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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A25CCD it is the complementary color #5DA332. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A25CCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A25CCD shade: #A75CC8, #B86EDB, #C980EE, #DA92FF and #EBA4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A25CCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A25CCD shade: #A25CCD, #914ABA, #8038A7, #6F2694 and #5E1481

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A25CCD shade: #A15BCD, #C05BCD, #CD5BBB, #CD5B9C and #CD5B7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A25CCD shade: #A15BCD, #835BCD, #645BCD and #5B5BCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A25CCD shade matches the following richer shades: #A15BCD, #A64ADE and #AA38EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A25CCD shade: #A15BCD, #9D6CBB, #997EAA, #958F99 and #91A087

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A25CCD shade: #655BCD, #835BCD, #A15BCD, #BF5BCD and #CD5BBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A25CCD shade: #7832A3, #8F3CC3, #A15BCD, #B37BD6 and #C59AE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A25CCD shade: #A25CCD, #CD5B70 and #5BCD74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A25CCD shade: #A25CCD, #CDA15B and #5BCDA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A25CCD shade: #A25CCD, #CD5B70, #87CD5B and #5BCDB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A25CCD shade: #A25CCD, #CD685B, #87CD5B and #5BBFCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 55 / 0 / 20

HEX #A25CCD

RGB 162 92 205

HSL 277.17, 0.53%, 0.58%

LAB 51.55, 48.33, -47.51

 

Complementary color

CMYK 43 / 0 / 69 / 36

HEX #5DA332

RGB 93 163 50

HSL 97.17, 0.53%, 0.42%

LAB 60.56, -41.89, 49.62

 

CMYK 17 / 54 / 0 / 22

HEX #A75CC8

RGB 167 92 200

HSL 281.67, 0.5%, 0.57%

LAB 51.88, 48.55, -44.08

 

CMYK 16 / 50 / 0 / 14

HEX #B86EDB

RGB 184 110 219

HSL 280.73, 0.6%, 0.65%

LAB 58.47, 47.78, -44.32

 

CMYK 16 / 46 / 0 / 7

HEX #C980EE

RGB 201 128 238

HSL 279.82, 0.76%, 0.72%

LAB 64.99, 46.98, -44.5

 

CMYK 15 / 43 / 0 / 0

HEX #DA92FF

RGB 218 146 255

HSL 279.63, 1%, 0.79%

LAB 71.34, 45.78, -43.71

 

CMYK 8 / 36 / 0 / 0

HEX #EBA4FF

RGB 235 164 255

HSL 286.81, 1%, 0.82%

LAB 76.94, 41.23, -34.86

 

CMYK 21 / 55 / 0 / 20

HEX #A25CCD

RGB 162 92 205

HSL 277.17, 0.53%, 0.58%

LAB 51.55, 48.33, -47.51

 

CMYK 22 / 60 / 0 / 27

HEX #914ABA

RGB 145 74 186

HSL 278.04, 0.45%, 0.51%

LAB 44.89, 49.07, -47.27

 

CMYK 23 / 66 / 0 / 35

HEX #8038A7

RGB 128 56 167

HSL 278.92, 0.5%, 0.44%

LAB 38.21, 49.64, -46.87

 

CMYK 25 / 74 / 0 / 42

HEX #6F2694

RGB 111 38 148

HSL 279.82, 0.59%, 0.36%

LAB 31.59, 49.79, -46.17

 

CMYK 27 / 84 / 0 / 49

HEX #5E1481

RGB 94 20 129

HSL 280.73, 0.73%, 0.29%

LAB 25.15, 49.06, -44.9

 

CMYK 21 / 56 / 0 / 20

HEX #A15BCD

RGB 161 91 205

HSL 276.84, 0.53%, 0.58%

LAB 51.23, 48.59, -48.02

 

CMYK 6 / 56 / 0 / 20

HEX #C05BCD

RGB 192 91 205

HSL 293.16, 0.53%, 0.58%

LAB 55.17, 56.65, -41.52

 

