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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A293FACE it is the complementary color #5D6C05CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A293FACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A293FACE shade: #A793F5CE, #B8A5FFCE, #C9B7FFCE, #DAC9FFCE and #EBDBFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A293FACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A293FACE shade: #A293FACE, #9181E7CE, #806FD4CE, #6F5DC1CE and #5E4BAECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A293FACE shade: #A394FA, #BE94FA, #DA94FA, #F594FA and #FA94E3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A293FACE shade: #A394FA and #9494FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A293FACE shade matches the following richer shades: #A394FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A293FACE shade: #A394FA, #A99DF1, #B0A6E8, #B6AFDF and #BCB8D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A293FACE shade: #94BDFA, #94A1FA, #A194FA, #BD94FA and #D894FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A293FACE shade: #5F45F6, #816CF8, #A394FA, #C5BBFC and #E7E3FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A293FACE shade: #A293FA, #FA94D8 and #AFFA94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A293FACE shade: #A293FA, #FAA194 and #94FAA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A293FACE shade: #A293FA, #FA94D8, #ECFA94 and #94FAB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A293FACE shade: #A293FA, #FA94B9, #ECFA94 and #94FAD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 33 / 0 / 2

HEX #A293FACE

RGBA 162 147 250 0.81

HSLA 248.74, 0.91%, 0.78%, 0.81

LABA 66.1, 28.74, -49.59, 0.81

 

Complementary color

CMYK 11 / 0 / 77 / 47

HEX #5D6C05CE

RGBA 93 108 5 0.81

HSLA 68.74, 0.91%, 0.22%, 0.81

LABA 42.86, -18.41, 47.48, 0.81

 

CMYK 26 / 32 / 0 / 3

HEX #A793F5CE

RGBA 167 147 245 0.81

HSLA 252.24, 0.83%, 0.77%, 0.81

LABA 66.27, 28.78, -46.55, 0.81

 

CMYK 23 / 29 / 0 / 0

HEX #B8A5FFCE

RGBA 184 165 255 0.81

HSLA 252.67, 1%, 0.82%, 0.81

LABA 72.44, 25.81, -42.22, 0.81

 

CMYK 17 / 23 / 0 / 0

HEX #C9B7FFCE

RGBA 201 183 255 0.81

HSLA 255, 1%, 0.86%, 0.81

LABA 78.17, 20.78, -33.21, 0.81

 

CMYK 12 / 17 / 0 / 0

HEX #DAC9FFCE

RGBA 218 201 255 0.81

HSLA 258.89, 1%, 0.89%, 0.81

LABA 83.91, 16.2, -24.3, 0.81

 

CMYK 6 / 11 / 0 / 0

HEX #EBDBFFCE

RGBA 235 219 255 0.81

HSLA 266.67, 1%, 0.93%, 0.81

LABA 89.65, 12.02, -15.5, 0.81

 

CMYK 29 / 33 / 0 / 2

HEX #A293FACE

RGBA 162 147 250 0.81

HSLA 248.74, 0.91%, 0.78%, 0.81

LABA 66.1, 28.74, -49.59, 0.81

 

CMYK 30 / 36 / 0 / 8

HEX #9181E7CE

RGBA 145 129 231 0.81

HSLA 249.41, 0.68%, 0.71%, 0.81

LABA 59.42, 29.66, -49.76, 0.81

 

CMYK 32 / 39 / 0 / 14

HEX #806FD4CE

RGBA 128 111 212 0.81

HSLA 250.1, 0.54%, 0.63%, 0.81

LABA 52.63, 30.69, -49.98, 0.81

 

CMYK 34 / 42 / 0 / 20

HEX #6F5DC1CE

RGBA 111 93 193 0.81

HSLA 250.8, 0.45%, 0.56%, 0.81

LABA 45.71, 31.86, -50.23, 0.81

 

CMYK 37 / 46 / 0 / 26

HEX #5E4BAECE

RGBA 94 75 174 0.81

HSLA 251.52, 0.4%, 0.49%, 0.81

LABA 38.67, 33.18, -50.5, 0.81

 

CMYK 35 / 41 / 0 / 2

HEX #A394FA

RGB 163 148 250

HSL 248.82, 0.91%, 0.78%

LAB 66.42, 28.43, -49.08

 

CMYK 24 / 41 / 0 / 2

HEX #BE94FA

RGB 190 148 250

HSL 264.71, 0.91%, 0.78%

LAB 68.77, 35.74, -45.21

 

CMYK 13 / 41 / 0 / 2

HEX #DA94FA

RGB 218 148 250

HSL 281.18, 0.91%, 0.78%

LAB 71.55, 43.7, -40.67

 

CMYK 2 / 41 / 0 / 2

HEX #F594FA

RGB 245 148 250

HSL 297.06, 0.91%, 0.78%

LAB 74.5, 51.54, -35.84

 

CMYK 0 / 41 / 9 / 2

HEX #FA94E3

RGB 250 148 227

HSL 313.53, 0.91%, 0.78%

LAB 74.22, 49.08, -23.7

 

CMYK 35 / 41 / 0 / 2

HEX #A394FA

RGB 163 148 250

HSL 248.82, 0.91%, 0.78%

LAB 66.42, 28.43, -49.08

 

CMYK 41 / 41 / 0 / 2

HEX #9494FA

RGB 148 148 250

HSL 240, 0.91%, 0.78%

LAB 65.26, 24.61, -50.98

 

CMYK 35 / 41 / 0 / 2

HEX #A394FA

RGB 163 148 250

HSL 248.82, 0.91%, 0.78%

LAB 66.42, 28.43, -49.08

 

CMYK 35 / 41 / 0 / 2

HEX #A394FA

RGB 163 148 250

HSL 248.82, 0.91%, 0.78%

LAB 66.42, 28.43, -49.08

 

