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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2AA19 it is the complementary color #5D55E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2AA19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2AA19 shade: #A7AA14, #B8BC27, #C9CE3A, #DAE04D and #EBF260

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2AA19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2AA19 shade: #A2AA19, #919806, #808600, #6F7400 and #5E6200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2AA19 shade: #A1A919, #A98A19, #A96319, #A93C19 and #A91919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2AA19 shade: #A1A919, #7AA919, #53A919, #2DA919 and #19A92C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2AA19 shade matches the following richer shades: #A1A919 and #AFB80A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2AA19 shade: #A1A919, #939929, #858939, #777A48 and #696A58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2AA19 shade: #A96319, #A98A19, #A1A919, #7BA919 and #55A919

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2AA19 shade: #5C610E, #7E8514, #A1A919, #C3CD1F and #D7E134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2AA19 shade: #A2AA19, #19A93D and #7619A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2AA19 shade: #A2AA19, #19A1A9 and #A919A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2AA19 shade: #A2AA19, #19A93D, #2019A9 and #A91985

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2AA19 shade: #A2AA19, #19A968, #2019A9 and #A9195A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 85 / 33

HEX #A2AA19

RGB 162 170 25

HSL 63.31, 0.74%, 0.38%

LAB 66.9, -18.99, 65.12

 

Complementary color

CMYK 60 / 63 / 0 / 10

HEX #5D55E6

RGB 93 85 230

HSL 243.31, 0.74%, 0.62%

LAB 44.99, 44.3, -72.64

 

CMYK 2 / 0 / 88 / 33

HEX #A7AA14

RGB 167 170 20

HSL 61.2, 0.79%, 0.37%

LAB 67.29, -16.92, 66.65

 

CMYK 2 / 0 / 79 / 26

HEX #B8BC27

RGB 184 188 39

HSL 61.61, 0.66%, 0.45%

LAB 73.74, -18.1, 68.1

 

CMYK 2 / 0 / 72 / 19

HEX #C9CE3A

RGB 201 206 58

HSL 62.03, 0.6%, 0.52%

LAB 80.1, -19.07, 68.48

 

CMYK 3 / 0 / 66 / 12

HEX #DAE04D

RGB 218 224 77

HSL 62.45, 0.7%, 0.59%

LAB 86.38, -19.88, 68.21

 

CMYK 3 / 0 / 60 / 5

HEX #EBF260

RGB 235 242 96

HSL 62.88, 0.85%, 0.66%

LAB 92.58, -20.55, 67.57

 

CMYK 5 / 0 / 85 / 33

HEX #A2AA19

RGB 162 170 25

HSL 63.31, 0.74%, 0.38%

LAB 66.9, -18.99, 65.12

 

CMYK 5 / 0 / 96 / 40

HEX #919806

RGB 145 152 6

HSL 62.88, 0.92%, 0.31%

LAB 60.33, -17.7, 62.65

 

CMYK 4 / 0 / 100 / 47

HEX #808600

RGB 128 134 0

HSL 62.69, 1%, 0.26%

LAB 53.64, -16.13, 57.98

 

CMYK 4 / 0 / 100 / 55

HEX #6F7400

RGB 111 116 0

HSL 62.59, 1%, 0.23%

LAB 46.8, -14.41, 52.3

 

CMYK 4 / 0 / 100 / 62

HEX #5E6200

RGB 94 98 0

HSL 62.45, 1%, 0.19%

LAB 39.77, -12.64, 46.45

 

CMYK 5 / 0 / 85 / 34

HEX #A1A919

RGB 161 169 25

HSL 63.33, 0.74%, 0.38%

LAB 66.54, -18.92, 64.78

 

CMYK 0 / 18 / 85 / 34

HEX #A98A19

RGB 169 138 25

HSL 47.08, 0.74%, 0.38%

LAB 58.68, 1.12, 58.5

 

CMYK 0 / 41 / 85 / 34

HEX #A96319

RGB 169 99 25

HSL 30.83, 0.74%, 0.38%

LAB 48.8, 22.98, 50.15

 

CMYK 0 / 64 / 85 / 34

HEX #A93C19

RGB 169 60 25

HSL 14.58, 0.74%, 0.38%

LAB 40.79, 43.14, 43.22

 

CMYK 0 / 85 / 85 / 34

HEX #A91919

RGB 169 25 25

HSL 0, 0.74%, 0.38%

LAB 36.37, 55.36, 39.29

 

CMYK 5 / 0 / 85 / 34

HEX #A1A919

RGB 161 169 25

HSL 63.33, 0.74%, 0.38%

LAB 66.54, -18.92, 64.78

 

CMYK 28 / 0 / 85 / 34

HEX #7AA919

RGB 122 169 25

HSL 79.58, 0.74%, 0.38%

LAB 63.82, -35.27, 61.4

 

CMYK 51 / 0 / 85 / 34

HEX #53A919

RGB 83 169 25

HSL 95.83, 0.74%, 0.38%

LAB 61.9, -49.01, 58.97

 

CMYK 73 / 0 / 85 / 34

HEX #2DA919

RGB 45 169 25

HSL 111.67, 0.74%, 0.38%

LAB 60.79, -58.12, 57.55

 

CMYK 85 / 0 / 74 / 34

HEX #19A92C

RGB 25 169 44

HSL 127.92, 0.74%, 0.38%

LAB 60.57, -59.59, 51.36

 

CMYK 5 / 0 / 85 / 34

HEX #A1A919

RGB 161 169 25

HSL 63.33, 0.74%, 0.38%

LAB 66.54, -18.92, 64.78

 

CMYK 5 / 0 / 95 / 28

HEX #AFB80A

RGB 175 184 10

HSL 63.1, 0.9%, 0.38%

LAB 71.84, -20.65, 71.98

 