CMYK 0 / 56 / 9 / 20

HEX #CD5BBB

RGB 205 91 187

HSL 309.47, 0.53%, 0.58%

LAB 56.14, 57.04, -29.57

 

CMYK 0 / 56 / 24 / 20

HEX #CD5B9C

RGB 205 91 156

HSL 325.79, 0.53%, 0.58%

LAB 54.93, 52.37, -13.43

 

CMYK 0 / 56 / 39 / 20

HEX #CD5B7D

RGB 205 91 125

HSL 342.11, 0.53%, 0.58%

LAB 53.97, 48.49, 3.42

 

CMYK 21 / 56 / 0 / 20

HEX #A15BCD

RGB 161 91 205

HSL 276.84, 0.53%, 0.58%

LAB 51.23, 48.59, -48.02

 

CMYK 36 / 56 / 0 / 20

HEX #835BCD

RGB 131 91 205

HSL 261.05, 0.53%, 0.58%

LAB 47.9, 41.13, -53.54

 

CMYK 51 / 56 / 0 / 20

HEX #645BCD

RGB 100 91 205

HSL 244.74, 0.53%, 0.58%

LAB 45.08, 34.2, -58.22

 

CMYK 56 / 56 / 0 / 20

HEX #5B5BCD

RGB 91 91 205

HSL 240, 0.53%, 0.58%

LAB 44.4, 32.41, -59.36

 

CMYK 21 / 56 / 0 / 20

HEX #A15BCD

RGB 161 91 205

HSL 276.84, 0.53%, 0.58%

LAB 51.23, 48.59, -48.02

 

CMYK 25 / 67 / 0 / 13

HEX #A64ADE

RGB 166 74 222

HSL 277.3, 0.69%, 0.58%

LAB 49.83, 61.74, -59.91

 

CMYK 29 / 77 / 0 / 6

HEX #AA38EF

RGB 170 56 239

HSL 277.38, 0.85%, 0.58%

LAB 49.02, 73.2, -70.82

 

CMYK 21 / 56 / 0 / 20

HEX #A15BCD

RGB 161 91 205

HSL 276.84, 0.53%, 0.58%

LAB 51.23, 48.59, -48.02

 

CMYK 16 / 42 / 0 / 27

HEX #9D6CBB

RGB 157 108 187

HSL 277.22, 0.37%, 0.58%

LAB 53.47, 34.18, -34.18

 

CMYK 10 / 26 / 0 / 33

HEX #997EAA

RGB 153 126 170

HSL 276.82, 0.21%, 0.58%

LAB 56.68, 18.84, -19.48

 

CMYK 3 / 7 / 0 / 40

HEX #958F99

RGB 149 143 153

HSL 276, 0.05%, 0.58%

LAB 60.19, 4.16, -4.5

 

CMYK 9 / 0 / 16 / 37

HEX #91A087

RGB 145 160 135

HSL 96, 0.12%, 0.58%

LAB 64.09, -10.07, 11.26

 

CMYK 51 / 56 / 0 / 20

HEX #655BCD

RGB 101 91 205

HSL 245.26, 0.53%, 0.58%

LAB 45.16, 34.4, -58.09

 

CMYK 36 / 56 / 0 / 20

HEX #835BCD

RGB 131 91 205

HSL 261.05, 0.53%, 0.58%

LAB 47.9, 41.13, -53.54

 

CMYK 21 / 56 / 0 / 20

HEX #A15BCD

RGB 161 91 205

HSL 276.84, 0.53%, 0.58%

LAB 51.23, 48.59, -48.02

 

CMYK 7 / 56 / 0 / 20

HEX #BF5BCD

RGB 191 91 205

HSL 292.63, 0.53%, 0.58%

LAB 55.04, 56.39, -41.74

 

CMYK 0 / 56 / 8 / 20

HEX #CD5BBC

RGB 205 91 188

HSL 308.95, 0.53%, 0.58%

LAB 56.18, 57.21, -30.08

 

