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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2B5E1 it is the complementary color #5D4A1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2B5E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2B5E1 shade: #A7B5DC, #B8C7EF, #C9D9FF, #DAEBFF and #EBFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2B5E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2B5E1 shade: #A2B5E1, #91A3CE, #8091BB, #6F7FA8 and #5E6D95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2B5E1 shade: #A2B5E1, #A2A4E1, #B1A2E1, #C2A2E1 and #D3A2E1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2B5E1 shade: #A2B5E1, #A2A4E1 and #A2A2E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2B5E1 shade matches the following richer shades: #A2B5E1, #98B1EA, #8EADF4 and #84A9FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2B5E1 shade: #A2B5E1, #ACB9D7, #B6BDCD, #C0C1C3 and #CAC5B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2B5E1 shade: #A2D7E1, #A2C7E1, #A2B6E1, #A2A5E1 and #B0A2E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2B5E1 shade: #6483CC, #839CD6, #A2B5E1, #C1CEEB and #E0E7F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2B5E1 shade: #A2B5E1, #D9A2E1 and #CFE1A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2B5E1 shade: #A2B5E1, #E1A2B6 and #B6E1A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2B5E1 shade: #A2B5E1, #D9A2E1, #E1CDA2 and #A9E1A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2B5E1 shade: #A2B5E1, #E1A2D5, #E1CDA2 and #A2E1AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 20 / 0 / 12

HEX #A2B5E1

RGB 162 181 225

HSL 221.9, 0.51%, 0.76%

LAB 73.65, 3.31, -24.21

 

Complementary color

CMYK 0 / 20 / 68 / 64

HEX #5D4A1E

RGB 93 74 30

HSL 41.9, 0.51%, 0.24%

LAB 32.52, 2.39, 28.68

 

CMYK 24 / 18 / 0 / 14

HEX #A7B5DC

RGB 167 181 220

HSL 224.15, 0.43%, 0.76%

LAB 73.82, 3.61, -21.19

 

CMYK 23 / 17 / 0 / 6

HEX #B8C7EF

RGB 184 199 239

HSL 223.64, 0.63%, 0.83%

LAB 80.33, 3.37, -21.45

 

CMYK 21 / 15 / 0 / 0

HEX #C9D9FF

RGB 201 217 255

HSL 222.22, 1%, 0.89%

LAB 86.63, 2.49, -20.29

 

CMYK 15 / 8 / 0 / 0

HEX #DAEBFF

RGB 218 235 255

HSL 212.43, 1%, 0.93%

LAB 92.37, -1.68, -11.56

 

CMYK 8 / 1 / 0 / 0

HEX #EBFDFF

RGB 235 253 255

HSL 186, 1%, 0.96%

LAB 98.09, -5.47, -2.98

 

CMYK 28 / 20 / 0 / 12

HEX #A2B5E1

RGB 162 181 225

HSL 221.9, 0.51%, 0.76%

LAB 73.65, 3.31, -24.21

 

CMYK 30 / 21 / 0 / 19

HEX #91A3CE

RGB 145 163 206

HSL 222.3, 0.38%, 0.69%

LAB 67.03, 3.59, -24.01

 

CMYK 32 / 22 / 0 / 27

HEX #8091BB

RGB 128 145 187

HSL 222.71, 0.3%, 0.62%

LAB 60.27, 3.92, -23.84

 

CMYK 34 / 24 / 0 / 34

HEX #6F7FA8

RGB 111 127 168

HSL 223.16, 0.25%, 0.55%

LAB 53.37, 4.29, -23.7

 

CMYK 37 / 27 / 0 / 42

HEX #5E6D95

RGB 94 109 149

HSL 223.64, 0.23%, 0.48%

LAB 46.29, 4.72, -23.61

 

CMYK 28 / 20 / 0 / 12

HEX #A2B5E1

RGB 162 181 225

HSL 221.9, 0.51%, 0.76%

LAB 73.65, 3.31, -24.21

 

