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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A293DACE it is the complementary color #5D6C25CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A293DACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A293DACE shade: #A793D5CE, #B8A5E8CE, #C9B7FBCE, #DAC9FFCE and #EBDBFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A293DACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A293DACE shade: #A293DACE, #9181C7CE, #806FB4CE, #6F5DA1CE and #5E4B8ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A293DACE shade: #A395DB, #B695DB, #C995DB, #DB95D9 and #DB95C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A293DACE shade: #A395DB and #9595DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A293DACE shade matches the following richer shades: #A395DB, #9D89E6, #967EF2 and #8F72FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A293DACE shade: #A395DB, #AAA0CF, #B1ACC3, #B7B7B8 and #BEC3AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A293DACE shade: #95ACDB, #9599DB, #A395DB, #B595DB and #C895DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A293DACE shade: #6E57C6, #8976D0, #A395DB, #BEB3E5 and #D8D2F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A293DACE shade: #A293DA, #DB95BF and #A3DB95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A293DACE shade: #A293DA, #DBA395 and #95DBA3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A293DACE shade: #A293DA, #DB95BF, #CDDB95 and #95DBB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A293DACE shade: #A293DA, #DB95AA, #CDDB95 and #95DBC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 26 / 0 / 12

HEX #A293DACE

RGBA 162 147 218 0.81

HSLA 252.68, 0.49%, 0.72%, 0.81

LABA 64.65, 20.67, -34.23, 0.81

 

Complementary color

CMYK 11 / 0 / 53 / 47

HEX #5D6C25CE

RGBA 93 108 37 0.81

HSLA 72.68, 0.49%, 0.28%, 0.81

LABA 43.04, -16.8, 36.68, 0.81

 

CMYK 17 / 25 / 0 / 13

HEX #A793D5CE

RGBA 167 147 213 0.81

HSLA 258.18, 0.44%, 0.71%, 0.81

LABA 64.87, 20.98, -31.07, 0.81

 

CMYK 17 / 23 / 0 / 7

HEX #B8A5E8CE

RGBA 184 165 232 0.81

HSLA 257.01, 0.59%, 0.78%, 0.81

LABA 71.51, 20.41, -31.17, 0.81

 

CMYK 16 / 22 / 0 / 1

HEX #C9B7FBCE

RGBA 201 183 251 0.81

HSLA 255.88, 0.89%, 0.85%, 0.81

LABA 78.02, 19.88, -31.3, 0.81

 

CMYK 12 / 17 / 0 / 0

HEX #DAC9FFCE

RGBA 218 201 255 0.81

HSLA 258.89, 1%, 0.89%, 0.81

LABA 83.91, 16.2, -24.3, 0.81

 

CMYK 6 / 11 / 0 / 0

HEX #EBDBFFCE

RGBA 235 219 255 0.81

HSLA 266.67, 1%, 0.93%, 0.81

LABA 89.65, 12.02, -15.5, 0.81

 

CMYK 21 / 26 / 0 / 12

HEX #A293DACE

RGBA 162 147 218 0.81

HSLA 252.68, 0.49%, 0.72%, 0.81

LABA 64.65, 20.67, -34.23, 0.81

 

CMYK 22 / 28 / 0 / 18

HEX #9181C7CE

RGBA 145 129 199 0.81

HSLA 253.71, 0.38%, 0.64%, 0.81

LABA 57.89, 21.33, -34.22, 0.81

 

CMYK 23 / 31 / 0 / 24

HEX #806FB4CE

RGBA 128 111 180 0.81

HSLA 254.78, 0.32%, 0.57%, 0.81

LABA 50.98, 22.07, -34.25, 0.81

 

CMYK 25 / 34 / 0 / 30

HEX #6F5DA1CE

RGBA 111 93 161 0.81

HSLA 255.88, 0.27%, 0.5%, 0.81

LABA 43.92, 22.91, -34.33, 0.81

 

CMYK 27 / 38 / 0 / 36

HEX #5E4B8ECE

RGBA 94 75 142 0.81

HSLA 257.01, 0.31%, 0.43%, 0.81

LABA 36.68, 23.88, -34.46, 0.81

 

