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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A29904 it is the complementary color #5D66FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A29904. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A29904 shade: #A79900, #B8AB12, #C9BD25, #DACF38 and #EBE14B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A29904. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A29904 shade: #A29904, #918700, #807500, #6F6300 and #5E5100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A29904 shade: #A49B04, #A47004, #A44504, #A41A04 and #A40404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A29904 shade: #A49B04, #82A404, #57A404, #2CA404 and #04A408

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A29904 shade matches the following richer shades: #A49B04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A29904 shade: #A49B04, #968F12, #89831F, #7B772D and #6E6B3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A29904 shade: #A44404, #A46F04, #A49904, #84A404 and #59A404

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A29904 shade: #544F02, #7C7503, #A49B04, #CCC105 and #F5E706

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A29904 shade: #A29904, #04A41A and #5904A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A29904 shade: #A29904, #04A499 and #9904A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A29904 shade: #A29904, #04A41A, #040FA4 and #A4048F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A29904 shade: #A29904, #04A449, #040FA4 and #A4045F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 98 / 36

HEX #A29904

RGB 162 153 4

HSL 56.58, 0.95%, 0.33%

LAB 62.06, -10.59, 64.88

 

Complementary color

CMYK 63 / 59 / 0 / 2

HEX #5D66FB

RGB 93 102 251

HSL 236.58, 0.95%, 0.67%

LAB 50.45, 40.97, -75.53

 

CMYK 0 / 8 / 100 / 35

HEX #A79900

RGB 167 153 0

HSL 54.97, 1%, 0.33%

LAB 62.51, -8.38, 65.99

 

CMYK 0 / 7 / 90 / 28

HEX #B8AB12

RGB 184 171 18

HSL 55.3, 0.82%, 0.4%

LAB 69.01, -9.97, 68.99

 

CMYK 0 / 6 / 82 / 21

HEX #C9BD25

RGB 201 189 37

HSL 55.61, 0.69%, 0.47%

LAB 75.42, -11.34, 70.65

 

CMYK 0 / 5 / 74 / 15

HEX #DACF38

RGB 218 207 56

HSL 55.93, 0.69%, 0.54%

LAB 81.74, -12.5, 71.18

 

CMYK 0 / 4 / 68 / 8

HEX #EBE14B

RGB 235 225 75

HSL 56.25, 0.8%, 0.61%

LAB 87.98, -13.49, 71.02

 

CMYK 0 / 6 / 98 / 36

HEX #A29904

RGB 162 153 4

HSL 56.58, 0.95%, 0.33%

LAB 62.06, -10.59, 64.88

 

CMYK 0 / 7 / 100 / 43

HEX #918700

RGB 145 135 0

HSL 55.86, 1%, 0.28%

LAB 55.43, -8.81, 59.96

 

CMYK 0 / 9 / 100 / 50

HEX #807500

RGB 128 117 0

HSL 54.84, 1%, 0.25%

LAB 48.65, -6.89, 54.34

 

CMYK 0 / 11 / 100 / 56

HEX #6F6300

RGB 111 99 0

HSL 53.51, 1%, 0.22%

LAB 41.69, -4.89, 48.58

 

CMYK 0 / 14 / 100 / 63

HEX #5E5100

RGB 94 81 0

HSL 51.7, 1%, 0.18%

LAB 34.53, -2.78, 42.65

 

CMYK 0 / 5 / 98 / 36

HEX #A49B04

RGB 164 155 4

HSL 56.63, 0.95%, 0.33%

LAB 62.8, -10.74, 65.51

 

CMYK 0 / 32 / 98 / 36

HEX #A47004

RGB 164 112 4

HSL 40.5, 0.95%, 0.33%

LAB 51.26, 12.98, 57.18

 

CMYK 0 / 58 / 98 / 36

HEX #A44504

RGB 164 69 4

HSL 24.38, 0.95%, 0.33%

LAB 41.47, 36.54, 50.7

 

CMYK 0 / 84 / 98 / 36

HEX #A41A04

RGB 164 26 4

HSL 8.25, 0.95%, 0.33%

LAB 35.28, 53.31, 47.17

 

CMYK 0 / 98 / 98 / 36

HEX #A40404

RGB 164 4 4

HSL 0, 0.95%, 0.33%

LAB 33.96, 57.1, 46.44

 

CMYK 0 / 5 / 98 / 36

HEX #A49B04

RGB 164 155 4

HSL 56.63, 0.95%, 0.33%

LAB 62.8, -10.74, 65.51

 

CMYK 21 / 0 / 98 / 36

HEX #82A404

RGB 130 164 4

HSL 72.75, 0.95%, 0.33%

LAB 62.76, -30.18, 64.32

 

CMYK 47 / 0 / 98 / 36

HEX #57A404

RGB 87 164 4

HSL 88.88, 0.95%, 0.33%

LAB 60.41, -46.41, 61.47

 

CMYK 73 / 0 / 98 / 36

HEX #2CA404

RGB 44 164 4

HSL 105, 0.95%, 0.33%

LAB 59.06, -57.39, 59.82

 

CMYK 98 / 0 / 95 / 36

HEX #04A408

RGB 4 164 8

HSL 121.5, 0.95%, 0.33%

LAB 58.6, -61.51, 58.67

 

CMYK 0 / 5 / 98 / 36

HEX #A49B04

RGB 164 155 4

HSL 56.63, 0.95%, 0.33%

LAB 62.8, -10.74, 65.51

 

CMYK 0 / 5 / 98 / 36

HEX #A49B04

RGB 164 155 4

HSL 56.63, 0.95%, 0.33%

LAB 62.8, -10.74, 65.51

 