CMYK 30 / 35 / 0 / 5

HEX #A99DF1

RGB 169 157 241

HSL 248.57, 0.75%, 0.78%

LAB 68.68, 22.66, -40.58

 

CMYK 24 / 28 / 0 / 9

HEX #B0A6E8

RGB 176 166 232

HSL 249.09, 0.59%, 0.78%

LAB 71.1, 17.45, -31.86

 

CMYK 18 / 22 / 0 / 13

HEX #B6AFDF

RGB 182 175 223

HSL 248.75, 0.43%, 0.78%

LAB 73.5, 12.22, -23.22

 

CMYK 12 / 14 / 0 / 16

HEX #BCB8D6

RGB 188 184 214

HSL 248, 0.27%, 0.78%

LAB 75.96, 7.28, -14.55

 

CMYK 41 / 24 / 0 / 2

HEX #94BDFA

RGB 148 189 250

HSL 215.88, 0.91%, 0.78%

LAB 75.82, 1.47, -34.47

 

CMYK 41 / 36 / 0 / 2

HEX #94A1FA

RGB 148 161 250

HSL 232.35, 0.91%, 0.78%

LAB 68.52, 17.15, -45.84

 

CMYK 36 / 41 / 0 / 2

HEX #A194FA

RGB 161 148 250

HSL 247.65, 0.91%, 0.78%

LAB 66.26, 27.91, -49.34

 

CMYK 24 / 41 / 0 / 2

HEX #BD94FA

RGB 189 148 250

HSL 264.12, 0.91%, 0.78%

LAB 68.68, 35.46, -45.36

 

CMYK 14 / 41 / 0 / 2

HEX #D894FA

RGB 216 148 250

HSL 280, 0.91%, 0.78%

LAB 71.34, 43.12, -41.01

 

CMYK 61 / 72 / 0 / 4

HEX #5F45F6

RGB 95 69 246

HSL 248.81, 0.91%, 0.62%

LAB 43.28, 58.24, -84.47

 

CMYK 48 / 56 / 0 / 3

HEX #816CF8

RGB 129 108 248

HSL 249, 0.91%, 0.7%

LAB 54.21, 42.88, -67.64

 

CMYK 35 / 41 / 0 / 2

HEX #A394FA

RGB 163 148 250

HSL 248.82, 0.91%, 0.78%

LAB 66.42, 28.43, -49.08

 

CMYK 22 / 26 / 0 / 1

HEX #C5BBFC

RGB 197 187 252

HSL 249.23, 0.92%, 0.86%

LAB 78.72, 16.73, -30.79

 

CMYK 9 / 11 / 0 / 0

HEX #E7E3FE

RGB 231 227 254

HSL 248.89, 0.93%, 0.94%

LAB 91.27, 6.37, -12.58

 

CMYK 35 / 41 / 0 / 2

HEX #A293FA

RGB 162 147 250

HSL 248.74, 0.91%, 0.78%

LAB 66.1, 28.74, -49.59

 

CMYK 0 / 41 / 14 / 2

HEX #FA94D8

RGB 250 148 216

HSL 320, 0.91%, 0.78%

LAB 73.84, 47.32, -18.24

 

CMYK 30 / 0 / 41 / 2

HEX #AFFA94

RGB 175 250 148

HSL 104.12, 0.91%, 0.78%

LAB 91.52, -41.26, 41.69

 

CMYK 35 / 41 / 0 / 2

HEX #A293FA

RGB 162 147 250

HSL 248.74, 0.91%, 0.78%

LAB 66.1, 28.74, -49.59

 

CMYK 0 / 36 / 41 / 2

HEX #FAA194

RGB 250 161 148

HSL 7.65, 0.91%, 0.78%

LAB 74.79, 31.56, 20.54

 

CMYK 41 / 0 / 36 / 2

HEX #94FAA1

RGB 148 250 161

HSL 127.65, 0.91%, 0.78%

LAB 90.43, -47.65, 33.6

 

CMYK 35 / 41 / 0 / 2

HEX #A293FA

RGB 162 147 250

HSL 248.74, 0.91%, 0.78%

LAB 66.1, 28.74, -49.59

 

CMYK 0 / 41 / 14 / 2

HEX #FA94D8

RGB 250 148 216

HSL 320, 0.91%, 0.78%

LAB 73.84, 47.32, -18.24

 

CMYK 6 / 0 / 41 / 2

HEX #ECFA94

RGB 236 250 148

HSL 68.24, 0.91%, 0.78%

LAB 95.3, -19.53, 47.29

 

CMYK 41 / 0 / 27 / 2

HEX #94FAB6

RGB 148 250 182

HSL 140, 0.91%, 0.78%

LAB 90.8, -44.09, 23.49

 

CMYK 35 / 41 / 0 / 2

HEX #A293FA

RGB 162 147 250

HSL 248.74, 0.91%, 0.78%

LAB 66.1, 28.74, -49.59

 

CMYK 0 / 41 / 26 / 2

HEX #FA94B9

RGB 250 148 185

HSL 338.24, 0.91%, 0.78%

LAB 72.9, 42.8, -2.55

 

CMYK 6 / 0 / 41 / 2

HEX #ECFA94

RGB 236 250 148

HSL 68.24, 0.91%, 0.78%

LAB 95.3, -19.53, 47.29

 

CMYK 41 / 0 / 15 / 2

HEX #94FAD5

RGB 148 250 213

HSL 158.24, 0.91%, 0.78%

LAB 91.45, -38.04, 8.46

 

Description

Color code: HEX #A293FACE | qconv.com Color code: HEX #A293FACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 147 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 147 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 33 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 33% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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