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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A25FC3 it is the complementary color #5DA03C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A25FC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A25FC3 shade: #A75FBE, #B871D1, #C983E4, #DA95F7 and #EBA7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A25FC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A25FC3 shade: #A25FC3, #914DB0, #803B9D, #6F298A and #5E1777

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A25FC3 shade: #A260C3, #BD60C3, #C360AE, #C36093 and #C36079

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A25FC3 shade: #A260C3, #8860C3, #6D60C3 and #6060C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A25FC3 shade matches the following richer shades: #A260C3, #A84ED4, #AE3DE6 and #B42BF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A25FC3 shade: #A260C3, #9C72B1, #96839F, #90958D and #8AA77C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A25FC3 shade: #6D60C3, #8760C3, #A260C3, #BC60C3 and #C360AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A25FC3 shade: #783997, #9045B5, #A260C3, #B47ECE and #C59CD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A25FC3 shade: #A25FC3, #C3606D and #60C37A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A25FC3 shade: #A25FC3, #C3A260 and #60C3A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A25FC3 shade: #A25FC3, #C3606D, #81C360 and #60C3B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A25FC3 shade: #A25FC3, #C37060, #81C360 and #60B2C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 51 / 0 / 24

HEX #A25FC3

RGB 162 95 195

HSL 280.2, 0.45%, 0.57%

LAB 51.62, 44.54, -41.66

 

Complementary color

CMYK 42 / 0 / 63 / 37

HEX #5DA03C

RGB 93 160 60

HSL 100.2, 0.45%, 0.43%

LAB 59.7, -39.7, 44.39

 

CMYK 12 / 50 / 0 / 25

HEX #A75FBE

RGB 167 95 190

HSL 285.47, 0.42%, 0.56%

LAB 51.97, 44.88, -38.19

 

CMYK 12 / 46 / 0 / 18

HEX #B871D1

RGB 184 113 209

HSL 284.38, 0.51%, 0.63%

LAB 58.61, 44.1, -38.46

 

CMYK 12 / 43 / 0 / 11

HEX #C983E4

RGB 201 131 228

HSL 283.3, 0.64%, 0.7%

LAB 65.16, 43.32, -38.69

 

CMYK 12 / 40 / 0 / 3

HEX #DA95F7

RGB 218 149 247

HSL 282.24, 0.86%, 0.78%

LAB 71.63, 42.55, -38.9

 

CMYK 8 / 35 / 0 / 0

HEX #EBA7FF

RGB 235 167 255

HSL 286.36, 1%, 0.83%

LAB 77.59, 39.65, -33.86

 

CMYK 17 / 51 / 0 / 24

HEX #A25FC3

RGB 162 95 195

HSL 280.2, 0.45%, 0.57%

LAB 51.62, 44.54, -41.66

 

CMYK 18 / 56 / 0 / 31

HEX #914DB0

RGB 145 77 176

HSL 281.21, 0.39%, 0.5%

LAB 44.89, 45.32, -41.41

 

CMYK 18 / 62 / 0 / 38

HEX #803B9D

RGB 128 59 157

HSL 282.24, 0.45%, 0.42%

LAB 38.11, 45.97, -41.02

 

CMYK 20 / 70 / 0 / 46

HEX #6F298A

RGB 111 41 138

HSL 283.3, 0.54%, 0.35%

LAB 31.35, 46.3, -40.39

 

CMYK 21 / 81 / 0 / 53

HEX #5E1777

RGB 94 23 119

HSL 284.38, 0.68%, 0.28%

LAB 24.72, 45.9, -39.27

 

CMYK 17 / 51 / 0 / 24

HEX #A260C3

RGB 162 96 195

HSL 280, 0.45%, 0.57%

LAB 51.82, 44.01, -41.34

 

CMYK 3 / 51 / 0 / 24

HEX #BD60C3

RGB 189 96 195

HSL 296.36, 0.45%, 0.57%

LAB 55.2, 51.55, -35.79

 

