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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A28ECE it is the complementary color #5D7131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A28ECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A28ECE shade: #A78EC9, #B8A0DC, #C9B2EF, #DAC4FF and #EBD6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A28ECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A28ECE shade: #A28ECE, #917CBB, #806AA8, #6F5895 and #5E4682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A28ECE shade: #A18DCE, #B38DCE, #C48DCE, #CE8DC6 and #CE8DB5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A28ECE shade: #A18DCE, #908DCE and #8D8DCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A28ECE shade matches the following richer shades: #A18DCE, #9C80DB, #9772E8 and #9265F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A28ECE shade: #A18DCE, #A69AC1, #ABA7B4, #B0B4A6 and #B5C299

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A28ECE shade: #8D9CCE, #8F8DCE, #A08DCE, #B28DCE and #C38DCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A28ECE shade: #7253B5, #8970C2, #A18DCE, #B9AADA and #D1C7E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A28ECE shade: #A28ECE, #CE8DAD and #93CE8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A28ECE shade: #A28ECE, #CEA08D and #8DCEA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A28ECE shade: #A28ECE, #CE8DAD, #BACE8D and #8DCEAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A28ECE shade: #A28ECE, #CE8D9A, #BACE8D and #8DCEC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 31 / 0 / 19

HEX #A28ECE

RGB 162 142 206

HSL 258.75, 0.4%, 0.68%

LAB 62.91, 20.66, -30.23

 

Complementary color

CMYK 18 / 0 / 57 / 56

HEX #5D7131

RGB 93 113 49

HSL 78.75, 0.4%, 0.32%

LAB 44.74, -18.36, 32.64

 

CMYK 17 / 29 / 0 / 21

HEX #A78EC9

RGB 167 142 201

HSL 265.42, 0.35%, 0.67%

LAB 63.16, 21.07, -27.02

 

CMYK 16 / 27 / 0 / 14

HEX #B8A0DC

RGB 184 160 220

HSL 264, 0.46%, 0.75%

LAB 69.82, 20.51, -27.19

 

CMYK 16 / 26 / 0 / 6

HEX #C9B2EF

RGB 201 178 239

HSL 262.62, 0.66%, 0.82%

LAB 76.37, 19.99, -27.38

 

CMYK 15 / 23 / 0 / 0

HEX #DAC4FF

RGB 218 196 255

HSL 262.37, 1%, 0.88%

LAB 82.7, 18.89, -26.14

 

CMYK 8 / 16 / 0 / 0

HEX #EBD6FF

RGB 235 214 255

HSL 270.73, 1%, 0.92%

LAB 88.44, 14.65, -17.32

 

CMYK 21 / 31 / 0 / 19

HEX #A28ECE

RGB 162 142 206

HSL 258.75, 0.4%, 0.68%

LAB 62.91, 20.66, -30.23

 

CMYK 22 / 34 / 0 / 27

HEX #917CBB

RGB 145 124 187

HSL 260, 0.32%, 0.61%

LAB 56.11, 21.29, -30.16

 

CMYK 24 / 37 / 0 / 34

HEX #806AA8

RGB 128 106 168

HSL 261.29, 0.26%, 0.54%

LAB 49.16, 22, -30.12

 

CMYK 26 / 41 / 0 / 42

HEX #6F5895

RGB 111 88 149

HSL 262.62, 0.26%, 0.46%

LAB 42.04, 22.8, -30.12

 

CMYK 28 / 46 / 0 / 49

HEX #5E4682

RGB 94 70 130

HSL 264, 0.3%, 0.39%

LAB 34.75, 23.71, -30.16

 

CMYK 22 / 32 / 0 / 19

HEX #A18DCE

RGB 161 141 206

HSL 258.46, 0.4%, 0.68%

LAB 62.58, 20.92, -30.76

 

CMYK 13 / 32 / 0 / 19

HEX #B38DCE

RGB 179 141 206

HSL 275.08, 0.4%, 0.68%

LAB 64.23, 26.52, -28.07

 