CMYK 26 / 69 / 0 / 36

HEX #7832A3

RGB 120 50 163

HSL 277.17, 0.53%, 0.42%

LAB 35.83, 49.76, -48.37

 

CMYK 27 / 69 / 0 / 24

HEX #8F3CC3

RGB 143 60 195

HSL 276.89, 0.53%, 0.5%

LAB 42.78, 57.28, -55.92

 

CMYK 21 / 56 / 0 / 20

HEX #A15BCD

RGB 161 91 205

HSL 276.84, 0.53%, 0.58%

LAB 51.23, 48.59, -48.02

 

CMYK 16 / 43 / 0 / 16

HEX #B37BD6

RGB 179 123 214

HSL 276.92, 0.53%, 0.66%

LAB 60.43, 38.29, -38.46

 

CMYK 12 / 31 / 0 / 12

HEX #C59AE0

RGB 197 154 224

HSL 276.86, 0.53%, 0.74%

LAB 69.73, 28.76, -29.43

 

CMYK 21 / 55 / 0 / 20

HEX #A25CCD

RGB 162 92 205

HSL 277.17, 0.53%, 0.58%

LAB 51.55, 48.33, -47.51

 

CMYK 0 / 56 / 45 / 20

HEX #CD5B70

RGB 205 91 112

HSL 348.95, 0.53%, 0.58%

LAB 53.63, 47.12, 10.65

 

CMYK 56 / 0 / 43 / 20

HEX #5BCD74

RGB 91 205 116

HSL 133.16, 0.53%, 0.58%

LAB 74.28, -51.4, 34.72

 

CMYK 21 / 55 / 0 / 20

HEX #A25CCD

RGB 162 92 205

HSL 277.17, 0.53%, 0.58%

LAB 51.55, 48.33, -47.51

 

CMYK 0 / 21 / 56 / 20

HEX #CDA15B

RGB 205 161 91

HSL 36.84, 0.53%, 0.58%

LAB 68.91, 8.09, 42.27

 

CMYK 56 / 0 / 21 / 20

HEX #5BCDA1

RGB 91 205 161

HSL 156.84, 0.53%, 0.58%

LAB 75.11, -42.81, 12.25

 

CMYK 21 / 55 / 0 / 20

HEX #A25CCD

RGB 162 92 205

HSL 277.17, 0.53%, 0.58%

LAB 51.55, 48.33, -47.51

 

CMYK 0 / 56 / 45 / 20

HEX #CD5B70

RGB 205 91 112

HSL 348.95, 0.53%, 0.58%

LAB 53.63, 47.12, 10.65

 

CMYK 34 / 0 / 56 / 20

HEX #87CD5B

RGB 135 205 91

HSL 96.84, 0.53%, 0.58%

LAB 75.8, -41.78, 49.15

 

CMYK 56 / 0 / 10 / 20

HEX #5BCDB8

RGB 91 205 184

HSL 168.95, 0.53%, 0.58%

LAB 75.67, -37.43, 0.68

 

CMYK 21 / 55 / 0 / 20

HEX #A25CCD

RGB 162 92 205

HSL 277.17, 0.53%, 0.58%

LAB 51.55, 48.33, -47.51

 

CMYK 0 / 49 / 56 / 20

HEX #CD685B

RGB 205 104 91

HSL 6.84, 0.53%, 0.58%

LAB 55.72, 38.75, 25.75

 

CMYK 34 / 0 / 56 / 20

HEX #87CD5B

RGB 135 205 91

HSL 96.84, 0.53%, 0.58%

LAB 75.8, -41.78, 49.15

 

CMYK 56 / 7 / 0 / 20

HEX #5BBFCD

RGB 91 191 205

HSL 187.37, 0.53%, 0.58%

LAB 72.16, -25.18, -15.92

 

Description

Color code: HEX #A25CCD | qconv.com Color code: HEX #A25CCD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 92 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 92 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 55 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 55% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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