CMYK 26 / 32 / 0 / 14

HEX #A395DB

RGB 163 149 219

HSL 252, 0.49%, 0.72%

LAB 65.28, 20.07, -33.81

 

CMYK 17 / 32 / 0 / 14

HEX #B695DB

RGB 182 149 219

HSL 268.29, 0.49%, 0.72%

LAB 66.94, 25.81, -31.09

 

CMYK 8 / 32 / 0 / 14

HEX #C995DB

RGB 201 149 219

HSL 284.57, 0.49%, 0.72%

LAB 68.77, 31.73, -28.12

 

CMYK 0 / 32 / 1 / 14

HEX #DB95D9

RGB 219 149 217

HSL 301.71, 0.49%, 0.72%

LAB 70.57, 37.06, -24.09

 

CMYK 0 / 32 / 10 / 14

HEX #DB95C6

RGB 219 149 198

HSL 318, 0.49%, 0.72%

LAB 69.92, 33.71, -14.57

 

CMYK 26 / 32 / 0 / 14

HEX #A395DB

RGB 163 149 219

HSL 252, 0.49%, 0.72%

LAB 65.28, 20.07, -33.81

 

CMYK 32 / 32 / 0 / 14

HEX #9595DB

RGB 149 149 219

HSL 240, 0.49%, 0.72%

LAB 64.16, 16, -35.63

 

CMYK 26 / 32 / 0 / 14

HEX #A395DB

RGB 163 149 219

HSL 252, 0.49%, 0.72%

LAB 65.28, 20.07, -33.81

 

CMYK 32 / 40 / 0 / 10

HEX #9D89E6

RGB 157 137 230

HSL 252.9, 0.65%, 0.72%

LAB 62.32, 27.95, -44.57

 

CMYK 38 / 48 / 0 / 5

HEX #967EF2

RGB 150 126 242

HSL 252.41, 0.82%, 0.72%

LAB 59.72, 35.59, -55.37

 

CMYK 43 / 55 / 0 / 1

HEX #8F72FD

RGB 143 114 253

HSL 252.52, 0.97%, 0.72%

LAB 57.04, 43.8, -65.78

 

CMYK 26 / 32 / 0 / 14

HEX #A395DB

RGB 163 149 219

HSL 252, 0.49%, 0.72%

LAB 65.28, 20.07, -33.81

 

CMYK 18 / 23 / 0 / 19

HEX #AAA0CF

RGB 170 160 207

HSL 252.77, 0.33%, 0.72%

LAB 68.16, 13.2, -22.66

 

CMYK 9 / 12 / 0 / 24

HEX #B1ACC3

RGB 177 172 195

HSL 253.04, 0.16%, 0.72%

LAB 71.41, 6.26, -11.07

 

CMYK 1 / 1 / 0 / 28

HEX #B7B7B8

RGB 183 183 184

HSL 240, 0.01%, 0.72%

LAB 74.44, 0.19, -0.51

 

CMYK 3 / 0 / 12 / 24

HEX #BEC3AC

RGB 190 195 172

HSL 73.04, 0.16%, 0.72%

LAB 77.85, -5.81, 10.97

 

CMYK 32 / 21 / 0 / 14

HEX #95ACDB

RGB 149 172 219

HSL 220.29, 0.49%, 0.72%

LAB 70.18, 3.01, -26.32

 

CMYK 32 / 30 / 0 / 14

HEX #9599DB

RGB 149 153 219

HSL 236.57, 0.49%, 0.72%

LAB 65.19, 13.71, -34.03

 

CMYK 26 / 32 / 0 / 14

HEX #A395DB

RGB 163 149 219

HSL 252, 0.49%, 0.72%

LAB 65.28, 20.07, -33.81

 

CMYK 17 / 32 / 0 / 14

HEX #B595DB

RGB 181 149 219

HSL 267.43, 0.49%, 0.72%

LAB 66.85, 25.5, -31.24

 