CMYK 5 / 32 / 0 / 19

HEX #C48DCE

RGB 196 141 206

HSL 290.77, 0.4%, 0.68%

LAB 65.94, 31.94, -25.3

 

CMYK 0 / 32 / 4 / 19

HEX #CE8DC6

RGB 206 141 198

HSL 307.38, 0.4%, 0.68%

LAB 66.71, 33.69, -19.56

 

CMYK 0 / 32 / 12 / 19

HEX #CE8DB5

RGB 206 141 181

HSL 323.08, 0.4%, 0.68%

LAB 66.14, 30.72, -10.89

 

CMYK 22 / 32 / 0 / 19

HEX #A18DCE

RGB 161 141 206

HSL 258.46, 0.4%, 0.68%

LAB 62.58, 20.92, -30.76

 

CMYK 30 / 32 / 0 / 19

HEX #908DCE

RGB 144 141 206

HSL 242.77, 0.4%, 0.68%

LAB 61.16, 15.84, -33.07

 

CMYK 32 / 32 / 0 / 19

HEX #8D8DCE

RGB 141 141 206

HSL 240, 0.4%, 0.68%

LAB 60.93, 14.97, -33.45

 

CMYK 22 / 32 / 0 / 19

HEX #A18DCE

RGB 161 141 206

HSL 258.46, 0.4%, 0.68%

LAB 62.58, 20.92, -30.76

 

CMYK 29 / 42 / 0 / 14

HEX #9C80DB

RGB 156 128 219

HSL 258.46, 0.56%, 0.68%

LAB 59.54, 30.06, -42.81

 

CMYK 35 / 51 / 0 / 9

HEX #9772E8

RGB 151 114 232

HSL 258.81, 0.72%, 0.68%

LAB 56.53, 40.03, -54.9

 

CMYK 41 / 59 / 0 / 4

HEX #9265F6

RGB 146 101 246

HSL 258.62, 0.89%, 0.68%

LAB 54.1, 49.76, -66.62

 

CMYK 22 / 32 / 0 / 19

HEX #A18DCE

RGB 161 141 206

HSL 258.46, 0.4%, 0.68%

LAB 62.58, 20.92, -30.76

 

CMYK 14 / 20 / 0 / 24

HEX #A69AC1

RGB 166 154 193

HSL 258.46, 0.24%, 0.68%

LAB 65.8, 12.18, -18.51

 

CMYK 5 / 7 / 0 / 29

HEX #ABA7B4

RGB 171 167 180

HSL 258.46, 0.08%, 0.68%

LAB 69.18, 3.93, -6.17

 

CMYK 2 / 0 / 8 / 29

HEX #B0B4A6

RGB 176 180 166

HSL 77.14, 0.09%, 0.68%

LAB 72.64, -3.96, 6.65

 

CMYK 7 / 0 / 21 / 24

HEX #B5C299

RGB 181 194 153

HSL 79.02, 0.25%, 0.68%

LAB 76.5, -11.64, 19.17

 

CMYK 32 / 24 / 0 / 19

HEX #8D9CCE

RGB 141 156 206

HSL 226.15, 0.4%, 0.68%

LAB 64.88, 6.36, -27.33

 

CMYK 31 / 32 / 0 / 19

HEX #8F8DCE

RGB 143 141 206

HSL 241.85, 0.4%, 0.68%

LAB 61.09, 15.55, -33.19

 

CMYK 22 / 32 / 0 / 19

HEX #A08DCE

RGB 160 141 206

HSL 257.54, 0.4%, 0.68%

LAB 62.49, 20.62, -30.9

 

CMYK 14 / 32 / 0 / 19

HEX #B28DCE

RGB 178 141 206

HSL 274.15, 0.4%, 0.68%

LAB 64.14, 26.21, -28.22

 

CMYK 5 / 32 / 0 / 19

HEX #C38DCE

RGB 195 141 206

HSL 289.85, 0.4%, 0.68%

LAB 65.83, 31.62, -25.47

 