CMYK 28 / 27 / 0 / 12

HEX #A2A4E1

RGB 162 164 225

HSL 238.1, 0.51%, 0.76%

LAB 69.23, 12.75, -30.99

 

CMYK 21 / 28 / 0 / 12

HEX #B1A2E1

RGB 177 162 225

HSL 254.29, 0.51%, 0.76%

LAB 69.91, 18.35, -29.85

 

CMYK 14 / 28 / 0 / 12

HEX #C2A2E1

RGB 194 162 225

HSL 270.48, 0.51%, 0.76%

LAB 71.38, 23.61, -27.46

 

CMYK 6 / 28 / 0 / 12

HEX #D3A2E1

RGB 211 162 225

HSL 286.67, 0.51%, 0.76%

LAB 72.97, 29, -24.88

 

CMYK 28 / 20 / 0 / 12

HEX #A2B5E1

RGB 162 181 225

HSL 221.9, 0.51%, 0.76%

LAB 73.65, 3.31, -24.21

 

CMYK 28 / 27 / 0 / 12

HEX #A2A4E1

RGB 162 164 225

HSL 238.1, 0.51%, 0.76%

LAB 69.23, 12.75, -30.99

 

CMYK 28 / 28 / 0 / 12

HEX #A2A2E1

RGB 162 162 225

HSL 240, 0.51%, 0.76%

LAB 68.72, 13.87, -31.78

 

CMYK 28 / 20 / 0 / 12

HEX #A2B5E1

RGB 162 181 225

HSL 221.9, 0.51%, 0.76%

LAB 73.65, 3.31, -24.21

 

CMYK 35 / 24 / 0 / 8

HEX #98B1EA

RGB 152 177 234

HSL 221.71, 0.66%, 0.76%

LAB 72.27, 4.92, -31.28

 

CMYK 42 / 29 / 0 / 4

HEX #8EADF4

RGB 142 173 244

HSL 221.76, 0.82%, 0.76%

LAB 70.99, 7.18, -38.75

 

CMYK 48 / 33 / 0 / 0

HEX #84A9FE

RGB 132 169 254

HSL 221.8, 0.98%, 0.76%

LAB 69.78, 9.86, -46.11

 

CMYK 28 / 20 / 0 / 12

HEX #A2B5E1

RGB 162 181 225

HSL 221.9, 0.51%, 0.76%

LAB 73.65, 3.31, -24.21

 

CMYK 20 / 14 / 0 / 16

HEX #ACB9D7

RGB 172 185 215

HSL 221.86, 0.35%, 0.76%

LAB 75.06, 1.84, -16.57

 

CMYK 11 / 8 / 0 / 20

HEX #B6BDCD

RGB 182 189 205

HSL 221.74, 0.19%, 0.76%

LAB 76.53, 0.75, -8.87

 

CMYK 2 / 1 / 0 / 24

HEX #C0C1C3

RGB 192 193 195

HSL 220, 0.02%, 0.76%

LAB 78.04, 0.03, -1.13

 

CMYK 0 / 2 / 8 / 21

HEX #CAC5B9

RGB 202 197 185

HSL 42.35, 0.14%, 0.76%

LAB 79.61, -0.36, 6.62

 

CMYK 28 / 4 / 0 / 12

HEX #A2D7E1

RGB 162 215 225

HSL 189.52, 0.51%, 0.76%

LAB 82.76, -14.7, -10.46

 

CMYK 28 / 12 / 0 / 12

HEX #A2C7E1

RGB 162 199 225

HSL 204.76, 0.51%, 0.76%

LAB 78.44, -6.39, -16.94

 

CMYK 28 / 19 / 0 / 12

HEX #A2B6E1

RGB 162 182 225

HSL 220.95, 0.51%, 0.76%

LAB 73.92, 2.76, -23.8

 

CMYK 28 / 27 / 0 / 12

HEX #A2A5E1

RGB 162 165 225

HSL 237.14, 0.51%, 0.76%

LAB 69.49, 12.19, -30.6

 

CMYK 22 / 28 / 0 / 12

HEX #B0A2E1

RGB 176 162 225

HSL 253.33, 0.51%, 0.76%

LAB 69.83, 18.05, -29.98

 

