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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2B02E it is the complementary color #5D4FD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2B02E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2B02E shade: #A7B029, #B8C23C, #C9D44F, #DAE662 and #EBF875

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2B02E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2B02E shade: #A2B02E, #919E1B, #808C08, #6F7A00 and #5E6800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2B02E shade: #A4B22E, #B29D2E, #B2792E, #B2562E and #B2322E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2B02E shade: #A4B22E, #80B22E, #5DB22E, #39B22E and #2EB247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2B02E shade matches the following richer shades: #A4B22E, #B2C51C and #C1D70A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2B02E shade: #A4B22E, #96A040, #888E52, #797C64 and #6B6A77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2B02E shade: #B2792E, #B29C2E, #A5B22E, #82B22E and #5FB22E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2B02E shade: #68711D, #869226, #A4B22E, #BDCD3D and #C8D55E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2B02E shade: #A2B02E, #2EB256 and #8B2EB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2B02E shade: #A2B02E, #2EA5B2 and #B22EA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2B02E shade: #A2B02E, #2EB256, #3B2EB2 and #B22E8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2B02E shade: #A2B02E, #2EB27D, #3B2EB2 and #B22E63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 74 / 31

HEX #A2B02E

RGB 162 176 46

HSL 66.46, 0.59%, 0.44%

LAB 68.7, -21.21, 60.66

 

Complementary color

CMYK 56 / 62 / 0 / 18

HEX #5D4FD1

RGB 93 79 209

HSL 246.46, 0.59%, 0.56%

LAB 42.03, 41.27, -65.48

 

CMYK 5 / 0 / 77 / 31

HEX #A7B029

RGB 167 176 41

HSL 64, 0.62%, 0.43%

LAB 69.06, -19.3, 62.79

 

CMYK 5 / 0 / 69 / 24

HEX #B8C23C

RGB 184 194 60

HSL 64.48, 0.53%, 0.5%

LAB 75.51, -20.15, 62.83

 

CMYK 5 / 0 / 63 / 17

HEX #C9D44F

RGB 201 212 79

HSL 64.96, 0.61%, 0.57%

LAB 81.88, -20.84, 62.32

 

CMYK 5 / 0 / 57 / 10

HEX #DAE662

RGB 218 230 98

HSL 65.45, 0.73%, 0.64%

LAB 88.15, -21.41, 61.51

 

CMYK 5 / 0 / 53 / 3

HEX #EBF875

RGB 235 248 117

HSL 65.95, 0.9%, 0.72%

LAB 94.35, -21.88, 60.55

 

CMYK 8 / 0 / 74 / 31

HEX #A2B02E

RGB 162 176 46

HSL 66.46, 0.59%, 0.44%

LAB 68.7, -21.21, 60.66

 

CMYK 8 / 0 / 83 / 38

HEX #919E1B

RGB 145 158 27

HSL 65.95, 0.71%, 0.36%

LAB 62.13, -20.28, 60.04

 

CMYK 9 / 0 / 94 / 45

HEX #808C08

RGB 128 140 8

HSL 65.45, 0.89%, 0.29%

LAB 55.44, -19.1, 57.97

 

CMYK 9 / 0 / 100 / 52

HEX #6F7A00

RGB 111 122 0

HSL 65.41, 1%, 0.24%

LAB 48.63, -17.62, 53.65

 

CMYK 10 / 0 / 100 / 59

HEX #5E6800

RGB 94 104 0

HSL 65.77, 1%, 0.2%

LAB 41.66, -15.95, 47.85

 

CMYK 8 / 0 / 74 / 30

HEX #A4B22E

RGB 164 178 46

HSL 66.36, 0.59%, 0.44%

LAB 69.42, -21.36, 61.4

 

CMYK 0 / 12 / 74 / 30

HEX #B29D2E

RGB 178 157 46

HSL 50.45, 0.59%, 0.44%

LAB 64.78, -4.37, 57.39

 

