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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2B49B it is the complementary color #5D4B64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2B49B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2B49B shade: #A7B496, #B8C6A9, #C9D8BC, #DAEACF and #EBFCE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2B49B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2B49B shade: #A2B49B, #91A288, #809075, #6F7E62 and #5E6C4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2B49B shade: #A2B49C, #A9B49C, #B0B49C, #B4B29C and #B4AB9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2B49B shade: #A2B49C, #9CB49C, #9CB4A2, #9CB4A9 and #9CB4AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2B49B shade matches the following richer shades: #A2B49C, #9CC28E, #96D080, #90DE72 and #8AEC64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2B49B shade: #A2B49C, #A9A6AA, #AF98B8, #B58AC6 and #BB7CD4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2B49B shade: #AFB49C, #A9B49C, #A3B49C, #9CB49C and #9CB4A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2B49B shade: #77906D, #8DA284, #A2B49C, #B8C6B3 and #CED7CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2B49B shade: #A2B49B, #9CB4B2 and #B49CAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2B49B shade: #A2B49B, #9CA3B4 and #B49CA3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2B49B shade: #A2B49B, #9CB4B2, #AD9CB4 and #B49C9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2B49B shade: #A2B49B, #9CAFB4, #AD9CB4 and #B4A19C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 14 / 29

HEX #A2B49B

RGB 162 180 155

HSL 103.2, 0.14%, 0.66%

LAB 71.34, -10.95, 10.66

 

Complementary color

CMYK 7 / 25 / 0 / 61

HEX #5D4B64

RGB 93 75 100

HSL 283.2, 0.14%, 0.34%

LAB 34.56, 12.73, -11.72

 

CMYK 7 / 0 / 17 / 29

HEX #A7B496

RGB 167 180 150

HSL 86, 0.17%, 0.65%

LAB 71.6, -9.99, 13.79

 

CMYK 7 / 0 / 15 / 22

HEX #B8C6A9

RGB 184 198 169

HSL 88.97, 0.2%, 0.72%

LAB 78.14, -10.03, 12.92

 

CMYK 7 / 0 / 13 / 15

HEX #C9D8BC

RGB 201 216 188

HSL 92.14, 0.26%, 0.79%

LAB 84.57, -10.06, 12.1

 

CMYK 7 / 0 / 12 / 8

HEX #DAEACF

RGB 218 234 207

HSL 95.56, 0.39%, 0.86%

LAB 90.9, -10.09, 11.31

 

CMYK 7 / 0 / 10 / 1

HEX #EBFCE2

RGB 235 252 226

HSL 99.23, 0.81%, 0.94%

LAB 97.14, -10.13, 10.55

 

CMYK 10 / 0 / 14 / 29

HEX #A2B49B

RGB 162 180 155

HSL 103.2, 0.14%, 0.66%

LAB 71.34, -10.95, 10.66

 

CMYK 10 / 0 / 16 / 36

HEX #91A288

RGB 145 162 136

HSL 99.23, 0.12%, 0.58%

LAB 64.67, -10.97, 11.53

 

CMYK 11 / 0 / 19 / 44

HEX #809075

RGB 128 144 117

HSL 95.56, 0.11%, 0.51%

LAB 57.87, -10.99, 12.45

 

CMYK 12 / 0 / 22 / 51

HEX #6F7E62

RGB 111 126 98

HSL 92.14, 0.13%, 0.44%

LAB 50.9, -11.02, 13.44

 

CMYK 13 / 0 / 27 / 58

HEX #5E6C4F

RGB 94 108 79

HSL 88.97, 0.16%, 0.37%

LAB 43.75, -11.06, 14.52

 

CMYK 10 / 0 / 13 / 29

HEX #A2B49C

RGB 162 180 156

HSL 105, 0.14%, 0.66%

LAB 71.37, -10.77, 10.15

 

CMYK 6 / 0 / 13 / 29

HEX #A9B49C

RGB 169 180 156

HSL 87.5, 0.14%, 0.66%

LAB 71.88, -8.24, 10.94

 

CMYK 2 / 0 / 13 / 29

HEX #B0B49C

RGB 176 180 156

HSL 70, 0.14%, 0.66%

LAB 72.41, -5.68, 11.77

 