CMYK 37 / 54 / 0 / 29

HEX #7253B5

RGB 114 83 181

HSL 258.98, 0.4%, 0.52%

LAB 42.91, 35.16, -47.7

 

CMYK 29 / 42 / 0 / 24

HEX #8970C2

RGB 137 112 194

HSL 258.29, 0.4%, 0.6%

LAB 52.73, 27.68, -39.5

 

CMYK 22 / 32 / 0 / 19

HEX #A18DCE

RGB 161 141 206

HSL 258.46, 0.4%, 0.68%

LAB 62.58, 20.92, -30.76

 

CMYK 15 / 22 / 0 / 15

HEX #B9AADA

RGB 185 170 218

HSL 258.75, 0.39%, 0.76%

LAB 72.31, 14.83, -22.28

 

CMYK 10 / 14 / 0 / 9

HEX #D1C7E7

RGB 209 199 231

HSL 258.75, 0.4%, 0.84%

LAB 81.93, 9.5, -14.58

 

CMYK 21 / 31 / 0 / 19

HEX #A28ECE

RGB 162 142 206

HSL 258.75, 0.4%, 0.68%

LAB 62.91, 20.66, -30.23

 

CMYK 0 / 32 / 16 / 19

HEX #CE8DAD

RGB 206 141 173

HSL 330.46, 0.4%, 0.68%

LAB 65.9, 29.41, -6.76

 

CMYK 29 / 0 / 32 / 19

HEX #93CE8D

RGB 147 206 141

HSL 114.46, 0.4%, 0.68%

LAB 77.44, -31.5, 26.44

 

CMYK 21 / 31 / 0 / 19

HEX #A28ECE

RGB 162 142 206

HSL 258.75, 0.4%, 0.68%

LAB 62.91, 20.66, -30.23

 

CMYK 0 / 22 / 32 / 19

HEX #CEA08D

RGB 206 160 141

HSL 17.54, 0.4%, 0.68%

LAB 69.6, 14.36, 16.45

 

CMYK 32 / 0 / 22 / 19

HEX #8DCEA0

RGB 141 206 160

HSL 137.54, 0.4%, 0.68%

LAB 77.49, -30.14, 16.43

 

CMYK 21 / 31 / 0 / 19

HEX #A28ECE

RGB 162 142 206

HSL 258.75, 0.4%, 0.68%

LAB 62.91, 20.66, -30.23

 

CMYK 0 / 32 / 16 / 19

HEX #CE8DAD

RGB 206 141 173

HSL 330.46, 0.4%, 0.68%

LAB 65.9, 29.41, -6.76

 

CMYK 10 / 0 / 32 / 19

HEX #BACE8D

RGB 186 206 141

HSL 78.46, 0.4%, 0.68%

LAB 79.9, -17.61, 30.16

 

CMYK 32 / 0 / 16 / 19

HEX #8DCEAD

RGB 141 206 173

HSL 149.54, 0.4%, 0.68%

LAB 77.77, -27.63, 9.89

 

CMYK 21 / 31 / 0 / 19

HEX #A28ECE

RGB 162 142 206

HSL 258.75, 0.4%, 0.68%

LAB 62.91, 20.66, -30.23

 

CMYK 0 / 32 / 25 / 19

HEX #CE8D9A

RGB 206 141 154

HSL 348, 0.4%, 0.68%

LAB 65.36, 26.52, 3.17

 

CMYK 10 / 0 / 32 / 19

HEX #BACE8D

RGB 186 206 141

HSL 78.46, 0.4%, 0.68%

LAB 79.9, -17.61, 30.16

 

CMYK 32 / 0 / 6 / 19

HEX #8DCEC1

RGB 141 206 193

HSL 168, 0.4%, 0.68%

LAB 78.26, -23.41, -0.13

 

Description

Color code: HEX #A28ECE | qconv.com Color code: HEX #A28ECE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 142 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 142 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 31 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 31% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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