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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2A8C2 it is the complementary color #5D573D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2A8C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2A8C2 shade: #A7A8BD, #B8BAD0, #C9CCE3, #DADEF6 and #EBF0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2A8C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2A8C2 shade: #A2A8C2, #9196AF, #80849C, #6F7289 and #5E6076

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2A8C2 shade: #A2A8C3, #A5A2C3, #AEA2C3, #B6A2C3 and #BFA2C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2A8C2 shade: #A2A8C3 and #A2A2C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2A8C2 shade matches the following richer shades: #A2A8C3, #96A1CF, #8A99DB, #7D91E8 and #718AF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2A8C2 shade: #A2A8C3, #AFB0B6, #BBB8AA, #C8C09D and #D4C791

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2A8C2 shade: #A2BAC3, #A2B1C3, #A2A9C3, #A5A2C3 and #ADA2C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2A8C2 shade: #717AA2, #8991B2, #A2A8C3, #BBC0D3 and #D4D7E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2A8C2 shade: #A2A8C2, #C3A2C3 and #B6C3A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2A8C2 shade: #A2A8C2, #C3A2A9 and #A9C3A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2A8C2 shade: #A2A8C2, #C3A2C3, #C3BCA2 and #A2C3A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2A8C2 shade: #A2A8C2, #C3A2B9, #C3BCA2 and #A2C3AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 13 / 0 / 24

HEX #A2A8C2

RGB 162 168 194

HSL 228.75, 0.21%, 0.7%

LAB 69.17, 3.29, -14.01

 

Complementary color

CMYK 0 / 6 / 34 / 64

HEX #5D573D

RGB 93 87 61

HSL 48.75, 0.21%, 0.3%

LAB 36.89, -2.1, 16.02

 

CMYK 12 / 11 / 0 / 26

HEX #A7A8BD

RGB 167 168 189

HSL 237.27, 0.14%, 0.7%

LAB 69.39, 3.86, -10.86

 

CMYK 12 / 11 / 0 / 18

HEX #B8BAD0

RGB 184 186 208

HSL 235, 0.2%, 0.77%

LAB 75.98, 3.64, -11.29

 

CMYK 11 / 10 / 0 / 11

HEX #C9CCE3

RGB 201 204 227

HSL 233.08, 0.32%, 0.84%

LAB 82.46, 3.44, -11.71

 

CMYK 11 / 10 / 0 / 4

HEX #DADEF6

RGB 218 222 246

HSL 231.43, 0.61%, 0.91%

LAB 88.83, 3.25, -12.14

 

CMYK 8 / 6 / 0 / 0

HEX #EBF0FF

RGB 235 240 255

HSL 225, 1%, 0.96%

LAB 94.82, 1.13, -7.79

 

CMYK 16 / 13 / 0 / 24

HEX #A2A8C2

RGB 162 168 194

HSL 228.75, 0.21%, 0.7%

LAB 69.17, 3.29, -14.01

 

CMYK 17 / 14 / 0 / 31

HEX #9196AF

RGB 145 150 175

HSL 230, 0.16%, 0.63%

LAB 62.45, 3.51, -13.64

 

CMYK 18 / 15 / 0 / 39

HEX #80849C

RGB 128 132 156

HSL 231.43, 0.12%, 0.56%

LAB 55.58, 3.76, -13.29

 

CMYK 19 / 17 / 0 / 46

HEX #6F7289

RGB 111 114 137

HSL 233.08, 0.1%, 0.49%

LAB 48.54, 4.03, -12.95

 

CMYK 20 / 19 / 0 / 54

HEX #5E6076

RGB 94 96 118

HSL 235, 0.11%, 0.42%

LAB 41.3, 4.33, -12.63

 

CMYK 17 / 14 / 0 / 24

HEX #A2A8C3

RGB 162 168 195

HSL 229.09, 0.22%, 0.7%

LAB 69.2, 3.51, -14.51

 

CMYK 15 / 17 / 0 / 24

HEX #A5A2C3

RGB 165 162 195

HSL 245.45, 0.22%, 0.7%

LAB 67.86, 7.81, -16.52

 