CMYK 0 / 1 / 13 / 29

HEX #B4B29C

RGB 180 178 156

HSL 55, 0.14%, 0.66%

LAB 72.19, -3.13, 11.51

 

CMYK 0 / 5 / 13 / 29

HEX #B4AB9C

RGB 180 171 156

HSL 37.5, 0.14%, 0.66%

LAB 70.34, 0.63, 8.87

 

CMYK 10 / 0 / 13 / 29

HEX #A2B49C

RGB 162 180 156

HSL 105, 0.14%, 0.66%

LAB 71.37, -10.77, 10.15

 

CMYK 13 / 0 / 13 / 29

HEX #9CB49C

RGB 156 180 156

HSL 120, 0.14%, 0.66%

LAB 70.95, -12.9, 9.49

 

CMYK 13 / 0 / 10 / 29

HEX #9CB4A2

RGB 156 180 162

HSL 135, 0.14%, 0.66%

LAB 71.09, -11.78, 6.41

 

CMYK 13 / 0 / 6 / 29

HEX #9CB4A9

RGB 156 180 169

HSL 152.5, 0.14%, 0.66%

LAB 71.27, -10.43, 2.83

 

CMYK 13 / 0 / 3 / 29

HEX #9CB4AF

RGB 156 180 175

HSL 167.5, 0.14%, 0.66%

LAB 71.42, -9.23, -0.24

 

CMYK 10 / 0 / 13 / 29

HEX #A2B49C

RGB 162 180 156

HSL 105, 0.14%, 0.66%

LAB 71.37, -10.77, 10.15

 

CMYK 20 / 0 / 27 / 24

HEX #9CC28E

RGB 156 194 142

HSL 103.85, 0.3%, 0.66%

LAB 74.57, -22.44, 22.12

 

CMYK 28 / 0 / 38 / 18

HEX #96D080

RGB 150 208 128

HSL 103.5, 0.46%, 0.66%

LAB 77.97, -33.39, 33.89

 

CMYK 35 / 0 / 49 / 13

HEX #90DE72

RGB 144 222 114

HSL 103.33, 0.62%, 0.66%

LAB 81.5, -43.53, 45.25

 

CMYK 42 / 0 / 58 / 7

HEX #8AEC64

RGB 138 236 100

HSL 103.24, 0.78%, 0.66%

LAB 85.16, -52.85, 55.99

 

CMYK 10 / 0 / 13 / 29

HEX #A2B49C

RGB 162 180 156

HSL 105, 0.14%, 0.66%

LAB 71.37, -10.77, 10.15

 

CMYK 1 / 2 / 0 / 33

HEX #A9A6AA

RGB 169 166 170

HSL 285, 0.02%, 0.66%

LAB 68.47, 1.83, -1.69

 

CMYK 5 / 17 / 0 / 28

HEX #AF98B8

RGB 175 152 184

HSL 283.13, 0.18%, 0.66%

LAB 65.77, 14.44, -13.45

 

CMYK 9 / 30 / 0 / 22

HEX #B58AC6

RGB 181 138 198

HSL 283, 0.34%, 0.66%

LAB 63.41, 27.16, -24.84

 

CMYK 12 / 42 / 0 / 17

HEX #BB7CD4

RGB 187 124 212

HSL 282.95, 0.51%, 0.66%

LAB 61.42, 39.67, -35.72

 

CMYK 3 / 0 / 13 / 29

HEX #AFB49C

RGB 175 180 156

HSL 72.5, 0.14%, 0.66%

LAB 72.33, -6.05, 11.65

 

CMYK 6 / 0 / 13 / 29

HEX #A9B49C

RGB 169 180 156

HSL 87.5, 0.14%, 0.66%

LAB 71.88, -8.24, 10.94

 

CMYK 9 / 0 / 13 / 29

HEX #A3B49C

RGB 163 180 156

HSL 102.5, 0.14%, 0.66%

LAB 71.44, -10.41, 10.26

 

CMYK 13 / 0 / 13 / 29

HEX #9CB49C

RGB 156 180 156

HSL 120, 0.14%, 0.66%

LAB 70.95, -12.9, 9.49

 