CMYK 0 / 5 / 88 / 41

HEX #968F12

RGB 150 143 18

HSL 56.82, 0.79%, 0.33%

LAB 58.2, -10.48, 59.1

 

CMYK 0 / 4 / 77 / 46

HEX #89831F

RGB 137 131 31

HSL 56.6, 0.63%, 0.33%

LAB 53.65, -9.53, 50.99

 

CMYK 0 / 3 / 63 / 52

HEX #7B772D

RGB 123 119 45

HSL 56.92, 0.46%, 0.33%

LAB 49, -8.54, 40.09

 

CMYK 0 / 3 / 46 / 57

HEX #6E6B3B

RGB 110 107 59

HSL 56.47, 0.3%, 0.33%

LAB 44.44, -6.41, 27.22

 

CMYK 0 / 59 / 98 / 36

HEX #A44404

RGB 164 68 4

HSL 24, 0.95%, 0.33%

LAB 41.27, 37.03, 50.58

 

CMYK 0 / 32 / 98 / 36

HEX #A46F04

RGB 164 111 4

HSL 40.13, 0.95%, 0.33%

LAB 51, 13.55, 57.01

 

CMYK 0 / 7 / 98 / 36

HEX #A49904

RGB 164 153 4

HSL 55.88, 0.95%, 0.33%

LAB 62.24, -9.68, 65.09

 

CMYK 20 / 0 / 98 / 36

HEX #84A404

RGB 132 164 4

HSL 72, 0.95%, 0.33%

LAB 62.9, -29.35, 64.48

 

CMYK 46 / 0 / 98 / 36

HEX #59A404

RGB 89 164 4

HSL 88.13, 0.95%, 0.33%

LAB 60.5, -45.75, 61.58

 

CMYK 0 / 6 / 98 / 67

HEX #544F02

RGB 84 79 2

HSL 56.34, 0.95%, 0.17%

LAB 32.88, -6.6, 40.25

 

CMYK 0 / 6 / 98 / 51

HEX #7C7503

RGB 124 117 3

HSL 56.53, 0.95%, 0.25%

LAB 48.28, -8.73, 53.26

 

CMYK 0 / 5 / 98 / 36

HEX #A49B04

RGB 164 155 4

HSL 56.63, 0.95%, 0.33%

LAB 62.8, -10.74, 65.51

 

CMYK 0 / 5 / 98 / 20

HEX #CCC105

RGB 204 193 5

HSL 56.68, 0.95%, 0.41%

LAB 76.67, -12.66, 77.19

 

CMYK 0 / 6 / 98 / 4

HEX #F5E706

RGB 245 231 6

HSL 56.49, 0.95%, 0.49%

LAB 90.13, -14.09, 88.55

 

CMYK 0 / 6 / 98 / 36

HEX #A29904

RGB 162 153 4

HSL 56.58, 0.95%, 0.33%

LAB 62.06, -10.59, 64.88

 

CMYK 98 / 0 / 84 / 36

HEX #04A41A

RGB 4 164 26

HSL 128.25, 0.95%, 0.33%

LAB 58.65, -60.81, 55.18

 

CMYK 46 / 98 / 0 / 36

HEX #5904A4

RGB 89 4 164

HSL 271.88, 0.95%, 0.33%

LAB 26.42, 59.8, -64.5

 

CMYK 0 / 6 / 98 / 36

HEX #A29904

RGB 162 153 4

HSL 56.58, 0.95%, 0.33%

LAB 62.06, -10.59, 64.88

 

CMYK 98 / 0 / 7 / 36

HEX #04A499

RGB 4 164 153

HSL 175.88, 0.95%, 0.33%

LAB 60.67, -37.75, -4.42

 

CMYK 7 / 98 / 0 / 36

HEX #9904A4

RGB 153 4 164

HSL 295.88, 0.95%, 0.33%

LAB 37, 68.34, -46.8

 

CMYK 0 / 6 / 98 / 36

HEX #A29904

RGB 162 153 4

HSL 56.58, 0.95%, 0.33%

LAB 62.06, -10.59, 64.88

 

CMYK 98 / 0 / 84 / 36

HEX #04A41A

RGB 4 164 26

HSL 128.25, 0.95%, 0.33%

LAB 58.65, -60.81, 55.18

 

CMYK 98 / 91 / 0 / 36

HEX #040FA4

RGB 4 15 164

HSL 235.88, 0.95%, 0.33%

LAB 20.23, 52.62, -74.98

 

CMYK 0 / 98 / 13 / 36

HEX #A4048F

RGB 164 4 143

HSL 307.88, 0.95%, 0.33%

LAB 37.78, 67.14, -32.68

 

CMYK 0 / 6 / 98 / 36

HEX #A29904

RGB 162 153 4

HSL 56.58, 0.95%, 0.33%

LAB 62.06, -10.59, 64.88

 

CMYK 98 / 0 / 55 / 36

HEX #04A449

RGB 4 164 73

HSL 145.88, 0.95%, 0.33%

LAB 59.03, -56.06, 36.89

 

CMYK 98 / 91 / 0 / 36

HEX #040FA4

RGB 4 15 164

HSL 235.88, 0.95%, 0.33%

LAB 20.23, 52.62, -74.98

 

CMYK 0 / 98 / 42 / 36

HEX #A4045F

RGB 164 4 95

HSL 325.88, 0.95%, 0.33%

LAB 35.61, 61.56, -5.86

 

Description

Color code: HEX #A29904 | qconv.com Color code: HEX #A29904 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 153 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 153 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 98 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 98% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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