 1 / 50

HEX #80807F

RGB 128 128 127

HSL 60, 0%, 0.5%

LAB 53.56, -0.2, 0.54

 

CMYK 21 / 28 / 0 / 42

HEX #756B94

RGB 117 107 148

HSL 254.63, 0.16%, 0.5%

LAB 47.54, 12.93, -20.94

 

CMYK 0 / 21 / 66 / 25

HEX #BE9641

RGB 190 150 65

HSL 40.8, 0.49%, 0.5%

LAB 64.28, 5.75, 49.22

 

CMYK 0 / 3 / 66 / 25

HEX #BEB841

RGB 190 184 65

HSL 57.12, 0.49%, 0.5%

LAB 73.29, -12.29, 58.78

 

CMYK 14 / 0 / 66 / 25

HEX #A3BE41

RGB 163 190 65

HSL 72.96, 0.49%, 0.5%

LAB 72.89, -26.57, 57.72

 

CMYK 32 / 0 / 66 / 25

HEX #82BE41

RGB 130 190 65

HSL 88.8, 0.49%, 0.5%

LAB 70.84, -39.36, 54.93

 

CMYK 49 / 0 / 66 / 25

HEX #60BE41

RGB 96 190 65

HSL 105.12, 0.49%, 0.5%

LAB 69.25, -50.6, 52.76

 

CMYK 15 / 0 / 66 / 50

HEX #6D802C

RGB 109 128 44

HSL 73.57, 0.49%, 0.34%

LAB 50.54, -19.75, 41.87

 

CMYK 14 / 0 / 65 / 38

HEX #889F37

RGB 136 159 55

HSL 73.27, 0.49%, 0.42%

LAB 61.92, -23.19, 49.75

 

CMYK 15 / 0 / 66 / 25

HEX #A2BE41

RGB 162 190 65

HSL 73.44, 0.49%, 0.5%

LAB 72.82, -26.98, 57.62

 

CMYK 12 / 0 / 52 / 22

HEX #B1C860

RGB 177 200 96

HSL 73.27, 0.49%, 0.58%

LAB 76.98, -23.31, 48.84

 

CMYK 9 / 0 / 40 / 17

HEX #C0D37F

RGB 192 211 127

HSL 73.57, 0.49%, 0.66%

LAB 81.47, -19.59, 39.44

 

CMYK 15 / 0 / 65 / 25

HEX #A2BE42

RGB 162 190 66

HSL 73.55, 0.49%, 0.5%

LAB 72.83, -26.91, 57.22

 

CMYK 66 / 0 / 38 / 25

HEX #41BE75

RGB 65 190 117

HSL 144.96, 0.49%, 0.5%

LAB 68.92, -50.87, 27.05

 

CMYK 12 / 66 / 0 / 25

HEX #A741BE

RGB 167 65 190

HSL 288.96, 0.49%, 0.5%

LAB 46.6, 59.36, -46.7

 

CMYK 15 / 0 / 65 / 25

HEX #A2BE42

RGB 162 190 66

HSL 73.55, 0.49%, 0.5%

LAB 72.83, -26.91, 57.22

 

CMYK 66 / 14 / 0 / 25

HEX #41A3BE

RGB 65 163 190

HSL 192.96, 0.49%, 0.5%

LAB 62.54, -20.01, -22.32

 

CMYK 0 / 66 / 14 / 25

HEX #BE41A3

RGB 190 65 163

HSL 312.96, 0.49%, 0.5%

LAB 48.73, 60.44, -27.26

 

CMYK 15 / 0 / 65 / 25

HEX #A2BE42

RGB 162 190 66

HSL 73.55, 0.49%, 0.5%

LAB 72.83, -26.91, 57.22

 

CMYK 66 / 0 / 38 / 25

HEX #41BE75

RGB 65 190 117

HSL 144.96, 0.49%, 0.5%

LAB 68.92, -50.87, 27.05

 

CMYK 52 / 66 / 0 / 25

HEX #5C41BE

RGB 92 65 190

HSL 252.96, 0.49%, 0.5%

LAB 37.43, 43.43, -61.95

 

CMYK 0 / 66 / 27 / 25

HEX #BE418A

RGB 190 65 138

HSL 324.96, 0.49%, 0.5%

LAB 47.7, 56.96, -13.9

 

CMYK 15 / 0 / 65 / 25

HEX #A2BE42

RGB 162 190 66

HSL 73.55, 0.49%, 0.5%

LAB 72.83, -26.91, 57.22

 

CMYK 66 / 0 / 18 / 25

HEX #41BE9B

RGB 65 190 155

HSL 163.2, 0.49%, 0.5%

LAB 69.69, -42.69, 7.69

 

CMYK 52 / 66 / 0 / 25

HEX #5C41BE

RGB 92 65 190

HSL 252.96, 0.49%, 0.5%

LAB 37.43, 43.43, -61.95

 

CMYK 0 / 66 / 47 / 25

HEX #BE4164

RGB 190 65 100

HSL 343.2, 0.49%, 0.5%

LAB 46.51, 52.73, 7.47

 

Description

Color code: HEX #A2BE42 | qconv.com Color code: HEX #A2BE42 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 190 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 190 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 65 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 65% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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