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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2B93C it is the complementary color #5D46C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2B93C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2B93C shade: #A7B937, #B8CB4A, #C9DD5D, #DAEF70 and #EBFF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2B93C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2B93C shade: #A2B93C, #91A729, #809516, #6F8303 and #5E7100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2B93C shade: #A2B93C, #B9AE3C, #B98C3C, #B96B3C and #B9493C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2B93C shade: #A2B93C, #80B93C, #5FB93C, #3DB93C and #3CB95D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2B93C shade matches the following richer shades: #A2B93C, #AECD28, #BBE014 and #C7F401

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2B93C shade: #A2B93C, #95A550, #899164, #7C7D77 and #706A8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2B93C shade: #B98D3C, #B9AE3C, #A2B93C, #81B93C and #5FB93C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2B93C shade: #6B7B28, #879A32, #A2B93C, #B3C856 and #C1D275

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2B93C shade: #A2B93C, #3CB96C and #9E3CB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2B93C shade: #A2B93C, #3CA2B9 and #B93CA2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2B93C shade: #A2B93C, #3CB96C, #533CB9 and #B93C89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2B93C shade: #A2B93C, #3CB991, #533CB9 and #B93C64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 68 / 27

HEX #A2B93C

RGB 162 185 60

HSL 71.04, 0.51%, 0.48%

LAB 71.35, -24.88, 58.1

 

Complementary color

CMYK 52 / 64 / 0 / 24

HEX #5D46C3

RGB 93 70 195

HSL 251.04, 0.51%, 0.52%

LAB 38.98, 42.25, -62.35

 

CMYK 10 / 0 / 70 / 27

HEX #A7B937

RGB 167 185 55

HSL 68.31, 0.54%, 0.47%

LAB 71.68, -23.1, 60.46

 

CMYK 9 / 0 / 64 / 20

HEX #B8CB4A

RGB 184 203 74

HSL 68.84, 0.55%, 0.54%

LAB 78.11, -23.72, 60

 

CMYK 9 / 0 / 58 / 13

HEX #C9DD5D

RGB 201 221 93

HSL 69.38, 0.65%, 0.62%

LAB 84.44, -24.22, 59.2

 

CMYK 9 / 0 / 53 / 6

HEX #DAEF70

RGB 218 239 112

HSL 69.92, 0.8%, 0.69%

LAB 90.69, -24.61, 58.24

 

CMYK 8 / 0 / 49 / 0

HEX #EBFF83

RGB 235 255 131

HSL 69.68, 1%, 0.76%

LAB 96.34, -23.99, 56.55

 

CMYK 12 / 0 / 68 / 27

HEX #A2B93C

RGB 162 185 60

HSL 71.04, 0.51%, 0.48%

LAB 71.35, -24.88, 58.1

 

CMYK 13 / 0 / 75 / 35

HEX #91A729

RGB 145 167 41

HSL 70.48, 0.61%, 0.41%

LAB 64.82, -24.21, 58.24

 

CMYK 14 / 0 / 85 / 42

HEX #809516

RGB 128 149 22

HSL 69.92, 0.74%, 0.34%

LAB 58.17, -23.33, 57.42

 

CMYK 15 / 0 / 98 / 49

HEX #6F8303

RGB 111 131 3

HSL 69.38, 0.96%, 0.26%

LAB 51.4, -22.21, 55.15

 

CMYK 17 / 0 / 100 / 56

HEX #5E7100

RGB 94 113 0

HSL 70.09, 1%, 0.22%

LAB 44.5, -20.72, 49.97

 

CMYK 12 / 0 / 68 / 27

HEX #A2B93C

RGB 162 185 60

HSL 71.04, 0.51%, 0.48%

LAB 71.35, -24.88, 58.1

 

CMYK 0 / 6 / 68 / 27

HEX #B9AE3C

RGB 185 174 60

HSL 54.72, 0.51%, 0.48%

LAB 70.11, -9.56, 57.41

 

CMYK 0 / 24 / 68 / 27

HEX #B98C3C

RGB 185 140 60

HSL 38.4, 0.51%, 0.48%

LAB 61.13, 8.73, 47.99

 

