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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2B5CD it is the complementary color #5D4A32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2B5CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A2B5CD: #A7B5C8, #B8C7DB, #C9D9EE, #DAEBFF and #EBFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2B5CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A2B5CD: #A2B5CD, #91A3BA, #8091A7, #6F7F94 and #5E6D81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 12 / 0 / 20

HEX #A2B5CD

RGB 162 181 205

HSL 213.49, 0.3%, 0.72%

LAB 72.98, -1.37, -14.32

 

Complementary color

CMYK 0 / 20 / 46 / 64

HEX #5D4A32

RGB 93 74 50

HSL 33.49, 0.3%, 0.28%

LAB 32.82, 4.39, 17.36

 

CMYK 17 / 10 / 0 / 22

HEX #A7B5C8

RGB 167 181 200

HSL 214.55, 0.23%, 0.72%

LAB 73.18, -0.88, -11.26

 

CMYK 16 / 9 / 0 / 14

HEX #B8C7DB

RGB 184 199 219

HSL 214.29, 0.33%, 0.79%

LAB 79.7, -1.02, -11.68

 

CMYK 16 / 9 / 0 / 7

HEX #C9D9EE

RGB 201 217 238

HSL 214.05, 0.52%, 0.86%

LAB 86.11, -1.14, -12.1

 

CMYK 15 / 8 / 0 / 0

HEX #DAEBFF

RGB 218 235 255

HSL 212.43, 1%, 0.93%

LAB 92.37, -1.68, -11.56

 

CMYK 8 / 1 / 0 / 0

HEX #EBFDFF

RGB 235 253 255

HSL 186, 1%, 0.96%

LAB 98.09, -5.47, -2.98

 

CMYK 21 / 12 / 0 / 20

HEX #A2B5CD

RGB 162 181 205

HSL 213.49, 0.3%, 0.72%

LAB 72.98, -1.37, -14.32

 

CMYK 22 / 12 / 0 / 27

HEX #91A3BA

RGB 145 163 186

HSL 213.66, 0.23%, 0.65%

LAB 66.34, -1.23, -13.95

 

CMYK 23 / 13 / 0 / 35

HEX #8091A7

RGB 128 145 167

HSL 213.85, 0.18%, 0.58%

LAB 59.55, -1.07, -13.6

 

CMYK 25 / 14 / 0 / 42

HEX #6F7F94

RGB 111 127 148

HSL 214.05, 0.15%, 0.51%

LAB 52.62, -0.91, -13.25

 

CMYK 27 / 16 / 0 / 49

HEX #5E6D81

RGB 94 109 129

HSL 214.29, 0.16%, 0.44%

LAB 45.5, -0.73, -12.91

 

CMYK 21 / 12 / 0 / 20

HEX #A2B5CD

RGB 162 181 205

HSL 213.49, 0.3%, 0.72%

LAB 72.98, -1.37, -14.32

 

CMYK 21 / 15 / 0 / 20

HEX #A2AECD

RGB 162 174 205

HSL 223.26, 0.3%, 0.72%

LAB 71.12, 2.45, -17.13

 

CMYK 21 / 19 / 0 / 20

HEX #A2A7CD

RGB 162 167 205

HSL 233.02, 0.3%, 0.72%

LAB 69.27, 6.31, -19.92

 

CMYK 20 / 21 / 0 / 20

HEX #A4A2CD

RGB 164 162 205

HSL 242.79, 0.3%, 0.72%

LAB 68.12, 9.73, -21.66

 

CMYK 17 / 21 / 0 / 20

HEX #ABA2CD

RGB 171 162 205

HSL 252.56, 0.3%, 0.72%

LAB 68.68, 11.96, -20.76

 

CMYK 21 / 12 / 0 / 20

HEX #A2B5CD

RGB 162 181 205

HSL 213.49, 0.3%, 0.72%

LAB 72.98, -1.37, -14.32

 

CMYK 0 / 0 / 0 / 100

HEX #010101

RGB 1 1 1

HSL 0, 0%, 0%

LAB 0.27, 0, -0

 

CMYK 21 / 12 / 0 / 80

HEX #292E34

RGB 41 46 52

HSL 212.73, 0.12%, 0.18%

LAB 18.69, -0.58, -4.58

 

CMYK 21 / 12 / 0 / 60

HEX #515B67

RGB 81 91 103

HSL 212.73, 0.12%, 0.36%

LAB 38.22, -0.99, -8.18

 

CMYK 21 / 12 / 0 / 40

HEX #7A889A

RGB 122 136 154

HSL 213.75, 0.14%, 0.54%

LAB 56.17, -1.02, -11.29

 

CMYK 21 / 12 / 0 / 20

HEX #A2B5CD

RGB 162 181 205

HSL 213.49, 0.3%, 0.72%

LAB 72.98, -1.37, -14.32

 

CMYK 5 / 21 / 0 / 20

HEX #C2A2CD

RGB 194 162 205

HSL 284.65, 0.3%, 0.72%

LAB 70.68, 19.49, -17.55

 

CMYK 3 / 0 / 21 / 20

HEX #C6CDA2

RGB 198 205 162

HSL 69.77, 0.3%, 0.72%

LAB 80.89, -9.64, 20.65

 

CMYK 21 / 12 / 0 / 20

HEX #A2B5CD

RGB 162 181 205

HSL 213.49, 0.3%, 0.72%

LAB 72.98, -1.37, -14.32

 

CMYK 0 / 21 / 12 / 20

HEX #CDA2B5

RGB 205 162 181

HSL 333.49, 0.3%, 0.72%

LAB 70.98, 18.9, -3.72

 

CMYK 12 / 0 / 21 / 20

HEX #B5CDA2

RGB 181 205 162

HSL 93.49, 0.3%, 0.72%

LAB 79.67, -15.83, 18.77

 

CMYK 21 / 12 / 0 / 20

HEX #A2B5CD

RGB 162 181 205

HSL 213.49, 0.3%, 0.72%

LAB 72.98, -1.37, -14.32

 

CMYK 5 / 21 / 0 / 20

HEX #C2A2CD

RGB 194 162 205

HSL 284.65, 0.3%, 0.72%

LAB 70.68, 19.49, -17.55

 

CMYK 0 / 10 / 21 / 20

HEX #CDB9A2

RGB 205 185 162

HSL 32.09, 0.3%, 0.72%

LAB 76.24, 3.44, 14.26

 

CMYK 16 / 0 / 21 / 20

HEX #ACCDA2

RGB 172 205 162

HSL 106.05, 0.3%, 0.72%

LAB 79.07, -19.01, 17.84

 

CMYK 21 / 12 / 0 / 20

HEX #A2B5CD

RGB 162 181 205

HSL 213.49, 0.3%, 0.72%

LAB 72.98, -1.37, -14.32

 

CMYK 0 / 21 / 1 / 20

HEX #CDA2CA

RGB 205 162 202

HSL 304.19, 0.3%, 0.72%

LAB 71.61, 22.62, -14.38

 

CMYK 0 / 10 / 21 / 20

HEX #CDB9A2

RGB 205 185 162

HSL 32.09, 0.3%, 0.72%

LAB 76.24, 3.44, 14.26

 

CMYK 21 / 0 / 20 / 20

HEX #A2CDA4

RGB 162 205 164

HSL 122.79, 0.3%, 0.72%

LAB 78.48, -22.1, 15.86

 

Description

Color code: HEX #A2B5CD | qconv.com Color code: HEX #A2B5CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us. It is also known as LightSteelBlue3.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 181 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 181 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 12 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 12% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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