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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2B209 it is the complementary color #5D4DF6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2B209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2B209 shade: #A7B204, #B8C417, #C9D62A, #DAE83D and #EBFA50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2B209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2B209 shade: #A2B209, #91A000, #808E00, #6F7C00 and #5E6A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2B209 shade: #A3B309, #B39609, #B36809, #B33A09 and #B30C09

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2B209 shade: #A3B309, #75B309, #48B309, #1AB309 and #09B327

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2B209 shade matches the following richer shades: #A3B309

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2B209 shade: #A3B309, #97A419, #8A9528, #7E8537 and #727646

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2B209 shade: #B36709, #B39409, #A5B309, #78B309 and #4BB309

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2B209 shade: #5C6505, #808C07, #A3B309, #C7DA0B and #DFF31C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2B209 shade: #A2B209, #09B33A and #7D09B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2B209 shade: #A2B209, #09A5B3 and #B309A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2B209 shade: #A2B209, #09B33A, #1809B3 and #B30983

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2B209 shade: #A2B209, #09B36D, #1809B3 and #B30950

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 95 / 30

HEX #A2B209

RGB 162 178 9

HSL 65.68, 0.9%, 0.37%

LAB 69.14, -23.3, 69.59

 

Complementary color

CMYK 62 / 69 / 0 / 4

HEX #5D4DF6

RGB 93 77 246

HSL 245.68, 0.9%, 0.63%

LAB 44.64, 53.76, -82.22

 

CMYK 6 / 0 / 98 / 30

HEX #A7B204

RGB 167 178 4

HSL 63.79, 0.96%, 0.36%

LAB 69.52, -21.21, 70.63

 

CMYK 6 / 0 / 88 / 23

HEX #B8C417

RGB 184 196 23

HSL 64.16, 0.79%, 0.43%

LAB 75.9, -22.5, 73.59

 

CMYK 6 / 0 / 80 / 16

HEX #C9D62A

RGB 201 214 42

HSL 64.53, 0.68%, 0.5%

LAB 82.21, -23.61, 75.21

 

CMYK 6 / 0 / 74 / 9

HEX #DAE83D

RGB 218 232 61

HSL 64.91, 0.79%, 0.57%

LAB 88.43, -24.53, 75.82

 

CMYK 6 / 0 / 68 / 2

HEX #EBFA50

RGB 235 250 80

HSL 65.29, 0.94%, 0.65%

LAB 94.57, -25.3, 75.79

 

CMYK 9 / 0 / 95 / 30

HEX #A2B209

RGB 162 178 9

HSL 65.68, 0.9%, 0.37%

LAB 69.14, -23.3, 69.59

 

CMYK 9 / 0 / 100 / 37

HEX #91A000

RGB 145 160 0

HSL 65.63, 1%, 0.31%

LAB 62.64, -21.87, 65.25

 

CMYK 10 / 0 / 100 / 44

HEX #808E00

RGB 128 142 0

HSL 65.92, 1%, 0.28%

LAB 56.02, -20.29, 59.74

 

CMYK 10 / 0 / 100 / 51

HEX #6F7C00

RGB 111 124 0

HSL 66.29, 1%, 0.24%

LAB 49.25, -18.67, 54.1

 

CMYK 11 / 0 / 100 / 58

HEX #5E6A00

RGB 94 106 0

HSL 66.79, 1%, 0.21%

LAB 42.29, -17.03, 48.31

 

CMYK 9 / 0 / 95 / 30

HEX #A3B309

RGB 163 179 9

HSL 65.65, 0.9%, 0.37%

LAB 69.5, -23.36, 69.9

 

CMYK 0 / 16 / 95 / 30

HEX #B39609

RGB 179 150 9

HSL 49.76, 0.9%, 0.37%

LAB 62.86, -1.2, 65.48

 

CMYK 0 / 42 / 95 / 30

HEX #B36809

RGB 179 104 9

HSL 33.53, 0.9%, 0.37%

LAB 51.27, 24.26, 57.1

 

CMYK 0 / 68 / 95 / 30

HEX #B33A09

RGB 179 58 9

HSL 17.29, 0.9%, 0.37%

LAB 42.2, 47.29, 51.01

 

CMYK 0 / 93 / 95 / 30

HEX #B30C09

RGB 179 12 9

HSL 1.06, 0.9%, 0.37%

LAB 37.6, 60.13, 48.24

 

CMYK 9 / 0 / 95 / 30

HEX #A3B309

RGB 163 179 9

HSL 65.65, 0.9%, 0.37%

LAB 69.5, -23.36, 69.9

 

CMYK 35 / 0 / 95 / 30

HEX #75B309

RGB 117 179 9

HSL 81.88, 0.9%, 0.37%

LAB 66.55, -41.98, 66.32

 

CMYK 60 / 0 / 95 / 30

HEX #48B309

RGB 72 179 9

HSL 97.76, 0.9%, 0.37%

LAB 64.67, -56.19, 64.02

 

CMYK 85 / 0 / 95 / 30

HEX #1AB309

RGB 26 179 9

HSL 114, 0.9%, 0.37%

LAB 63.74, -64.23, 62.87

 

CMYK 95 / 0 / 78 / 30

HEX #09B327

RGB 9 179 39

HSL 130.59, 0.9%, 0.37%

LAB 63.71, -64.09, 56.15

 

CMYK 9 / 0 / 95 / 30

HEX #A3B309

RGB 163 179 9

HSL 65.65, 0.9%, 0.37%

LAB 69.5, -23.36, 69.9

 

CMYK 9 / 0 / 95 / 30

HEX #A3B309

RGB 163 179 9

HSL 65.65, 0.9%, 0.37%

LAB 69.5, -23.36, 69.9

 

