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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2645F it is the complementary color #5D9BA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2645F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2645F shade: #A7645A, #B8766D, #C98880, #DA9A93 and #EBACA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2645F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2645F shade: #A2645F, #91524C, #804039, #6F2E26 and #5E1C13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2645F shade: #A1635E and #A15E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2645F shade: #A1635E, #A1755E, #A1875E, #A1995E and #96A15E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2645F shade matches the following richer shades: #A1635E, #B5524A, #CA4035, #DF2F20 and #F31D0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2645F shade: #A1635E, #8C7573, #778688, #63989C and #4EA9B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2645F shade: #A15E7D, #A15E6C, #A1635E, #A1745E and #A1865E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2645F shade: #6D4340, #87534F, #A1635E, #B07C78 and #BF9692

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2645F shade: #A2645F, #8FA15E and #5E74A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2645F shade: #A2645F, #5EA163 and #635EA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2645F shade: #A2645F, #8FA15E, #5E9CA1 and #705EA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2645F shade: #A2645F, #7BA15E, #5E9CA1 and #845EA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 41 / 36

HEX #A2645F

RGB 162 100 95

HSL 4.48, 0.26%, 0.5%

LAB 49.03, 24.44, 13.41

 

Complementary color

CMYK 42 / 3 / 0 / 37

HEX #5D9BA0

RGB 93 155 160

HSL 184.48, 0.26%, 0.5%

LAB 60.17, -18.63, -8.91

 

CMYK 0 / 40 / 46 / 35

HEX #A7645A

RGB 167 100 90

HSL 7.79, 0.3%, 0.5%

LAB 49.58, 25.9, 17.22

 

CMYK 0 / 36 / 41 / 28

HEX #B8766D

RGB 184 118 109

HSL 7.2, 0.35%, 0.57%

LAB 56.34, 24.83, 15.73

 

CMYK 0 / 32 / 36 / 21

HEX #C98880

RGB 201 136 128

HSL 6.58, 0.4%, 0.65%

LAB 63, 23.88, 14.43

 

CMYK 0 / 29 / 33 / 15

HEX #DA9A93

RGB 218 154 147

HSL 5.92, 0.49%, 0.72%

LAB 69.56, 23.03, 13.25

 

CMYK 0 / 27 / 29 / 8

HEX #EBACA6

RGB 235 172 166

HSL 5.22, 0.63%, 0.79%

LAB 76.02, 22.27, 12.19

 

CMYK 0 / 38 / 41 / 36

HEX #A2645F

RGB 162 100 95

HSL 4.48, 0.26%, 0.5%

LAB 49.03, 24.44, 13.41

 

CMYK 0 / 43 / 48 / 43

HEX #91524C

RGB 145 82 76

HSL 5.22, 0.31%, 0.43%

LAB 42.12, 25.56, 14.99

 

CMYK 0 / 50 / 55 / 50

HEX #804039

RGB 128 64 57

HSL 5.92, 0.38%, 0.36%

LAB 35.11, 26.83, 16.89

 

CMYK 0 / 59 / 66 / 56

HEX #6F2E26

RGB 111 46 38

HSL 6.58, 0.49%, 0.29%

LAB 28.04, 28.2, 19.28

 

CMYK 0 / 70 / 80 / 63

HEX #5E1C13

RGB 94 28 19

HSL 7.2, 0.66%, 0.22%

LAB 21.05, 29.51, 22.36

 

CMYK 0 / 39 / 42 / 37

HEX #A1635E

RGB 161 99 94

HSL 4.48, 0.26%, 0.5%

LAB 48.65, 24.48, 13.45

 

CMYK 0 / 42 / 42 / 37

HEX #A15E5E

RGB 161 94 94

HSL 0, 0.26%, 0.5%

LAB 47.48, 27.29, 11.83

 

CMYK 0 / 39 / 42 / 37

HEX #A1635E

RGB 161 99 94

HSL 4.48, 0.26%, 0.5%

LAB 48.65, 24.48, 13.45

 

CMYK 0 / 27 / 42 / 37

HEX #A1755E

RGB 161 117 94

HSL 20.6, 0.26%, 0.5%

LAB 53.07, 14.23, 19.48

 

CMYK 0 / 16 / 42 / 37

HEX #A1875E

RGB 161 135 94

HSL 36.72, 0.26%, 0.5%

LAB 57.76, 4.04, 25.72

 

CMYK 0 / 5 / 42 / 37

HEX #A1995E

RGB 161 153 94

HSL 52.84, 0.26%, 0.5%

LAB 62.65, -5.88, 32.02

 

CMYK 7 / 0 / 42 / 37

HEX #96A15E

RGB 150 161 94

HSL 69.85, 0.26%, 0.5%

LAB 63.98, -14.69, 33.53

 

CMYK 0 / 39 / 42 / 37

HEX #A1635E

RGB 161 99 94

HSL 4.48, 0.26%, 0.5%

LAB 48.65, 24.48, 13.45

 

CMYK 0 / 55 / 59 / 29

HEX #B5524A

RGB 181 82 74

HSL 4.49, 0.42%, 0.5%

LAB 47.43, 39.55, 24.21

 

CMYK 0 / 68 / 74 / 21

HEX #CA4035

RGB 202 64 53

HSL 4.43, 0.58%, 0.5%

LAB 47.6, 53.87, 37.39

 

CMYK 0 / 79 / 86 / 13

HEX #DF2F20

RGB 223 47 32

HSL 4.71, 0.75%, 0.5%

LAB 49.28, 65.38, 51.25

 

CMYK 0 / 88 / 95 / 5

HEX #F31D0C

RGB 243 29 12

HSL 4.42, 0.91%, 0.5%

LAB 51.79, 74.41, 62.2

 