CMYK 5 / 0 / 85 / 34

HEX #A1A919

RGB 161 169 25

HSL 63.33, 0.74%, 0.38%

LAB 66.54, -18.92, 64.78

 

CMYK 4 / 0 / 73 / 40

HEX #939929

RGB 147 153 41

HSL 63.21, 0.58%, 0.38%

LAB 60.91, -16.25, 54.57

 

CMYK 3 / 0 / 58 / 46

HEX #858939

RGB 133 137 57

HSL 63, 0.41%, 0.38%

LAB 55.25, -12.94, 41.51

 

CMYK 2 / 0 / 41 / 52

HEX #777A48

RGB 119 122 72

HSL 63.6, 0.26%, 0.38%

LAB 49.87, -9.36, 26.98

 

CMYK 1 / 0 / 17 / 58

HEX #696A58

RGB 105 106 88

HSL 63.33, 0.09%, 0.38%

LAB 44.26, -3.83, 10

 

CMYK 0 / 41 / 85 / 34

HEX #A96319

RGB 169 99 25

HSL 30.83, 0.74%, 0.38%

LAB 48.8, 22.98, 50.15

 

CMYK 0 / 18 / 85 / 34

HEX #A98A19

RGB 169 138 25

HSL 47.08, 0.74%, 0.38%

LAB 58.68, 1.12, 58.5

 

CMYK 5 / 0 / 85 / 34

HEX #A1A919

RGB 161 169 25

HSL 63.33, 0.74%, 0.38%

LAB 66.54, -18.92, 64.78

 

CMYK 27 / 0 / 85 / 34

HEX #7BA919

RGB 123 169 25

HSL 79.17, 0.74%, 0.38%

LAB 63.88, -34.87, 61.47

 

CMYK 50 / 0 / 85 / 34

HEX #55A919

RGB 85 169 25

HSL 95, 0.74%, 0.38%

LAB 61.98, -48.4, 59.07

 

CMYK 5 / 0 / 86 / 62

HEX #5C610E

RGB 92 97 14

HSL 63.61, 0.75%, 0.22%

LAB 39.34, -12.61, 42.21

 

CMYK 5 / 0 / 85 / 48

HEX #7E8514

RGB 126 133 20

HSL 63.72, 0.74%, 0.3%

LAB 53.23, -16.06, 53.65

 

CMYK 5 / 0 / 85 / 34

HEX #A1A919

RGB 161 169 25

HSL 63.33, 0.74%, 0.38%

LAB 66.54, -18.92, 64.78

 

CMYK 5 / 0 / 85 / 20

HEX #C3CD1F

RGB 195 205 31

HSL 63.45, 0.74%, 0.46%

LAB 79.25, -22.07, 75.11

 

CMYK 4 / 0 / 77 / 12

HEX #D7E134

RGB 215 225 52

HSL 63.47, 0.74%, 0.54%

LAB 86.28, -22.77, 76.49

 

CMYK 5 / 0 / 85 / 33

HEX #A2AA19

RGB 162 170 25

HSL 63.31, 0.74%, 0.38%

LAB 66.9, -18.99, 65.12

 

CMYK 85 / 0 / 64 / 34

HEX #19A93D

RGB 25 169 61

HSL 135, 0.74%, 0.38%

LAB 60.71, -57.88, 44.55

 

CMYK 30 / 85 / 0 / 34

HEX #7619A9

RGB 118 25 169

HSL 278.75, 0.74%, 0.38%

LAB 32.73, 60.06, -57.02

 

CMYK 5 / 0 / 85 / 33

HEX #A2AA19

RGB 162 170 25

HSL 63.31, 0.74%, 0.38%

LAB 66.9, -18.99, 65.12

 

CMYK 85 / 5 / 0 / 34

HEX #19A1A9

RGB 25 161 169

HSL 183.33, 0.74%, 0.38%

LAB 60.39, -30.37, -13.85

 

CMYK 0 / 85 / 5 / 34

HEX #A919A1

RGB 169 25 161

HSL 303.33, 0.74%, 0.38%

LAB 40.74, 67.65, -38.86

 

CMYK 5 / 0 / 85 / 33

HEX #A2AA19

RGB 162 170 25

HSL 63.31, 0.74%, 0.38%

LAB 66.9, -18.99, 65.12

 

CMYK 85 / 0 / 64 / 34

HEX #19A93D

RGB 25 169 61

HSL 135, 0.74%, 0.38%

LAB 60.71, -57.88, 44.55

 

CMYK 81 / 85 / 0 / 34

HEX #2019A9

RGB 32 25 169

HSL 242.92, 0.74%, 0.38%

LAB 23.23, 50.99, -73

 

CMYK 0 / 85 / 21 / 34

HEX #A91985

RGB 169 25 133

HSL 315, 0.74%, 0.38%

LAB 39.28, 63.72, -24.1

 

CMYK 5 / 0 / 85 / 33

HEX #A2AA19

RGB 162 170 25

HSL 63.31, 0.74%, 0.38%

LAB 66.9, -18.99, 65.12

 

CMYK 85 / 0 / 38 / 34

HEX #19A968

RGB 25 169 104

HSL 152.92, 0.74%, 0.38%

LAB 61.29, -50.96, 23.69

 

CMYK 81 / 85 / 0 / 34

HEX #2019A9

RGB 32 25 169

HSL 242.92, 0.74%, 0.38%

LAB 23.23, 50.99, -73

 

CMYK 0 / 85 / 47 / 34

HEX #A9195A

RGB 169 25 90

HSL 332.92, 0.74%, 0.38%

LAB 37.61, 59, 0.42

 

Description

Color code: HEX #A2AA19 | qconv.com Color code: HEX #A2AA19 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 170 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 170 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 85 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 85% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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