CMYK 8 / 0 / 85 / 36

HEX #97A419

RGB 151 164 25

HSL 65.61, 0.74%, 0.37%

LAB 64.32, -20.76, 62.61

 

CMYK 7 / 0 / 73 / 42

HEX #8A9528

RGB 138 149 40

HSL 66.06, 0.58%, 0.37%

LAB 59.02, -18.19, 52.86

 

CMYK 5 / 0 / 59 / 48

HEX #7E8537

RGB 126 133 55

HSL 65.38, 0.41%, 0.37%

LAB 53.48, -14.05, 40.32

 

CMYK 3 / 0 / 41 / 54

HEX #727646

RGB 114 118 70

HSL 65, 0.26%, 0.37%

LAB 48.23, -9.55, 25.92

 

CMYK 0 / 42 / 95 / 30

HEX #B36709

RGB 179 103 9

HSL 33.18, 0.9%, 0.37%

LAB 51.04, 24.81, 56.93

 

CMYK 0 / 17 / 95 / 30

HEX #B39409

RGB 179 148 9

HSL 49.06, 0.9%, 0.37%

LAB 62.32, -0.11, 65.09

 

CMYK 8 / 0 / 95 / 30

HEX #A5B309

RGB 165 179 9

HSL 64.94, 0.9%, 0.37%

LAB 69.65, -22.5, 70.08

 

CMYK 33 / 0 / 95 / 30

HEX #78B309

RGB 120 179 9

HSL 80.82, 0.9%, 0.37%

LAB 66.71, -40.86, 66.52

 

CMYK 58 / 0 / 95 / 30

HEX #4BB309

RGB 75 179 9

HSL 96.71, 0.9%, 0.37%

LAB 64.77, -55.42, 64.14

 

CMYK 9 / 0 / 95 / 60

HEX #5C6505

RGB 92 101 5

HSL 65.63, 0.91%, 0.21%

LAB 40.56, -15.11, 45.63

 

CMYK 9 / 0 / 95 / 45

HEX #808C07

RGB 128 140 7

HSL 65.41, 0.9%, 0.29%

LAB 55.44, -19.12, 58.14

 

CMYK 9 / 0 / 95 / 30

HEX #A3B309

RGB 163 179 9

HSL 65.65, 0.9%, 0.37%

LAB 69.5, -23.36, 69.9

 

CMYK 9 / 0 / 95 / 15

HEX #C7DA0B

RGB 199 218 11

HSL 65.51, 0.9%, 0.45%

LAB 83.08, -27, 81.26

 

CMYK 8 / 0 / 88 / 5

HEX #DFF31C

RGB 223 243 28

HSL 65.58, 0.9%, 0.53%

LAB 91.63, -28.67, 86.55

 

CMYK 9 / 0 / 95 / 30

HEX #A2B209

RGB 162 178 9

HSL 65.68, 0.9%, 0.37%

LAB 69.14, -23.3, 69.59

 

CMYK 95 / 0 / 68 / 30

HEX #09B33A

RGB 9 179 58

HSL 137.29, 0.9%, 0.37%

LAB 63.84, -62.44, 49.26

 

CMYK 30 / 95 / 0 / 30

HEX #7D09B3

RGB 125 9 179

HSL 280.94, 0.9%, 0.37%

LAB 33.58, 66.28, -61.56

 

CMYK 9 / 0 / 95 / 30

HEX #A2B209

RGB 162 178 9

HSL 65.68, 0.9%, 0.37%

LAB 69.14, -23.3, 69.59

 

CMYK 95 / 8 / 0 / 30

HEX #09A5B3

RGB 9 165 179

HSL 184.94, 0.9%, 0.37%

LAB 61.85, -29.93, -17.29

 

CMYK 0 / 95 / 8 / 30

HEX #B309A5

RGB 179 9 165

HSL 304.94, 0.9%, 0.37%

LAB 41.99, 72.42, -39.16

 

CMYK 9 / 0 / 95 / 30

HEX #A2B209

RGB 162 178 9

HSL 65.68, 0.9%, 0.37%

LAB 69.14, -23.3, 69.59

 

CMYK 95 / 0 / 68 / 30

HEX #09B33A

RGB 9 179 58

HSL 137.29, 0.9%, 0.37%

LAB 63.84, -62.44, 49.26

 

CMYK 87 / 95 / 0 / 30

HEX #1809B3

RGB 24 9 179

HSL 245.29, 0.9%, 0.37%

LAB 22.46, 58.8, -80.31

 

CMYK 0 / 95 / 27 / 30

HEX #B30983

RGB 179 9 131

HSL 316.94, 0.9%, 0.37%

LAB 40.28, 68.04, -21.17

 

CMYK 9 / 0 / 95 / 30

HEX #A2B209

RGB 162 178 9

HSL 65.68, 0.9%, 0.37%

LAB 69.14, -23.3, 69.59

 

CMYK 95 / 0 / 39 / 30

HEX #09B36D

RGB 9 179 109

HSL 155.29, 0.9%, 0.37%

LAB 64.49, -54.6, 25.24

 

CMYK 87 / 95 / 0 / 30

HEX #1809B3

RGB 24 9 179

HSL 245.29, 0.9%, 0.37%

LAB 22.46, 58.8, -80.31

 

CMYK 0 / 95 / 55 / 30

HEX #B30950

RGB 179 9 80

HSL 334.94, 0.9%, 0.37%

LAB 38.48, 63.25, 8.36

 

Description

Color code: HEX #A2B209 | qconv.com Color code: HEX #A2B209 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 178 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 178 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 95 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 95% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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