CMYK 0 / 51 / 11 / 24

HEX #C360AE

RGB 195 96 174

HSL 312.73, 0.45%, 0.57%

LAB 55.1, 49.62, -23.79

 

CMYK 0 / 51 / 25 / 24

HEX #C36093

RGB 195 96 147

HSL 329.09, 0.45%, 0.57%

LAB 54.11, 45.49, -9.53

 

CMYK 0 / 51 / 38 / 24

HEX #C36079

RGB 195 96 121

HSL 344.85, 0.45%, 0.57%

LAB 53.33, 42.13, 4.68

 

CMYK 17 / 51 / 0 / 24

HEX #A260C3

RGB 162 96 195

HSL 280, 0.45%, 0.57%

LAB 51.82, 44.01, -41.34

 

CMYK 30 / 51 / 0 / 24

HEX #8860C3

RGB 136 96 195

HSL 264.24, 0.45%, 0.57%

LAB 48.93, 36.96, -46.1

 

CMYK 44 / 51 / 0 / 24

HEX #6D60C3

RGB 109 96 195

HSL 247.88, 0.45%, 0.57%

LAB 46.39, 30.16, -50.31

 

CMYK 51 / 51 / 0 / 24

HEX #6060C3

RGB 96 96 195

HSL 240, 0.45%, 0.57%

LAB 45.35, 27.18, -52.04

 

CMYK 17 / 51 / 0 / 24

HEX #A260C3

RGB 162 96 195

HSL 280, 0.45%, 0.57%

LAB 51.82, 44.01, -41.34

 

CMYK 21 / 63 / 0 / 17

HEX #A84ED4

RGB 168 78 212

HSL 280.3, 0.61%, 0.57%

LAB 50.13, 58.23, -53.73

 

CMYK 24 / 73 / 0 / 10

HEX #AE3DE6

RGB 174 61 230

HSL 280.12, 0.77%, 0.57%

LAB 49.56, 70.29, -64.84

 

CMYK 27 / 83 / 0 / 3

HEX #B42BF8

RGB 180 43 248

HSL 280.1, 0.94%, 0.57%

LAB 49.75, 80.46, -74.61

 

CMYK 17 / 51 / 0 / 24

HEX #A260C3

RGB 162 96 195

HSL 280, 0.45%, 0.57%

LAB 51.82, 44.01, -41.34

 

CMYK 12 / 36 / 0 / 31

HEX #9C72B1

RGB 156 114 177

HSL 280, 0.29%, 0.57%

LAB 54.32, 28.25, -27.11

 

CMYK 6 / 18 / 0 / 38

HEX #96839F

RGB 150 131 159

HSL 280.71, 0.13%, 0.57%

LAB 57.29, 12.59, -12.25

 

CMYK 3 / 0 / 5 / 42

HEX #90958D

RGB 144 149 141

HSL 97.5, 0.04%, 0.57%

LAB 61.09, -3.36, 3.58

 

CMYK 17 / 0 / 26 / 35

HEX #8AA77C

RGB 138 167 124

HSL 100.47, 0.2%, 0.57%

LAB 65.35, -18.22, 19.03

 

CMYK 44 / 51 / 0 / 24

HEX #6D60C3

RGB 109 96 195

HSL 247.88, 0.45%, 0.57%

LAB 46.39, 30.16, -50.31

 

CMYK 31 / 51 / 0 / 24

HEX #8760C3

RGB 135 96 195

HSL 263.64, 0.45%, 0.57%

LAB 48.83, 36.7, -46.27

 

CMYK 17 / 51 / 0 / 24

HEX #A260C3

RGB 162 96 195

HSL 280, 0.45%, 0.57%

LAB 51.82, 44.01, -41.34

 

CMYK 4 / 51 / 0 / 24

HEX #BC60C3

RGB 188 96 195

HSL 295.76, 0.45%, 0.57%

LAB 55.07, 51.27, -36.01

 