CMYK 11 / 17 / 0 / 24

HEX #AEA2C3

RGB 174 162 195

HSL 261.82, 0.22%, 0.7%

LAB 68.59, 10.78, -15.34

 

CMYK 7 / 17 / 0 / 24

HEX #B6A2C3

RGB 182 162 195

HSL 276.36, 0.22%, 0.7%

LAB 69.27, 13.47, -14.24

 

CMYK 2 / 17 / 0 / 24

HEX #BFA2C3

RGB 191 162 195

HSL 292.73, 0.22%, 0.7%

LAB 70.08, 16.52, -12.96

 

CMYK 17 / 14 / 0 / 24

HEX #A2A8C3

RGB 162 168 195

HSL 229.09, 0.22%, 0.7%

LAB 69.2, 3.51, -14.51

 

CMYK 17 / 17 / 0 / 24

HEX #A2A2C3

RGB 162 162 195

HSL 240, 0.22%, 0.7%

LAB 67.62, 6.84, -16.89

 

CMYK 17 / 14 / 0 / 24

HEX #A2A8C3

RGB 162 168 195

HSL 229.09, 0.22%, 0.7%

LAB 69.2, 3.51, -14.51

 

CMYK 28 / 22 / 0 / 19

HEX #96A1CF

RGB 150 161 207

HSL 228.42, 0.37%, 0.7%

LAB 66.88, 6.45, -24.76

 

CMYK 37 / 30 / 0 / 14

HEX #8A99DB

RGB 138 153 219

HSL 228.89, 0.53%, 0.7%

LAB 64.4, 10.65, -35.31

 

CMYK 46 / 38 / 0 / 9

HEX #7D91E8

RGB 125 145 232

HSL 228.79, 0.7%, 0.7%

LAB 62.03, 15.61, -46.29

 

CMYK 54 / 43 / 0 / 4

HEX #718AF4

RGB 113 138 244

HSL 228.55, 0.86%, 0.7%

LAB 60.09, 20.7, -56.05

 

CMYK 17 / 14 / 0 / 24

HEX #A2A8C3

RGB 162 168 195

HSL 229.09, 0.22%, 0.7%

LAB 69.2, 3.51, -14.51

 

CMYK 4 / 3 / 0 / 29

HEX #AFB0B6

RGB 175 176 182

HSL 231.43, 0.05%, 0.7%

LAB 71.92, 0.8, -3.19

 

CMYK 0 / 2 / 9 / 27

HEX #BBB8AA

RGB 187 184 170

HSL 49.41, 0.11%, 0.7%

LAB 74.67, -1.42, 7.48

 

CMYK 0 / 4 / 22 / 22

HEX #C8C09D

RGB 200 192 157

HSL 48.84, 0.28%, 0.7%

LAB 77.53, -2.89, 18.68

 

CMYK 0 / 6 / 32 / 17

HEX #D4C791

RGB 212 199 145

HSL 48.36, 0.44%, 0.7%

LAB 80.12, -3.57, 28.73

 

CMYK 17 / 5 / 0 / 24

HEX #A2BAC3

RGB 162 186 195

HSL 196.36, 0.22%, 0.7%

LAB 74.02, -6.26, -7.31

 

CMYK 17 / 9 / 0 / 24

HEX #A2B1C3

RGB 162 177 195

HSL 212.73, 0.22%, 0.7%

LAB 71.6, -1.42, -10.91

 

CMYK 17 / 13 / 0 / 24

HEX #A2A9C3

RGB 162 169 195

HSL 227.27, 0.22%, 0.7%

LAB 69.47, 2.96, -14.11

 

CMYK 15 / 17 / 0 / 24

HEX #A5A2C3

RGB 165 162 195

HSL 245.45, 0.22%, 0.7%

LAB 67.86, 7.81, -16.52

 

CMYK 11 / 17 / 0 / 24

HEX #ADA2C3

RGB 173 162 195

HSL 260, 0.22%, 0.7%

LAB 68.51, 10.45, -15.47

 