CMYK 0 / 42 / 68 / 27

HEX #B96B3C

RGB 185 107 60

HSL 22.56, 0.51%, 0.48%

LAB 53.12, 26.98, 39.11

 

CMYK 0 / 61 / 68 / 27

HEX #B9493C

RGB 185 73 60

HSL 6.24, 0.51%, 0.48%

LAB 46.18, 44.47, 31

 

CMYK 12 / 0 / 68 / 27

HEX #A2B93C

RGB 162 185 60

HSL 71.04, 0.51%, 0.48%

LAB 71.35, -24.88, 58.1

 

CMYK 31 / 0 / 68 / 27

HEX #80B93C

RGB 128 185 60

HSL 87.36, 0.51%, 0.48%

LAB 69.19, -38.26, 55.19

 

CMYK 49 / 0 / 68 / 27

HEX #5FB93C

RGB 95 185 60

HSL 103.2, 0.51%, 0.48%

LAB 67.62, -49.37, 53.04

 

CMYK 67 / 0 / 68 / 27

HEX #3DB93C

RGB 61 185 60

HSL 119.52, 0.51%, 0.48%

LAB 66.53, -57.91, 51.56

 

CMYK 68 / 0 / 50 / 27

HEX #3CB95D

RGB 60 185 93

HSL 135.84, 0.51%, 0.48%

LAB 66.86, -53.99, 36.72

 

CMYK 12 / 0 / 68 / 27

HEX #A2B93C

RGB 162 185 60

HSL 71.04, 0.51%, 0.48%

LAB 71.35, -24.88, 58.1

 

CMYK 15 / 0 / 80 / 20

HEX #AECD28

RGB 174 205 40

HSL 71.27, 0.67%, 0.48%

LAB 77.77, -30.5, 71.1

 

CMYK 17 / 0 / 91 / 12

HEX #BBE014

RGB 187 224 20

HSL 70.88, 0.84%, 0.48%

LAB 83.93, -34.56, 80.55

 

CMYK 18 / 0 / 100 / 4

HEX #C7F401

RGB 199 244 1

HSL 71.11, 0.99%, 0.48%

LAB 90.25, -39.04, 87.53

 

CMYK 12 / 0 / 68 / 27

HEX #A2B93C

RGB 162 185 60

HSL 71.04, 0.51%, 0.48%

LAB 71.35, -24.88, 58.1

 

CMYK 10 / 0 / 52 / 35

HEX #95A550

RGB 149 165 80

HSL 71.29, 0.35%, 0.48%

LAB 64.87, -18.68, 41.73

 

CMYK 6 / 0 / 31 / 43

HEX #899164

RGB 137 145 100

HSL 70.67, 0.18%, 0.48%

LAB 58.5, -10.71, 22.97

 

CMYK 1 / 0 / 5 / 51

HEX #7C7D77

RGB 124 125 119

HSL 70, 0.02%, 0.48%

LAB 52.16, -1.55, 3.13

 

CMYK 19 / 24 / 0 / 45

HEX #706A8B

RGB 112 106 139

HSL 250.91, 0.13%, 0.48%

LAB 46.47, 9.65, -17.28

 

CMYK 0 / 24 / 68 / 27

HEX #B98D3C

RGB 185 141 60

HSL 38.88, 0.51%, 0.48%

LAB 61.39, 8.18, 48.26

 

CMYK 0 / 6 / 68 / 27

HEX #B9AE3C

RGB 185 174 60

HSL 54.72, 0.51%, 0.48%

LAB 70.11, -9.56, 57.41

 

CMYK 12 / 0 / 68 / 27

HEX #A2B93C

RGB 162 185 60

HSL 71.04, 0.51%, 0.48%

LAB 71.35, -24.88, 58.1

 

CMYK 30 / 0 / 68 / 27

HEX #81B93C

RGB 129 185 60

HSL 86.88, 0.51%, 0.48%

LAB 69.25, -37.89, 55.26

 