CMYK 0 / 39 / 42 / 37

HEX #A1635E

RGB 161 99 94

HSL 4.48, 0.26%, 0.5%

LAB 48.65, 24.48, 13.45

 

CMYK 0 / 16 / 18 / 45

HEX #8C7573

RGB 140 117 115

HSL 4.8, 0.1%, 0.5%

LAB 51.31, 8.61, 4.44

 

CMYK 13 / 1 / 0 / 47

HEX #778688

RGB 119 134 136

HSL 187.06, 0.07%, 0.5%

LAB 54.81, -5, -2.93

 

CMYK 37 / 3 / 0 / 39

HEX #63989C

RGB 99 152 156

HSL 184.21, 0.22%, 0.5%

LAB 59.44, -16.46, -7.69

 

CMYK 56 / 5 / 0 / 31

HEX #4EA9B1

RGB 78 169 177

HSL 184.85, 0.39%, 0.5%

LAB 64.3, -24.62, -12.35

 

CMYK 0 / 42 / 22 / 37

HEX #A15E7D

RGB 161 94 125

HSL 332.24, 0.26%, 0.5%

LAB 48.34, 31.53, -5.56

 

CMYK 0 / 42 / 33 / 37

HEX #A15E6C

RGB 161 94 108

HSL 347.46, 0.26%, 0.5%

LAB 47.84, 29.06, 3.92

 

CMYK 0 / 39 / 42 / 37

HEX #A1635E

RGB 161 99 94

HSL 4.48, 0.26%, 0.5%

LAB 48.65, 24.48, 13.45

 

CMYK 0 / 28 / 42 / 37

HEX #A1745E

RGB 161 116 94

HSL 19.7, 0.26%, 0.5%

LAB 52.81, 14.8, 19.14

 

CMYK 0 / 17 / 42 / 37

HEX #A1865E

RGB 161 134 94

HSL 35.82, 0.26%, 0.5%

LAB 57.5, 4.6, 25.37

 

CMYK 0 / 39 / 41 / 57

HEX #6D4340

RGB 109 67 64

HSL 4, 0.26%, 0.34%

LAB 33.21, 17.78, 9.44

 

CMYK 0 / 39 / 41 / 47

HEX #87534F

RGB 135 83 79

HSL 4.29, 0.26%, 0.42%

LAB 41.06, 21.19, 11.48

 

CMYK 0 / 39 / 42 / 37

HEX #A1635E

RGB 161 99 94

HSL 4.48, 0.26%, 0.5%

LAB 48.65, 24.48, 13.45

 

CMYK 0 / 30 / 32 / 31

HEX #B07C78

RGB 176 124 120

HSL 4.29, 0.26%, 0.58%

LAB 57.08, 19.68, 10.27

 

CMYK 0 / 21 / 24 / 25

HEX #BF9692

RGB 191 150 146

HSL 5.33, 0.26%, 0.66%

LAB 65.72, 14.74, 7.98

 

CMYK 0 / 38 / 41 / 36

HEX #A2645F

RGB 162 100 95

HSL 4.48, 0.26%, 0.5%

LAB 49.03, 24.44, 13.41

 

CMYK 11 / 0 / 42 / 37

HEX #8FA15E

RGB 143 161 94

HSL 76.12, 0.26%, 0.5%

LAB 63.46, -17.52, 32.75

 

CMYK 42 / 28 / 0 / 37

HEX #5E74A1

RGB 94 116 161

HSL 220.3, 0.26%, 0.5%

LAB 48.81, 3.96, -26.77

 

CMYK 0 / 38 / 41 / 36

HEX #A2645F

RGB 162 100 95

HSL 4.48, 0.26%, 0.5%

LAB 49.03, 24.44, 13.41

 

CMYK 42 / 0 / 39 / 37

HEX #5EA163

RGB 94 161 99

HSL 124.48, 0.26%, 0.5%

LAB 60.58, -34.61, 25.78

 

CMYK 39 / 42 / 0 / 37

HEX #635EA1

RGB 99 94 161

HSL 244.48, 0.26%, 0.5%

LAB 43.11, 18.86, -35.68

 

CMYK 0 / 38 / 41 / 36

HEX #A2645F

RGB 162 100 95

HSL 4.48, 0.26%, 0.5%

LAB 49.03, 24.44, 13.41

 

CMYK 11 / 0 / 42 / 37

HEX #8FA15E

RGB 143 161 94

HSL 76.12, 0.26%, 0.5%

LAB 63.46, -17.52, 32.75

 

CMYK 42 / 3 / 0 / 37

HEX #5E9CA1

RGB 94 156 161

HSL 184.48, 0.26%, 0.5%

LAB 60.54, -18.63, -8.91

 

CMYK 30 / 42 / 0 / 37

HEX #705EA1

RGB 112 94 161

HSL 256.12, 0.26%, 0.5%

LAB 44.27, 22.59, -33.77

 

CMYK 0 / 38 / 41 / 36

HEX #A2645F

RGB 162 100 95

HSL 4.48, 0.26%, 0.5%

LAB 49.03, 24.44, 13.41

 

CMYK 24 / 0 / 42 / 37

HEX #7BA15E

RGB 123 161 94

HSL 94.03, 0.26%, 0.5%

LAB 62.09, -25.32, 30.73

 

CMYK 42 / 3 / 0 / 37

HEX #5E9CA1

RGB 94 156 161

HSL 184.48, 0.26%, 0.5%

LAB 60.54, -18.63, -8.91

 

CMYK 18 / 42 / 0 / 37

HEX #845EA1

RGB 132 94 161

HSL 274.03, 0.26%, 0.5%

LAB 46.29, 28.66, -30.46

 

Description

Color code: HEX #A2645F | qconv.com Color code: HEX #A2645F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 100 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 100 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 41 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 41% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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