CMYK 30 / 25 / 0 / 36

HEX #717AA2

RGB 113 122 162

HSL 228.98, 0.21%, 0.54%

LAB 51.88, 6.24, -22.51

 

CMYK 23 / 19 / 0 / 30

HEX #8991B2

RGB 137 145 178

HSL 228.29, 0.21%, 0.62%

LAB 60.59, 4.44, -18.21

 

CMYK 17 / 14 / 0 / 24

HEX #A2A8C3

RGB 162 168 195

HSL 229.09, 0.22%, 0.7%

LAB 69.2, 3.51, -14.51

 

CMYK 11 / 9 / 0 / 17

HEX #BBC0D3

RGB 187 192 211

HSL 227.5, 0.21%, 0.78%

LAB 77.86, 2.02, -10.1

 

CMYK 7 / 5 / 0 / 11

HEX #D4D7E3

RGB 212 215 227

HSL 228, 0.21%, 0.86%

LAB 86.08, 1.24, -6.25

 

CMYK 16 / 13 / 0 / 24

HEX #A2A8C2

RGB 162 168 194

HSL 228.75, 0.21%, 0.7%

LAB 69.17, 3.29, -14.01

 

CMYK 0 / 17 / 0 / 24

HEX #C3A2C3

RGB 195 162 195

HSL 300, 0.22%, 0.7%

LAB 70.44, 17.89, -12.37

 

CMYK 7 / 0 / 17 / 24

HEX #B6C3A2

RGB 182 195 162

HSL 83.64, 0.22%, 0.7%

LAB 77.03, -10.35, 15.1

 

CMYK 16 / 13 / 0 / 24

HEX #A2A8C2

RGB 162 168 194

HSL 228.75, 0.21%, 0.7%

LAB 69.17, 3.29, -14.01

 

CMYK 0 / 17 / 13 / 24

HEX #C3A2A9

RGB 195 162 169

HSL 347.27, 0.22%, 0.7%

LAB 69.69, 13.26, 0.92

 

CMYK 13 / 0 / 17 / 24

HEX #A9C3A2

RGB 169 195 162

HSL 107.27, 0.22%, 0.7%

LAB 76.11, -15.01, 13.68

 

CMYK 16 / 13 / 0 / 24

HEX #A2A8C2

RGB 162 168 194

HSL 228.75, 0.21%, 0.7%

LAB 69.17, 3.29, -14.01

 

CMYK 0 / 17 / 0 / 24

HEX #C3A2C3

RGB 195 162 195

HSL 300, 0.22%, 0.7%

LAB 70.44, 17.89, -12.37

 

CMYK 0 / 4 / 17 / 24

HEX #C3BCA2

RGB 195 188 162

HSL 47.27, 0.22%, 0.7%

LAB 76.18, -1.9, 14.05

 

CMYK 17 / 0 / 17 / 24

HEX #A2C3A2

RGB 162 195 162

HSL 120, 0.22%, 0.7%

LAB 75.65, -17.45, 12.96

 

CMYK 16 / 13 / 0 / 24

HEX #A2A8C2

RGB 162 168 194

HSL 228.75, 0.21%, 0.7%

LAB 69.17, 3.29, -14.01

 

CMYK 0 / 17 / 5 / 24

HEX #C3A2B9

RGB 195 162 185

HSL 318.18, 0.22%, 0.7%

LAB 70.14, 16.04, -7.29

 

CMYK 0 / 4 / 17 / 24

HEX #C3BCA2

RGB 195 188 162

HSL 47.27, 0.22%, 0.7%

LAB 76.18, -1.9, 14.05

 

CMYK 17 / 0 / 12 / 24

HEX #A2C3AC

RGB 162 195 172

HSL 138.18, 0.22%, 0.7%

LAB 75.88, -15.61, 7.89

 

Description

Color code: HEX #A2A8C2 | qconv.com Color code: HEX #A2A8C2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 168 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 168 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 13 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 13% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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