CMYK 9 / 32 / 0 / 14

HEX #C895DB

RGB 200 149 219

HSL 283.71, 0.49%, 0.72%

LAB 68.67, 31.42, -28.28

 

CMYK 44 / 56 / 0 / 22

HEX #6E57C6

RGB 110 87 198

HSL 252.43, 0.49%, 0.56%

LAB 44.53, 36.64, -55.03

 

CMYK 34 / 43 / 0 / 18

HEX #8976D0

RGB 137 118 208

HSL 252.67, 0.49%, 0.64%

LAB 54.9, 27.82, -44.07

 

CMYK 26 / 32 / 0 / 14

HEX #A395DB

RGB 163 149 219

HSL 252, 0.49%, 0.72%

LAB 65.28, 20.07, -33.81

 

CMYK 17 / 22 / 0 / 10

HEX #BEB3E5

RGB 190 179 229

HSL 253.2, 0.49%, 0.8%

LAB 75.35, 13.85, -23.59

 

CMYK 10 / 13 / 0 / 6

HEX #D8D2F0

RGB 216 210 240

HSL 252, 0.5%, 0.88%

LAB 85.5, 7.71, -13.97

 

CMYK 26 / 33 / 0 / 15

HEX #A293DA

RGB 162 147 218

HSL 252.68, 0.49%, 0.72%

LAB 64.65, 20.67, -34.23

 

CMYK 0 / 32 / 13 / 14

HEX #DB95BF

RGB 219 149 191

HSL 324, 0.49%, 0.72%

LAB 69.69, 32.54, -11.02

 

CMYK 26 / 0 / 32 / 14

HEX #A3DB95

RGB 163 219 149

HSL 108, 0.49%, 0.72%

LAB 82.17, -31, 28.8

 

CMYK 26 / 33 / 0 / 15

HEX #A293DA

RGB 162 147 218

HSL 252.68, 0.49%, 0.72%

LAB 64.65, 20.67, -34.23

 

CMYK 0 / 26 / 32 / 14

HEX #DBA395

RGB 219 163 149

HSL 12, 0.49%, 0.72%

LAB 71.84, 18.81, 15.37

 

CMYK 32 / 0 / 26 / 14

HEX #95DBA3

RGB 149 219 163

HSL 132, 0.49%, 0.72%

LAB 81.67, -33.23, 20.72

 

CMYK 26 / 33 / 0 / 15

HEX #A293DA

RGB 162 147 218

HSL 252.68, 0.49%, 0.72%

LAB 64.65, 20.67, -34.23

 

CMYK 0 / 32 / 13 / 14

HEX #DB95BF

RGB 219 149 191

HSL 324, 0.49%, 0.72%

LAB 69.69, 32.54, -11.02

 

CMYK 6 / 0 / 32 / 14

HEX #CDDB95

RGB 205 219 149

HSL 72, 0.49%, 0.72%

LAB 84.9, -15.92, 32.92

 

CMYK 32 / 0 / 19 / 14

HEX #95DBB1

RGB 149 219 177

HSL 144, 0.49%, 0.72%

LAB 81.96, -30.65, 13.77

 

CMYK 26 / 33 / 0 / 15

HEX #A293DA

RGB 162 147 218

HSL 252.68, 0.49%, 0.72%

LAB 64.65, 20.67, -34.23

 

CMYK 0 / 32 / 22 / 14

HEX #DB95AA

RGB 219 149 170

HSL 342, 0.49%, 0.72%

LAB 69.08, 29.26, -0.22

 

CMYK 6 / 0 / 32 / 14

HEX #CDDB95

RGB 205 219 149

HSL 72, 0.49%, 0.72%

LAB 84.9, -15.92, 32.92

 

CMYK 32 / 0 / 10 / 14

HEX #95DBC6

RGB 149 219 198

HSL 162, 0.49%, 0.72%

LAB 82.45, -26.4, 3.35

 

Description

Color code: HEX #A293DACE | qconv.com Color code: HEX #A293DACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 147 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 147 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 26 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 26% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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