CMYK 13 / 0 / 10 / 29

HEX #9CB4A2

RGB 156 180 162

HSL 135, 0.14%, 0.66%

LAB 71.09, -11.78, 6.41

 

CMYK 17 / 0 / 24 / 44

HEX #77906D

RGB 119 144 109

HSL 102.86, 0.14%, 0.5%

LAB 57.05, -15.79, 15.74

 

CMYK 13 / 0 / 19 / 36

HEX #8DA284

RGB 141 162 132

HSL 102, 0.14%, 0.58%

LAB 64.3, -13.14, 13.18

 

CMYK 10 / 0 / 13 / 29

HEX #A2B49C

RGB 162 180 156

HSL 105, 0.14%, 0.66%

LAB 71.37, -10.77, 10.15

 

CMYK 7 / 0 / 10 / 22

HEX #B8C6B3

RGB 184 198 179

HSL 104.21, 0.14%, 0.74%

LAB 78.36, -8.3, 7.88

 

CMYK 4 / 0 / 6 / 16

HEX #CED7CB

RGB 206 215 203

HSL 105, 0.13%, 0.82%

LAB 85.01, -5.22, 4.85

 

CMYK 10 / 0 / 14 / 29

HEX #A2B49B

RGB 162 180 155

HSL 103.2, 0.14%, 0.66%

LAB 71.34, -10.95, 10.66

 

CMYK 13 / 0 / 1 / 29

HEX #9CB4B2

RGB 156 180 178

HSL 175, 0.14%, 0.66%

LAB 71.5, -8.61, -1.77

 

CMYK 0 / 13 / 4 / 29

HEX #B49CAC

RGB 180 156 172

HSL 320, 0.14%, 0.66%

LAB 66.87, 11.66, -5.05

 

CMYK 10 / 0 / 14 / 29

HEX #A2B49B

RGB 162 180 155

HSL 103.2, 0.14%, 0.66%

LAB 71.34, -10.95, 10.66

 

CMYK 13 / 9 / 0 / 29

HEX #9CA3B4

RGB 156 163 180

HSL 222.5, 0.14%, 0.66%

LAB 66.94, 1.02, -9.62

 

CMYK 0 / 13 / 9 / 29

HEX #B49CA3

RGB 180 156 163

HSL 342.5, 0.14%, 0.66%

LAB 66.62, 10.04, -0.39

 

CMYK 10 / 0 / 14 / 29

HEX #A2B49B

RGB 162 180 155

HSL 103.2, 0.14%, 0.66%

LAB 71.34, -10.95, 10.66

 

CMYK 13 / 0 / 1 / 29

HEX #9CB4B2

RGB 156 180 178

HSL 175, 0.14%, 0.66%

LAB 71.5, -8.61, -1.77

 

CMYK 4 / 13 / 0 / 29

HEX #AD9CB4

RGB 173 156 180

HSL 282.5, 0.14%, 0.66%

LAB 66.49, 10.72, -10.16

 

CMYK 0 / 13 / 12 / 29

HEX #B49C9E

RGB 180 156 158

HSL 355, 0.14%, 0.66%

LAB 66.48, 9.17, 2.21

 

CMYK 10 / 0 / 14 / 29

HEX #A2B49B

RGB 162 180 155

HSL 103.2, 0.14%, 0.66%

LAB 71.34, -10.95, 10.66

 

CMYK 13 / 3 / 0 / 29

HEX #9CAFB4

RGB 156 175 180

HSL 192.5, 0.14%, 0.66%

LAB 70.19, -5.52, -4.8

 

CMYK 4 / 13 / 0 / 29

HEX #AD9CB4

RGB 173 156 180

HSL 282.5, 0.14%, 0.66%

LAB 66.49, 10.72, -10.16

 

CMYK 0 / 11 / 13 / 29

HEX #B4A19C

RGB 180 161 156

HSL 12.5, 0.14%, 0.66%

LAB 67.72, 6.08, 5.12

 

Description

Color code: HEX #A2B49B | qconv.com Color code: HEX #A2B49B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 180 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 180 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 14 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 14% 29% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

27% - Density Design
Link: http://www.densitydesign.org

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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