CMYK 49 / 0 / 68 / 27

HEX #5FB93C

RGB 95 185 60

HSL 103.2, 0.51%, 0.48%

LAB 67.62, -49.37, 53.04

 

CMYK 13 / 0 / 67 / 52

HEX #6B7B28

RGB 107 123 40

HSL 71.57, 0.51%, 0.32%

LAB 48.82, -18.31, 41.79

 

CMYK 12 / 0 / 68 / 40

HEX #879A32

RGB 135 154 50

HSL 70.96, 0.51%, 0.4%

LAB 60.33, -21.45, 50.17

 

CMYK 12 / 0 / 68 / 27

HEX #A2B93C

RGB 162 185 60

HSL 71.04, 0.51%, 0.48%

LAB 71.35, -24.88, 58.1

 

CMYK 11 / 0 / 57 / 22

HEX #B3C856

RGB 179 200 86

HSL 71.05, 0.51%, 0.56%

LAB 77.02, -23.39, 53.54

 

CMYK 8 / 0 / 44 / 18

HEX #C1D275

RGB 193 210 117

HSL 70.97, 0.51%, 0.64%

LAB 81.13, -19.82, 44

 

CMYK 12 / 0 / 68 / 27

HEX #A2B93C

RGB 162 185 60

HSL 71.04, 0.51%, 0.48%

LAB 71.35, -24.88, 58.1

 

CMYK 68 / 0 / 42 / 27

HEX #3CB96C

RGB 60 185 108

HSL 143.04, 0.51%, 0.48%

LAB 67.08, -51.5, 29.32

 

CMYK 15 / 68 / 0 / 27

HEX #9E3CB9

RGB 158 60 185

HSL 287.04, 0.51%, 0.48%

LAB 44.24, 58.45, -47.63

 

CMYK 12 / 0 / 68 / 27

HEX #A2B93C

RGB 162 185 60

HSL 71.04, 0.51%, 0.48%

LAB 71.35, -24.88, 58.1

 

CMYK 68 / 12 / 0 / 27

HEX #3CA2B9

RGB 60 162 185

HSL 191.04, 0.51%, 0.48%

LAB 61.92, -21.84, -20.48

 

CMYK 0 / 68 / 12 / 27

HEX #B93CA2

RGB 185 60 162

HSL 311.04, 0.51%, 0.48%

LAB 47.18, 60.95, -29.14

 

CMYK 12 / 0 / 68 / 27

HEX #A2B93C

RGB 162 185 60

HSL 71.04, 0.51%, 0.48%

LAB 71.35, -24.88, 58.1

 

CMYK 68 / 0 / 42 / 27

HEX #3CB96C

RGB 60 185 108

HSL 143.04, 0.51%, 0.48%

LAB 67.08, -51.5, 29.32

 

CMYK 55 / 68 / 0 / 27

HEX #533CB9

RGB 83 60 185

HSL 251.04, 0.51%, 0.48%

LAB 35.15, 43.21, -62.77

 

CMYK 0 / 68 / 26 / 27

HEX #B93C89

RGB 185 60 137

HSL 323.04, 0.51%, 0.48%

LAB 46.11, 57.42, -15.79

 

CMYK 12 / 0 / 68 / 27

HEX #A2B93C

RGB 162 185 60

HSL 71.04, 0.51%, 0.48%

LAB 71.35, -24.88, 58.1

 

CMYK 68 / 0 / 22 / 27

HEX #3CB991

RGB 60 185 145

HSL 160.8, 0.51%, 0.48%

LAB 67.8, -43.77, 10.44

 

CMYK 55 / 68 / 0 / 27

HEX #533CB9

RGB 83 60 185

HSL 251.04, 0.51%, 0.48%

LAB 35.15, 43.21, -62.77

 

CMYK 0 / 68 / 46 / 27

HEX #B93C64

RGB 185 60 100

HSL 340.8, 0.51%, 0.48%

LAB 44.89, 53.22, 5.04

 

Description

Color code: HEX #A2B93C | qconv.com Color code: HEX #A2B93C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 185 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 185 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 68 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 68% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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