CMYK 0 / 32 / 74 / 30

HEX #B2792E

RGB 178 121 46

HSL 34.09, 0.59%, 0.44%

LAB 55.42, 15.45, 48.16

 

CMYK 0 / 52 / 74 / 30

HEX #B2562E

RGB 178 86 46

HSL 18.18, 0.59%, 0.44%

LAB 47.39, 34.61, 39.81

 

CMYK 0 / 72 / 74 / 30

HEX #B2322E

RGB 178 50 46

HSL 1.82, 0.59%, 0.44%

LAB 41.13, 51.13, 32.93

 

CMYK 8 / 0 / 74 / 30

HEX #A4B22E

RGB 164 178 46

HSL 66.36, 0.59%, 0.44%

LAB 69.42, -21.36, 61.4

 

CMYK 28 / 0 / 74 / 30

HEX #80B22E

RGB 128 178 46

HSL 82.73, 0.59%, 0.44%

LAB 67, -36.04, 58.23

 

CMYK 48 / 0 / 74 / 30

HEX #5DB22E

RGB 93 178 46

HSL 98.64, 0.59%, 0.44%

LAB 65.25, -48.3, 55.92

 

CMYK 68 / 0 / 74 / 30

HEX #39B22E

RGB 57 178 46

HSL 115, 0.59%, 0.44%

LAB 64.09, -57.53, 54.37

 

CMYK 74 / 0 / 60 / 30

HEX #2EB247

RGB 46 178 71

HSL 131.36, 0.59%, 0.44%

LAB 64.06, -56.98, 43.91

 

CMYK 8 / 0 / 74 / 30

HEX #A4B22E

RGB 164 178 46

HSL 66.36, 0.59%, 0.44%

LAB 69.42, -21.36, 61.4

 

CMYK 10 / 0 / 86 / 23

HEX #B2C51C

RGB 178 197 28

HSL 66.75, 0.75%, 0.44%

LAB 75.75, -25.41, 72.32

 

CMYK 10 / 0 / 95 / 16

HEX #C1D70A

RGB 193 215 10

HSL 66.44, 0.91%, 0.44%

LAB 81.82, -28.07, 80.2

 

CMYK 8 / 0 / 74 / 30

HEX #A4B22E

RGB 164 178 46

HSL 66.36, 0.59%, 0.44%

LAB 69.42, -21.36, 61.4

 

CMYK 6 / 0 / 60 / 37

HEX #96A040

RGB 150 160 64

HSL 66.25, 0.43%, 0.44%

LAB 63.34, -17.1, 47.62

 

CMYK 4 / 0 / 42 / 44

HEX #888E52

RGB 136 142 82

HSL 66, 0.27%, 0.44%

LAB 57.26, -11.84, 31.17

 

CMYK 2 / 0 / 19 / 51

HEX #797C64

RGB 121 124 100

HSL 67.5, 0.11%, 0.44%

LAB 51.15, -5.58, 12.75

 

CMYK 10 / 11 / 0 / 53

HEX #6B6A77

RGB 107 106 119

HSL 244.62, 0.06%, 0.44%

LAB 45.31, 3.18, -7.09

 

CMYK 0 / 32 / 74 / 30

HEX #B2792E

RGB 178 121 46

HSL 34.09, 0.59%, 0.44%

LAB 55.42, 15.45, 48.16

 

CMYK 0 / 12 / 74 / 30

HEX #B29C2E

RGB 178 156 46

HSL 50, 0.59%, 0.44%

LAB 64.51, -3.83, 57.13

 

CMYK 7 / 0 / 74 / 30

HEX #A5B22E

RGB 165 178 46

HSL 65.91, 0.59%, 0.44%

LAB 69.5, -20.93, 61.5

 

CMYK 27 / 0 / 74 / 30

HEX #82B22E

RGB 130 178 46

HSL 81.82, 0.59%, 0.44%

LAB 67.11, -35.27, 58.38

 

CMYK 47 / 0 / 74 / 30

HEX #5FB22E

RGB 95 178 46

HSL 97.73, 0.59%, 0.44%

LAB 65.33, -47.67, 56.03

 