CMYK 51 / 36 / 0 / 20

HEX #6483CC

RGB 100 131 204

HSL 222.12, 0.5%, 0.6%

LAB 55.38, 9.53, -41.21

 

CMYK 39 / 27 / 0 / 16

HEX #839CD6

RGB 131 156 214

HSL 221.93, 0.5%, 0.68%

LAB 64.53, 5.68, -32.38

 

CMYK 28 / 20 / 0 / 12

HEX #A2B5E1

RGB 162 181 225

HSL 221.9, 0.51%, 0.76%

LAB 73.65, 3.31, -24.21

 

CMYK 18 / 12 / 0 / 8

HEX #C1CEEB

RGB 193 206 235

HSL 221.43, 0.51%, 0.84%

LAB 82.64, 1.51, -15.78

 

CMYK 9 / 6 / 0 / 4

HEX #E0E7F5

RGB 224 231 245

HSL 220, 0.51%, 0.92%

LAB 91.5, 0.3, -7.59

 

CMYK 28 / 20 / 0 / 12

HEX #A2B5E1

RGB 162 181 225

HSL 221.9, 0.51%, 0.76%

LAB 73.65, 3.31, -24.21

 

CMYK 4 / 28 / 0 / 12

HEX #D9A2E1

RGB 217 162 225

HSL 292.38, 0.51%, 0.76%

LAB 73.56, 30.92, -23.93

 

CMYK 8 / 0 / 28 / 12

HEX #CFE1A2

RGB 207 225 162

HSL 77.14, 0.51%, 0.76%

LAB 86.86, -16.42, 28.9

 

CMYK 28 / 20 / 0 / 12

HEX #A2B5E1

RGB 162 181 225

HSL 221.9, 0.51%, 0.76%

LAB 73.65, 3.31, -24.21

 

CMYK 0 / 28 / 19 / 12

HEX #E1A2B6

RGB 225 162 182

HSL 340.95, 0.51%, 0.76%

LAB 73.04, 26.23, -1.01

 

CMYK 19 / 0 / 28 / 12

HEX #B6E1A2

RGB 182 225 162

HSL 100.95, 0.51%, 0.76%

LAB 85.2, -25.35, 26.38

 

CMYK 28 / 20 / 0 / 12

HEX #A2B5E1

RGB 162 181 225

HSL 221.9, 0.51%, 0.76%

LAB 73.65, 3.31, -24.21

 

CMYK 4 / 28 / 0 / 12

HEX #D9A2E1

RGB 217 162 225

HSL 292.38, 0.51%, 0.76%

LAB 73.56, 30.92, -23.93

 

CMYK 0 / 9 / 28 / 12

HEX #E1CDA2

RGB 225 205 162

HSL 40.95, 0.51%, 0.76%

LAB 83.06, 0.5, 23.98

 

CMYK 25 / 0 / 28 / 12

HEX #A9E1A2

RGB 169 225 162

HSL 113.33, 0.51%, 0.76%

LAB 84.43, -29.77, 25.2

 

CMYK 28 / 20 / 0 / 12

HEX #A2B5E1

RGB 162 181 225

HSL 221.9, 0.51%, 0.76%

LAB 73.65, 3.31, -24.21

 

CMYK 0 / 28 / 5 / 12

HEX #E1A2D5

RGB 225 162 213

HSL 311.43, 0.51%, 0.76%

LAB 73.97, 31.33, -16.68

 

CMYK 0 / 9 / 28 / 12

HEX #E1CDA2

RGB 225 205 162

HSL 40.95, 0.51%, 0.76%

LAB 83.06, 0.5, 23.98

 

CMYK 28 / 0 / 23 / 12

HEX #A2E1AE

RGB 162 225 174

HSL 131.43, 0.51%, 0.76%

LAB 84.27, -30.02, 18.68

 

Description

Color code: HEX #A2B5E1 | qconv.com Color code: HEX #A2B5E1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 181 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 181 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 20 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 20% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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