CMYK 0 / 51 / 10 / 24

HEX #C360AF

RGB 195 96 175

HSL 312.12, 0.45%, 0.57%

LAB 55.14, 49.79, -24.31

 

CMYK 21 / 62 / 0 / 41

HEX #783997

RGB 120 57 151

HSL 280.21, 0.45%, 0.41%

LAB 36.28, 43.62, -40.39

 

CMYK 20 / 62 / 0 / 29

HEX #9045B5

RGB 144 69 181

HSL 280.18, 0.45%, 0.49%

LAB 43.54, 50.22, -46.51

 

CMYK 17 / 51 / 0 / 24

HEX #A260C3

RGB 162 96 195

HSL 280, 0.45%, 0.57%

LAB 51.82, 44.01, -41.34

 

CMYK 13 / 39 / 0 / 19

HEX #B47ECE

RGB 180 126 206

HSL 280.5, 0.45%, 0.65%

LAB 60.85, 35.21, -33.29

 

CMYK 9 / 28 / 0 / 15

HEX #C59CD9

RGB 197 156 217

HSL 280.33, 0.45%, 0.73%

LAB 69.93, 26.21, -25.26

 

CMYK 17 / 51 / 0 / 24

HEX #A25FC3

RGB 162 95 195

HSL 280.2, 0.45%, 0.57%

LAB 51.62, 44.54, -41.66

 

CMYK 0 / 51 / 44 / 24

HEX #C3606D

RGB 195 96 109

HSL 352.12, 0.45%, 0.57%

LAB 53.03, 40.8, 11.36

 

CMYK 51 / 0 / 37 / 24

HEX #60C37A

RGB 96 195 122

HSL 135.76, 0.45%, 0.57%

LAB 71.5, -45.06, 28.02

 

CMYK 17 / 51 / 0 / 24

HEX #A25FC3

RGB 162 95 195

HSL 280.2, 0.45%, 0.57%

LAB 51.62, 44.54, -41.66

 

CMYK 0 / 17 / 51 / 24

HEX #C3A260

RGB 195 162 96

HSL 40, 0.45%, 0.57%

LAB 68.23, 3.77, 38.65

 

CMYK 51 / 0 / 17 / 24

HEX #60C3A2

RGB 96 195 162

HSL 160, 0.45%, 0.57%

LAB 72.31, -37, 7.75

 

CMYK 17 / 51 / 0 / 24

HEX #A25FC3

RGB 162 95 195

HSL 280.2, 0.45%, 0.57%

LAB 51.62, 44.54, -41.66

 

CMYK 0 / 51 / 44 / 24

HEX #C3606D

RGB 195 96 109

HSL 352.12, 0.45%, 0.57%

LAB 53.03, 40.8, 11.36

 

CMYK 34 / 0 / 51 / 24

HEX #81C360

RGB 129 195 96

HSL 100, 0.45%, 0.57%

LAB 72.59, -38.87, 42.88

 

CMYK 51 / 0 / 7 / 24

HEX #60C3B6

RGB 96 195 182

HSL 172.12, 0.45%, 0.57%

LAB 72.82, -32.21, -2.38

 

CMYK 17 / 51 / 0 / 24

HEX #A25FC3

RGB 162 95 195

HSL 280.2, 0.45%, 0.57%

LAB 51.62, 44.54, -41.66

 

CMYK 0 / 43 / 51 / 24

HEX #C37060

RGB 195 112 96

HSL 9.7, 0.45%, 0.57%

LAB 56.12, 31.11, 23.16

 

CMYK 34 / 0 / 51 / 24

HEX #81C360

RGB 129 195 96

HSL 100, 0.45%, 0.57%

LAB 72.59, -38.87, 42.88

 

CMYK 51 / 9 / 0 / 24

HEX #60B2C3

RGB 96 178 195

HSL 190.3, 0.45%, 0.57%

LAB 68.22, -20.34, -16.37

 

Description

Color code: HEX #A25FC3 | qconv.com Color code: HEX #A25FC3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 95 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 95 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 51 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 51% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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