CMYK 8 / 0 / 74 / 56

HEX #68711D

RGB 104 113 29

HSL 66.43, 0.59%, 0.28%

LAB 45.42, -15.05, 42.89

 

CMYK 8 / 0 / 74 / 43

HEX #869226

RGB 134 146 38

HSL 66.67, 0.59%, 0.36%

LAB 57.81, -18.51, 52.32

 

CMYK 8 / 0 / 74 / 30

HEX #A4B22E

RGB 164 178 46

HSL 66.36, 0.59%, 0.44%

LAB 69.42, -21.36, 61.4

 

CMYK 8 / 0 / 70 / 20

HEX #BDCD3D

RGB 189 205 61

HSL 66.67, 0.59%, 0.52%

LAB 78.94, -23.42, 65.98

 

CMYK 6 / 0 / 56 / 16

HEX #C8D55E

RGB 200 213 94

HSL 66.55, 0.59%, 0.6%

LAB 82.2, -20.65, 56.23

 

CMYK 8 / 0 / 74 / 31

HEX #A2B02E

RGB 162 176 46

HSL 66.46, 0.59%, 0.44%

LAB 68.7, -21.21, 60.66

 

CMYK 74 / 0 / 52 / 30

HEX #2EB256

RGB 46 178 86

HSL 138.18, 0.59%, 0.44%

LAB 64.24, -54.9, 36.9

 

CMYK 22 / 74 / 0 / 30

HEX #8B2EB2

RGB 139 46 178

HSL 282.27, 0.59%, 0.44%

LAB 39, 58.65, -52.07

 

CMYK 8 / 0 / 74 / 31

HEX #A2B02E

RGB 162 176 46

HSL 66.46, 0.59%, 0.44%

LAB 68.7, -21.21, 60.66

 

CMYK 74 / 7 / 0 / 30

HEX #2EA5B2

RGB 46 165 178

HSL 185.91, 0.59%, 0.44%

LAB 62.26, -27.48, -16.07

 

CMYK 0 / 74 / 7 / 30

HEX #B22EA5

RGB 178 46 165

HSL 305.91, 0.59%, 0.44%

LAB 44.43, 64.65, -35.32

 

CMYK 8 / 0 / 74 / 31

HEX #A2B02E

RGB 162 176 46

HSL 66.46, 0.59%, 0.44%

LAB 68.7, -21.21, 60.66

 

CMYK 74 / 0 / 52 / 30

HEX #2EB256

RGB 46 178 86

HSL 138.18, 0.59%, 0.44%

LAB 64.24, -54.9, 36.9

 

CMYK 67 / 74 / 0 / 30

HEX #3B2EB2

RGB 59 46 178

HSL 245.91, 0.59%, 0.44%

LAB 29.66, 45.49, -67.7

 

CMYK 0 / 74 / 22 / 30

HEX #B22E8B

RGB 178 46 139

HSL 317.73, 0.59%, 0.44%

LAB 43.19, 60.9, -21.6

 

CMYK 8 / 0 / 74 / 31

HEX #A2B02E

RGB 162 176 46

HSL 66.46, 0.59%, 0.44%

LAB 68.7, -21.21, 60.66

 

CMYK 74 / 0 / 30 / 30

HEX #2EB27D

RGB 46 178 125

HSL 155.91, 0.59%, 0.44%

LAB 64.88, -47.58, 17.23

 

CMYK 67 / 74 / 0 / 30

HEX #3B2EB2

RGB 59 46 178

HSL 245.91, 0.59%, 0.44%

LAB 29.66, 45.49, -67.7

 

CMYK 0 / 74 / 44 / 30

HEX #B22E63

RGB 178 46 99

HSL 335.91, 0.59%, 0.44%

LAB 41.72, 56.28, 0.92

 

Description

Color code: HEX #A2B02E | qconv.com Color code: HEX #A2B02E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 176 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 176 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 74 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 74% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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